Chapter II: Part 2

When the sun-god's golden chariot had driven down into the west, then would his sister's noiseless-footed silver steeds be driven across the sky, while the huntress shot from her bow at will silent arrows that would slay without warning a joyous young mother with her newly-born babe, or would wantonly pierce, with a lifelong pain, the heart of some luckless mortal.

Now one night as she passed Mount Latmos, there chanced to be a shepherd lad lying asleep beside his sleeping flock. Many times had Endymion watched the goddess from afar, half afraid of one so beautiful and yet so ruthless, but never before had Diana realised the youth's wonderful beauty. She checked her hounds when they would have swept on in their chase through the night, and stood beside Endymion. She judged him to be as perfect as her own brother, Apollo--yet more perfect, perhaps, for on his upturned sleeping face was the silver glamour of her own dear moon. Fierce and burning passion could come with the sun's burning rays, but love that came in the moon's pale light was passion mixed with gramarye. She gazed for long, and when, in his sleep, Endymion smiled, she knelt beside him and, stooping, gently kissed his lips. The touch of a moonbeam on a sleeping rose was no more gentle than was Diana's touch, yet it was sufficient to wake Endymion. And as, while one's body sleeps on, one's half-waking mind, now and again in a lifetime seems to realise an ecstasy of happiness so perfect that one dares not wake lest, by waking, the wings of one's realised ideal should slip between grasping fingers and so escape forever, so did Endymion realise the kiss of the goddess. But before his sleepy eyes could be his senses' witnesses, Diana had hastened away. Endymion, springing to his feet, saw only his sleeping flock, nor did his dogs awake when he heard what seemed to him to be the baying of hounds in full cry in a forest far up the mountain. Only to his own heart did he dare to whisper what was this wonderful thing that he believed had befallen him, and although he laid himself down, hoping that once again this miracle might be granted to him, no miracle came; nor could he sleep, so great was his longing.

All the next day, through the sultry hours while Apollo drove his chariot of burnished gold through the land, Endymion, as he watched his flocks, tried to dream his dream once more, and longed for the day to end and the cool, dark night to return. When night came he tried to lie awake and see what might befall, but when kind sleep had closed his tired eyes,

"There came a lovely vision of a maid,
Who seemed to step as from a golden car
Out of the low-hung moon."

Lewis Morris.

Always she kissed him, yet when her kiss awoke him he never could see anything more tangible than a shaft of silver moonlight on the moving bushes of the mountain side, never hear anything more real than the far-away echo of the baying of pursuing hounds, and if, with eager, greatly-daring eyes, he looked skywards, a dark cloud, so it seemed to him, would always hasten to hide the moon from his longing gaze.

In this manner time passed on. The days of Endymion were filled by longing day-dreams. His sleeping hours ever brought him ecstasy. Ever, too, to the goddess, the human being that she loved seemed to her to grow more precious. For her all the joy of day and of night was concentrated in the moments she spent by the side of the sleeping Endymion. The flocks of the shepherd flourished like those of no other herd. No wild beast dared come near them; no storm nor disease assailed them. Yet for Endymion the things of earth no longer held any value. He lived only for his dear dream's sake. Had he been permitted to grow old and worn and tired, and still a dreamer, who knows how his story might have ended? But to Diana there came the fear that with age his beauty might wane, and from her father, Zeus, she obtained for the one she loved the gifts of unending youth and of eternal sleep.

There came a night when the dreams of Endymion had no end. That was a night when the moon made for herself broad silver paths across the sea, from far horizon to the shore where the little waves lapped and curled in a radiant, ever-moving silver fringe. Silver also were the leaves of the forest trees, and between the branches of the solemn cypresses and of the stately dark pines, Diana shot her silver arrows. No baying of hounds came then to make Endymion's flocks move uneasily in their sleep, but the silver stars seemed to sing in unison together. While still those gentle lips touched his, hands as gentle lifted up the sleeping Endymion and bore him to a secret cave in Mount Latmos. And there, for evermore, she came to kiss the mouth of her sleeping lover. There, forever, slept Endymion, happy in the perfect bliss of dreams that have no ugly awaking, of an ideal love that knows no ending.

ORPHEUS

"Orpheus with his lute made trees,
And the mountain tops that freeze,
Bow themselves when he did sing;
To his music plants and flowers
Ever sprung, as sun and showers
There had made a lasting spring.
Everything that heard him play,
Even the billows of the sea,
Hung their heads, and then lay by,
In sweet music is such art,
Killing care and grief of heart
Fall asleep, or hearing die."

Shakespeare.

"Are we not all lovers as Orpheus was, loving what is
gone from us forever, and seeking it vainly in the
solitudes and wilderness of the mind, and crying to
Eurydice to come again? And are we not all foolish as
Orpheus was, hoping by the agony of love and the ecstasy
of will to win back Eurydice; and do we not all fail, as
Orpheus failed, because we forsake the way of the other
world for the way of this world?"

Fiona Macleod.

It is the custom nowadays for scientists and for other scholarly people to take hold of the old myths, to take them to pieces, and to find some deep, hidden meaning in each part of the story. So you will find that some will tell you that Orpheus is the personification of the winds which "tear up trees as they course along, chanting their wild music," and that Eurydice is the morning "with its short-lived beauty." Others say that Orpheus is "the mythological expression of the delight which music gives to the primitive races," while yet others accept without hesitation the idea that Orpheus is the sun that, when day is done, plunges into the black abyss of night, in the vain hope of overtaking his lost bride, Eurydice, the rosy dawn. And, whether they be right or wrong, it would seem that the sadness that comes to us sometimes as the day dies and the last of the sun's rays vanish to leave the hills and valleys dark and cold, the sorrowful feeling that we cannot understand when, in country places, we hear music coming from far away, or listen to the plaintive song of the bird, are things that very specially belong to the story of Orpheus.

In the country of Thrace, surrounded by all the best gifts of the gods, Orpheus was born. His father was Apollo, the god of music and of song, his mother the muse Calliope. Apollo gave his little son a lyre, and himself taught him how to play it. It was not long before all the wild things in the woods of Thrace crept out from the green trees and thick undergrowth, and from the holes and caves in the rocks, to listen to the music that the child's fingers made. The coo of the dove to his mate, the flute-clear trill of the blackbird, the song of the lark, the liquid carol of the nightingale--all ceased when the boy made music. The winds that whispered their secrets to the trees owned him for their lord, and the proudest trees of the forest bowed their heads that they might not miss one exquisite sigh that his fingers drew from the magical strings. Nor man nor beast lived in his day that he could not sway by the power of his melody. He played a lullaby, and all things slept. He played a love-lilt, and the flowers sprang up in full bloom from the cold earth, and the dreaming red rosebud opened wide her velvet petals, and all the land seemed full of the loving echoes of the lilt he played. He played a war-march, and, afar off, the sleeping tyrants of the forest sprang up, wide awake, and bared their angry teeth, and the untried youths of Thrace ran to beg their fathers to let them taste battle, while the scarred warriors felt on their thumbs the sharpness of their sword blades, and smiled, well content. While he played it would seem as though the very stones and rocks gained hearts. Nay, the whole heart of the universe became one great, palpitating, beautiful thing, an instrument from whose trembling strings was drawn out the music of Orpheus.

He rose to great power, and became a mighty prince of Thrace. Not his lute alone, but he himself played on the heart of the fair Eurydice and held it captive. It seemed as though, when they became man and wife, all happiness must be theirs. But although Hymen, the god of marriage, himself came to bless them on the day they wed, the omens on that day were against them. The torch that Hymen carried had no golden flame, but sent out pungent black smoke that made their eyes water. They feared they knew not what; but when, soon afterwards, as Eurydice wandered with the nymphs, her companions, through the blue-shadowed woods of Thrace, the reason was discovered. A bold shepherd, who did not know her for a princess, saw Eurydice, and no sooner saw her than he loved her. He ran after her to proclaim to her his love, and she, afraid of his wild uncouthness, fled before him. She ran, in her terror, too swiftly to watch whither she went, and a poisonous snake that lurked amongst the fern bit the fair white foot that flitted, like a butterfly, across it. In agonised suffering Eurydice died. Her spirit went to the land of the Shades, and Orpheus was left broken-hearted.

The sad winds that blow at night across the sea, the sobbing gales that tell of wreck and death, the birds that wail in the darkness for their mates, the sad, soft whisper of the aspen leaves and the leaves of the heavy clad blue-black cypresses, all now were hushed, for greater than all, more full of bitter sorrow than any, arose the music of Orpheus, a long-drawn sob from a broken heart in the Valley of the Shadow of Death.

Grief came alike to gods and to men as they listened, but no comfort came to him from the expression of his sorrow. At length, when to bear his grief longer was impossible for him, Orpheus wandered to Olympus, and there besought Zeus to give him permission to seek his wife in the gloomy land of the Shades. Zeus, moved by his anguish, granted the permission he sought, but solemnly warned him of the terrible perils of his undertaking.

But the love of Orpheus was too perfect to know any fear; thankfully he hastened to the dark cave on the side of the promontory of Taenarus, and soon arrived at the entrance of Hades. Stark and grim was the three-headed watchdog, Cerberus, which guarded the door, and with the growls and the furious roaring of a wild beast athirst for its prey it greeted Orpheus. But Orpheus touched his lute, and the brute, amazed, sank into silence. And still he played, and the dog would gently have licked the player's feet, and looked up in his face with its savage eyes full of the light that we see in the eyes of the dogs of this earth as they gaze with love at their masters. On, then, strode Orpheus, playing still, and the melody he drew from his lute passed before him into the realms of Pluto.

Surely never were heard such strains. They told of perfect, tender love, of unending longing, of pain too great to end with death. Of all the beauties of the earth they sang--of the sorrow of the world--of all the world's desire--of things past--of things to come. And ever, through the song that the lute sang, there came, like a thread of silver that is woven in a black velvet pall, a limpid melody. It was as though a bird sang in the mirk night, and it spoke of peace and of hope, and of joy that knows no ending.

Into the blackest depths of Hades the sounds sped on their way, and the hands of Time stood still. From his bitter task of trying to quaff the stream that ever receded from the parched and burning lips, Tantalus ceased for a moment. The ceaseless course of Ixion's wheel was stayed, the vulture's relentless beak no longer tore at the Titan's liver; Sisyphus gave up his weary task of rolling the stone and sat on the rock to listen, the Danaides rested from their labour of drawing water in a sieve. For the first time, the cheeks of the Furies were wet with tears, and the restless shades that came and went in the darkness, like dead autumn leaves driven by a winter gale, stood still to gaze and listen. Before the throne where Pluto and his queen Proserpine were seated, sable-clad and stern, the relentless Fates at their feet, Orpheus still played on. And to Proserpine then came the living remembrance of all the joys of her girlhood by the blue AEgean Sea in the fair island of Sicily. Again she knew the fragrance and the beauty of the flowers of spring. Even into Hades the scent of the violets seemed to come, and fresh in her heart was the sorrow that had been hers on the day on which the ruthless King of Darkness tore her from her mother and from all that she held most dear. Silent she sat beside her frowning, stern-faced lord, but her eyes grew dim.

When, with a quivering sigh, the music stopped, Orpheus fearlessly pled his cause. To let him have Eurydice, to give him back his more than life, to grant that he might lead her with him up to "the light of Heaven"--that was his prayer.

The eyes of Pluto and Proserpine did not dare to meet, yet with one accord was their answer given. Eurydice should be given back to him, but only on one condition. Not until he had reached the light of earth again was he to turn round and look upon the face for a sight of which his eyes were tired with longing. Eagerly Orpheus complied, and with a heart almost breaking with gladness he heard the call for Eurydice and turned to retrace his way, with the light footfall of the little feet that he adored making music behind him. Too good a thing it seemed--too unbelievable a joy. She was there--quite close to him. Their days of happiness were not ended. His love had won her back, even from the land of darkness. All that he had not told her of that love while yet she was on earth he would tell her now. All that he had failed in before, he would make perfect now. The little limping foot--how it made his soul overflow with adoring tenderness. So near she was, he might even touch her were he to stretch back his hand....

And then there came to him a hideous doubt. What if Pluto had played him false? What if there followed him not Eurydice, but a mocking shade? As he climbed the steep ascent that led upwards to the light, his fear grew more cruelly real. Almost he could imagine that her footsteps had stopped, that when he reached the light he would find himself left once more to his cruel loneliness. Too overwhelming for him was the doubt. So nearly there they were that the darkness was no longer that of night, but as that of evening when the long shadows fall upon the land, and there seemed no reason for Orpheus to wait.

Swiftly he turned, and found his wife behind him, but only for a moment she stayed. Her arms were thrown open and Orpheus would fain have grasped her in his own, but before they could touch each other Eurydice was borne from him, back into the darkness.

"Farewell!" she said--"Farewell!" and her voice was a sigh of hopeless grief. In mad desperation Orpheus sought to follow her, but his attempt was vain. At the brink of the dark, fierce-flooded Acheron the boat with its boatman, old Charon, lay ready to ferry across to the further shore those whose future lay in the land of Shades. To him ran Orpheus, in clamorous anxiety to undo the evil he had wrought. But Charon angrily repulsed him. There was no place for such as Orpheus in his ferry-boat. Those only who went, never to return, could find a passage there. For seven long days and seven longer nights Orpheus waited beside the river, hoping that Charon would relent, but at last hope died, and he sought the depths of the forests of Thrace, where trees and rocks and beasts and birds were all his friends.

He took his lyre again then and played:

"Such strains as would have won the ear
Of Pluto, to have quite set free
His half-regained Eurydice."

Milton.

Day and night he stayed in the shadow of the woodlands, all the sorrow of his heart expressing itself in the song of his lute. The fiercest beasts of the forest crawled to his feet and looked up at him with eyes full of pity. The song of the birds ceased, and when the wind moaned through the trees they echoed his cry, "Eurydice! Eurydice!"

In the dawning hours it would seem to him that he saw her again, flitting, a thing of mist and rising sun, across the dimness of the woods. And when evening came and all things rested, and the night called out the mystery of the forest, again he would see her. In the long blue shadows of the trees she would stand--up the woodland paths she walked, where her little feet fluttered the dry leaves as she passed. Her face was white as a lily in the moonlight, and ever she held out her arms to Orpheus:

"At that elm-vista's end I trace,
Dimly thy sad leave-taking face,
Eurydice! Eurydice!
The tremulous leaves repeat to me
Eurydice! Eurydice!"

Lowell.

For Orpheus it was a good day when Jason, chief of the Argonauts, sought him out to bid him come with the other heroes and aid in the quest of the Golden Fleece.

"Have I not had enough of toil and of weary wandering far and wide," sighed Orpheus. "In vain is the skill of the voice which my goddess mother gave me; in vain have I sung and laboured; in vain I went down to the dead, and charmed all the kings of Hades, to win back Eurydice, my bride. For I won her, my beloved, and lost her again the same day, and wandered away in my madness even to Egypt and the Libyan sands, and the isles of all the seas.... While I charmed in vain the hearts of men, and the savage forest beasts, and the trees, and the lifeless stones, with my magic harp and song, giving rest, but finding none."[3]

But in the good ship _Argo_, Orpheus took his place with the others and sailed the watery ways, and the songs that Orpheus sang to his shipmates and that tell of all their great adventures are called the Songs of Orpheus, or the Orphics, to this day.

Many were the mishaps and disasters that his music warded off. With it he lulled monsters to sleep; more powerful to work magic on the hearts of men were his melodies than were the songs of the sirens when they tried to capture the Argonauts by their wiles, and in their downward, destroying rush his music checked mountains.

When the quest of the Argonauts was ended, Orpheus returned to his own land of Thrace. As a hero he had fought and endured hardship, but his wounded soul remained unhealed. Again the trees listened to the songs of longing. Again they echoed, "Eurydice! Eurydice!"

As he sat one day near a river in the stillness of the forest, there came from afar an ugly clamour of sound. It struck against the music of Orpheus' lute and slew it, as the coarse cries of the screaming gulls that fight for carrion slay the song of a soaring lark. It was the day of the feast of Bacchus, and through the woods poured Bacchus and his Bacchantes, a shameless rout, satyrs capering around them, centaurs neighing aloud. Long had the Bacchantes hated the loyal poet-lover of one fair woman whose dwelling was with the Shades. His ears were ever deaf to their passionate voices, his eyes blind to their passionate loveliness as they danced through the green trees, a riot of colour, of fierce beauty, of laughter and of mad song. Mad they were indeed this day, and in their madness the very existence of Orpheus was a thing not to be borne. At first they stoned him, but his music made the stones fall harmless at his feet. Then in a frenzy of cruelty, with the maniac lust to cause blood to flow, to know the joy of taking life, they threw themselves upon Orpheus and did him to death. From limb to limb they tore him, casting at last his head and his blood-stained lyre into the river. And still, as the water bore them on, the lyre murmured its last music and the white lips of Orpheus still breathed of her whom at last he had gone to join in the shadowy land, "Eurydice! Eurydice!"

"Combien d'autres sont morts de meme! C'est la lutte eternelle de la force brutale contre l'intelligence douce et sublime inspiree du ciel, dont le royaume n'est pas de ce monde."

In the heavens, as a bright constellation called Lyra, or Orpheus, the gods placed his lute, and to the place of his martyrdom came the Muses, and with loving care carried the fragments of the massacred body to Libetlera, at the foot of Mount Olympus, and there buried them. And there, unto this day, more sweetly than at any other spot in any other land, the nightingale sings. For it sings of a love that knows no ending, of life after death, of a love so strong that it can conquer even Death, the all-powerful.

FOOTNOTE:

[3] Kingsley.

APOLLO AND DAPHNE

Conqueror of all conquerable earth, yet not always victorious over the heart of a maid was the golden-locked Apollo.

As mischievous Eros played one day with his bow and arrows, Apollo beheld him and spoke to him mockingly.

"What hast thou to do with the weapons of war, saucy lad?" he said. "Leave them for hands such as mine, that know full well how to wield them. Content thyself with thy torch, and kindle flames, if indeed thou canst, but such bolts as thy white young arms can drive will surely not bring scathe to god nor to man."

Then did the son of Aphrodite answer, and as he made answer he laughed aloud in his glee. "With thine arrows thou mayst strike all things else, great Apollo, a shaft of mine shall surely strike thy heart!"

Carefully, then, did Eros choose two arrows from his quiver. One, sharp-pointed and of gold, he fitted carefully to his bow, drew back the string until it was taut, and then let fly the arrow, that did not miss its mark, but flew straight to the heart of the sun-god. With the other arrow, blunt, and tipped with lead, he smote the beautiful Daphne, daughter of Peneus, the river-god. And then, full joyously did the boy-god laugh, for his roguish heart knew well that to him who was struck by the golden shaft must come the last pangs that have proved many a man's and many a god's undoing, while that leaden-tipped arrow meant to whomsoever it struck, a hatred of Love and an immunity from all the heart weakness that Love can bring. Those were the days when Apollo was young. Never before had he loved.

But as the first fierce storm that assails it bends the young, supple tree with its green budding leaves before its furious blast, so did the first love of Apollo bend low his adoring heart. All day as he held the golden reins of his chariot, until evening when its fiery wheels were cooled in the waters of the western seas, he thought of Daphne. All night he dreamed of her. But never did there come to Daphne a time when she loved Love for Love's sake. Never did she look with gentle eye on the golden-haired god whose face was as the face of all the exquisite things that the sunlight shows, remembered in a dream. Her only passion was a passion for the chase. One of Diana's nymphs was she, cold and pure and white in soul as the virgin goddess herself.

There came a day when Apollo could no longer put curbing hands on his fierce longing. The flames from his chariot still lingered in reflected glories on sea and hill and sky. The very leaves of the budding trees of spring were outlined in gold. And through the dim wood walked Daphne, erect and lithe and living as a sapling in the early spring.

With beseeching hands, Apollo followed her. A god was he, yet to him had come the vast humility of passionate intercession for the gift of love to a little nymph. She heard his steps behind her and turned round, proud and angry that one should follow her when she had not willed it.

"Stay!" he said, "daughter of Peneus. No foe am I, but thine own humble lover. To thee alone do I bow my head. To all others on earth am I conqueror and king."

But Daphne, hating his words of passionate love, sped on. And when his passion lent wings to his feet and she heard him gaining on her as she fled, not as a lover did Daphne look on deathless Apollo, but as a hateful foe. More swiftly than she had ever run beside her mistress Diana, leaving the flying winds behind her as she sped, ran Daphne now. But ever did Apollo gain upon her, and almost had he grasped her when she reached the green banks of the river of which her father, Peneus, was god.

"Help me, Peneus!" she cried. "Save me, oh my father, from him whose love I fear!"

As she spoke the arms of Apollo seized her, yet, even as his arms met around her waist, lissome and slight as a young willow, Daphne the nymph was Daphne the nymph no longer. Her fragrant hair, her soft white arms, her tender body all changed as the sun-god touched them. Her feet took root in the soft, damp earth by the river. Her arms sprouted into woody branches and green leaves. Her face vanished, and the bark of a big tree enclosed her snow-white body. Yet Apollo did not take away his embrace from her who had been his dear first love. He knew that her cry to Peneus her father had been answered, yet he said, "Since thou canst not be my bride, at least thou shalt be my tree; my hair, my lyre, my quiver shall have thee always, oh laurel tree of the Immortals!"

So do we still speak of laurels won, and worn by those of deathless fame, and still does the first love of Apollo crown the heads of those whose gifts have fitted them to dwell with the dwellers on Olympus.

"I espouse thee for my tree:
Be thou the prize of honour and renown;
The deathless poet, and the poem, crown;
Thou shalt the Roman festivals adorn,
And, after poets, be by victors worn."

Ovid (_Dryden's translation_).

PSYCHE

Those who read for the first time the story of Psyche must at once be struck by its kinship to the fairy tales of childhood. Here we have the three sisters, the two elder jealous and spiteful, the youngest beautiful and gentle and quite unable to defend herself against her sisters' wicked arts. Here, too, is the mysterious bridegroom who is never seen and who is lost to his bride because of her lack of faith. Truly it is an old, old tale--older than all fairy tales--the story of love that is not strong enough to believe and to wait, and so to "win through" in the end--the story of seeds of suspicion sown by one full of malice in an innocent heart, and which bring to the hapless reaper a cruel harvest.

Once upon a time, so goes the tale, a king and queen had three beautiful daughters. The first and the second were fair indeed, but the beauty of the youngest was such that all the people of the land worshipped it as a thing sent straight from Olympus. They awaited her outside the royal palace, and when she came, they threw chaplets of roses and violets for her little feet to tread upon, and sang hymns of praise as though she were no mortal maiden but a daughter of the deathless gods.

There were many who said that the beauty of Aphrodite herself was less perfect than the beauty of Psyche, and when the goddess found that men were forsaking her altars in order to worship a mortal maiden, great was her wrath against them and against the princess who, all unwittingly, had wrought her this shameful harm.

In her garden, sitting amongst the flowers and idly watching his mother's fair white doves as they preened their snowy feathers in the sun, Aphrodite found her son Eros, and angrily poured forth to him the story of her shame.

"Thine must be the task of avenging thy mother's honour," she said. "Thou who hast the power of making the loves of men, stab with one of thine arrows the heart of this presumptuous maiden, and shame her before all other mortals by making her love a monster from which all others shrink and which all despise." With wicked glee Eros heard his mother's commands. His beautiful face, still the face of a mischievous boy, lit up with merriment. This was, in truth, a game after his own heart. In the garden of Aphrodite is a fountain of sweet, another of bitter water, and Eros filled two amber vases, one from each fountain, hung them from his quiver, and

"Straight he rose from earth and down the wind
Went glittering 'twixt the blue sky and the sea."

In her chamber Psyche lay fast asleep, and swiftly, almost without a glance at her, Eros sprinkled some of the bitter drops upon her lips, and then, with one of his sharpest arrows, pricked her snowy breast. Like a child who half awakes in fear, and looks up with puzzled, wondering eyes, Psyche, with a little moan, opened eyes that were bluer than the violets in spring and gazed at Eros. He knew that he was invisible, and yet her gaze made him tremble.

"They spoke truth!" said the lad to himself. "Not even my mother is as fair as this princess."

For a moment her eyelids quivered, and then dropped. Her long dark lashes fell on her cheeks that were pink as the hearts of the fragile shells that the waves toss up on western beaches, her red mouth, curved like the bow of Eros, smiled happily, and Psyche slept again. With heart that beat as it had never beaten before, Eros gazed upon her perfect loveliness. With gentle, pitying finger he wiped away the red drop where his arrow had wounded her, and then stooped and touched her lips with his own, so lightly that Psyche in her dreams thought that they had been brushed by a butterfly's wings. Yet in her sleep she moved, and Eros, starting back, pricked himself with one of his arrows. And with that prick, for Eros there passed away all the careless ease of the heart of a boy, and he knew that he loved Psyche with the unquenchable love of a deathless god. Now, with bitter regret, all his desire was to undo the wrong he had done to the one that he loved. Speedily he sprinkled her with the sweet water that brings joy, and when Psyche rose from her couch she was radiant with the beauty that comes from a new, undreamed-of happiness.

"From place to place Love followed her that day
And ever fairer to his eyes she grew,
So that at last when from her bower he flew,
And underneath his feet the moonlit sea
Went shepherding his waves disorderly,
He swore that of all gods and men, no one
Should hold her in his arms but he alone;
That she should dwell with him in glorious wise
Like to a goddess in some paradise;
Yea, he would get from Father Jove this grace
That she should never die, but her sweet face
And wonderful fair body should endure
Till the foundations of the mountains sure
Were molten in the sea; so utterly
Did he forget his mother's cruelty."

William Morris.

Meantime it came to be known all over that land, and in other lands to which the fame of the fair Psyche had spread, that the mighty goddess Aphrodite had declared herself the enemy of the princess. Therefore none dared seek her in marriage, and although many a noble youth sighed away his heart for love of her, she remained in her father's palace like an exquisite rose whose thorns make those who fain would have it for their own, fear to pluck it from the parent stem. Her sisters married, and her father marvelled why so strange a thing should come about and why the most beautiful by far of his three daughters should remain unwed.

At length, laden with royal gifts, an embassy was sent by the king to the oracle of Apollo to inquire what might be the will of the dwellers on Olympus concerning his fairest daughter. In a horror of anxiety the king and his queen and Psyche awaited the return of the ambassadors. And when they returned, before ever a word was spoken, they knew that the oracle had spoken Psyche's doom.

"No mortal lover shall fair Psyche know," said the oracle. "For bridegroom she shall have a monster that neither man nor god can resist. On the mountain top he awaits her coming. Woe unutterable shall come to the king and to all the dwellers in his land if he dares to resist the unalterable dictum of the deathless gods!"

"... Of dead corpses shalt thou be the king,
And stumbling through the dark land shalt thou go,
Howling for second death to end thy woe."

William Morris.

Only for a little while did the wretched king strive to resist the decrees of fate. And in her own chamber, where so short a time before the little princess had known the joy of something inexpressible--something most exquisite--intangible--unknown--she sat, like a flower broken by the ruthless storm, sobbing pitifully, dry-eyed, with sobs that strained her soul, for the shameful, hideous fate that the gods had dealt her.

All night, until her worn-out body could no longer feel, her worn-out mind think, and kind sleep came to bring her oblivion, Psyche faced the horror for the sake of her father and of his people, that she knew she could not avoid. When morning came, her handmaids, white-faced and red-eyed, came to deck her in all the bridal magnificence that befitted the most beautiful daughter of a king, and when she was dressed right royally, and as became a bride, there started up the mountain a procession at sight of which the gods themselves must have wept. With bowed heads the king and queen walked before the litter upon which lay their daughter in her marriage veil of saffron colour, with rose wreath on her golden hair. White, white were the faces of the maidens who bore the torches, and yet rose red were they by the side of Psyche. Minstrels played wedding hymns as they marched onwards, and it seemed as though the souls of unhappy shades sobbed through the reeds and moaned through the strings as they played.

At length they reached the rocky place where they knew they must leave the victim bride, and her father dared not meet her eyes as he turned his head to go. Yet Psyche watched the procession wending its way downhill. No more tears had she to shed, and it seemed to her that what she saw was not a wedding throng, but an assembly of broken-hearted people who went back to their homes with heavy feet after burying one that they loved. She saw no sign of the monster who was to be her bridegroom, yet at every little sound her heart grew sick with horror, and when the night wind swept through the craggy peaks and its moans were echoed in loneliness, she fell on her face in deadly fear and lay on the cold rock in a swoon.

Yet, had Psyche known it, the wind was her friend. For Eros had used Zephyrus as his trusty messenger and sent him to the mountain top to find the bride of him "whom neither man nor god could resist." Tenderly--very tenderly--he was told, must he lift her in his arms, and bear her to the golden palace in that green and pleasant land where Eros had his home. So, with all the gentleness of a loving nurse to a tired little child Zephyrus lifted Psyche, and sped with her in his strong arms to the flowery meadows behind which towered the golden palace of Eros, like the sun behind a sky of green and amber and blue and rose. Deeply, in the weariness of her grief, Psyche slept, and when she awoke it was to start up with the chill hands of the realisation of terrible actualities on her heart. But when her eyes looked round to find the barren rocks, the utter forsakenness, the coming of an unnameable horror, before her she saw only fair groves with trees bedecked with fruit and blossom, fragrant meadows, flowers whose beauty made her eyes grow glad. And from the trees sang birds with song more sweet than any that Psyche had ever known, and with brilliant plumage which they preened caressingly when they had dipped their wings in crystal-sparkling fountains. There, too, stood a noble palace, golden fronted, and with arcades of stainless marble that shone like snow in the sun. At first all seemed like part of a dream from which she dreaded to awake, but soon there came to her the joy of knowing that all the exquisite things that made appeal to her senses were indeed realities. Almost holding her breath, she walked forward to the open golden doors. "It is a trap," she thought. "By this means does the monster subtly mean to lure me into his golden cage." Yet, even as she thought, there seemed to be hovering round her winged words, like little golden birds with souls. And in her ears they whispered, "Fear not. Doubt not. Recall the half-formed dreams that so short a time ago brought to thy heart such unutterable joy. No evil shall come to thee--only the bliss of loving and of being loved."

Thus did Psyche lose her fear, and enter the golden doors. And inside the palace she found that all the beautiful things of which she had ever dreamed, all the perfect things for which she had ever longed, were there to greet her. From one to another she flitted, like a humming-bird that sucks honey from one and then from another gorgeous flower. And then, when she was tired with so much wearing out of her thankful mind, she found a banquet ready spread for her, with all the dainties that her dainty soul liked best; and, as she ate, music so perfect rejoiced her ears that all her soul was soothed and joyous and at peace. When she had refreshed herself, a soft couch stood before her, ready for her there to repose, and when that strange day had come to an end, Psyche knew that, monster or not, she was beloved by one who had thought for her every thought, and who desired only her desire.

Night came at last, and when all was dark and still, and Psyche, wide awake, was full of forebodings and fears lest her happy dreams might only be misleading fancies, and Horror incarnate might come to crown her peaceful day, Eros softly entered the palace that was his own. Even as he had gone to the palace of her father he went now, and found Psyche lying with violet eyes that stared into the velvety darkness, seeking something that she hoped for, trembling before something that brought her dread.

His voice was as the voice of spring when it breathes on the sleeping earth; he knew each note in Love's music, every word in the great thing that is Love's vocabulary. Love loved, and Psyche listened, and soon she knew that her lover was Love himself.

Thus, for Psyche, did a time of perfect happiness begin. All through the day she roamed in her Love's dominion, and saw on every side the signs of his passion and of his tenderness. All through the night he stayed by her, and satisfied all the longing of her heart. Yet always, ere daybreak, Eros left her, and when she begged him to stay he only made answer:

"I am with thee only while I keep
My visage hidden; and if thou once shouldst see
My face, I must forsake thee; the high gods
Link Love with Faith, and he withdraws himself
From the full gaze of knowledge."

Lewis Morris.

So did time glide past for Psyche, and ever she grew more in love with Love; always did her happiness become more complete. Yet, ever and again, there returned to her the remembrance of those sorrowful days when her father and mother had broken their hearts over her martyrdom, and her sisters had looked askance at her as at one whose punishment must assuredly have come from her own misdoing. Thus at length she asked Eros to grant her, for love's sake, a boon--to permit her to have her sisters come to see for themselves the happiness that was hers. Most unwillingly was her request granted, for the heart of Eros told him that from their visit no good could come. Yet he was unable to deny anything to Psyche, and on the following day Zephyrus was sent to bring the two sisters to the pleasant valley where Psyche had her home. Eagerly, as she awaited them, Psyche thought she might make the princely palace wherein she dwelt yet fairer than it was. And almost ere she could think, her thoughts became realities. When the two sisters came, they were bewildered with the beauty and the magnificence of it all. Beside this, their own possessions were paltry trifles indeed. Quickly, in their little hearts, black envy grew. They had always been jealous of their younger sister, and now that they found her, whom all the world believed to have been slain by a horrible monster, more beautiful than ever, decked with rare jewels, radiant in her happiness, and queen of a palace fit for the gods, their envy soon turned to hatred, and they sought how best to wreak their malice upon the joyous creature who loaded them with priceless gifts. They began to ply Psyche with questions. He who was her lord, to whom she owed all her happiness, where was he? Why did he stay away when her sisters came to be presented to him? What manner of man was he? Was he fair or dark? Young or old? And as they questioned her, Psyche grew like a bewildered child and answered in frightened words that contradicted one another. And well the wicked sisters, who brooded evil in their hearts, knew that this husband whom Psyche had never seen must indeed be one of the deathless gods. Wily words they spoke to her then.

"Alas! unhappy one," they said, "dost think to escape the evil fate the gods meted out for thee? Thy husband is none other than the monster of which the oracle spake! Oh, foolish Psyche! canst not understand that the monster fears the light? Too great horror would it mean for thee to see the loathsome thing that comes in the blackness of night and speaks to thee words of love."

White-lipped and trembling, Psyche listened. Drop by drop the poisonous words passed into her soul. She had thought him king of all living things--worthy to rule over gods as well as men. She was so sure that his body was worthy sheath for the heart she knew so well.... She had pictured him beautiful as Eros, son of Aphrodite--young and fair, with crisp, golden locks--a husband to glory in--a lover to adore. And now she knew, with shame and dread, that he who had won her love between the twilight and the dawn was a thing to shame her, a monster to be shunned of men.

"What, then, shall I do?" piteously she asked of her sisters. And the women, pitilessly, and well content, answered:

"Provide thyself with a lamp and a knife sharp enough to slay the man or monster. And when this creature to whom, to thy undying shame, thou belongest, sleeps sound, slip from thy couch and in the rays of the lamp have courage to look upon him in all his horror. Then, when thou hast seen for thyself that what we say is truth, with thy knife swiftly slay him. Thus shalt thou free thyself from the pitiless doom meted out by the gods."

Shaking with sobs, Psyche made answer:

"I love him so!... I love him so!"

And her sisters turned upon her with furious scorn and well-simulated wrath.

"Shameless one!" they cried; "and does our father's daughter confess to a thing so unutterable! Only by slaying the monster canst thou hope to regain thy place amongst the daughters of men."

They left her when evening fell, carrying with them their royal gifts. And while she awaited the coming of her lord, Psyche, provided with knife and lamp, crouched with her head in her hands, a lily broken by a cruel storm. So glad was Eros to come back to her, to find her safely there--for greatly had he feared the coming of that treacherous pair--that he did not note her silence. Nor did the dark night show him that her eyes in her sad face looked like violets in a snow wreath. He wanted only to hold her safely in his arms, and there she lay, passive and still, until sleep came to lay upon him an omnipotent hand. Then, very gently, she withdrew herself from his embrace, and stole to the place where her lamp was hidden. Her limbs shook under her as she brought it to the couch where he lay asleep; her arm trembled as she held it aloft.

As a martyr walks to death, so did she walk. And when the yellow light fell upon the form of him who lay there, still she gazed steadily.

And, lo, before her she saw the form of him who had ever been the ideal of her dreams. Love himself, incarnate Love, perfect in beauty and in all else was he whom her sisters had told her was a monster--he, of whom the oracle had said that neither gods nor men could resist him. For a moment of perfect happiness she gazed upon his beauty. Then he turned in his sleep, and smiled, and stretched out his arms to find the one of his love. And Psyche started, and, starting, shook the lamp; and from it fell a drop of burning oil on the white shoulder of Eros. At once he awoke, and with piteous, pitying eyes looked in those of Psyche. And when he spoke, his words were like daggers that pierced deep into her soul. He told her all that had been, all that might have been. Had she only had faith and patience to wait, an immortal life should have been hers.

"Farewell! though I, a god, can never know
How thou canst lose thy pain, yet time will go
Over thine head, and thou mayst mingle yet
The bitter and the sweet, nor quite forget,
Nor quite remember, till these things shall seem
The wavering memory of a lovely dream."

William Morris.

He left her alone then, with her despair, and as the slow hours dragged by, Psyche, as she awaited the dawn, felt that in her heart no sun could ever rise again. When day came at last, she felt she could no longer endure to stay in the palace where everything spoke to her of the infinite tenderness of a lost love. Through the night a storm had raged, and even with the day there came no calm. And Psyche, weary and chill, wandered away from the place of her happiness, onward and ever on, until she stood on the bank of a swift-flowing river. For a little she stayed her steps and listened to the sound of its wash against the rocks and tree roots as it hurried past, and to her as she waited came the thought that here had she found a means by which to end her woe.

"I have lost my Love," she moaned. "What is Life to me any longer! Come to me then, O Death!"

So then she sprang into the wan water, hoping that very swiftly it might bear her grief-worn soul down to the shades. But the river bore her up and carried her to its shallows in a fair meadow where Pan himself sat on the bank and merrily dabbled his feet in the flowing water. And when Psyche, shamed and wet, looked at him with sad eyes, the god spoke to her gently and chid her for her folly. She was too young and much too fair to try to end her life so rudely, he said. The river gods would never be so unkind as to drive so beautiful a maiden in rough haste down to the Cocytus valley.

"Thou must dree thy weird like all other daughters of men, fair Psyche," he said. "He or she who fain would lose their lives, are ever held longest in life. Only when the gods will it shall thy days on earth be done."

And Psyche, knowing that in truth the gods had spared her to endure more sorrow, looked in his face with a very piteous gaze, and wandered on. As she wandered, she found that her feet had led her near the place where her two sisters dwelt.

"I shall tell them of the evil they have wrought," she thought. "Surely they must sorrow when they know that by their cruel words they stole my faith from me and robbed me of my Love and of my happiness."

Gladly the two women saw the stricken form of Psyche and looked at her face, all marred by grief. Well, indeed, had their plot succeeded; their malice had drunk deep, yet deeper still they drank, for with scornful laughter they drove her from their palace doors. Very quickly, when she had gone, the elder sought the place where she had stood when Zephyrus bore her in safety to that palace of pleasure where Psyche dwelt with her Love. Now that Psyche was no longer there, surely the god by whom she had been beloved would gladly have as her successor the beautiful woman who was now much more fair than the white-faced girl with eyes all red with weeping. And such certainty did the vengeful gods put in her heart that she held out her arms, and calling aloud:

"Bear me to him in thine arms, Zephyrus! Behold I come, my lord!" she sprang from the high cliff on which she stood, into space. And the ravens that night feasted on her shattered body. So also did it befall the younger sister, deluded by the Olympians to her own destruction, so that her sin might be avenged.