Chapter VII: Painting in England (3)

"Madonna Enthroned" (Cimabue), 62

Madonnas of Fra Bartolommeo, 93

Madonnas of Raphael, 110

Madonnas of Elisabetta Sirani, 148

"Maids of Honor" (Velasquez), 218

Mannerists, 139-140

Mansfield, Lord, portrait by Copley, 263

Mantegna, Andrea, 82, 132

Mantua, Duke of, a patron of Rubens, 162-164

Manuscripts. _See_ Illumination

Margaritone of Arezzo, 64

Marochetti, Baron, portrait of Landseer, 301

"Marriage at Cana" (Veronese), 131

"Marriage à la Mode" (Hogarth), 252

"Marriage of St. Catharine" (Coello), 210

"Mars, Venus, and Vulcan" (Copley), 259-260

"Martyrdom of St. Andrew" (Utande), 212

"Martyrdom of St. Lawrence" (Titian), 127

Masaccio, 78-79

Maso, 69

Masolino, 78-79

"Massacre of the Innocents" (Volterra), 104

Matsys, Quintin, 161

Maximilian, Emperor, and Dürer, 198-199

Mazzuoli, Francesco, 139

Mediæval painting, 41-71

Medici, Lorenzo de, patron of Michael Angelo, 96-97

"Medusa's Head" (Vinci), 86

Meire, Gerard van der, 158

Memling, Hans, 160-161

Memorial windows, origin of, 58

Mengs, Raphael, 153

"Meniñas, Las" (Velasquez), 218

Metsu, Gabriel, 181

"Meyer Madonna" (Holbein), 192

Michael Angelo, 94-104;
his frescoes of Sistine Chapel, 112;
and Raphael, 115;
and Piombo, 120-121

Middle Ages. _See_ Mediæval

Mignard, Pierre, 238-239

Milan, Academia Leonardi Vinci, 87

Miniaturists in England, 249.
_See also_ Illumination

"Miracle of St. Mark" (Tintoretto), 130

Miranda, Juan Carreño de, 211-212

Modena school, 71

"Modern Rome" (Turner), 287

"Mona Lisa" (Vinci), 89-90

Morales, Luis de, 209-210

More, Sir Thomas, portraits by Holbein, 189

Morland, George, 268

"Morning Among the Corriston Fells" (Turner), 277

Moro, Antonio, 162

Mosaics, found in ancient Italy, 34-36;
of the Middle Ages, 41, 45-46;
none by early Germans or Celts left, 49;
transparent, 51

"Moses," 42-44

Mountfort, Dr. de, portrait by Copley, 259

"Mouth of the Seine" (Turner), 284

Mural paintings, Egyptian, 3;
Assyrian, 9;
Oriental, 13;
Pompeian, 15;
ancient Greek, 20;
of Ludius, 21;
ancient Italian, 23-24;
mosaics as, 35;
in catacombs, 44-45;
no early German or Celtic left, 49;
in Middle Ages, 60-61

Murillo, 220-228

"Napoleon and the Pope at Fontainebleau" (Wilkie), 293

Napoleon III., portrait by Horace Vernet, 247

"Nativity" (Navarrete), 211

"Nativity of the Saviour" (Correggio), 135

"Nativity of the Virgin" (Murillo), 224

Naturalists of the seventeenth century, 140, 150

Navarrete, Juan Fernandez, 211

"Navicella" (Giotto), 66

"Nest of Cupids," 34

Nicholas V., epitaph on Fra Angelico, 78

Nikias, 17-18

Nikomachos, 17

"Nile Mosaic (The)," 36

"Niobe," 36

Noort, Adam van, instructor of Rubens, 162;
of Jordaens, 167

"Notte" (Correggio), 135

Nude paintings forbidden by Spanish Inquisition, 208

Nuremburg school, 193

"Old Téméraire" (Turner), 287-288

Ophem, Anna van, and Vandyck, 169

Oppert, J., quoted, 9, 11

Orcagna, Andrea, 70-71

"Orestes and Pylades" (West), 265

Oriental nations more advanced in architecture and sculpture
than in painting, 2

Oriental origin of mosaics, 34

Orsay, Count d', portrait of Landseer, 301

Ostades, Van, 178

Outline drawing the best part of Egyptian painting, 7

Pacheco, Francisco, 208, 214, 216

Palma, Jacopo, 121

Panel-pictures, 23, 50-51, 60, 61

Papyrus rolls, Egyptian illustrations in, 8

"Paradise" (Tintoretto), 130

Pareja, Juan de, 220

Parmigianino, 139

Parrhasius, 14-15

"Parting of Hero and Leander" (Turner), 287

Paul III., portrait by Titian, 126

Pausias, 17

Pavement mosaics, 35-36

"Peep-o'-Day Boy's Cabin" (Wilkie), 293

Pelham, Charles, portrait by Copley, 259

Pembroke, Earl of. _See_ Wilton Family

Perkins, A. T., quoted, 260

Perkins, C. C., quoted, 70

Perkins, Mrs. Edmund, portrait by Copley, 260

Perspective, unknown to Egyptians, 5;
and to Oriental nations, 13;
first used by Apollodorus, 14;
its use in Middle Ages, 58;
Turner's lectures on, 280-281

Perugino, Pietro, 82, 84, 107

Petrus, Christus, 158

Philip I., and Berreguette, 209;
employs Coxie to copy Van Eyck's altar-piece, 156

Philip II., and Titian, 127;
and Morales, 209;
and Coello, 210;
and Navarrete, 211

Philip IV., and Carreño, 212;
and Zurbaran, 215;
and Herrera, 215;
and Velasquez, 216-218;
and Cano, 231

Philip of Burgundy, employs Jan van Eyck, 156

Philip of Macedon, portraits by Apelles, 18

"Phryne Going to the Public Baths as Venus" (Turner), 287

"Pietà, La" (Michael Angelo), 99

Pirkheimer, Willibald, and Dürer, 195

"Plague at Jaffa" (Gros), 242

Pliny, quoted, 14, 21-23

"Pointers, To-ho!" (Landseer), 295

Pollajuolo, Antonio, 79

Ponte, Da, family, 132

"Portrait of Dante" (Giotto), 64-66

"Portrait of a Young Woman" (Rembrandt), 186

"Ports of England" (Turner), 282

Potter, Paul, 187

Pourbus, Frans, 162

Pourbus, Peter, 162

Poussin, Nicholas, 175, 234-236

"Presentation in the Temple" (Titian), 123

"Presentation of Christ in the Temple" (Cammuccini), 154

"Prodigal Son" (Teniers), 180

Protogenes, 19-20

"Provincial Antiquities of Scotland," illustrated by Turner, 282

"Purisima, La" (Joanes), 229

"Raising of Lazarus" (Piombo), 115

"Rake's Progress" (Hogarth), 252

Raphael, 107-118

Razzi, or Bazzi, 118

"Reading Magdalen" (Correggio), 135, 139

Redgrave, quoted, 277

"Regulus Leaving Rome to Return to Carthage" (Turner), 287

"Rejected Christ" (West), 266

Religious influence, upon Egyptian artists, 8-9;
in Romanesque period, 50;
in Gothic period, 56;
upon Spanish painters, 207

Rembrandt, 181-186

Renaissance, 41, 72

"Rent Day" (Wilkie), 292

"Repulse and Defeat of the Spanish Floating Batteries
at Gibraltar" (Copley), 262

Reynolds, Sir Joshua, 251-258;
and Angelica Kauffman, 204;
portrait of, 250;
and Romney, 267

Ribalta, Francisco de, 230

Ribera, Giuseppe, 150-151

Ribera, Josef de, 230

Rigaud, Hyacinthe, 238, 239

Rincon, Antonio del, 207

Ritchie, Leitch, on Ruskin, 286-287

"Rivers of England" (Turner), 282

Robusti, Jacopo, 130

Robusti, Marietta, 130-131

Rogers's "Poems," illustrated by Turner, 286

Roman painting, ancient. _See_ Italian

Roman school, 107

Romanesque period of Middle Ages, 42, 50-54

Romano, Giulio, 116, 118

Romney, George, 266-268

Rosselli, Cosimo, 80

Rossi, de, quoted, 204

"Rotello del Fico" (Vinci), 86

"Rotterdam Ferry-boat" (Turner), 284

Rubens, 162-167;
and Vandyck, 168, 169;
as an alchemist, 175;
in England, 249

Rubrics, 47

Rupert, Prince, portraits by Vandyck, 174

Ruskin, on Turner, 280-281, 282, 283-284, 288

Ruysdael, Jacob, 187-188

Sacchi, Andrea, instructor of Poussin, 234

"Sacrifice of Iphigenia" (Timanthes), 15

"St. Anthony Adoring the Virgin and Child" (Sirani), 149

"St. Anthony of Padua" (Murillo), 224

"St. Cecilia" (Raphael), 118

"St. Clara of Assisi" (Murillo), 223

"St. Diego of Alcalá" (Murillo), 223

"St. Francis" (Murillo), 223

"St. George Slaying the Dragon" (Raphael), 108, 110

"St. Hermengild" (Herrera), 215

"St. Margaret" (Titian), 212

"St. Margaret Overcoming the Dragon" (Raphael), 114

"St. Martin" (Vandyck), 170

"St. Michael" (Guido Reni), 147

"St. Michael Attacking Satan" (Raphael), 108

"St. Peter Martyr" (Titian), 129

St. Peter's, Michael Angelo the architect of, 103;
supervision of building by Raphael, 114

"St. Sebastian" (Coello), 210

"St. Sebastian" (Vinci), 90

Salvator Rosa, 151-152

Sarto, Andrea del, 104-107

Savonarola, 94-97

Saxony, school of, 202

"Scene at Abbotsford" (Landseer), 295

"Scene in the Lower World," 38

"School of Anatomy" (Rembrandt), 182-184

Scott, Walter, "Poems" and "Life of Napoleon" illustrated by Turner, 284;
portrait by Leslie, 295;
and Landseer, 295-296

"Scourging of St. Andrew" (Domenichino), 141

Sculpture, more advanced than painting among Oriental nations, 112;
Greek, developed from Egyptian and Assyrian, 13

Sebastian del Piombo, 115, 120-121

Segnier, Chancellor, and Le Brun, 238

Seneca, head by Cespedes, 214

Seville in time of Murillo, 221

Seville Academy of Art, founded by Murillo, 225

Seville school of painting, 208, 213

Shakespeare's characters, painted by Romney, 268

"Shepherd Boy in a Shower" (Gainsborough), 258

"Shepherds Adoring the Infant Saviour" (Correggio), 135-137

"Shrine of St. Ursula" (Memling), 160-161

"Sibyl (The) and the Emperor" (Van der Weyden), 158-159

Siddons, Mrs., portrait by Reynolds, 255

Signorelli, Luca, 76, 80

Sikyon school, 15-17

Simone, Martini, 69-70

Sirani, Elisabetta, 148-150

"Sistine Madonna" (Raphael), 114

"Slave Ship" (Turner), 288-289

Smith, Sydney, and Landseer, 299

Snyders, Frans, 167

Solario, Andrea, 93

Sosos, 34

Spain, painting in, 207-233

"Sposalizio, Lo" (Raphael), 107-108

"Staffa Madonna" (Raphael), 108

Steen, Jan, 178

Still-life, Dutch excellence in painting, 177

Stirling, quoted, 215, 218, 228

Stone, paintings on, 36

Strada, portrait by Marietta Robusti, 130

Strafford, Earl of. _See_ Wentworth, Thomas

Studius. _See_ Ludius

Suckling, Sir John, portrait by Vandyck, 174

Suger, Abbot, 53

Sunder, Lucas, 202

"Surrender of Arundel Castle" (Landseer), 293

Swanenburg, J. J. van, instructor of Rembrandt, 181

Tadius. _See_ Ludius

Tafi, A., 64

Tasso, portrait by Bassano, 132

"Temporal Generation of Our Lord" (Vargas), 213

Teniers, David, 178-180

Terburg, Gerhard, 181

Thackeray's (Miss) "Miss Angel" the story of Angelica Kauffman, 203

Thornbury, quoted, 283

Thornhill, Sir James, 252

"Three Graces" (Palma), 121

"Three Graces" (Raphael), 110

Thurlow, Lord Chancellor, portrait by Romney, 267

Tile-painting, Assyrian, 9-11;
Babylonian, 11-12

Timanthes, 15

Tintoretto, 130

Titian, 121-130;
and Correggio, 135;
his "Last Supper," 211;
instructor of Navarrete, 211;
Carreño's copy of his "St. Margaret," 212

Tobar, Alonzo Miguel de, 213, 229

Toledo, Coello painter to the Cathedral of, 213

Torrigiano, Piètro, 98

"Tragic Muse" (Reynolds), 255

"Transfiguration" (Raphael), 115

Transitional period, 61

"Trattato della Pittura" (Vinci), 93

"Triumphal Arch of Maximilian" (Dürer), 199

Tulp, Professor, portrait by Rembrandt, 184

Turner, Charles, 280

Turner, J. M. W., 271-292

"Turner's Annual Tour," 286

Uccello, Paolo, 79

"Ulysses Dividing Polyphemus" (Turner), 283

"Ulysses in the Under-world" (Nikias), 17

Umbrian school, 82

Urban VIII. and Claude Lorraine, 236

Utande, Gregorio, 212

Vænius, Otto, instructor of Rubens, 162

Velde, Adrian van de, 186

Valencia school, 208, 229

Vandyck, Anthony, 168-176;
in England, 249

Vargas, Luis de, 213

Varnish, improvements by the Van Eycks in the use of, 156

Vasari, quoted, 75

Vase-painting by the ancients, 36-40

Vatican, decoration by Raphael of the halls of, 111

Vega, Lope de, on Coello, 210;
on Navarrete, 211

Velasquez, 215-220;
and Murillo, 222, 227

"Venice from the Salute Church" (Turner), 287

Venetian school, 80-82, 118

"Venus" (Titian), 124

"Venus Anadyomene" (Apelles), 19

Vernet, Carle, 245

Vernet, Claude Joseph, 240

Vernet, Horace, 245-248

Veronese, Paul, 131

Verrocchio, Andrea, 79, 84

Vescovi, Marco dei, portrait by Marietta Robusti, 130

Victoria, Queen, and Landseer, 298-299

Vien, Joseph Marie, 240

"Vierge, La, au Panier" (Correggio), 137-139

"View of Rome from the Aventine Hill" (Turner), 287

"Village Festival" (Wilkie), 292

"Village Politicians" (Wilkie), 292

Vincent, instructor of Horace Vernet, 245

Vinci, Leonardo da, 84-93, 99

Virgin, pictures by Murillo of, 227;
by Joanes, 229

"Virgen de la Sevilletá" (Murillo), 225

"Vision of St. Jerome" (Parmigianino), 139

Vitruvius, quoted, 20

Volterra, Daniele de, 104

"Von Tromp Returning from Battle" (Turner), 284

Waagen, Dr., on Turner, 290

Walls. _See_ Mural

Washington, George, portrait by Copley, 260

Water, Egyptian painting of, 5

"Water Carrier of Seville" (Velasquez), 216

Watson, Elkanah, portrait by Copley, 262-263

"Watson and the Shark" (Copley), 262

Watteau, Antoine, 239

"Way to Calvary" (Morales), 210

Wellington, Duke of, portrait by Lawrence, 270

Wells and Turner, 278

Welsteed, Rev. William, portrait by Copley, 259

Wentworth, Thomas, portrait by Vandyck, 174

Wentworth, Lady, and Angelica Kauffman, 204

West, Benjamin, 265-266;
and Copley, 261

Weyden, Rogier van der, 158-159

Weyden, Rogier van der, the younger, 159-160

Wilkie, Sir David, 292-293

Williams, quoted, 270

Wilson, Richard, 254

"Wilton Family, The" (Vandyck), 174

Winckelmann and Angelica Kauffman, 204

"Wind-Mills" (Hobbema), 188

Window-painting. _See_ Glass

Wohlgemuth, Michael, instructor of Dürer, 194

"Woodman and Dog in a Storm" (Gainsborough), 258

Wornum, on Turner, 290

Wouverman, Philip, 187

"Wreck of the Medusa" (Géricault), 244

Wynants, Jan, 187

Zeuxis, 14-15

Zuccaro, on Cespedes, 214

Zuccato, Sebastian, instructor of Titian, 123

Zurbaran, Francisco, 215