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Chapter IV: At the Sign of the Lyre

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(To the Memory of Austin Dobson)

Master of the lyric inn
Where the rarer sort so long
Drew the rein, to 'scape the din
Of the cymbal and the gong,
Topers of the classic bin,--
Oporto, sherris and tokay,
Muscatel, and beaujolais--
Conning some old Book of Airs,
Lolling in their Queen Anne chairs--
Catch or glee or madrigal,
Writ for viol or virginal;
Or from France some courtly tune,
Gavotte, ridotto, rigadoon;
(Watteau and the rising moon);
Ballade, rondeau, triolet,
Villanelle or virelay,
Wistful of a statelier day,
Gallant, delicate, desire:
Where the Sign swings of the Lyre,
Garlands droop above the door,
Thou, dear Master, art no more.

Lo! about thy portals throng
Sorrowing shapes that loved thy song:
_Taste_ and _Elegance_ are there,
The modish Muses of Mayfair,
_Wit_, _Distinction_, _Form_ and _Style_,
_Humour_, too, with tear and smile.

Fashion sends her butterflies--
Pretty laces to their eyes,
Ladies from St. James's there
Step out from the sedan chair;
Wigged and scented dandies too
Tristely wear their sprigs of rue;
Country squires are in the crowd,
And little Phyllida sobs aloud.

Then stately shades I seem to see,
Master, to companion thee;
Horace and Fielding here are come
To bid thee to Elysium.
Last comes one all golden: Fame
Calls thee, Master, by thy name,
On thy brow the laurel lays,
Whispers low--"In After Days."

TO MADAME JUMEL

Of all the wind-blown dust of faces fair,
Had I a god's re-animating breath,
Thee, like a perfumed torch in the dim air
Lethean and the eyeless halls of death,
Would I relume; the cresset of thine hair,
Furiously bright, should stream across the gloom,
And thy deep violet eyes again should bloom.

Methinks that but a pinch of thy wild dust,
Blown back to flame, would set our world on fire;
Thy face amid our timid counsels thrust
Would light us back to glory and desire,
And swords flash forth that now ignobly rust;
Maenad and Muse, upon thy lips of flame.
Madness too wise might kiss a clod to fame.

Like musk the charm of thee in the gray mould
That lies on by-gone traffickings of state,
Transformed a moment by that head of gold,
Touching the paltry hour with splendid Fate;
To "write the Constitution!" 'twere a cold,
Dusty and bloomless immortality,
Without that last wild dying thought of thee.

TO A BEAUTIFUL OLD LADY

(To the Sweet Memory of Lucy Hinton)

Say not--"She once was fair;" because the years
Have changed her beauty to a holier thing,
No girl hath such a lovely face as hers,
That hoards the sweets of many a vanished spring,
Stealing from Time what Time in vain would steal,
Culling perfections as each came to flower,
Bearing on each rare lineament the seal
Of being exquisite from hour to hour.

These eyes have dwelt with beauty night and morn,
Guarding the soul within from every stain,
No baseness since the first day she was born
Behind those star-lit brows could access again,
Bathed in the light that streamed from all things fair,
Turning to spirit each delicate door of sense,
And with all lovely shapes of earth and air
Feeding her wisdom and her innocence.

Life that, whate'er it gives, takes more away
From those that all would take and little give,
Enriched her treasury from day to day,
Making each hour more wonderful to live;
And touch by touch, with hands of unseen skill,
Transformed the simple beauty of a girl,
Finding it lovely, left it lovelier still,
A mystic masterpiece of rose and pearl.

Her grief and joy alike have turned to gold,
And tears and laughter mingled to one end,
With alchemy of living manifold:
If Life so wrought, shall Death be less a friend?
Nay, earth to heaven shall give the fairest face,
Dimming the haughty beauties of the sky;
Would I could see her softly take her place,
Sweeping each splendour with her queenly eye!

TO LUCY HINTON: December 19, 1921

O loveliest face, on which we look our last--
Not without hope we may again behold
Somewhere, somehow, when we ourselves have passed
Where, Lucy, you have gone, this face so dear,
That gathered beauty every changing year,
And made Youth dream of some day being old.

Some knew the girl, and some the woman grown,
And each was fair, but always 'twas your way
To be more beautiful than yesterday,
To win where others lose; and Time, the doom
Of other faces, brought to yours new bloom.
Now, even from Death you snatch mysterious grace,
This last perfection for your lovely face.

So with your spirit was it day by day,
That spirit unextinguishably gay,
That to the very border of the shade
Laughed on the muttering darkness unafraid.
We shall be lonely for your lovely face,
Lonely for all your great and gracious ways,
But for your laughter loneliest of all.

Yet in our loneliness we think of one
Lonely no more, who, on the heavenly stair,
Awaits your face, and hears your step at last,
His dreamer's eyes a glory like the sun,
Again in his sad arms to hold you fast,
All your long honeymoon in heaven begun.

Thinking on that, O dear and loveliest friend,
We, in that bright beginning of this end,
Must bate our grief, and count our mortal loss
Only as his and your immortal gain,
Glad that for him and you it is so well.

Lucy, O Lucy, a little while farewell.

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A Jongleur StrayedChapter IV: At the Sign of the Lyre

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