Chapter XXXVII
He imagines Urania, the heavenly Muse, to reprove him for venturing on sacred ground, and commenting on religious themes; as she would have him confine his steps to his own Parnassus, and there earn the laurel crown.
But his own tragic Muse, Melpomene, replies with the apology, that though unworthy to speak of holy mysteries, yet with his earthly song he had striven to soothe his own aching heart, and render a due tribute to human love; and inasmuch as the comfort he had drawn was "clasp'd in truth reveal'd," had its foundation in the Gospel: he daringly
"loiter'd in the Master's field,
And darken'd sanctities with song."
Many readers of _In Memoriam_ will have thanked its author for these trespasses upon the Holy Land, feeling indeed there was no profane intrusion.
Some will regret that he has changed the original line, "and dear as sacramental wine," into "and dear to me as sacred wine:" the purpose, one supposes, was that the reader should see that he spoke only for himself--"to me"--the meaning is unchanged, but the sound is rather flat.
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A Key to Lord Tennyson's 'In Memoriam'Chapter XXXVII
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