Chapter XVI: Some Last Remarks
That there is little prospect of an immediate adoption in the United States of Montessori ideas of flexibility and unhampered individual growth is apparent to anyone who knows even slightly the hierarchic rigidity of our system of education with its inexorable advance along fixed fore-ordained lines, from the kindergarten through the primary school, on through the high school to the Chinese ordeal of the college entrance examination, an event which casts its shadow far down the line of school-grades, embittering the intellectual activities and darkening the life of teachers and pupils (even pupils who have not the faintest chance of going to college) for years before the awful moment arrives.
All really good teachers have always been, as much as they were allowed to be, some variety of what is called in this book “Montessori teacher.” But as the State and private systems of education have swollen to more and more unmanageable proportions, and have settled into more and more exact and cog-like relations with each other, teachers have found themselves required to “turn out a more uniform product,” a process which is in its very essence utterly abhorrent to anyone with the soul of an educator.
Our State system of education has come to such an exalted degree of uniformity that a child in a third grade in Southern California can be transported to a third grade in Maine, and find himself in company with children being ground out in precisely the same educational hopper he has left. His temperament, capacity, tastes, surroundings, probable future and aspirations may be what you will, he will find all the children about his age of all temperaments, tastes, capacities, probable futures and aspirations practically everywhere in the United States, being “educated” exactly as he was, in his original graded school, wherever it was. School superintendents hold conferences of self-congratulation over this “standardizing” of American education, and some teachers are so hypnotized by this mental attitude on the part of their official superiors, that they come to take pride in the Procrustean quality of their schoolroom where all statures are equalized, and to labor conscientiously to drive thirty or more children slowly and steadily, like a flock of little sheep, with no stragglers and no advance-guard allowed, along the straight road to the next division, where another shepherdess, with the same training, takes them in hand. There is a significant anecdote current in school-circles, of an educator rising to address an educational convention which had been discussing special treatment for mentally slow and deficient children, and solemnly making only this pregnant exclamation, “We have special systems for the deficient child, and the slow child and the stupid child ... but _God help the bright child_!”
Now it is only fair to state that this mechanical exactitude of program and of organization has been in the past of incalculable service in bringing educational order out of the chaos which was the inevitable result of the astoundingly rapid growth in population of our country. Our educational system is a monument to the energy, perseverance, and organizing genius of the various educational authorities, city, county, and state superintendents and so on, who have created it. But like all other complicated machines it needs to be controlled by master-minds who do not forget its ultimate purpose in the fascination of its smoothly-running wheels. That there is plenty of the right spirit fermenting among educators is evident. For, even along with the mighty development of this educational machine, has gone a steadily increasing protest on the part of the best teachers and superintendents, against its quite possible misuse.
Few people become teachers for the sake of the money to be made in that business; it is a profession which rapidly becomes almost intolerable to anyone who has not a natural taste for it; and, as a consequence of these two factors, it is perhaps, of all the professions, the one which has the largest proportion of members with a natural aptitude for their lifework. With the instinctive right-feeling of human beings engaged in the work for which they were born, a considerable proportion of teachers have protested against the tacit demand upon them by the machine organization of education, to make the children under their care, all alike. They have felt keenly the essential necessity of inculcating initiative and self-dependence in their pupils, and in many cases have been aided and abetted in these heterodox ideas by more or less sympathetic principals and superintendents; but the ugly, hard fact remains, not a whit diminished for all their efforts, that the teacher whose children are not able to “pass” given examinations on given subjects, at the end of a given time, is under suspicion; and the principal whose school is full of such teachers is very apt to give way to a successor, chosen by a board of business-men with a cult for efficiency. To advise teachers under such conditions to “adopt Montessori ideas” is to add the grimmest mockery to the difficulties of their position. All that can be hoped for, at present, in that direction, is that the strong emphasis placed by the Montessori method on the necessity for individual freedom of mental activity and growth, may prove a valuable reinforcement to those American educators who are already struggling along towards that goal.
This general state of things in the formal education of our country is one of the many reasons why this book is addressed to mothers and not to teachers. The natural development of Montessori ideas, the natural results of the introduction of “Children’s Homes” into the United States, without this already existing fixed educational organization convinced of its own perfection, would be entirely in accord with the general, vague, unconscious socialistic drift of our time. Little by little, various enterprises which used to be private and individual, are being carried on by some central, expert organization. This is especially true as regards the life of women. One by one, all the old “home industries” are being taken away from us. Our laundry-work, bread-making, sewing, house-furnishing, and the like, are all done in impersonal industrial centers far from the home. The education of children over six has already followed this general direction and is less and less in the hands of the children’s mothers. And now here is the Casa dei Bambini, ready to take the younger children out of our yearning arms, and sternly forbidding us to protest, as our mothers were forbidden to protest when we, as girls, went away to college, or when trained nurses came in to take the care of their sick children away from them, because the best interests of the coming generation demand this sacrifice.
But as things stand now, we mothers have a little breathing-space in which to accustom ourselves gradually to this inevitable change in our world. At some time in the future, society will certainly recognize this close harmony of the successful Casa dei Bambini with the rest of the tendencies of our times, and then there will be a need to address a detailed technical book on Montessori ideas to teachers, for the training of little children will be in their hands, as is already the training of older children.
And then will be completed the process which has been going on so long, of forcing all women into labor suitable to their varying temperaments. The last one of the so-called “natural,” “domestic” occupations will be taken away from us, and very shame at our enforced idleness will drive us to follow men into doing, each the work for which we are really fitted. Those of us who are born teachers and mothers (for the two words ought to mean about the same thing) will train ourselves expertly to care for the children of the world, collected for many hours a day in school-homes of various sorts. Those of us who have not this natural capacity for wise and beneficent association with the young (and many who love children dearly are not gifted with wisdom in their treatment) will do other parts of the necessary work of the world.
But that time is still in the future. At present our teachers can no more adopt the utter freedom and the reverence for individual differences, which constitute the essence of the “Montessori method,” than a cog in a great machine can, of its own volition, begin to turn backwards. And here is the opportunity for us, the mothers, perhaps among the last of the race who will be allowed the inestimable delight and joy of caring for our own little children, a delight and joy of which society, sooner or later, will consider us unworthy on account of our inexpertness, our carelessness, our absorption in other things, our lack of wise preparation, our lack of abstract good judgment.
Our part, during this period of transition, is to seize upon regenerating influences coming from any source, and shape them with care into instruments which will help us in the great task of training little children, a complicated and awful responsibility, our pathetically inadequate training for which is offset somewhat by our passionate desire to do our best.
We can collaborate in our small way with the scientific founder of the Montessori method, and can help her to go on with her system (discovered before its completion) by assimilating profoundly her master-idea, and applying it in directions which she has not yet had time finally and carefully to explore, such as its application to the dramatic and æsthetic instincts of children.
Above all, we can apply it to ourselves, to our own tense and troubled lives. We can absorb some of Dr. Montessori’s reverence for vital processes. Indeed, possibly nothing could more benefit our children than a whole-hearted conversion on our part to her great and calm trust in life itself.
INDEX
Adult analysis of children’s problems, 143, 147, 154.
Animal training different from child training, 155.
Apparatus:
Big stair, 72, 100.
Broad stair, 100.
Buttoning-frames, 13, 15, 55, 134.
Color spools, 73.
Explanation of, 99 ff.
Geometric insets, flat, 76.
Geometric insets, solid, 70.
How to use, 67 ff., 91, 92, 99.
Long stair, 100, 192.
The Tower, 71, 100.
Age of children in Montessori schools, 8.
Apathetic child, the, 41 ff.
Arithmetic, beginnings of, 16, 100.
“Bad child,” the, treatment of, 32.
Big stair, the. See Apparatus.
Buttoning-frames. See Apparatus.
Democracy, basis of Montessori system, 118, 187.
Discipline, 31, 141 ff.
Exercises, gymnastic, 146, 148;
for legs, 112;
for balance, 113, 115, 149.
Exercises, sensory:
Baric, 65, 101.
Blindfolded, 17.
Color games, 74.
Color matching, 73.
Hearth-side seed-game, 110.
In dimension, 16.
In folding up, 107 ff.
Instinctive desire for, 52-54.
Not entire occupation of children, 68.
Simplicity of, 54.
In smelling, 64.
Tactile, 59, 60, 100, 115.
In tasting, 64.
By use of water, 150, 151.
By use of weights, 65, 101.
Family life, how affected by Montessori system, 121.
Freedom, 31, 103, 118, 119, 123, 131.
Gardens, value of, in child-training, 201, 204.
Geometric insets. See Apparatus.
Individuality, respect for, of Montessori system, 40, 93.
Interest, a prerequisite to education, 30, 94 ff., 190.
Kindergarten compared with Montessori system, 20, 173, 179;
as to self-annihilation of teacher, 180;
as to absence of supervision, 180;
as to social life of children, 184;
as to overstimulation, 188, 189.
Lesson of silence, 43 ff.
Long stair. See Apparatus.
Mental concentration, 143, 145.
Music, 19.
New pupils, 37 ff.
Number of pupils in Montessori school, 8.
Obedience, 155, 159, 161.
Observation of children, necessity for, 92.
Overstimulation, 188, 189.
Patience of children, 137, 138, 190.
Plants, care of, for children, 202, 204.
Reading, 89.
Responsibility, inculcation of, 34, 35, 69, 70, 136, 201.
School day, length of, 37.
School-equipment, 8, 59.
Self-control of children, 142, 144, 145.
Self-dependence of children, 23, 102, 110, 133, 137, 156, 186.
Slowness of children, 21, 135.
Social life of children, 184, 206, 207.
Supervision, absence of, 10, 102, 103, 180, 191, 193.
Theoretic basis of Montessori system, vi, 49, 56, 103, 120, 123,--see
also under Democracy, Freedom, Interest, Individuality,
Responsibility, Self-dependence.
Touch, sense of, 57, 58;
exercises for,--see Exercises, Sensory.
Tower, the. See Apparatus.
Writing, training for, beginnings of, 59;
theory underlying, 79 ff.;
alphabet, 82;
spontaneous writing, 84;
time required to learn, 87.
DOROTHY CANFIELD’S THE SQUIRREL-CAGE
Illustrated by J. A. WILLIAMS. 4th printing. $1.35 net.
This is, first of all, an unusually personal and real story of American family life.
“One has no hesitation in classing ‘The Squirrel-Cage’ with the
best American fiction of this or any season. Regarded merely as a
realistic story of social ambitions in a typical Ohio town, it has
all the elements of diversity, feeling, style, characterization and
plot to captivate almost any member of that large and growing public
which knows vital fiction from brummagem. The author has a moving
story to tell, and with a calm, sure art she tells it by stirring
our sympathies for the singularly appealing heroine. The characters
are all alive, well contrasted, wonderfully grouped.”--_Chicago
Record-Herald._
“She brings her chief indictment against the restless ambition of
the American business man, and the purposeless and empty life of the
American wife.... The story of a young girl’s powerlessness to resist
the steady pressure of convention.”--_Bookman._
“A remarkable story of American life to-day, worth reading and worth
pondering.... Her book is, first of all, a story, and a good one
throughout.”--_New York Tribune._
BEULAH MARIE DIX’S THE FIGHTING BLADE
By the author of “The Making of Christopher Ferringham,” “Allison’s
Lad,” etc. With frontispiece by GEORGE VARIAN. 3rd printing. $1.30
net.
The “fighting blade” is a quiet, boyish German soldier serving Cromwell, who, though a deadly duelist, is at bottom heroic and self-sacrificing. He loves a little tomboy Royalist heiress.
_New York Tribune._--“Lovers of this kind of fiction will find here
all that they can desire of plot and danger and daring, of desperate
encounters, capture and hiding and escape, and of nascent love amid
the alarums of war, and it is all of excellent quality.”
_Chicago Inter-Ocean._--“The best historical romance the man
who writes these lines has read in half a dozen years.... The
heroine is a dear maid and innocent, yet nowise sweetish or tamely
conventional.... The story’s hero ... is certainly as fine a specimen
of fighting manhood (with a gentle heart) as ever has been put before
us.... He lives, mind you, he’s wholly natural.... Oliver Cromwell
makes a brief appearance, but a striking one.... Some of the minor
characters ... are as well drawn.... From the beginning ... until the
very end the story holds the reader’s glad, intimate interest.”
HENRY HOLT AND COMPANY
PUBLISHERS NEW YORK
_NEW POPULAR EDITION, WITH APPENDIX_
Containing tables, etc., of the Opera Season 1908-11.
“The most complete and authoritative ... pre-eminently the man to
write the book ... full of the spirit of discerning criticism....
Delightfully engaging manner, with humor, allusiveness and an
abundance of the personal note.”--_Richard Aldrich in New York Times
Review._ (Complete notice on application.)
CHAPTERS OF OPERA
Being historical and critical observations and records concerning the Lyric Drama in New York from its earliest days down to the present time.
By HENRY EDWARD KREHBIEL, musical critic of the New York _Tribune_,
author of “Music and Manners in the Classical Period,” “Studies in
the Wagnerian Drama,” “How to Listen to Music,” etc. With over 70
portraits and pictures of Opera Houses. 450 pp. 12mo. $2.50 net; by
mail, $2.68. Illustrated circular on application.
This is perhaps Mr. Krehbiel’s most important book. The first seven chapters deal with the earliest operatic performances in New York. Then follows a brilliant account of the first quarter-century of the Metropolitan, 1883-1908. He tells how Abbey’s first disastrous Italian season was followed by seven seasons of German Opera under Leopold Damrosch and Stanton, how this was temporarily eclipsed by French and Italian, and then returned to dwell with them in harmony, thanks to Walter Damrosch’s brilliant crusade,--also of the burning of the opera house, the vicissitudes of the American Opera Company, the coming and passing of Grau and Conried, and finally the opening of Oscar Hammerstein’s Manhattan Opera House and the first two seasons therein, 1906-08.
“Presented not only in a readable manner but without bias ...
extremely interesting and valuable.”--_Nation._
“The illustrations are a true embellishment ... Mr. Krehbiel’s style
was never more charming. It is a delight.”--_Philip Hale in Boston
Herald._
“Invaluable for purpose of reference ... rich in critical passages
... all the great singers of the world have been heard here. Most
of the great conductors have come to our shores.... Memories of
them which serve to humanize, as it were, his analyses of their
work.”--_New York Tribune._
If the reader will send his name and address, the publishers will send, from time to time, information regarding their new books.
HENRY HOLT AND COMPANY
PUBLISHERS NEW YORK
THE CHILD
ITS CARE, DIET AND COMMON ILLS
BY E. MATHER SILL, M.D.
Lecturer in Diseases of Children at the New York Polyclinic Medical School and Hospital; Attending Physician at the Good Samaritan Dispensary and Assistant Attending at the New York Polyclinic Hospital
With 34 illustrations. $1.00 net; by mail $1.08
Contains just the information a young mother ought to have, about the feeding, clothing, airing, and exercise of infants and young children. It is written in very simple language. It teaches how to distinguish the different diseases of children. It gives a carefully prepared list of antidotes for poisons. It aims to give the kind of help a mother needs before a physician can arrive, with suggestions when a physician is needed. It is written on the assumption that the young mother of to-day is not satisfied with the knowledge handed down to her from mother and grandmother, but wishes a more thorough up-to-date acquaintance with the modern methods of child care.
HENRY HOLT AND COMPANY
34 WEST 33D ST. NEW YORK
NEW BOOKS PRIMARILY FOR WOMEN
_Buy of your bookseller. Postage is 8% additional_
A MONTESSORI MOTHER. _By Dorothy Canfield Fisher_
A thoroly competent author who has been most closely associated with Dr. Montessori tells just what American mothers want to know about this new system of child training. (_Helpfully illustrated._ $1.25 _net_.)
THE CHILD; Its Care, Diet, and Common Ills. _By Dr. E. Mather Sill_
Lecturer in New York Polyclinic, Attending Physician at Good Samaritan Dispensary, New York, etc. With 34 illustrations. 207 pp.; 16mo. ($1.00 _net_.) Circular with sample pages on request.
“Very well calculated to meet the needs of the young mother.
Especially it contains much useful information which I have not found
in other books of the kind.”--DR. HENRY MCMAHON PAINTER, _of the New
York Nursery and Child’s Hospital_.
MAKING A BUSINESS WOMAN. _By Anne Shannon Monroe_
A young woman whose business assets are good sense, good health, and the ability to use a typewriter, goes to Chicago to earn her living. ($1.30 _net_.)
WHY WOMEN ARE SO. _By Mary R. Coolidge_
Explains and traces the development of the woman of 1800 into the woman of to-day. ($1.50 _net_.)
THE SQUIRREL-CAGE. _By Dorothy Canfield_
A novel recounting the struggle of an American wife and mother to call her soul her own. (_3rd printing._ $1.35 _net_.)
HEREDITY in RELATION to EUGENICS. _By C. B. Davenport_
“One of the foremost authorities ... tells just what scientific
investigation has established and how far it is possible to control
what the ancients accepted as inevitable.”--N. Y. TIMES REVIEW.
(_With diagrams, 3rd printing._ $2.00 _net_.)
THE GLEAM. _By Helen R. Albee_
A frank spiritual autobiography. (_4th printing._ $1.35 _net_.)
HENRY HOLT AND COMPANY
PUBLISHERS NEW YORK
THE HOME BOOK OF VERSE
_American and English_ (1580-1912)
Compiled by BURTON E. STEVENSON. Collects the best short poetry of
the English language--not only the poetry everybody says is good, but
also the verses that everybody reads. (3742 pages; India paper, 1
vol., 8vo, complete author, title and first line indices, $7.50 net;
carriage 40 cents extra.)
The most comprehensive and representative collection of American and English poetry ever published, including 3,120 unabridged poems from some 1,100 authors.
It brings together in one volume the best short poetry of the English language from the time of Spencer, with especial attention to American verse.
The copyright deadline has been passed, and some three hundred recent authors are included, very few of whom appear in any other general anthology, such as Lionel Johnson, Noyes, Housman, Mrs. Meynell, Yeats, Dobson, Lang, Watson, Wilde, Francis Thompson, Gilder, Le Gallienne, Van Dyke, Woodberry, Riley, etc., etc.
The poems as arranged by subject, and the classification is unusually close and searching. Some of the most comprehensive sections are: Children’s rhymes (300 pages); love poems (800 pages); nature poetry (400 pages); humorous verse (500 pages); patriotic and historical poems (600 pages); reflective and descriptive poetry (400 pages). No other collection contains so many popular favorites and fugitive verses.
DELIGHTFUL POCKET ANTHOLOGIES
The following books are uniform, with full gilt flexible covers and pictured cover linings. 16mo. Each, cloth, $1.50; leather, $2.50.
THE GARLAND OF CHILDHOOD
A little book for all lovers of children. Compiled by Percy Withers.
THE VISTA OF ENGLISH VERSE
Compiled by Henry S. Pancoast. From Spencer to Kipling.
LETTERS THAT LIVE
Compiled by Laura E. Lockwood and Amy R. Kelly. Some 150 letters.
POEMS FOR TRAVELLERS
(About “The Continent.”)
Compiled by Miss Mary R. J. DuBois.
THE OPEN ROAD
A little book for wayfarers. Compiled by E. V. Lucas.
THE FRIENDLY TOWN
A little book for the urbane, compiled by E. V. Lucas.
THE POETIC OLD-WORLD
Compiled by Miss L. H. Humphrey. Covers Europe, including Spain, Belgium and the British Isles.
THE POETIC NEW-WORLD
Compiled by Miss Humphrey.
HENRY HOLT AND COMPANY
34 WEST 33RD STREET NEW YORK
THE THEORY OF THE THEATRE
And Other Principles of Dramatic Criticism
By CLAYTON HAMILTON. Author of “Materials and Methods of Fiction.” $1.50 net; by mail, $1.60.
CONTENTS:
THE THEORY OF THE THEATRE.--What is a Play?--The Psychology of Theatre Audiences.--The Actor and the Dramatist.--Stage Conventions in Modern Times.--Economy of Attention in Theatrical Performances.--Emphasis in the Drama.--The Four Leading Types of Drama: Tragedy and Melodrama; Comedy and Farce.--The Modern Social Drama.
OTHER PRINCIPLES OF DRAMATIC CRITICISM.--The Public and the Dramatist.--Dramatic Art and the Theatre Business.--The Happy Endings in the Theatre.--The Boundaries of Approbation.--Imitation and Suggestion in the Drama.--Holding the Mirror up to Nature.--Blank Verse on the Contemporary Stage.--Dramatic Literature and Theatric Journalism.--The Intention of Performance.--The Quality of New Endeavor.--The Effect of Plays upon the Public.--Pleasant and Unpleasant Plays.--Themes in the Theatre.--The Function of Imagination.
DRAMATISTS OF TO-DAY
ROSTAND, HAUPTMANN, SUDERMANN, PINERO, SHAW, PHILLIPS, MAETERLINCK
By PROF. EDWARD EVERETT HALE, JR., of Union College. With gilt top, $1.50 net. (By mail, $1.60.)
An informal discussion of their principal plays and of the performances of some of them. The volume opens with a paper “On Standards of Criticism,” and concludes with “Our Idea of Tragedy,” and an appendix of all the plays of each author, with dates of their first performance or publication.
_New York Evening Post_: “It is not often nowadays that a theatrical
book can be met with so free from gush and mere eulogy, or so
weighted by common sense ... an excellent chronological appendix and
full index ... uncommonly useful for reference.”
_Dial_: “Noteworthy example of literary criticism in one of the most
interesting of literary fields.... Well worth reading a second time.”
THE GERMAN DRAMA OF THE NINETEENTH CENTURY
By GEORG WITKOWSKI. Translated by PROF. L. E. HORNING. 12mo. $1.00.
Kleist, Grillparzer, Hebbel, Ludwig, Wildenbruch, Sudermann, Hauptmann, and minor dramatists receive attention.
_New York Times Review_: “The translation of this brief, clear, and
logical account was an extremely happy idea. Nothing at the same time
so comprehensive and terse has appeared on the subject, and it is a
subject of increasing interest to the English-speaking public.”
HENRY HOLT AND COMPANY
PUBLISHERS NEW YORK
Coningsby Dawson’s
THE GARDEN WITHOUT WALLS
The triple romance of a Pagan-Puritan of to-day, with three heroines of unusual charm. $1.35 net.
_Boston Transcript_:--“All vivid with the color of life; a novel to
compel not only absorbed attention, but long remembrance.”
_Cosmo Hamilton in The New York Sun_:--“A new writer who is an old
master.... He lets all the poet in him loose.... He has set himself
in line with those great dead to whom the novel was a living,
throbbing thing, vibrant with the life blood of its creator, pulsing
with sensitiveness, laughter, idealism, tears, the fire of youth,
the joy of living, passion, and underlying it all that sense of the
goodness of God and His earth and His children, without which nothing
is achieved, nothing lives.”
_Life_:--“The first treat of the new season.”
_Chicago Record-Herald_:--“His undercurrents always are those of hope
and sympathy and understanding. Moreover, the book is singularly
touched to beauty, alive with descriptive gems, and gently bubbling
humor and humanization of unusual order. Generous and clever and
genial.”
Marjorie Patterson’s
THE DUST OF THE ROAD
A vivid story of stage life by an actress. Her characters are hard-working, but humorous and clean-living. With colored frontispiece, $1.30 net.
_New York Tribune_:--“Her story would not be so vivid and convincing
if its professional part, at least, had not been lived. The glamor of
the stage is found here where it should be, in the ambition of the
young girl, in the fine enthusiasm of the manager. There is humor
here, and pathos, friendship, loyalty, the vanity of which we hear so
much.”
_New York Sun_:--“In a particularly illuminating way, many points
are touched upon which will be read with interest in these days when
the young daughters of families are bound to go forth and attack the
world for themselves.”
_Henry L. Mencken in Baltimore Evening Sun_: “Lively and interesting
human beings ... dramatic situations ... a vivid background ...
she knows how to write ... amazing plausibility. These stage folk
are real ... depicted with humor, insight, vivacity ... abounding
geniality and good humor.”
HENRY HOLT AND COMPANY
PUBLISHERS NEW YORK
HENRI BERGSON’S CREATIVE EVOLUTION
Translated from the French by Arthur Mitchell of Harvard University. 370+37 pp. index, 8vo, $2.50 net.[C]
“Bergson’s resources in the way of erudition are remarkable, and
in the way of expression they are simply phenomenal. Open Bergson,
and new horizons open on every page you read. Nothing in Bergson is
shop-worn or at second hand.”--WILLIAM JAMES.
“Than its entrance upon the field as a well-armed and militant
philosophy, there have been not many more memorable occurrences in
the history of ideas.”--_The Nation._
HELEN R. ALBEE’S THE GLEAM
By the Author of “Hardy Plants for Cottage Gardens” and “Mountain Playmates.” $1.35 net.[C]
“Might be called the autobiography of a soul--A record of the
development of the spiritual instinct from its dawn in a child of six
to its fruition in a woman of forty-seven.... Told with sincerity and
simplicity, with a childlike frankness, and at the same time great
reticence in all matters except those of the spirit, and also with
an astonishing lack of what is commonly called egotism.... Those
interested in psychic experiences will find matter here that piques
and holds the interest, and that larger body intent upon some way of
escape out of the limitations of daily living and the difficulties
and disorder of daily thinking, will find ‘The Gleam’ practically
helpful and illuminating.”--_The Nation._
“The record of a woman’s religious doubts, her revolt from orthodoxy
and her unsatisfactory appeal to science to appease the craving of
her spiritual nature, and her final discovery of the means within
herself to gratify her longings. It is an intimate account of a
struggle for peace and comfort told without reservation.”--_New York
Sun._
J. NOVICOW’S WAR AND ITS ALLEGED BENEFITS
By the Vice-President of the International Institute of Sociology.
Translated by Thomas Seltzer. 130 pp. 16mo. $1.00 net.[C]
The Contents include: War as an End in Itself--One-Sided Reasoning--War a Solution--Physiological Effects--Economic Effects--Political Effects--Intellectual Effects--Moral Effects--Survivals, Routine Ideas, and Sophistries--The Psychology of War--War Considered as the Sole Form of Struggle--The Theorist of Brute Force--Antagonism and Solidarity.
“A small volume with a large purpose.... A large number of the
arguments of war as a beneficial agent are considered and vigorously
and clearly refuted.... Very simple and clear, bristling with crisp,
epigrammatic sentences.... The author has accomplished a marvelous
lot in a very small compass; there is no wilderness of words here;
instead, facts sent out with gatling gun briskness.”--_Chicago
Tribune._
HENRY HOLT AND COMPANY
34 West 33d Street New York
NEW BOOKS ON THE LIVING ISSUES BY LIVING MEN AND WOMEN
The Home University Library
Cloth Bound =50c= per volume net; by mail =56c=.
_Points about THE HOME UNIVERSITY LIBRARY_
Every volume is absolutely new, and specially written for the Library. There are no reprints.
Every volume is sold separately. Each has illustrations where needed, and contains a Bibliography as an aid to further study.
Every volume is written by a recognized authority on its subject and the Library is published under the direction of four eminent Anglo-Saxon scholars--GILBERT MURRAY, of Oxford; H. A. L. FISHER, of Oxford; J. ARTHUR THOMSON, of Aberdeen; and Prof. W. T. BREWSTER, of Columbia.
Every subject is of living and permanent interest. These books tell whatever is most important and interesting about their subjects.
Each volume is complete and independent; but the series has been carefully planned as a whole to form a comprehensive library of modern knowledge covering the chief subjects in History and Geography, Literature and Art, Science, Social Science, Philosophy, and Religion. An order for any volume will insure receiving announcements of future issues.
_SOME COMMENTS ON THE SERIES AS A WHOLE_:
“Excellent.”--_The Outlook._ “Exceedingly worth while.”--_The Nation._
“The excellence of these books.”--_The Dial._
“So large a proportion with marked individuality.”--_New York Sun._
VOLUMES ON LITERATURE AND ART NOW READY
=Landmarks in French Literature= By G. L. STRACHEY.
=Architecture= By W. R. LETHABY.
=Mediaeval English Literature= By Prof. W. P. KER.
=Modern English Literature= By G. H. MAIR.
=The English Language= By L. PEARSALL SMITH.
=Shakespeare= By JOHN MASEFIELD.
=Great American Writers= By W. P. TRENT & JOHN ERSKINE.
=Writing English Prose= By W. T. BREWSTER.
=Dr. Johnson and His Circle= By JOHN BAILEY.
=The Victorian Age in Literature= By G. K. CHESTERTON.
=The Literature of Germany= By J. G. ROBERTSON.
=Painters and Painting= By FREDERICK WEDMORE.
=Shelley, Godwin, and their Circle= By H. N. BRAILSFORD.
=Ancient Art and Ritual= By JANE HARRISON.
=Euripides and His Age= By GILBERT MURRAY.
HENRY HOLT AND COMPANY
34 WEST 33D STREET NEW YORK
_STANDARD CONTEMPORARY NOVELS_
WILLIAM DE MORGAN’S JOSEPH VANCE
The story of a great sacrifice and a lifelong love. Over fourteen printings. $1.75.
List of Mr. De Morgan’s other novels sent on application.
PAUL LEICESTER FORD’S THE HON. PETER STIRLING
This famous novel of New York political life has gone through over fifty impressions. $1.50.
ANTHONY HOPE’S PRISONER OF ZENDA
This romance of adventure has passed through over sixty impressions. With illustrations by C. D. Gibson. $1.50.
ANTHONY HOPE’S RUPERT OF HENTZAU
This story has been printed over a score of times. With illustrations by C. D. Gibson. $1.50.
ANTHONY HOPE’S DOLLY DIALOGUES
Has passed through over eighteen printings. With illustrations by H. C. Christy. $1.50.
CHARLES BATTELL LOOMIS’S CHEERFUL AMERICANS
By the author of “Poe’s Raven in an Elevator” and “A Holiday Touch.” With 24 illustrations. Tenth printing. $1.25.
MAY SINCLAIR’S THE DIVINE FIRE
By the author of “The Helpmate,” etc. Fifteenth printing. $1.50.
BURTON E. STEVENSON’S MARATHON MYSTERY
This mystery story of a New York apartment house is now in its seventh printing, has been republished in England and translated into German and Italian. With illustrations in color. $1.50.
E. L. VOYNICH’S THE GADFLY
An intense romance of the Italian uprising against the Austrians. Twenty-third edition. $1.25.
DAVID DWIGHT WELLS’S HER LADYSHIP’S ELEPHANT
With cover by Wm. Nicholson. Eighteenth printing. $1.25.
C. N. and A. M. WILLIAMSON’S LIGHTNING CONDUCTOR
Over thirty printings. $1.50.
C. N. and A. M. WILLIAMSON’S THE PRINCESS PASSES
Illustrated by Edward Penfield. Eighth printing. $1.50.
HENRY HOLT AND COMPANY
PUBLISHERS NEW YORK
FOOTNOTES:
[A] At first he traces only the outline of the inside figure. Later the square frame is also outlined.
[B] A note here may perhaps clear up a possible misconception. It is to be remembered that all these statements about the necessity for interest in the child’s mind refer only to _educative_ processes. Occasions may arise when it is desirable that a child shall do something which does not interest him--for instance, sit still in a railway train until the end of the journey. But no one need think that he will ever acquire a taste for this occupation through being forced to it.
[C] Postage on net books is 8% additional.
TRANSCRIBER’S NOTES:
Italicized text is surrounded by underscores: _italics_.
Emboldened text is surrounded by equals signs: =bold=.
Obvious typographical errors have been corrected.
Inconsistencies in hyphenation have been standardized.
End of Project Gutenberg's A Montessori Mother, by Dorothy Canfield Fisher
Comments
Log in to leave a comment.
A Montessori MotherChapter XVI: Some Last Remarks
0%21 min left in chapter