Chapter I: Preface
This story is an original tale of Old Japan, written almost from a Japanese point of view. It might be translated into that language; and, rendered in book form or told on a street corner by one of the itinerant story-tellers, the reader or listener would think it to accord fully with the traditions of the period in which it is supposed to have been enacted. Whether such a treatment will meet with approval here, it remains for the public to say. I have adhered to it against the advice of several eminent literary friends, to bring the story more into accord with our canons of style and construction. From the standpoint of a Japanese, none of the incidents or situations are in the slightest degree strained or exaggerated, and none of the characters overdrawn. All the historical allusions are strictly true and authentic,—as far as present knowledge on the subject goes,—and have been carefully and painstakingly culled from native chronicles.
The five engravings on copper have been executed by a young Japanese, Mr. Nakamura Munehiro, of Tokio, one of the best engravers in Japan, who also made the original drawings for the same. The other pictures were drawn by Shirayama Dani, a young porcelain painter in the employ of Fujiyama, of this city. It shows the versatility of Japanese artists, that although the young man had never in his life done anything but porcelain painting, which is done in pure wash, he succeeded without instruction, in a very few days, in making pictures for reproduction. In spite of their sharp outline they are done not with pen and ink, but with a Japanese brush.
LOUIS WERTHEIMBER.
LIST OF ILLUSTRATIONS.
PAGE
ETCHINGS ON COPPER.
MURAMASA INVOKING THE BLESSING OF THE GODS ON A NEWLY
FORGED SWORD _Frontispiece_
MURAMASA AND HIS SON AT THE FORGE 48
O TETSU 74
SENNOSKE SHOWING HIS SWORD TO HIS FATHER 92
THE DUKE RECEIVING SENNOSKE 176
RELIEF ENGRAVINGS.
JAPANESE TITLE _Facing English title_
THE OLD JINRIKISHA MAN AND HIS WIFE 3
JAPANESE SWORD 6
FARM LABORER 8
WOMAN SOWING RICE 9
MYTHOLOGICAL GODS OF JAPAN 12
THE DUKE’S ATTACK ON THE AMBASSADOR 15
STREET BOARD FOR GOVERNMENT EDICTS 18
EMPEROR OF JAPAN 19
EMPRESS OF JAPAN 23
SWORD-DAGGERS 25
SINGING GIRLS 26
THE DUKE RECEIVING MUTTO 29
SWORD ORNAMENTS 33
WRITING TABLE 35
STREET SCENE IN KUWANA 38
JAPANESE FISHES (TWO) 42
JAPANESE LANDSCAPE 45
AN ETA 47
SWORD-GUARD 49
LANDING-PLACE AT KUWANA 51
A RONIN 54
DESERTED BUILDINGS 57
O TETSU AND THE TWO BELDAMES 61
SWORD-GUARD 64
INKIO (RETIREMENT FROM WORLDLY AFFAIRS) 66
MALE AND FEMALE NAKŌDŌ (MARRIAGE NEGOTIATORS) 68
SENNOSKE AND HIS FATHER 71
SOSANOÔ MIKOTO, THE PATRON GOD OF SWORDS AND INVENTOR OF POETRY 73
YORITOMO LIBERATING A THOUSAND CRANES IN HONOR OF HIS VICTORIES 77
MAN IN ARMOR 79
PEASANT 85
SENNOSKE RECEIVING THE SWORD FROM THE SMITH 87
RESENTING AN INSULT 91
SADDLE, STIRRUP, AND SADDLE-CLOTH 96
SENNOSKE IN BATTLE 99
SEEING A DISGUISED HŌJŌ SPY IN NITTA’S CAMP 102
NITTA PRAYING TO THE GODS BEFORE THROWING HIS SWORD INTO THE SEA 105
SCENE AT THE STORMING OF KAMAKURA 107
SENNOSKE ON HIS RETURN 109
PILGRIMS TO FUJIYAMA 111
ROADSIDE TEA-HOUSE 112
FUJIYAMA, WITH ANGEL HOVERING OVER IT 113
COURT LADY’S HEAD-DRESS AND STATE FAN 115
YAMAGAWA DISCOVERING HIS MISTAKE 119
ROADSIDE HOTEL 124
BUDDHIST TEMPLE (MONK AND ACOLYTE) 127
YAMAGAWA COMMITTING SEPPUKU (HARA-KIRI) 129
ARROWS AND MILITARY HEAD-DRESS 132
SENDING A PRESENT 134
A KARO (CHIEF COUNSELLOR) 135
AN EXECUTION 138
A LORD ENTERING HIS NORI-MONO 140
ŌTŌ NO MIYA, THE MIKADO’S SON, IN HIS MOUNTAIN RETREAT WHEN
FLEEING FROM THE HŌJŌ 143
A PRISON 145
POSTAL COURIERS 147
STATE SWORD AND HEAD-DRESS 151
A FENCING MATCH 156
SENNOSKE FACING HIS ENEMIES 159
A FUNERAL 163
HELMET 167
NEWS OF THE ARRIVAL OF THE COURIER AT THE COURT 169
SERVING REFRESHMENTS 171
JAPANESE ROOM 173
MARRIAGE SCENE 178
FEMALE MUSICIANS 180
TAIL-PIECE (MASKS) 181
ORNAMENT 182
GATHERING TEA-LEAVES 183
YAMATO-DAKE NO MIKOTO, SEMI-DIVINITY OF WAR 184
MARSHAL’S BATON, WAR-FAN, AND HEAD-DRESS 188
A MURAMASA BLADE.
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A Muramasa bladeChapter I: Preface
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