Chapter XI

_That a Piece of Music which has Flats set before it, is in a Flat Key
on that Account, and vice versa with Sharps._

This is so well known to be an Error, by all those who have arrived at any Proficiency in Music, that very little need be said about it; however, it is a very common Error.

A Key is not constituted flat or sharp, by having Flats or Sharps at the Beginning of the Piece of Music; but it depends upon the third Note upwards from that Note in which the Music is composed. For Instance, if the Piece is composed in D, and we find that F is natural, or only half a Note from E, then it is in a flat, or flat third, Key; if F is sharp, or a whole Note above E, then the Piece of Music is composed in a sharp third Key. But as there are so many Books extant about Thorough Bass, which give a full Account of this, it will be needless to say any more about it, only to mention it as an Error, among other Errors. The Reader shall not be tired any more with Music at present, but for Variety we will shift the Scene a little while.

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