Chapter VII (2)

i fear youl yet be Nippit with the frost.
As Maney a one has known to there kost.
you should have not kome out in such a hurrey.
As this is only the Month of Febrywurrey.
and you may expick yet Much bad wethir.
when all your blads will krunkil up like Burnt leather.
alas. alas. theres Men which tries to rime,
who have like you kome out befor there time.
The Moril of My peese depend upon it.
is good so here i End my odd or sonit.

_Anonymous_.

_SOME VERSES TO SNAIX_

Prodiggus reptile! long and skaly kuss!
You are the dadrattedest biggest thing I ever
Seed that cud ty itself into a double bo-
Not, and cum all strate again in a
Minnit or so, without winkin or seemin
To experience any particular pane
In the diafram.

Stoopenjus inseck! marvelous annimile!
You are no doubt seven thousand yeres
Old, and hav a considerable of a
Family sneekin round thru the tall
Gras in Africa, a eetin up little greezy
Niggers, and wishin they was biggir.

I wonder how big yu was when yu
Was a inphant about 2 fete long. I
Expec yu was a purty good size, and
Lived on phrogs, and lizzerds, and polly-
Wogs and sutch things.

You are havin' a nice time now, ennyhow--
Don't have nothing to do but lay oph.
And etc kats and rabbits, and stic
Out yure tung and twist yur tale.
I wunder if yu ever swollered a man
Without takin oph his butes. If there was
Brass buttins on his kote, I spose
Yu had ter swaller a lot of buttin-
Wholes, and a shu--hamer to nock
The soals oph of the boots and drive in
The tax, so that they wouldn't kut yure
Inside. I wunder if vittles taste
Good all the way down. I expec so--
At leest, fur 6 or 7 fete.

You are so mighty long, I shud thynk
If your tale was kold, yure hed
Woodent no it till the next day,
But it's hard tu tell: snaix is snaix.

_Anonymous_.

_A GREAT MAN_

Ye muses, pour the pitying tear
For Pollio snatch'd away:
For had he liv'd another year!
--He had not dy'd to-day.

O, were he born to bless mankind,
In virtuous times of yore,
Heroes themselves had fallen behind!
--Whene'er he went before.

How sad the groves and plains appear,
And sympathetic sheep:
Even pitying hills would drop a tear!
--If hills could learn to weep.

His bounty in exalted strain
Each bard might well display:
Since none implor'd relief in vain!
--That went reliev'd away.

And hark! I hear the tuneful throng;
His obsequies forbid.
He still shall live, shall live as long
--As ever dead man did.

_Oliver Goldsmith_.

_AN ELEGY_

_On the Glory of her Sex, Mrs. Mary Blaize_

Good people all, with one accord,
Lament for Madam Blaize,
Who never wanted a good word--
From those who spoke her praise.

The needy seldom pass'd her door,
And always found her kind;
She freely lent to all the poor--
Who left a pledge behind.

She strove the neighborhood to please
With manners wondrous winning;
And never follow'd wicked ways--
Unless when she was sinning.

At church, in silks and satins new,
With hoop of monstrous size,
She never slumber'd in her pew--
But when she shut her eyes.

Her love was sought, I do aver,
By twenty beaux and more;
The King himself has follow'd her--
When she has walk'd before.

But now, her wealth and finery fled,
Her hangers-on cut short all;
The doctors found, when she was dead--
Her last disorder mortal.

Let us lament, in sorrow sore,
For Kent Street well may say,
That had she lived a twelvemonth more--
She had not died to-day.

_Oliver Goldsmith_.

_PARSON GRAY_

A quiet home had Parson Gray,
Secluded in a vale;
His daughters all were feminine,
And all his sons were male.

How faithfully did Parson Gray
The bread of life dispense--
Well "posted" in theology,
And post and rail his fence.

'Gainst all the vices of the age
He manfully did battle;
His chickens were a biped breed,
And quadruped his cattle.

No clock more punctually went,
He ne'er delayed a minute--
Nor ever empty was his purse,
When he had money in it.

His piety was ne'er denied;
His truths hit saint and sinner;
At morn he always breakfasted;
He always dined at dinner.

He ne'er by any luck was grieved,
By any care perplexed--
No filcher he, though when he preached,
He always "took" a text.

As faithful characters he drew
As mortal ever saw;
But ah! poor parson! when he died,
His breath he could not draw!

_Oliver Goldsmith_.

_AN ELEGY ON THE DEATH OF A MAD DOG_

Good people all, of every sort,
Give ear unto my song;
And if you find it wondrous short,--
It cannot hold you long.

In Islington there was a man,
Of whom the world might say
That still a godly race he ran,--
Whene'er he went to pray.

A kind and gentle heart he had,
To comfort friends and foes;
The naked every day he clad,--
When he put on his clothes.

And in that town a dog was found,
As many dogs there be,
Both mongrel, puppy, whelp, and hound,
And curs of low degree.

The dog and man at first were friends;
But when a pique began,
The dog, to gain some private ends,
Went mad, and bit the man.

Around from all the neighboring streets,
The wondering neighbors ran,
And swore the dog had lost his wits
To bite so good a man.

The wound it seemed both sore and sad
To every Christian eye;
And while they swore the dog was mad
They swore the man would die.

But soon a wonder came to light,
That showed the rogues they lied;
The man recovered of the bite,
The dog it was that died.

_Oliver Goldsmith_.

_THE WONDERFUL OLD MAN_

There was an old man
Who lived on a common
And, if fame speaks true,
He was born of a woman.
Perhaps you will laugh,
But for truth I've been told
He once was an infant
Tho' age made him old.

Whene'er he was hungry
He longed for some meat;
And if he could get it
'T was said he would eat.
When thirsty he'd drink
If you gave him a pot,
And what he drank mostly
Ran down his throat.

He seldom or never
Could see without light,
And yet I've been told he
Could hear in the night.
He has oft been awake
In the daytime, 't is said,
And has fallen asleep
As he lay in his bed.

'T is reported his tongue
Always moved when he talk'd,
And he stirred both his arms
And his legs when he walk'd;
And his gait was so odd
Had you seen him you 'd burst,
For one leg or t' other
Would always be first.

His face was the drollest
That ever was seen,
For if 't was not washed
It seldom was clean;
His teeth he expos'd when
He happened to grin,
And his mouth stood across
'Twixt his nose and his chin.

When this whimsical chap
Had a river to pass,
If he couldn't get over
He stayed where he was.
'T is said he ne'er ventured
To quit the dry ground,
Yet so great was his luck
He never was drowned.

At last he fell sick,
As old chronicles tell,
And then, as folks say,
He was not very well.
But what was as strange
In so weak a condition,
As he could not give fees
He could get no physician.

What wonder he died!
Yet 't is said that his death
Was occasioned at last
By the loss of his breath.
But peace to his bones
Which in ashes now moulder.
Had he lived a day longer
He'd have been a day older.

_Anonymous_

_A CHRONICLE_

Once--but no matter when--
There lived--no matter where--
A man, whose name--but then
I need not that declare.

He--well, he had been born,
And so he was alive;
His age--I details scorn--
Was somethingty and five.

He lived--how many years
I truly can't decide;
But this one fact appears
He lived--until he died.

"He died," I have averred,
But cannot prove 't was so,
But that he was interred,
At any rate, I know.

I fancy he'd a son,
I hear he had a wife:
Perhaps he'd more than one,
I know not, on my life!

But whether he was rich,
Or whether he was poor,
Or neither--both--or which,
I cannot say, I'm sure.

I can't recall his name,
Or what he used to do:
But then--well, such is fame!
'T will so serve me and you.

And that is why I thus,
About this unknown man
Would fain create a fuss,
To rescue, if I can.

From dark oblivion's blow,
Some record of his lot:
But, ah! I do not know
Who--where--when--why--or what.

MORAL

In this brief pedigree
A moral we should find--
But what it ought to be
Has quite escaped my mind!

_Anonymous_.

_ON THE OXFORD CARRIER_

Here lieth one, who did most truly prove
That he could never die while he could move;
So hung his destiny never to rot
While he might still jog on and keep his trot;
Made of sphere metal, never to decay
Until his revolution was at stay.
Time numbers motion, yet (without a crime
'Gainst old truth) motion number'd out his time,
And like an engine moved with wheel and weight,
His principles being ceased, he ended straight.
Rest, that gives all men life, gave him his death,
And too much breathing put him out of breath;
Nor were it contradiction to affirm,
Too long vacation hasten'd on his term.
Merely to drive the time away he sicken'd,
Fainted, and died, nor would with ale be quicken'd;
"Nay," quoth he, on his swooning bed outstretch'd,
"If I mayn't carry, sure I'll ne'er be fetch'd,
But vow, though the cross doctors all stood hearers,
For one carrier put down to make six bearers."
Ease was his chief disease; and to judge right,
He died for heaviness that his cart went light:
His leisure told him that his time was come,
And lack of load made his life burdensome.
That even to his last breath (there be that say't),
As he were press'd to death, he cried, "More weight;"
But, had his doings lasted as they were,
He had been an immortal carrier.
Obedient to the moon he spent his date
In course reciprocal, and had his fate
Link'd to the mutual flowing of the seas,
Yet (strange to think) his wane was his increase:
His letters are deliver'd all, and gone,
Only remains the superscription.

_John Milton_.

_NEPHELIDIA_

From the depth of the dreamy decline of the dawn
through a notable nimbus of nebulous noonshine,
Pallid and pink as the palm of the flag-flower
that flickers with fear of the flies as they float,
Are they looks of our lovers that lustrously lean from a marvel
of mystic miraculous moonshine,
These that we feel in the blood of our blushes that thicken and
threaten with sobs from the throat?
Thicken and thrill as a theatre thronged at appeal of an actor's
appalled agitation,
Fainter with fear of the fires of the future than pale with the
promise of pride in the past;
Flushed with the famishing fulness of fever that reddens with
radiance of rathe recreation,
Gaunt as the ghastliest of glimpses that gleam through the gloom
of the gloaming when ghosts go aghast?
Nay, for the nick of the tick of the time is a tremulous touch
on the temples of terror,
Strained as the sinews yet strenuous with strife of the dead who
is dumb as the dust-heaps of death:
Surely no soul is it, sweet as the spasm of erotic emotional
exquisite error,
Bathed in the balms of beatified bliss, beatific itself by
beatitude's breath.
Surely no spirit or sense of a soul that was soft to the spirit
and soul of our senses
Sweetens the stress of suspiring suspicion that sobs in the
semblance and sound of a sigh;
Only this oracle opens Olympian, in mystical moods and
triangular tenses--
Life is the lust of a lamp for the light that is dark till the
dawn of the day when we die.
Mild is the mirk and monotonous music of memory melodiously mute
as it may be,
While the hope in the heart of a hero is bruised by the breach of
men's rapiers resigned to the rod;
Made meek as a mother whose bosom--beats bound with the bliss--
bringing bulk of a balm--breathing baby,
As they grope through the grave-yards of creeds, under skies
growing green'at a groan for the grimness of God.
Blank is the book of his bounty beholden of old and its binding
is blacker than bluer:
Out of blue into black is the scheme of the skies, and their
dews are the wine of the bloodshed of things;
Till the darkling desire of delight shall be free as a fawn that
is freed from the fangs that pursue her,
Till the heart-beats of hell shall be hushed by a hymn from the
hunt that has harried the kernel of kings.

_A. C. Swinburne,
in "The Heptalogia_."

_MARTIN LUTHER AT POTSDAM_

What lightning shall light it? What thunder shall tell it?
In the height of the height, in the depth of the deep?

Shall the sea--storm declare it, or paint it, or smell it?
Shall the price of a slave be its treasure to keep?
When the night has grown near with the gems on her bosom,
When the white of mine eyes is the whiteness of snow,
When the cabman--in liquor--drives a blue roan, a kicker,
Into the land of the dear long ago.

Ah!--Ah, again!--You will come to me, fall on me--
You are _so_ heavy, and I am _so_ flat.
And I? I shall not be at home when you call on me,
But stray down the wind like a gentleman's hat:
I shall list to the stars when the music is purple,
Be drawn through a pipe, and exhaled into rings;
Turn to sparks, and then straightway get stuck in the gateway
That stands between speech and unspeakable things.

As I mentioned before, by what light is it lighted?
Oh! Is it fourpence, or piebald, or gray?
Is it a mayor that a mother has knighted,
Or is it a horse of the sun and the day?
Is it a pony? If so, who will change it?
O golfer, be quiet, and mark where it scuds,
And think of its paces--of owners and races--
Relinquish the links for the study of studs.

Not understood? Take me hence! Take me yonder!
Take me away to the land of my rest--
There where the Ganges and other gees wander,
And uncles and antelopes act for the best,
And all things are mixed and run into each other
In a violet twilight of virtues and sins,
With the church-spires below you and no one to show you
Where the curate leaves off and the pew-rent begins!

In the black night through the rank grass the snakes peer--
The cobs and the cobras are partial to grass--
And a boy wanders out with a knowledge of Shakespeare
That's not often found in a boy of his class,
And a girl wanders out without any knowledge,
And a bird wanders out, and a cow wanders out,
Likewise one wether, and they wander together--
There's a good deal of wandering lying about.

But it's all for the best; I've been told by my friends, Sir,
That in verses I'd written the meaning was slight;
I've tried with no meaning--to make 'em amends, Sir--
And find that this kind's still more easy to write.
The title has nothing to do with the verses,
But think of the millions--the laborers who
In busy employment find deepest enjoyment,
And yet, like my title, have nothing to do!

_Barry Pain_.

_COMPANIONS_

I know not of what we ponder'd
Or made pretence to talk,
As, her hand within mine, we wander'd
Tow'rd the pool by the limetree walk,
While the dew fell in showers from the passion flowers
And the blush-rose bent on her stalk.

I cannot recall her figure:
Was it regal as Juno's own?
Or only a trifle bigger
Than the elves who surround the throne
Of the Faëry Queen, and are seen, I ween,
By mortals in dreams alone?

What her eyes were like, I know not:
Perhaps they were blurred with tears;
And perhaps in your skies there glow not
(On the contrary) clearer spheres.
No as to her eyes I am just as wise
As you or the cat, my dears.

Her teeth, I presume, were "pearly":
But which was she, brunette or blonde?
Her hair, was it quaintly curly,
Or as straight as a beadle's wand?
That I failed to remark;--it was rather dark
And shadowy round the pond.

Then the hand that reposed so snugly
In mine--was it plump or spare?
Was the countenance fair or ugly?
Nay, children, you have me there!
My eyes were p'raps blurr'd; and besides, I'd heard
That it's horribly rude to stare.

And I--was I brusque and surly?
Or oppressively bland and fond?
Was I partial to rising early?
Or why did we twain abscond,
All breakfastless too, from the public view
To prowl by a misty pond?

What passed, what was felt or spoken--
Whether anything passed at all--
And whether the heart was broken
That beat under that sheltering shawl--
(If shawl she had on, which I doubt)--has gone.
Yes, gone from me past recall.

Was I haply the lady's suitor?
Or her uncle? I can't make out--
Ask your governess, dears, or tutor.
For myself, I'm in hopeless doubt
As to why we were there, and who on earth we were,
And what this is all about.

_C. S. Calverley_.

_THE COCK AND THE BULL_

You see this pebble-stone? It's a thing I bought
Of a bit of a chit of a boy i' the mid o' the day--
I like to dock the smaller parts-o-speech,
As we curtail the already cur-tailed cur
(You catch the paronomasia, play 'po' words?)
Did, rather, i' the pre-Landseerian days.
Well, to my muttons. I purchased the concern,
And clapt it i' my poke, having given for same
By way o' chop, swop, barter or exchange--
"Chop" was my snickering dandiprat's own term--
One shilling and fourpence, current coin o' the realm.
O-n-e one and f-o-u-r four
Pence, one and fourpence--you are with me, sir?--
What hour it skills not: ten or eleven o' the clock,
One day (and what a roaring day it was
Go shop or sight-see--bar a spit o' rain!)
In February, eighteen sixty nine,
Alexandrina Victoria, Fidei,
Hm--hm--how runs the jargon? being on the throne.

Such, sir, are all the facts, succinctly put,
The basis or substratum--what you will--
Of the impending eighty thousand lines.
"Not much in 'em either," quoth perhaps simple Hodge.
But there's a superstructure. Wait a bit.

Mark first the rationale of the thing:
Hear logic rivel and levigate the deed.
That shilling--and for matter o' that, the pence--
I had o' course upo' me--wi' me say--
(_Mecum's_ the Latin, make a note o' that)
When I popp'd pen i' stand, scratched ear, wiped snout,
(Let everybody wipe his own himself)
Sniff'd--tch!--at snuffbox; tumbled up, he-heed,
Haw-haw'd (not he-haw'd, that's another guess thing):
Then fumbled at, and stumbled out of, door,
I shoved the timber ope wi' my omoplat;
And _in vestibulo_, i' the lobby to-wit,
(Iacobi Facciolati's rendering, sir,)
Donned galligaskins, antigropeloes,
And so forth; and, complete with hat and gloves,
One on and one a-dangle i' my hand,
And ombrifuge (Lord love you!) cas o' rain,
I flopped forth, 'sbuddikins! on my own ten toes,
(I do assure you there be ten of them)
And went clump-clumping up hill and down dale
To find myself o' the sudden i' front o' the boy.
Put case I hadn't 'em on me, could I ha' bought
This sort-o'-kind-o'-what-you-might-call-toy,
This pebble-thing, o' the boy-thing? Q. E. D.
That's proven without aid for mumping Pope,
Sleek porporate or bloated cardinal.
(Isn't it, old Fatchops? You're in Euclid now.)
So, having the shilling--having i' fact a lot--
And pence and halfpence, ever so many o' them,
I purchased, as I think I said before,
The pebble (_lapis, lapidis, di, dem, de_--
What nouns 'crease short i' the genitive, Fatchops, eh?)
O the boy, a bare-legg'd beggarly son of a gun,
For one-and-fourpence. Here we are again.
Now Law steps in, biwigged, voluminous-jaw'd;
Investigates and re-investigates.
Was the transaction illegal? Law shakes head.
Perpend, sir, all the bearings of the case.

At first the coin was mine, the chattel his.
But now (by virtue of the said exchange
And barter) _vice versa_ all the coin,
_Rer juris operationem_, vests
I' the boy and his assigns till ding o' doom;
_In saecula saeculo-o-o-orum_;
(I think I hear the Abate mouth out that.)
To have and hold the same to him and them ...
Confer some idiot on Conveyancing.
Whereas the pebble and every part thereof,
And all that appertaineth thereunto,
_Quodcunque pertinet ad em rem_,
(I fancy, sir, my Latin's rather pat)
Or shall, will, may, might, can, could, would, or should,
_Subaudi caetera_--clap we to the close--
For what's the good of law in such a case o' the kind
Is mine to all intents and purposes.
This settled, I resume the thread o' the tale.

Now for a touch o' the vendor's quality.
He says a gen'lman bought a pebble of him,
(This pebble i' sooth, sir, which I hold i' my hand)--
And paid for 't, _like_ a gen'lman, on the nail.
"Did I o'ercharge him a ha'penny? Devil a bit.
Fiddlepin's end! Get out, you blazing ass!
Gabble o' the goose. Don't bugaboo-baby _me_!
Go double or quits? Yah! tittup! what's the odds?"
--There's the transaction viewed in the vendor's light.

Next ask that dumpled hag, stood snuffling by,
With her three frowsy blowsy brats o' babes,
The scum o' the Kennel, cream o' the filth-heap--Faugh!
Aie, aie, aie, aie! [Greek: otototototoi],
('Stead which we blurt out, Hoighty toighty now)--
And the baker and candlestick maker, and Jack and Gill,
Blear'd Goody this and queasy Gaffer that,
Ask the Schoolmaster, Take Schoolmaster first.
He saw a gentleman purchase of a lad
A stone, and pay for it _rite_ on the square,
And carry it off _per saltum_, jauntily
_Propria quae maribus_, gentleman's property now
(Agreeable to the law explained above).
_In proprium usum_, for his private ends,
The boy he chucked a brown i' the air, and bit
I' the face the shilling; heaved a thumping stone
At a lean hen that ran cluck-clucking by,
(And hit her, dead as nail i' post o' door,)
Then _abiit_--What's the Ciceronian phrase?
_Excessit, evasit, erupit_--off slogs boy;
Off like bird, _avi similis_--(you observed
The dative? Pretty i' the Mantuan!)--_Anglice_
Off in three flea skips. _Hactenus_, so far,
So good, _tam bene. Bene, satis, male_,--
Where was I with my trope 'bout one in a quag?
I did once hitch the Syntax into verse
_Verbum personale_, a verb personal,
_Concordat_--"ay", agrees old Fatchops--_cum
Nominativo_, with its nominative,
_Genere_, i' point of gender, _numero_,
O' number, _et persona_, and person. _Ut_,
Instance: _Sol ruit_, down flops sun, _et_ and,
_Montes umbrantur_, out flounce mountains. Pah!
Excuse me, sir, I think I'm going mad.

You see the trick on't, though, and can yourself
Continue the discourse _ad libitum_.
It takes up about eighty thousand lines,
A thing imagination boggles at;
And might, odds-bobs, sir! in judicious hands
Extend from here to Mesopotamy.

_C.S. Calverley_.

LOVERS AND A REFLECTION

In moss-prankt dells which the sunbeams flatter
(And heaven it knoweth what that may mean;
Meaning, however, is no great matter)
Where woods are a-tremble with words a-tween;

Thro' God's own heather we wonned together,
I and my Willie (O love my love):
I need hardly remark it was glorious weather,
And flitter-bats wavered alow, above:

Boats were curtseying, rising, bowing,
(Boats in that climate are so polite,)
And sands were a ribbon of green endowing,
And O the sun-dazzle on bark and bight!

Thro' the rare red heather we danced together
(O love my Willie,) and smelt for flowers:
I must mention again it was glorious weather,
Rhymes are so scarce in this world of ours:

By rises that flushed with their purple favors,
Thro' becks that brattled o'er grasses sheen,
We walked or waded, we two young shavers,
Thanking our stars we were both so green.

We journeyed in parallels, I and Willie,
In fortunate parallels! Butterflies,
Hid in weltering shadows of daffodilly
Or marjoram, kept making peacock eyes:

Song-birds darted about, some inky
As coal, some snowy (I ween) as curds;
Or rosy as pinks, or as roses pinky--
They reek of no eerie To-come, those birds!

But they skim over bents which the mill-stream washes,
Or hang in the lift 'neath a white cloud's hem;
They need no parasols, no goloshes;
And good Mrs. Trimmer she feedeth them.

Then we thrid God's cowslips (as erst his heather),
That endowed the wan grass with their golden blooms;
And snapt--(it was perfectly charming weather)--
Our fingers at Fate and her goddess-glooms:

And Willie 'gan sing--(Oh, his notes were fluty;
Wafts fluttered them out to the white-winged sea)--
Something made up of rhymes that have done much duty,
Rhymes (better to put it) of "ancientry":

Bowers of flowers encountered showers
In William's carol--(O love my Willie!)
Then he bade sorrow borrow from blithe tomorrow
I quite forget what--say a daffodilly.

A nest in a hollow, "with buds to follow,"
I think occurred next in his nimble strain;
And clay that was "kneaden" of course in Eden--
A rhyme most novel I do maintain:

Mists, bones, the singer himself, love-stories,
And all least furlable things got furled;
Not with any design to conceal their glories,
But simply and solely to rhyme with world.

O if billows and pillows and hours and flowers,
And all the brave rhymes of an elder day,
Could be furled together, this genial weather,
And carted or carried on wafts away,

Nor ever again trotted out--ah me!
How much fewer volumes of verse there'd be.

_C.S. Calverley_

AN IMITATION OF WORDSWORTH

There is a river clear and fair,
'Tis neither broad nor narrow;
It winds a little here and there--
It winds about like any hare;
And then it takes as straight a course
As on the turnpike road a horse,
Or through the air an arrow.

The trees that grow upon the shore,
Have grown a hundred years or more;
So long there is no knowing.
Old Daniel Dobson does not know
When first these trees began to grow;
But still they grew, and grew, and grew,
As if they'd nothing else to do,
But ever to be growing.

The impulses of air and sky
Have rear'd their stately heads so high,
And clothed their boughs with green;
Their leaves the dews of evening quaff,--
And when the wind blows loud and keen,
I've seen the jolly timbers laugh,
And shake their sides with merry glee--
Wagging their heads in mockery.

Fix'd are their feet in solid earth,
Where winds can never blow;
But visitings of deeper birth
Have reach'd their roots below.
For they have gain'd the river's brink,
And of the living waters drink.

There's little Will, a five years child--
He is my youngest boy:
To look on eyes so fair and wild,
It is a very joy:--
He hath conversed with sun and shower,
And dwelt with every idle flower,
As fresh and gay as them.
He loiters with the briar rose,--
The blue-belles are his play-fellows,
That dance upon their slender stem.

And I have said, my little Will,
Why should not he continue still
A thing of Nature's rearing?
A thing beyond the world's control--
A living vegetable soul,--
No human sorrow fearing.

It were a blessed sight to see
That child become a Willow-tree,
His brother trees among.
He'd be four times as tall as me,
And live three times as long.

_Catharine M. Fanshawe_.

THE FAMOUS BALLAD OF THE JUBILEE CUP

You may lift me up in your arms, lad, and turn my face to the sun,
For a last look back at the dear old track where the Jubilee cup
was won;
And draw your chair to my side, lad--no, thank ye, I feel no pain--
For I'm going out with the tide, lad; but I'll tell you the tale
again.

I'm seventy-nine or nearly, and my head it has long turned gray,
But it all comes back as clearly as though it was yesterday--
The dust, and the bookies shouting around the clerk of the scales,
And the clerk of the course, and the nobs in force, and 'Is
'Ighness the Pr**ce of W*les.

'Twas a nine-hole thresh to wind'ard (but none of us cared for that),
With a straight run home to the service tee, and a finish along
the flat,
"Stiff?" ah, well you may say it! Spot barred, and at five stone
ten!
But at two and a bisque I'd ha' run the risk; for I was a
greenhorn then.

So we stripped to the B. Race signal, the old red swallowtail--
There was young Ben Bolt and the Portland Colt, and Aston Villa,
and Yale;
And W. G., and Steinitz, Leander and The Saint,
And the G*rm*n Emp*r*r's Meteor, a-looking as fresh as paint;

John Roberts (scratch), and Safety Match, The Lascar, and Lorna
Doone,
Oom Paul (a bye), and Romany Rye, and me upon Wooden Spoon;
And some of us cut for partners, and some of us strung for baulk,
And some of us tossed for stations--But there, what use to talk?

Three-quarter-back on the Kingsclere crack was station enough for
me,
With a fresh jackyarder blowing and the Vicarage goal a-lee!
And I leaned and patted her centre-bit and eased the quid in her
cheek,
With a "Soh my lass!" and a "Woa you brute!"--for she could do all
but speak.

She was geared a thought too high perhaps; she was trained a
trifle fine;
But she had the grand reach forward! I never saw such a line!
Smooth-bored, clean run, from her fiddle head with its dainty ear
half-cock,
Hard-bit, _pur sang_, from her overhang to the heel of her off
hind sock.

Sir Robert he walked beside me as I worked her down to the mark;
"There's money on this, my lad," said he, "and most of 'em's
running dark;
But ease the sheet if you're bunkered, and pack the scrummages
tight,
And use your slide at the distance, and we'll drink to your health
to-night!"

But I bent and tightened my stretcher. Said I to myself, said I--
"John Jones, this here is the Jubilee Cup, and you have to do or
die."
And the words weren't hardly spoken when the umpire shouted
"Play!"
And we all kicked off from the Gasworks End with a "Yoicks!" and a
"Gone Away!"

And at first I thought of nothing, as the clay flew by in lumps,
But stuck to the old Ruy Lopez, and wondered who'd call for trumps,
And luffed her close to the cushion, and watched each one as it
broke,
And in triple file up the Rowley Mile we went like a trail of smoke.

The Lascar made the running but he didn't amount to much,
For old Oom Paul was quick on the ball, and headed it back to touch;
And the whole first flight led off with the right as The Saint
took up the pace,
And drove it clean to the putting green and trumped it there with
an ace.

John Roberts had given a miss in baulk, but Villa cleared with a
punt;
And keeping her service hard and low the Meteor forged to the front;
With Romany Rye to windward at dormy and two to play,
And Yale close up--but a Jubilee Cup isn't run for every day.

We laid our course for the Warner--I tell you the pace was hot!
And again off Tattenham Corner a blanket covered the lot.
Check side! Check side! now steer her wide! and barely an inch of
room,
With The Lascar's tail over our lee rail and brushing Leander's
boom.

We were running as strong as ever--eight knots--but it couldn't
last;
For the spray and the bails were flying, the whole field tailing
fast;
And the Portland Colt had shot his bolt, and Yale was bumped at
the Doves,
And The Lascar resigned to Steinitz, stalemated in fifteen moves.

It was bellows to mend with Roberts--starred three for a penalty
kick:
But he chalked his cue and gave 'em the butt, and Oom Paul marked
the trick--
"Offside--No Ball--and at fourteen all! Mark Cock! and two for his
nob!"
When W.G. ran clean through his lee and beat him twice with a lob.

He yorked him twice on a crumbling pitch and wiped his eye with a
brace,
But his guy-rope split with the strain of it and he dropped back
out of the race;
And I drew a bead on the Meteor's lead, and challenging none too
soon,
Bent over and patted her garboard strake, and called upon Wooden
Spoon.

She was all of a shiver forward, the spoondrift thick on her flanks,
But I'd brought her an easy gambit, and nursed her over the banks;
She answered her helm--the darling! and woke up now with a rush,
While the Meteor's jock, he sat like a rock--he knew we rode for
his brush!

There was no one else left in it. The Saint was using his whip,
And Safety Match, with a lofting catch, was pocketed deep at slip;
And young Ben Bolt with his niblick took miss at Leander's lunge,
But topped the net with the ricochet, and Steinitz threw up the
sponge.

But none of the lot could stop the rot--nay, don't ask _me_ to stop!
The villa had called for lemons, Oom Paul had taken his drop,
And both were kicking the referee. Poor fellow! he done his best;
But, being in doubt, he'd ruled them out--which he always did when
pressed.

So, inch by inch, I tightened the winch, and chucked the sandbags
out--
I heard the nursery cannons pop, I heard the bookies shout:
"The Meteor wins!" "No, Wooden Spoon!" "Check!" "Vantage!"
"Leg Before!"
"Last Lap!" "Pass Nap!" At his saddle-flap I put up the helm and
wore.

You may overlap at the saddle-flap, and yet be loo'd on the tape:
And it all depends upon changing ends, how a seven-year-old will
shape;
It was tack and tack to the Lepe and back--a fair ding-dong to the
Ridge,
And he led by his forward canvas yet as we shot 'neath Hammersmith
Bridge.

He led by his forward canvas--he led from his strongest suit--
But along we went on a roaring scent, and at Fawley I gained a foot.
He fisted off with his jigger, and gave me his wash--too late!
Deuce--Vantage--Check! By neck and neck we rounded into the
straight.

I could hear the "Conquering 'Ero" a-crashing on Godfrey's band,
And my hopes fell sudden to zero, just there, with the race in
hand--
In sight of the Turf's Blue Ribbon, in sight of the umpire's tape,
As I felt the tack of her spinnaker c-rack! as I heard the steam
escape!

Had I lost at that awful juncture my presence of mind? ... but no!
I leaned and felt for the puncture, and plugged it there with my
toe....
Hand over hand by the Members' Stand I lifted and eased her up,
Shot--clean and fair--to the crossbar there, and landed the
Jubilee Cup!

"The odd by a head, and leg before," so the Judge he gave the word:
And the umpire shouted "Over!" but I neither spoke nor stirred.
They crowded round: for there on the ground I lay in a dead-cold
swoon,
Pitched neck and crop on the turf atop of my beautiful Wooden Spoon.

Her dewlap tire was punctured, her bearings all red hot;
She'd a lolling tongue, and her bowsprit sprung, and her running
gear in a knot;
And amid the sobs of her backers, Sir Robert loosened her girth
And led her away to the knacker's. She had raced her last on earth!

But I mind me well of the tear that fell from the eye of our noble
Pr*nce,
And the things he said as he tucked me in bed--and I 've lain
there ever since;
Tho' it all gets mixed up queerly that happened before my spill,--
But I draw my thousand yearly: it 'll pay for the doctor's bill.

I'm going out with the tide, lad--you 'll dig me a numble grave,
And whiles you will bring your bride, lad, and your sons, if sons
you have,
And there when the dews are weeping, and the echoes murmur
"Peace!"
And the salt, salt tide comes creeping and covers the
popping-crease;

In the hour when the ducks deposit their eggs with a boasted force,
They'll look and whisper "How was it?" and you'll take them over
the course,
And your voice will break as you try to speak of the glorious
first of June,
When the Jubilee Cup, with John Jones up, was won upon Wooden Spoon.

_Arthur T. Quiller-Couch_.

A SONG OF IMPOSSIBILITIES

Lady, I loved you all last year,
How honestly and well--
Alas! would weary you to hear,
And torture me to tell;
I raved beneath the midnight sky,
I sang beneath the limes--
Orlando in my lunacy,
And Petrarch in my rhymes.
But all is over! When the sun
Dries up the boundless main,
When black is white, false-hearted one,
I may be yours again!

When passion's early hopes and fears
Are not derided things;
When truth is found in falling tears,
Or faith in golden rings;
When the dark Fates that rule our way
Instruct me where they hide
One woman that would ne'er betray,
One friend that never lied;
When summer shines without a cloud,
And bliss without a pain;
When worth is noticed in a crowd,
I may be yours again!

When science pours the light of day
Upon the lords of lands;
When Huskisson is heard to say
That Lethbridge understands;
When wrinkles work their way in youth,
Or Eldon's in a hurry;
When lawyers represent the truth,
Or Mr. Sumner Surrey;
When aldermen taste eloquence
Or bricklayers champagne;
When common law is common sense,
I may be yours again!

When learned judges play the beau,
Or learned pigs the tabor;
When traveller Bankes beats Cicero,
Or Mr. Bishop Weber;
When sinking funds discharge a debt,
Or female hands a bomb;
When bankrupts study the _Gazette_,
Or colleges _Tom Thumb_;
When little fishes learn to speak,
Or poets not to feign;
When Dr. Geldart construes Greek,
I may be yours again!

When Pole and Thornton honor cheques,
Or Mr. Const a rogue;
When Jericho's in Middlesex,
Or minuets in vogue;
When Highgate goes to Devonport,
Or fashion to Guildhall;
When argument is heard at Court,
Or Mr. Wynn at all;
When Sydney Smith forgets to jest,
Or farmers to complain;
When kings that are are not the best,
I may be yours again!

When peers from telling money shrink,
Or monks from telling lies;
When hydrogen begins to sink,
Or Grecian scrip to rise;
When German poets cease to dream,
Americans to guess;
When Freedom sheds her holy beam
On Negroes, and the Press;
When there is any fear of Rome,
Or any hope of Spain;
When Ireland is a happy home,
I may be yours again!

When you can cancel what has been,
Or alter what must be,
Or bring once more that vanished scene,
Those withered joys to me;
When you can tune the broken lute,
Or deck the blighted wreath,
Or rear the garden's richest fruit,
Upon a blasted heath;
When you can lure the wolf at bay
Back to his shattered chain,
To-day may then be yesterday--
I may be yours again!

_W.M. Praed_.

TRUST IN WOMEN

When these things following be done to our intent,
Then put women in trust and confident.

When nettles in winter bring forth roses red,
And all manner of thorn trees bear figs naturally,
And geese bear pearls in every mead,
And laurel bear cherries abundantly,
And oaks bear dates very plenteously,
And kisks give of honey superfluence,
Then put women in trust and confidence.

When box bear paper in every land and town,
And thistles bear berries in every place,
And pikes have naturally feathers in their crown,
And bulls of the sea sing a good bass,
And men be the ships fishes trace,
And in women be found no insipience,
Then put them in trust and confidence.

When whitings do walk forests to chase harts,
And herrings their horns in forests boldly blow,
And marmsets mourn in moors and lakes,
And gurnards shoot rooks out of a crossbow,
And goslings hunt the wolf to overthrow,
And sprats bear spears in armes of defence,
Then put women in trust and confidence.

When swine be cunning in all points of music,
And asses be doctors of every science,
And cats do heal men by practising of physic,
And buzzards to scripture give any credence,
And merchants buy with horn, instead of groats and pence,
And pyes be made poets for their eloquence,
Then put women in trust and confidence.

When sparrows build churches on a height,
And wrens carry sacks unto the mill,
And curlews carry timber houses to dight,
And fomalls bear butter to market to sell,
And woodcocks bear woodknives cranes to kill,
And greenfinches to goslings do obedience,
Then put women in trust and confidence.

When crows take salmon in woods and parks,
And be take with swifts and snails,
And camels in the air take swallows and larks,
And mice move mountains by wagging of their tails,
And shipmen take a ride instead of sails,
And when wives to their husbands do no offence,
Then put women in trust and confidence.

When antelopes surmount eagles in flight,
And swans be swifter than hawks of the tower,
And wrens set gos-hawks by force and might,
And muskets make verjuice of crabbes sour,
And ships sail on dry land, silt give flower,
And apes in Westminster give judgment and sentence,
Then put women in trust and confidence.

_Anonymous_.

HERE IS THE TALE

AFTER RUDYARD KIPLING

_Here is the tale--and you must make the most of it!
Here is the rhyme--ah, listen and attend!
Backwards--forwards--read it all and boast of it
If you are anything the wiser at the end_!

Now Jack looked up--it was time to sup, and the bucket was yet to
fill,
And Jack looked round for a space and frowned, then beckoned his
sister Jill,
And twice he pulled his sister's hair, and thrice he smote her side;
"Ha' done, ha' done with your impudent fun--ha' done with your
games!" she cried;
"You have made mud-pies of a marvellous size--finger and face are
black,
You have trodden the Way of the Mire and Clay--now up and wash you,
Jack!
Or else, or ever we reach our home, there waiteth an angry dame--
Well you know the weight of her blow--the supperless open shame!
Wash, if you will, on yonder hill--wash, if you will, at the spring,--
Or keep your dirt, to your certain hurt, and an imminent walloping!"

"You must wash--you must scrub--you must scrape!" growled Jack,
"you must traffic with cans and pails,
Nor keep the spoil of the good brown soil in the rim of your
finger-nails!
The morning path you must tread to your bath--you must wash ere
the night descends,
And all for the cause of conventional laws and the soapmakers'
dividends!
But if 'tis sooth that our meal in truth depends on our washing,
Jill,
By the sacred right of our appetite--haste--haste to the top of
the hill!"

They have trodden the Way of the Mire and Clay, they have toiled
and travelled far,
They have climbed to the brow of the hill-top now, where the
bubbling fountains are,
They have taken the bucket and filled it up--yea, filled it up to
the brim;
But Jack he sneered at his sister Jill, and Jill she jeered at him:
"What, blown already!" Jack cried out (and his was a biting mirth!)
"You boast indeed of your wonderful speed--but what is the
boasting worth?
Now, if you can run as the antelope runs, and if you can turn like
a hare,
Come, race me, Jill, to the foot of the hill--and prove your
boasting fair!"

"Race? What is a race" (and a mocking face had Jill as she spake
the word)
"Unless for a prize the runner tries? The truth indeed ye heard,
For I can run as the antelope runs, and I can turn like a hare:--
The first one down wins half-a-crown--and I will race you there!"
"Yea, if for the lesson that you will learn (the lesson of humbled
pride)
The price you fix at two-and-six, it shall not be denied;
Come, take your stand at my right hand, for here is the mark we toe:
Now, are you ready, and are you steady? Gird up your petticoats! Go!"

And Jill she ran like a winging bolt, a bolt from the bow released,
But Jack like a stream of the lightning gleam, with its pathway
duly greased;
He ran down hill in front of Jill like a summer-lightning flash--
Till he suddenly tripped on a stone, or slipped, and fell to the
earth with a crash.
Then straight did rise on his wondering eyes the constellations
fair,
Arcturus and the Pleiades, the Greater and Lesser Bear,
The swirling rain of a comet's train he saw, as he swiftly fell--
And Jill came tumbling after him with a loud triumphant yell:
"You have won, you have won, the race is done! And as for the
wager laid--
You have fallen down with a broken crown--the half-crown debt is
paid!"

They have taken Jack to the room at the back where the family
medicines are,
And he lies in bed with a broken head in a halo of vinegar;
While, in that Jill had laughed her fill as her brother fell to
earth,
She had felt the sting of a walloping--she hath paid the price of
her mirth!

_Here is the tale--and now you have the whole of it,
Here is the story--well and wisely planned,
Beauty--Duty--these make up the soul of it--
But, ah, my little readers, will you mark and understand_?

_Anthony C. Deane_.

THE AULD WIFE

The auld wife sat at her ivied door,
(_Butter and eggs and a pound of cheese_)
A thing she had frequently done before;
And her spectacles lay on her aproned knees.

The piper he piped on the hill-top high,
(_Butter and eggs and a pound of cheese_)
Till the cow said "I die" and the goose asked "Why;"
And the dog said nothing, but searched for fleas.

The farmer he strode through the square farmyard;
(_Butter and eggs and a pound of cheese_)
His last brew of ale was a trifle hard,
The connection of which with the plot one sees.

The farmer's daughter hath frank blue eyes,
(_Butter and eggs and a pound of cheese_)
She hears the rooks caw in the windy skies,
As she sits at her lattice and shells her peas.

The farmer's daughter hath ripe red lips;
(_Butter and eggs and a pound of cheese_)
If you try to approach her, away she skips
Over tables and chairs with apparent ease.

The farmer's daughter hath soft brown hair;
(_Butter and eggs and a pound of cheese_)
And I met with a ballad, I can't say where,
Which wholly consisted of lines like these.

She sat with her hands 'neath her dimpled cheeks,
(_Butter and eggs and a pound of cheese_)
And spake not a word. While a lady speaks
There is hope, but she didn't even sneeze.

She sat with her hands 'neath her crimson cheeks;
(_Butter and eggs and a pound of cheese_)
She gave up mending her father's breeks,
And let the cat roll in her best chemise.

She sat with her hands 'neath her burning cheeks
(_Butter and eggs and a pound of cheese_),
And gazed at the piper for thirteen weeks;
Then she followed him out o'er the misty leas.

Her sheep followed her as their tails did them
(_Butter and eggs and a pound of cheese_),
And this song is considered a perfect gem,
And as to the meaning, it's what you please.

_Charles S. Calverley_.

NOT I

Some like drink
In a pint pot,
Some like to think,
Some not.

Strong Dutch cheese,
Old Kentucky Rye,
Some like these;
Not I.

Some like Poe,
And others like Scott;
Some like Mrs. Stowe,
Some not.

Some like to laugh,
Some like to cry,
Some like to chaff;
Not I.

_R.L. Stevenson_.

MINNIE AND WINNIE

Minnie and Winnie
Slept in a shell.
Sleep, little ladies!
And they slept well.

Pink was the shell within,
Silver without;
Sounds of the great sea
Wandered about.

Sleep little ladies!
Wake not soon!
Echo on echo
Dies to the moon.

Two bright stars
Peep'd into the shell,
What are they dreaming of?
Who can tell?

Started a green linnet
Out of the croft;
Wake, little ladies,
The sun is aloft!

_Lord Tennyson_.

THE MAYOR OF SCUTTLETON

The Mayor of Scuttleton burned his nose
Trying to warm his copper toes;
He lost his money and spoiled his will
By signing his name with an icicle quill;
He went bareheaded, and held his breath,
And frightened his grandame most to death;
He loaded a shovel and tried to shoot,
And killed the calf in the leg of his boot;

He melted a snowbird and formed the habit
Of dancing jigs with a sad Welsh rabbit;
He lived on taffy and taxed the town;
And read his newspaper upside down;
Then he sighed and hung his hat on a feather,
And bade the townspeople come together;
But the worst of it all was, nobody knew
What the Mayor of Scuttleton next would do.

_Mary Mapes Dodge_.

THE PURPLE COW

I never saw a Purple Cow,
I never hope to see one;
But I can tell you, anyhow,
I'd rather see than be one.

ENVOI

Ah yes, I wrote the Purple Cow,
I'm sorry now I wrote it.
But I can tell you anyhow,
I'll kill you if you quote it.

_Gelett Burgess_.

THE INVISIBLE BRIDGE

I'd Never Dare to Walk across
A Bridge I Could Not See;
For Quite afraid of Falling off,
I fear that I Should Be!

_Gelett Burgess_.

THE LAZY ROOF

The Roof it has a Lazy Time
A-lying in the Sun;
The Walls they have to Hold Him Up;
They do Not Have Much Fun!

_Gelett Burgess_.

MY FEET

My feet, they haul me Round the House,
They Hoist me up the Stairs;
I only have to Steer them and
They Ride me Everywheres.

_Gelett Burgess_.

THE HEN

Alas! my Child, where is the Pen
That can do Justice to the Hen?
Like Royalty, She goes her way,
Laying foundations every day,
Though not for Public Buildings, yet
For Custard, Cake and Omelette.

Or if too Old for such a use
They have their Fling at some Abuse,
As when to Censure Plays Unfit
Upon the Stage they make a Hit,
Or at elections Seal the Fate
Of an Obnoxious Candidate.
No wonder, Child, we prize the Hen,
Whose Egg is Mightier than the Pen.

_Oliver Herford_.

THE COW

The Cow is too well known, I fear,
To need an introduction here.
If She should vanish from earth's face
It would be hard to fill her place;
For with the Cow would disappear
So much that every one holds Dear.
Oh, think of all the Boots and Shoes,
Milk Punches, Gladstone Bags and Stews,
And Things too numerous to count,
Of which, my child, she is the Fount.
Let's hope, at least, the Fount may last
Until _our_ Generation's past.

_Oliver Herford_.

THE CHIMPANZEE

Children, behold the Chimpanzee:
He sits on the ancestral tree
From which we sprang in ages gone.
I'm glad we sprang: had we held on,
We might, for aught that I can say,
Be horrid Chimpanzees today.

_Oliver Herford_.

THE HIPPOPOTAMUS

"Oh, say, what is this fearful, wild,
Incorrigible cuss?"
"This _creature_ (don't say 'cuss,' my child;
'Tis slang)--this creature fierce is styled
The Hippopotamus.
His curious name derives its source
From two Greek words: _hippos_--a horse,
_Potamos_--river. See?
The river's plain enough, of course;
But why they called _that_ thing a _horse_,
That's what is Greek to me."

_Oliver Herford_.

THE PLATYPUS

My child, the Duck-billed Platypus
A sad example sets for us:
From him we learn how Indecision
Of character provokes Derision.

This vacillating Thing, you see,
Could not decide which he would be,
Fish, Flesh or Fowl, and chose all three.
The scientists were sorely vexed
To classify him; so perplexed
Their brains, that they, with Rage at bay,
Call him a horrid name one day,--
A name that baffles, frights and shocks us,
Ornithorhynchus Paradoxus.

_Oliver Herford_.

SOME GEESE

Ev-er-y child who has the use
Of his sen-ses knows a goose.
See them un-der-neath the tree
Gath-er round the goose-girl's knee,
While she reads them by the hour
From the works of Scho-pen-hau-er.