A Popular History of the Art of Music
by OpenStories
Original author: W. S. B. Mathews
"A Popular History of the Art of Music" by W. S. B. Mathews is a historical account written in the late 19th century. The book provides a comprehensive overview of the evolution of music from ancient times to the present-day context, covering musical instruments, scales, and notable composers. It aims to make the intricate history of music accessible to the general reader while highlighting significant milestones in musical development. The opening of the work presents the author’s intent to create an engaging narrative that encapsulates the history of music within a single volume, a task generally reserved for much larger texts. Mathews emphasizes the necessity of examining music's evolution alongside its cultural and social contexts, and he outlines the book's structure, dividing it into distinct historical periods. He sets the stage for a more detailed exploration of ancient musical practices, starting with the Egyptians, and describes how fundamental music has evolved in sophistication and emotional depth over the centuries, establishing the groundwork for the more elaborate discussions that will follow in the text.
A Popular History of the Art of Music, by W. S. B. Mathews. Republished by OpenStories from Project Gutenberg eBook #20293.
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41 Chapters
- 1.Preface2,041 words
- 2.Introduction: I2,520 words
- 3.Chapter I: Music Among the Ancient Egyptians2,346 words
- 4.Chapter II: Music Among the Hebrews and Assyrians1,573 words
- 5.Chapter III: Music Among the Ancient Greeks6,094 words
- 6.Chapter IV: Music in India, China and Japan1,632 words
- 7.Chapter V1,597 words
- 8.Chapter VI: The Minstrels of the North4,344 words
- 9.Chapter VII: The Arabs or Saracens1,208 words
- 10.Chapter VIII: Origin of the Great French Epics1,602 words
- 11.Chapter IX1,144 words
- 12.Chapter X: The Influence of the Christian Church1,528 words
- 13.Chapter XI3,272 words
- 14.Chapter XII3,357 words
- 15.Chapter XIII: The Schools of the Netherlands2,049 words
- 16.Chapter XIV: Polyphonic Schools of Italy2,441 words
- 17.Chapter XV: The Changes in Musical Notation2,303 words
- 18.Chapter XVI4,063 words
- 19.Chapter XVII2,801 words
- 20.Chapter XVIII2,374 words
- 21.Chapter XIX1,901 words
- 22.Chapter XX: The Progress of Oratorio1,059 words
- 23.Chapter XXI: Beginnings of Instrumental Music2,011 words
- 24.Chapter XXII1,098 words
- 25.Chapter XXIII: John Sebastian Bach2,094 words
- 26.Chapter XXIV: Geo. Frederick Händel2,337 words
- 27.Chapter XXV: Emanuel Bach; Haydn; the Sonata2,666 words
- 28.Chapter XXVI: Mozart and His Genius3,191 words
- 29.Chapter XXVII: Beethoven and His Works2,730 words
- 30.Chapter XXVIII: Haydn, Mozart and Beethoven Compared2,910 words
- 31.Chapter XXIX: Opera in the Eighteenth Century6,519 words
- 32.Chapter XXX4,569 words
- 33.Chapter XXXI2,174 words
- 34.Chapter XXXII: Schubert and the Romantic2,941 words
- 35.Chapter XXXIII: The Story of the Pianoforte2,595 words
- 36.Chapter XXXIV6,343 words
- 37.Chapter XXX: , and those with which we have presently to deal. In point6,801 words
- 38.Chapter XXXVI: Mendelssohn and Schumann6,137 words
- 39.Chapter XXXVII2,484 words
- 40.Chapter XXXVIII2,227 words
- 41.Chapter XXXIX: Later Composers and Performers6,460 words