Chapter XLIV: Book V: The Nineteenth Century (4)

A very different writer was Jules Michelet, the most original and remarkable historian in point of style that France has ever produced. Born at Paris, in 1798, he was also educated there, and became a schoolmaster. Soon after he came of age he was transferred to the Ecole Normale. The Revolution of 1830, owing to the influence of Cousin and Guizot, opened great opportunities for historical students, and Michelet was enabled to publish not a few historical treatises, some of a rather specialist nature, others popular abstracts of French history. In 1838 he was appointed to a chair in the College de France, and, in conjunction with his friend Quinet, he took part in the violent polemic against the Jesuits which distinguished the time. He had already for some years begun his strange and splendid _Histoire de France_, 1833-1867, but he accompanied its progress with a crowd of little books of a controversial and miscellaneous character. Shortly before the Revolution of 1848 he began, and soon after the _coup d'etat_ finished, his _Histoire de la Revolution_. He declined to take the oaths to the Empire, and so lost the place in the Record Office which he then held. He died in 1874, and, notwithstanding his incessant literary activity during his life, various unpublished works have appeared since, one of which, describing the hunger-pinched population of the Riviera, is a masterpiece of his volcanic style. This style is characteristic not only of his great history, but also of his smaller books, of which _Des Jesuites_, _Du Pretre_, _Du Peuple_, _L'Oiseau_, _L'Insecte_, _L'Amour_, _La Sorciere_ (the last perhaps the most remarkable of all), are especially noteworthy. It is entirely unlike the style of any previous French writer, except that of Lamennais, who was, however, rather Michelet's contemporary than his predecessor, and that of Victor Hugo, in some of his more recent work. Broken and irregular in construction, it is extraordinarily vivid in colour, and striking in the outline of its presentment. The _History of France_ is a book to which little justice can be done in the space here available. It is strongly prejudiced by Michelet's republican and anti-Catholic views, and, like all picturesque histories, it brings into undue relief incidents and personages which have happened to strike the author's imagination. But it is extraordinarily stimulating, full of energy and life, and almost unequalled in the power with which the writer restores and revives the past.

[Sidenote: Quinet.]

A bosom friend of Michelet, and his compeer in the attack on the Jesuits, was Edgar Quinet, who was born near Bourg in 1803, and died in 1875. He was brought up for the most part at his country home in a retired situation, where he early showed not only great devotion to literature, but a curious tendency towards philosophic mysticism. He travelled in Germany when young, and his translation of Herder's _Philosophie der Geschichte_ introduced him to Cousin, and gave him some profit and much reputation. He was sent to Greece on a government mission, and after a time received a professorship, first at Lyons, and then at Paris, though his republicanism did not recommend him. He was an active supporter of the Revolution of February, and a consistent opponent of the Empire, during which he remained in exile. Quinet's works, both in poetry and prose, are numerous. The chief are a great prose poem, or dramatic allegory, called _Ahasuerus_, 1834, a work on the early French epics (insufficiently informed, but appreciative and enthusiastic), _Le Genie des Religions_, 1843 (a series of discourses full of the widest and vaguest generalisation, but stimulating and generous), _Les Revolutions d'Italie_, _Merlin l'Enchanteur_, 1861 (another curious book something after the fashion of _Ahasuerus_), a nondescript miscellany on history and science entitled _La Creation_, 1869, and _La Revolution_, 1865. His poems (in verse) are _Promethee_, _Napoleon_, _Les Esclaves_, of which the first and last are dramatic in form. His style and thought were strongly tinged with mysticism, and with a singular undogmatic pietism, as well as with strong but speculative republicanism in politics. He is thus not a historian to consult for facts (though his knowledge both of history and literature was accurate and wide), but an inspiriting generaliser on the philosophy of history. Both in Michelet and in Quinet there is an affectation of the seer, as well as an undue fluency of language, and an absence of precision in form and place, which detract from their otherwise high literary value. The collected works of the first exceed fifty volumes, those of the second fill nearly thirty; and much of this vast total is ephemeral in interest and unchastened in form. Although neither was a journalist, both exhibit the defects of a period of journalism.

[Sidenote: Tocqueville.]

The last of the greater names calling for mention is that of Alexis de Tocqueville, who was born, of a noble Norman family, at Verneuil, in 1805. Tocqueville was educated for the bar, and called to it after the Restoration. But after the revolution of July he exchanged his appointment in the magistracy for a travelling mission to America, to examine the prisons and penitentiaries of the United States. He, however, studied something else than prisons, and, in 1835, published his famous work on 'Democracy in America.' He married an Englishwoman, and soon afterwards entered the Chamber. During the Republic he occupied positions of some importance. The Empire dismissed him from public life, but gave him the opportunity of writing his second great book on the _Ancien Regime_. His health was, however, weak, and he died, in 1859, of consumption. The characteristics of Tocqueville as a historian (or rather as a philosophic essayist on history) are great purity and clearness of style, unusual logical power, and an entire absence of prepossession. He is one of the few historians who have treated democracy without either enthusiastic love for it on the one hand, or fanatical dislike and fear of it on the other; and his two books are, and are likely to remain, classics.

[Sidenote: Minor Historians.]

A very rapid survey must suffice for the remainder of the names in this division. A. de Barante, among numerous other works of merit, is best known by a careful and detailed history of the Dukes of Burgundy; J. A. Buchon, Petitot, J. A. Michaud, and J. Poujoulat, produced invaluable collections of the chronicles and memoirs in which France is so rich. J. J. Ampere occupied himself chiefly with Roman history, and with the history of France and French literature in the Gallo-Roman time. A. Beugnot, besides other work, arranged a precious collection of feudal law. Emile de Bonnechose wrote a good short history of France. Louis Blanc (an important actor in the Revolution of 1848) produced an elaborate and well-written history of the Revolution from the moderate republican side, and afterwards reprinted from newspapers some curious letters from England during his exile here. In opposition chiefly to Thiers, P. Lanfrey, in a laborious history of Napoleon, entirely overthrew the Napoleonic legend, and damaged, it would seem irreparably, the character of its hero. Philippe de Segur gave a history of the Russian campaign of Napoleon. Mortimer-Ternaux accomplished a valuable history of the Terror. M. Henri Martin was the author of the only recent history of France on a scale which challenges comparison with Michelet. It has no extraordinary literary merit, and its author was something of a partisan. But it is full, sober, and fairly accurate. In recent days M. Taine, deserting literary and philosophical criticism for history, executed a new and remarkable history of the Revolution, which, by once more putting its horrors in a clear and fair light, very much irritated the partisans of the 'ideas of 89.' The Duke d'Aumale has made something more than a mere addition to the works of 'Royal and Noble Authors,' in his History of the Princes of Conde. The Duke de Broglie, a politician, upon whom the political changes of France enforced political retirement, has produced a series of historical works on the 18th century and has edited the interesting memoirs of his father, the patron of Guizot. Of other recent memoirs by far the most remarkable, whether as literature or history, are those of Madame de Remusat, mother of Charles de Remusat, who died early in the Restoration period, but whose memoirs and letters, not published till after her son's death (but already referred to here), have given her a posthumous reputation hardly inferior to that of any of the literary ladies before her and not likely soon to wane.

FOOTNOTES:

[292] Merimee's work is not absolutely despicable in bulk, for it extends to some eighteen volumes pretty closely packed. But much of these is occupied with familiar letters, and much more with merely miscellaneous writing. His finished and definitely literary publications do not amount to a third of the whole.

[293] In this notice of the acting drama of France, with which, as contrasted with the literary theatre, the present writer has comparatively little acquaintance, he is considerably indebted to Mr. Brander Matthews' useful _French Dramatists of the Nineteenth Century_. London and New York; 1882.