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Chapter III: Part 3

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That corridor had two great attractions for us. One was that the late afternoon sunlight fell through the barred window at its end. The other was that “the gentleman who was going to die” had his cell there, and Charley loved him, while I was filled with terror, dread and pity by the sight of him. There were three long, troubled years between Goldy-locks and me, and I knew dreadful things about Charley’s friend, things I dared not tell him.

With every human being in or about the jail the boy was the pet, the favorite with one single exception--“the gentleman who was going to die.” He favored me almost to the point of adoration, no one guessing why till he himself explained the mystery.

My heavy, brown braids and solemn, saucer eyes seemed to blind him utterly to the touching beauty of Goldy-locks, and when we stood before his cell door while he told wonderful stories, selected especially to suit the boy’s taste, his eyes were on my face, his fingers held a bit of my little, white apron, or he drew one of my long braids between the crossed bars of his door and stroked and kissed it. Though at that time I loved the stories and liked him, I could never quite make up my mind to kiss him, and Charley used to be angry about it, and once he told me “I wasn’t dratefu’, not one we’est bit on earf, not to kiss dear ‘Mr. No. 3’”; that’s what we always called him before we knew he was going to die--three being the number of the cell in which he was confined.

When I first learned that Mr. Clarks was going to surely die, on a certain positively named day, I was utterly amazed to find that, instead of being frightened and sorry and sending for doctors, everybody seemed to be pleased--that is, everybody out in the streets and in the stores and markets, and being an active, “two-legged why,” I sought information and obtained it in that form known to man as “straight.” He to whom I had applied was a very young man, who knew no reason why a child should be spared such horrible knowledge, and so, with brutal frankness and ample detail, he had explained exactly why Charles Clarks was going to die.

It was the first tale of crime that had been poured into my shrinking, childish ears, and it gave me a distinct shock. I was quite feverish by evening and had to have wet cloths applied to my burning head, while during the night I cried out again and again about the “lightning and the knife,” and the next day found me white and miserable, with only one strong wish, and that was to keep away from “the gentleman who was going to die.”

It was so hard to associate the man with the bright, blue eyes, the manly voice, the gentle hands--ugh! those hands!--with that wretch who had hacked the life out of a fellow creature for a sum of money. It seems curious, but the actual taking of the man’s life had not near the power to torture and torment me that this complete ignoring of a certain sentiment had. The victim had been a fellow-countryman who was unutterably homesick, and whose joy was boundless when he met a friend from the dear, old English home. I would moan aloud when I thought of the awful surprise and horror the man must have felt when he received the first knife-thrust in his breast from the hand of a brother-Englishman in a strange land. Then the shocking details that followed the death! The crime was committed at night during a memorable storm. The body lay upon a railroad bridge; the victim’s identity must be destroyed! The murderer attempted to remove the head; he had but his big clasp-knife, and it was not strong and sharp enough to sever the bone in the neck. He would have to leave the bridge to find a stone to serve as a hammer in this frightful deed! But in that inky darkness how was he to find his way back? He could only wait for the dazzling glare of God’s great flashlight, the lightning; and so with unshaken nerves, bit by bit he worked his unhallowed will. He found the stone and crammed it into his pocket (the other held the dead man’s effects); the knife he carried between his teeth. The mighty wind so tore at him that on the bridge he had to creep upon his hands and knees. He hacked off the head and tied it in a silk neckerchief, and no man knows more unto this day. The stream was dragged, trees chopped down, open ground carefully plowed, all in vain. The head was never found.

With devilish mirth the murderer would sometimes offer to find the head. “Leave me my hands free and send but two men, your bravest, strongest picked men to guard me, and I will send you back the head--I swear it!” he would say; and to the Sheriff’s smiling question, “And you? You say ‘send,’ not ‘bring.’ Would you not bring the head back?” he would reply, “Oh, I say now, you don’t think me quite a fool, do you?” and though he would laugh heartily enough, there would be a quickening of his breath and a hot spark away back in his eye not very pleasant nor by any means reassuring to the man who was responsible for his safe keeping.

Two days after I had picked this bitter fruit from the tree of knowledge I found myself, under the orders of my yellow-haired, little tyrant, slowly and unwillingly entering the jail corridor again. Holding me by the hand, he pulled me past the turnkey and made straight for the dreaded cell. At our entrance various greetings reached us: “Hello, babies!” “How are you, little ones?” “Come up here, youngster, where I can see you!” while the man with the cough called out, “Sissy, come here and I’ll give you half of my licorice!”

But I stood in silence, my eyes fixed upon the stone pavement, while my little companion, trembling with excitement, put his first, troubled, anxious question: “Dear Mr. No. 3, are you truly a-goin’ to die?”

The silence that came upon the occupants of the other cells at this question might have been the silence of death. Mr. No. 3 made a little sound like that the grown-ups make sometimes, and afterward say: “Oh, I had, a stitch in my side!” and then he answered, “Why--er--yes, my boy--we are all going to die--you know that!”

Charley’s delicate brows knit themselves together distressfully as he slowly murmured, “Yes, evweybody. My papa is the biggest mans in this town and he’s goin’ to die, the whole of him, only, only--” suddenly his brow cleared and he hurried on--“only he and us allis jus’ goin’ to die som’time, not a ’xac’ly day to know about. Are you goin’ to die in free weeks? Please don’t!”

Instead of answering directly, he turned to me with, “What’s the matter, little lass? Why don’t you speak; are you sick, child?”

I thought of the lightning and the knife, and truly I was sick, but I could not speak; I only slipped my hand through one of the openings in the door and clung silently to a bar. Charley turned and looked at me, and said in his important, little way: “I dess she’s got the aches in her head ag’in! But please, Mr. No. 3, what’s a-goin’ to be the matter wiv you, if you are goin’ to die?”

And then No. 3 laughed a laugh that made me cold, and said, “Well, your father and some of his friends think I am going to die of a throat trouble, but I’ll bet five dollars they are mistaken!” and then again he spoke quietly to me: “What is it, child; why are you so pale?”

He gently took my little hand in his. I gave a scream and tore it so roughly from him that it was badly cut in passing the bars. I raised my face--and I suppose some of my loathing fear and horror must have been written there, for never shall I forget that next moment! He was looking down straight into my eyes, when suddenly his own flared wide open, then as quickly narrowing to the merest, glittering slit, he gave the most awful oath I ever heard, and angrily muttered: “They have told her! She knows all, this little child! Oh, how could they do it! How could they do it! What cruel beasts men are!” And then rang through the building one great, appalling cry, like that of some wild beast in pain and rage. At that cry all was wild commotion. The turnkey struck out one peal from the alarm bell, and was tearing open the great lock of the main door. No. 3 suddenly clenched his soft, white hand and drove it with all his force against the iron bars. The blood seemed to leap from his gashed wrist and hand and fall in streams down into his sleeve. He seized the bars of his door and shook them as another man might have shaken a wooden lattice. The turnkey was at the cell; was in; there was a scuffle of feet. The heavy, wordless breathing of desperate men, two clear, cold-sounding clicks, and No. 3, with white, drawn face, lifted his manacled hands high above his head to strike a killing blow, stopped suddenly, and pitched forward on his cot, face downward, and as the turnkey hurried us out of the corridor I heard that dreadful sound that wrings with pain all there is of womanhood in any female thing, whether she be seventy or seven years old--the sound of a strong man’s sobs.

The next morning at breakfast we learned that we were all invited to visit Charley’s grandmother in the country, and his father was going to send us in a day or two.

Little Goldy-locks raised surprised eyes and remarked, “I fought we always made hot visits to drandma’s?”

Now his adoring grandparent would undoubtedly have admitted that Charley did make his visits warm for her, but what he meant was that their visits had always been paid at the farm in hot weather. Getting no answer, he went on: “What’s the use, there ain’t anything grode yet?”

“Oh, yes,” said his mother, “there’s grass and flowers, and perhaps the peach trees will be in blossom.”

There was a little silence, then lifting his dear eyes to his father’s face, he asked, “Papa, will it be free weeks while we’s away?” No answer came; then again, “Papa, I love drandma very much, but--but--the gentleman might die while we’s all away, and I’d be so sorry, papa.” His little head drooped, and the tears ran fast down his cheeks. My mother was nearest to him, and she took him in her arms and stroked his curly hair while exchanging looks with his mother, and his father raised up his six-feet-two of height and simply fled in silence from the sight of that innocent, childish grief.

But I was happy--happy at the thought of getting away from the place where “the gentleman was going to die.” Charley was anxious to go to his friend at once; he said he had “free whole things to tell him, most ’ticular.”

So he dragged me off with him, and lo! there sat a strange man inside the corridor and right beside No. 3’s door. We would not go in while he was there, so we went out and down to the yard together, talking excitedly, and wondering who the strange man was.

There we heard, as we managed to hear everything, that Mr. No. 3 was going to be put into another cell. Back we went to the corridor to ask about that, and there sat the strange man. Then Charley grew quite angry, and, turning to his uncle, said, “Why don’t you give that man a cell and not have ’im settin’ roun’ in the way all the time?”

And, under cover of the shouts of laughter of the prisoners, we retired a second time, defeated. It was late in the afternoon when we made our third attempt to see “the gentleman who was going to die.” We had little hope of success, but suddenly, to Charley’s great joy, we saw in a big, square cell, the strange man, with some others, trying the bars with hammers, and we slipped past and begged the turnkey to let us into our corridor quick. He smiled and said, “All right, chicks; I guess this is your last chance at No. 3 without the watch. Even his wife won’t see him alone next time she comes.”

As we tumbled past the big door the sunlight burst out from behind a cloud. Charley gave a shout, and crying, “You can’t catch me ’fore I touch the sunshine,” bounded away toward the window. He was well ahead, but I started after him, and almost in the same instant I saw him slip and throw out his arms. He did not trip; he slid exactly as though he had been on the ice, and then fell heavily, face down on the stone floor. There were many exclamations of pity as I rushed to him, crying, “Oh, Charley, darling! are you hurt very badly?”

I stooped over to help him, but instead of rising at once, he turned slowly over and sat for a moment on the floor and said, “What made me slip?” I only repeated, “Are you hurt, dear?” and though his lips quivered piteously, he bravely answered, “No; only some places smart some, that’s all.”

And all the time that I was lifting him to his feet and noting the steady spread of that cruel mark on his face, I was conscious, coldly conscious, that at No. 3’s door I had seen no face, from No. 3’s cell I had heard no voice. Once again Charley lifted up his puzzled eyes to me and said, “What made me slip?” and putting his arm around my waist to steady himself, he raised his right foot, and resting it on his left knee he looked at the sole of his little slipper and it was wet.

I leaned over and passed my forefinger across it to make sure, then without thought drew my finger down my white apron and left a long red smear. The man in the cell nearest us groaned. I gasped, “Blood!” and Charley hid his face in my garments and trembled like a leaf. Holding him tight with my both arms I looked behind me, and there across the gray, stone floor, slow, sluggish and sinister, there crept a narrow, dark-red stream, silent, so stealthily silent, and yet in that instant’s pause I seemed to understand the excitement it would presently create.

A moment we stood a pair of terror-shaken children; then holding Charley in my arms I rushed madly for the corridor door. The turnkey, peacefully reading his paper, heard us coming and said, “Not through already?”

Then as he turned his head his face went white as he finished with, “What is it?”

I laid my hand upon the smear on my white apron and gasped, “Blood!”

He was unlocking the door as he said, “Where?”

I pointed a flickering forefinger at the slow stream and answered, “No. 3,” and as he rushed past us he cried, “I knew it! God! I knew it!”

Before he reached the cell door he called back to me, “Ring the bell--hard--hard!”

I pulled the big bell and then pandemonium broke loose. The narrow, silent, little stream was beginning to show its power. I hurried down the back stairs and put Charley in the hands of a housemaid, who cared for his hurts and put him in bed and sat by him, while I, making myself as small as possible, crept back through the jail corridors because I could not keep away.

All was excitement. The wildest rumors had already reached the private part of the building. No one noticed me. I crept up the stairs, and for a little while dared go no farther. While I waited there people went and came. One man, tall and bearded, with a black box or case like a big book in his hand, I recognized as a doctor.

I softly followed the path that all had taken to No. 3’s corridor. I stood still in the doorway for the very excellent reason that I had lost all power of movement. Once glance told me the little, red stream I had seen creeping from beneath the door of cell No. 3 was gone, the stones being still wet from their washing, while a second one told me more washing would be required presently. At the far end of the hall, on the floor beneath the window, was stretched the form of “the gentleman who was going to die.” His lower limbs were fully clothed, but from the upper part of his body they had cut the clothing and he was nude. At his feet knelt two men who used all their strength in trying to hold him down. At each shoulder knelt a man who grasped him by wrist and forearm, and with dripping brows bent over him with the same purpose in view. The doctor, on his knees, was leaning across him, while a step away Charley’s mother stood with her face covered with both hands, and each and every one had fearsome, bright red stains upon them. A sudden thought came piercing through my dulled brain, a thought that brought me near to my undoing. I said, “Can this be justice! Are they going to repeat here in this very jail the awful act committed on the railroad bridge that stormy night?” I am certain that a roll of thunder at that moment would have killed me outright. As it was, my eyes closed, and I had a faint feeling of wonder as to whether I was going to fall asleep. Fortunately, I heard certain words that dismissed the grotesque fear and gave me back a little strength; words of advice, of stem command, of argument, and once sobbing words of entreaty. But through them almost continuously there rose a sound of horror. I thought then, and I have never changed the thought since, that it was like the fierce growling and snapping of a mad dog. Encouraged by the words I had heard from all, I opened my eyes. At that same instant the doctor, with a gesture of despair, raised himself, and I was looking full into the awful face of Charles Clarks, murderer and would-be suicide. He had attacked the citadel of his life at his throat. With an almost ludicrously inadequate weapon he had done terrific work, and had almost carried out his purpose. He lay there now, that thing to marvel at--a fighting Englishman brought to bay. And I, a little, shivering child, stood there witness to a savage struggle, awful beyond description, and gathered up and let go of my apron with the regularity of a mechanical toy, while in a whisper I said, and said, and said, perhaps a thousand times--I do not know--“Oh, our Father! Oh, our Father! Oh, our Father!” And one man with a gashed throat and veins nearly empty battled madly for death against six strong fellow-creatures who fought with equal desperation to save him! “Oh, our Father!” What a smile when he heard the doctor say, “Chloroform could not be brought before the light had gone.” The doctor saw, and his face grew like stone, and he said, “He shall be held! The wounds must be stitched at once!”

He bent again to his attempted work, and instantly the ghastly head was jerked this way and that, and there rose again the growling and the snapping. The doctor raised his head and said coldly, “Mrs. B----, you must save us; you must hold his head!”

A cry rang through the jail, and in an instant No. 3 was still. She said, “I can’t! I can’t!”

The doctor insisted. “Your husband will be a ruined man if this prisoner dies before his time. Kneel there!”

She knelt. No. 3 said, in his strange, whistling sort of voice, “You have been good to me, but do this thing and I will curse you here and from the Hell I’m going to.”

The doctor commanded, “Put one hand here, the other there, and hold firmly with all your strength!” Then as five held him the sewing was accomplished, and I turned to fly from the hurt I thought the needle might give him, and stumbled to my mother’s bed. She was not there; all thought I was safe by little Charley, and I fell upon my knees and went right on muttering “Oh, our Father!” until I began to feel very light, and then to float, float, and the next I knew it was morning and I was very sick, but a maid told me that “the gentleman who was going to die” was not dead yet.

The attempted suicide caused the greatest confusion and excitement both inside and outside the jail. People were coming and going at all hours, and the grown-ups were more than ever anxious to get us away to the country. Mrs. B---- would not leave her husband at such a time, so my mother was to take us both the next day.

Little Goldy-locks never gave up his intention of seeing and saying good-bye to the gentleman who was trying so hard to die (in his own way). So through tears and kisses, and by bringing to bear all his graces of body and manner, the little fellow won his way, and just before leaving mother led us (dressed for our journey) to the cell, and the uncle-turnkey let us in. A nurse crossly admonished us all not to talk too much, and then we were standing by the bed. At the first sight of the ghastly face--the grimly bandaged throat and jaws and brow--the little lad gave a cry of terror. But when Mr. No. 3 said softly, “Charley!” he ran and swarmed up the bed with legs and arms, crying, “Oh, dear, dear Mr. No. 3! I fought it wasn’t you! Who hurted you? My papa will find out and he will put the man in a cell, and we won’t never go and see ’im, never!”

Then being told he must not talk so loud and that he must hurry, he said very earnestly, as he brought from his pocket a small, red wad, “Here, Mr. No. 3, here’s my wed stocking; I got it my ownse’f for you. If your froat should get sore, like you said, you dess put it on at night and you’ll come all well in the morning--dess like I did.”

A smile parted the man’s white lips as he said, “Thank you, my boy--I may try it--though I suppose--hemp would suit--my case--better than wool.”

All this time his eyes had gone past Charley and were on me. My mother noticed it, and now he hurriedly whispered “Good-bye,” and as Charley was taken down he motioned to have me lifted up into his place. Then in a whispering voice he said to my mother, “You think--it strange--eh, well!--it’s because she is--so wonderfully like--my child--my only one--my Annie. It’s marvelous--the likeness. It’s not that they both--have that same--surprising length of hair--the same wide, gray-blue eyes--the same tricks--of manner and movement--even to that habit of standing--with hands behind the back--gently pulling at the two great braids. But it’s the voice. I’ve been ready--to swear at times--that my wife--had broken her vow--and had brought--Annie to see me. And though I starve--for the sight of her--until at times I’m almost mad--I’d kill my wife--if she brought--the child here--to know my shame. And this little one--is so like her--so like and yet so different--for Annie loves me--while this child----”

I felt my face flame with hot blood, for my mother did not know I had been told of the murder, and I was frightened, but he went on gently, “Ah, well, there is no reason why this one should--love me--a stranger.”

The nurse exclaimed, “Too much talk.”

Mother moved toward the door, but Charley broke from her and once more climbed up on the bed. “I have dess one ’ticular thing to say, dess one!” he pleaded, and he stooped to whisper to the sick man, “Dear, dear Mr. No. 3--try to get well--and--and--I know you don’t like the preacher man, but I know my own night ‘prays’ my ownse’f, and when I say ‘my soul to keep’ I’ll say ‘your soul to keep,’ too, every time!”

And Clarks groaned, “For God’s sake take him away!” and Goldy-locks put his clean, sweet, little pink lips lovingly to those sin-stained, fever-parched ones and said “Good-bye, good-bye!” and slid down and ran and hid his tears in the folds of my mother’s dress.

I moved to leave the bed, but he laid a detaining hand lightly upon me. I shivered, and looking up I met his gaze and was held by it. It was pleading--commanding, almost compelling. I understood him perfectly, and I tried hard to break away from that controlling glance, but all in vain, until a dimness came across his eyes and slow tears gathered there. Then I wrenched my eyes from his and hung my head and whispered, “Good-bye.” As my mother called me I slid off the bed to go to her, but the hoarse whisper came, “Little torment!” and I stopped. Again, “Dear, little torment!” and foolishly I looked at him, and for the last time our struggle was renewed, and now I had to resist not only his pleading, but that of something within me that said, “Think of his little daughter who cannot tell him good-bye, and kiss him for her sake.” Almost I yielded--and then--the homesick friend, the bridge, the knife, and I threw back my head violently and exclaimed, “No! No! I can’t! but----” and I laid my little hand against his lips. He took it gently, gently, and sighing heavily he kissed it, palm and back, and every dimple, including the tiny one in my wrist, and every finger-tip, and then said under his breath, as it were, “Good-bye, little maid who knows her own mind,” and as the key was turning in the lock after we had gone from the cell we heard him give a husky laugh and say, “She’s got a will--it’s stronger than mine--for, mind you, she never kissed me!”

And that was our last sight of “the gentleman who was going to die,” because that bright day, when Charley and I were out making the acquaintance of a very remarkable calf--remarkable because its forequarters were mild and gentle, while its hindquarters stung like an adder--and we were about to play marketing, and we both had a desire to purchase the forequarters of the calf, and as we never quarreled we drew lots for choice, while the calf slowly chewed up our market basket--and at that very moment, in the city, Goldy-locks’ beloved “Mr. No. 3” was heading a procession to the scaffold with many a jest about the “blue funk” he said the men were in about him. He remarked their pale faces and trembling hands, and actually encouraged and advised them, himself directing the proper placing of the fatal knot. Then with alert, springy step, bright eye and cheerful voice he mounted the scaffold, stepped with quick obedience upon the trap, and was hurled out of this world into--what?

White and cold and silent his wife removed her coffined dead, and when we returned “the gentleman who was going to die” had died. He was gone, and his cell and corridor knew him no more.

Old Myra’s Waiting

Old Myra’s Waiting

Was she mad? I do not know. I only know that she was old, oh! very old, and had known such sorrows as break the heart and blast the intellect of many of her sex. So old, so fragile--so poor--with a wit like polished steel and a tongue like an adder. I was her one friend in the world and was as helpless as herself. We each earned our own living--that was the one experience we had in common. Save for that, there was a whole world between us. She stood wavering and unstrung at one end of life--I stood quivering and tense at the other end. She had known it all, all, and only wished to sleep, to forget--I knew nothing, and only longed to learn, to feel, to know.

The first time I saw her she stood on the bank of the lake, a little, swaying, black-robed figure, facing a blinding gale. The wild wind tore her pitifully thin shawl from her shoulders and sent it whirling down the lonely street. I set my long, young legs in motion and ran it down, and returning, put it about her sharp, old shoulders.

She gave me one piercing glance from the blackest eyes I ever saw. Her dry, pale lips drew back across her rather long, narrow teeth in a sort of smile, and she said: “My dear, you are a wonder; few young people condescend to run like that, particularly for the old. I thank you!”

She turned her face again to the lake. Though I found it hard to keep my position, she somehow managed to maintain hers, frail as she was. I was puzzled--why was she standing there, so thinly clad? I hesitated a moment, then I said as respectfully as I could:

“Madame--could you not go into one of those houses, or home, perhaps, and let me wait here for your message or--or friend, and then come and tell you?”

She turned her sharp eyes upon my face, and exclaimed: “God bless my soul! the girl means a kindness to me!” and she laughed a shrill, thin peal of mocking laughter that made me hot with shame and anger too, and I turned away with a brief “I beg your pardon;” but she could be quick if she was old, and her claw-like hand was on my wrist in a moment, and her sharp voice reached me through the wind: “I can’t, my dear, I can’t leave now! You see my treasures are out there, and if they should be given up, I want to be at hand. Go home! my dear--go home, where people are not old and mad, and do not wait for the sea to give up their dead,” and turned again to face the gale, while I flew like the wind from her strange presence.

Some weeks passed before I saw her again, and then, as it happened, was able to do her a second small service. The day was wet and windy, the streets muddy. I was hurrying down Bank street and was about to cross an alley-way, which opens on that street, when I heard a little cry behind me, and there rolled past my feet a very neatly done up, small package, with a large seal on it in red wax. It stopped in the middle of the alley directly in front of an advancing dray-horse. I snatched it up and sprang across to the sidewalk, where I waited for the owner, who came hurrying across with anxious face and outstretched hands; and behold! there was my strange, old lady again.

She seized the package, and examining it carefully, she muttered, more to herself than to me: “I hope it’s safe, a fortune blowing about the muddy streets like that!”

My face must have been an expressive one; at all events she read it like a book, and went on rather sneeringly:

“Oh, I’m not mad; at least, not _now_! This does not belong to me; it would not be a fortune if it did; it’s lace--old, rare and very valuable! Had it been ruined? Oh, it makes me quite faint to think of such a chance! I am really very grateful to you, my child!”

She spoke her thanks so gracefully that I felt myself grow pink with pleasure.

We walked side by side a little way, when she said: “My dear, I’m not a stupid woman, but I can’t quite make you out. Your speech and bearing says one thing, but your being out so much, quite unattended, says another. Oh! I’ve seen you many times since that day at the lake. Then, your clothes--they are too good for poverty; but you wear the same things too often to have generous and well-to-do parents. No, I don’t quite understand.”

We were right at the door of the old “Academy” then, and I stopped, saying: “I go in here; there is a rehearsal; I am a member of the company.”

I never saw such fire as could leap into those fierce, old eyes of hers--at that moment they fairly blazed.

“Here, you!--you with that clean, honest, young face! For fifty years I’ve had a curse, hot and burning in my heart, for theatres and all connected with them!”

Then angrily shaking her forefinger at me, she cried:

“You run up your flag, girl!--your flag of red and black, of paint and dye!--that honest craft may know there’s a pirate in these waters!” and, dragging her veil across her face, she left me standing there, divided between the desire to laugh and the desire to cry. A pirate? I was such a harmless, well-meaning, little pirate that even had I shown the flag, and blackened my lashes and rouged my cheeks, I doubt if I should have created a very great panic in the Cleveland shipping--and so, at last, the laugh won; and between laughs I said aloud: “I am a pirate! I am a pirate!” And so a member of the company found me, and paused and looked me gravely over, and, wagging his head desperately, said: “It seems incredible, such meanness in one so young, but you will bear in mind I _saw_ this myself--a girl of sixteen, who knows a good story, takes herself out into a cold, damp hall, and tells this story to herself, and laughs and laughs all to herself, and then wipes her mouth and goes in seriously and sadly to join her defrauded brother and sister artistes. Clara, I wouldn’t have believed it of you!”

I had to tell him what I was really laughing at.

“Good Lord!” he said, “that was old Mrs. Worden. Do you mean to tell me you don’t know her? She’s a terror, is old Myra! She used to carry this town in her pocket. She was young then, and rich, and they do say Myra was a beauty. Hard to believe that, isn’t it?”

“I don’t think so,” I replied. “Her features are really perfect. Her eyes must have been very fine; her hair black, and her figure very graceful.”

“Perhaps,” he yawned, “but she has the sharpest tongue and the longest memory in Cleveland. How she does lash some of our public men! You know the rector of Christ Church, the party who abuses theatres so often? Well, one day there was a race between the ancient Myra and the long-winded Reverend. She was overhauling him fast, and he knew it. These doors stood open--theatre doors. He was between the devil and the deep sea, and--well, quite properly, he chose the deep sea, and slid in here, and behind that billboard. Had he only known it, he need not have gone behind that board for shelter, for nothing on earth could induce the ancient dame to enter the door of a theatre; so he would have been safe had he merely stepped inside. As soon as she had passed, he tried to slip out unnoticed, but _I_ was on the spot, I am proud to say, when I was least wanted, and, lifting my hat, I informed him that if he wanted seats he would find the box-office at the head of the stairs. He _glared_ at me, and then I offered to run up and get him a programme of the evening’s performance, but he snorted something about ‘mistaking the entrance,’ and got away. Well,” my companion added, with a self-satisfied look, “if there is anyone in town who has _not_ heard of that chase and escape, it’s not my fault.”

“But why,” I asked, “does Mrs. Worden dislike theatres so greatly?”

“My dear girl,” replied my friend Lewis, “I just love to instill knowledge into your hungry, young mind, but fifty cents are always full fifty cents to me, and if I stand here stuffing you with valuable information, I shall be late to rehearsal, and fifty cents forfeit will be torn from my unwilling pocket-book. So _en avant_,” and we both turned our faces stageward.

The next day was very stormy and bitter cold. My mother insisted upon my wrapping her shawl about me as an extra protection, but I had not gone more than a block or two before I was in trouble. The wind tore at me, the small pins could not stand the strain, they gave way, open went the shawl. The wind caught it, and slapped my face with it, and flung it flapping noisily through the air. I grabbed for it, jumped up at it, waltzed around and tried to catch it; but truth to tell that shawl could be found most any place in the street except on my shoulders. While I was laboring like a ship in a high sea, I heard some one knocking on a window-pane, and just as I began thinking I should have to scud under bare poles for home, the knocking was repeated so very loudly that I looked up, and, to my astonishment, there stood Mrs. Worden! I was amazed, because I had supposed the house to be unoccupied. The lower part was so, but at the upper window she was standing and making signs for me to cross over to her. Still wrestling madly with the shawl, I plunged over. The old lady opened the front door, showing an empty and bare hall, and holding tightly to the door itself, to keep from being blown backward, she motioned with her head for me to come in. I obeyed, and stood leaning against the unfriendly-looking wall, trying to regain my breath. Mrs. Worden smiled sardonically at me, and remarked:

“I don’t think you will get to your precious rehearsal to-day at that rate of speed. I’ve been watching you prancing about with that shawl, and I’ve brought you down this.”

She held out to me a shawl-pin. As I took it, I found it was yet warm from the hand of its maker since it was formed of a stout darning needle with a ball of red sealing wax for a head. She had seen my trouble and had hastily made this shawl-pin especially for me. I was surprised beyond speech for a moment, and she mistook my silence, for she began to jeer.

“Oh, use it, use it! If you can keep that shawl about you it may save you from a sickness. Then you can hide the pin from the sight of those lords and ladies at your great, fine theatre. They are so artistic, I fear its roughness and lack of finish might jar upon them.”

But I shook my head, and, smiling broadly at her, I said:

“It’s no use, Mrs. Worden, you can never frighten me again. I know you now, and you are good and kind.”

A sort of wonder came upon her: “Good God!” she cried. “You must be madder than I am!” then she turned her eyes to the rough, gray lake spreading far before us, and on her face there grew the look it wore the first time I saw her. She spoke out quite distinctly, but apparently not to me:

“I wonder if you hear?” she said. “I wonder? You used to call me good and kind, aye, and dear, but that’s five and forty years ago, a weary time my prettys! Perhaps the sign is coming soon--”

I stood a moment, then I laid my hand gently on her arm and said: “See, now, how safe the shawl is; I thank you very much, and I shall get to the rehearsal in time, after all.” She looked a bit bewildered for a moment, then she asked: “Shall you be long to-day?”

“Oh, no,” I answered, “I shall be through very early.”

“Then suppose you stop in here a bit and have a cup of coffee?”

I accepted the invitation eagerly, and, as I ran down the steps, she called to me: “You, girl, who won’t be frightened any more, I may be out when you come; see, here’s where you’ll find the key, and just go right up to the front room and wait for me.”

I nodded, and started again, but once more through the wind came her shrill call: “You, girl, don’t you touch the fire, if you have to wait; mind now, don’t touch it; I attend to that myself.”

The door slammed shut, and I was slammed down the windy street, but in considerable comfort, now that the thick shawl was fastened securely about me. I have seen--owned very handsome shawl pins since then--some double, with connecting chains of silver or of gold, and cunningly decorated by the goldsmith’s skill, but none ever gave me better service than did that darning needle with its head of wax, made beautiful in my eyes by the kindly thought that prompted its creation. I was really quite excited at the prospect of seeing her at home. She was an acquired taste. I had found her bitter at first, but now there was a faint hint of sweetness rising above the bitterness, and I liked it. I hurried to keep my appointment, and as I approached I was struck by the resemblance the house bore to the woman who lived in it. Both were so old, so gaunt, so lonely, and, above all, so frail. Surely, I thought, that trembling, old, frame shell of a house cannot be safe in any great off-lake gale. And when I first entered it and mounted its sagging, old stairs I was really frightened when it jarred at every quick movement and shook in each blast of wind.

Mrs. Worden was out when I arrived, and so I entered gladly the front room she had indicated, for, silly as it sounds, I must admit I am, and always have been, afraid of an empty house. I went in and closed the door.

Now, the French say, when colors do not agree ‘that they swear at each other,’ but never, surely, did inanimate things swell to such a storm of profanity as did the furnishings of this room. The floor was bare, the boards were narrow and warped and hungry-looking. Guiltless of stain or paint, they had been scrubbed to a creamy whiteness, which somehow gave the whole floor a peculiarly frigid, unfriendly look. It had a Pharisaical air, as though it were thanking its maker “that it was not as other floors.” Then, exactly opposite the door, there hung upon the glaring, whitewashed wall, in a magnificent frame, a life-sized, full-length portrait in oil, of a charming girl of about ten years. The “swearing” here was almost audible. The windows, ill-fitting and rattling in their cases, looked out directly upon the lake. The bedstead had been a grand affair in its long-passed day, but now, stripped of all its luxurious hangings, it stretched its thin, old posts up, only to meet the skeleton of its former canopy, while the silken spread of patch-work, of a brain-destroying intricacy of pattern, was worn clear through in places, so that the cotton wadding showed plainly. As I turned slowly around, I found another great portrait. This time it was a boy who smiled happily at me from the canvas; such a handsome, manly little chap, for all his absurd dress. One only smiled with him, not at him. I was very much impressed, for I had only been in two houses where there were family portraits, and I knew they meant a great expenditure. And then, ignorant as I was of such matters, I felt sure these portraits were the work of some great artist, and I was right, for later on I learned they had been painted by the most famous artist of his time.

Two small tables, a bureau, a few chairs, all of the commonest, and a small corner cupboard, completed the furniture of this odd room. Oh, yes; I must not omit the screen, then a very unusual object, a tall, narrow, three-panelled screen, which played an important part in its owner’s daily life. And the fire! Thank Heaven, I thought, for one thing, that did not look cold. I think there was about one scant quart of fire, and, as I threw off my shawl, I started to put on some coal, when suddenly I remembered that injunction, ‘You girl! don’t touch the fire!’ and I stayed my hand, but when I looked into the box and saw there just four pieces of coal, and so suspiciously exact in size one to the other, and leaning at the end of the box a hammer, my heart melted with pity; I began to understand. With a sigh I left the fire, precious but inadequate, and turned to study the painted pair. The boy, swarthy, smiling, happy, won your love at once; but the girl’s blonde, young arrogance slightly repelled. The portrait, considered as a picture, was quite lovely. The dainty figure, in the soft, yellowish-pink gown, stood out well from the olives and dull greens of the brocaded curtain behind her. On the table lay her great hat, while just slipping from her shoulder was the black velvet pelisse which, by contrast, brought out so beautifully the milky whiteness of her childish neck. The features, the lift of the head, the thin, slightly shrewish, delicate lips were all wonderfully like Mrs. Worden. But the color scheme was wrong. This handsome, overbearing child was blonde as she could be, while the boy, with but one feature of her face, her piercing eyes, was surely darker than she had ever been. So while I stood before the girl and thought how clever had been the artist, who had painted the boy with his hand upon his dog’s head--while in the girl’s hand he had placed a broken necklace--in these bits of detail, I thought he has given his idea of their character, and just then I heard Mrs. Worden approaching.

Like many people who live much alone, she had the habit of talking to herself--she was talking then. I heard her say, “That’s fifteen years ago, you fool! yes, all of that. Now, what the devil did I do it for?”

I felt quite certain she was referring to the invitation she had given to me, and I shook with laughter. When she opened the door, her eyes were snapping viciously and her brows were brought together in an inky frown; only her hair was white, her brows were black as they had ever been, but when she saw me standing, my hands behind me, evidently studying the portrait, the frown unknit itself, her eyes softened, and when I asked: “Who are they, the handsome girl and the laughing, little man?” she answered proudly: “They are my treasures, my man-child Philip, and my Edith, gift-of-God; because of whom I have not cursed Him long ago and died.”

At the words, “my treasures,” I suddenly recalled her speech at the lake, and instinctively my eyes turned towards it. She caught the look, and, going to the window, she went on: “My treasures, precious beyond rubies, they lie out there now; I watch them and wait for the sign.”

Then, pointing with her long, bony finger, she said: “You see that dark line out there on the water; no, no, the darker, purplish one? That’s where they lie. Yes, yes, my prettys, I know, I know! but it’s weary waiting, dearies; weary, weary!”

Her voice died away so drearily that I felt the tears rising in my eyes. A movement of mine made her turn to me. She put her hand up and passed it across her brow and eyes once or twice, and then, quite naturally, she went on: “I was wondering, when I came in, what I asked you here for.”

I interrupted to say: “I think it was to give me pleasure.” “No,” she answered, “it wasn’t that. I know now. I thought I’d like to hear some one talk again.”

I felt a bit flattered at that, but she finished with: “I haven’t heard anyone talk at home since my parrot died.”

Down sat my vanity, flat. The old lady had taken off her bonnet, and, as she motioned me to a chair, she said, musingly: “I never can quite remember whether I learned to swear from the parrot, or the parrot learned from me.”

She heaved a sigh and proceeded to prepare the tray for our coffee. As she moved about she continued her remarks: “Yes, we did a fairish bit of swearing between us, Poll and I; her name, by the way, was not Poll, but Sally, and, of course, I suppose some one must have taught her to do it, but it was delicious to hear the ‘bloomin’’ cussing she would give to any one who called her Sarah. Yes, all things considered, there was in the past considerable profanity in this room.”

And I, glancing at the splendid frame against the whitewashed wall, recklessly made answer: “And it is not absolutely absent at this moment.”

Her bright, old eye glanced from wall to frame, then back to me, her quick comprehension making my unfinished thought her finished one in an instant. She wagged her head and said: “That’s not bad, you girl,” then, with somewhat unnerving loudness, she went on: “She’s young and green, oh! but upon my soul, she’s not a fool.” Then addressing me again: “So you know some French sayings, do you? Not many though, I think; but look, you, young ears are sharp, and you should have been here before the hangings of my bed fell to bits. They were of brocatelle and lined with silk, and they cursed that whitewashed wall so venomously, had you been here in the bed, you’d not have slept one wink, unless your soul’s already gray instead of white,” and she laughed that odd, stinging laughter that was so like the crackling of thin ice upon a wintry day.

While she had talked and laughed and nodded, she had prepared her coffee, and we seated ourselves at either side of the little table, she taking care to sit facing the tossing lake.

Oh, that tray! It really seemed as though the things thereon must come to blows, so fiercely did they contradict each other. The coffee pot of make and material precisely like those good “Bridgets” purchase for the use of honest “Patricks.” The knives and forks--they appeared a bit later--were of that brand which always makes you wish that you were dead, they make of life a thing so hideous. While cheek by jowl with these rough things stood a few pieces of old porcelain, deserving, each one of them, a satin-lined box to rest in. And to keep them in countenance, there were four spoons of silver, paper-thin, initials and dates quite worn away, and all a trifle bent and dented in spite of the owner’s care of them; while the linen, I could have cried over that eye-destroying mass of delicate darning. Truly, there were places in my napkin where the darning had itself been darned again. But the coffee, like the fire, which had been increased by the addition of one small cube of coal, was inadequate in quantity, but the quality? oh, well, it was perfection, that’s all; absolute perfection.

I tasted it and smiled, and sighed. She understood, and snapped her old eyes at me approvingly, and _she_ tasted and sighed, and then she slowly said: “Whenever I drink good coffee I always rejoice that God created it. It would have been an infernal shame had it been invented by some fool man!”

I laughed aloud--I always did, I’m sorry to confess--whenever she swore, she did it in such an impersonal way, never, never in anger, never, even when she was busily engaged in flaying alive some victim of her memory and her tongue. She generally swore to herself, and nearly always when in a reflective mood. When I laughed, she gave me a glance and asked quickly: “What is it, eh? Did I swear? Well, don’t you do it, that’s all. But Lord! you won’t have to live fifteen or twenty years alone with a ‘cussing’ parrot, as I did. For some time after Sally died I used to say ‘damnation.’ Oh, I don’t say it now; don’t open your eyes any wider, you’ll meet with an accident. But, you see, for nearly twenty years that bird told me twice a day that her coffee was ‘too damnation hot,’ and after she was gone I had to say it now and then to break the silence.”

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A Silent SingerChapter III: Part 3

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