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Chapter VI: Letter VI (1)

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_The Abbé Aubain to the Abbé Bruneau. Professor of Theology at Saint-A----._

N----, _May_, 1845.

My Dear Professor,--It is the curé of Sainte-Marie who is writing to you, not any longer the humble, officiating priest of Noirmoutiers. I have left my solitary marshes and behold me a citizen, installed in a fine living, in the best street in N----; curé of a large, well-built church, well kept up, of splendid architecture, depicted in every album in France. The first time that I said Mass before a marble altar, which glittered with gilding, I had to ask myself if I really were myself. But it is true enough, and one of my delights is the hope that at the next vacation you will come and pay me a visit. I shall have a comfortable room to offer you, and a good bed, not to mention some bordeaux, which I call my bordeaux of Noirmoutiers; and I venture to say it is worth your acceptance. But, you ask me, how did you get from Noirmoutiers to Sainte-Marie? You left me at the entrance to the nave, you find me now at the steeple.

O Meliboee deus nobis hæc otia fecit.

Providence, my dear Professor, sent a grand lady from Paris to Noirmoutiers. Misfortunes of a kind we shall never know had temporarily reduced them to an income of 10,000 crowns per annum. She is an agreeable and good woman, unfortunately a bit jaded by frivolous reading, and by association with the dandies of the capital. Bored to death by a husband with whom she has little in common, she did me the honour of becoming interested in me. There were endless presents and continual invitations, then every day some fresh scheme in which I was wanted. "M. l'abbé, I want to learn Latin.... M. l'abbé, I want to be taught botany." _Horresco referens_, did she not also desire that I should expound theology to her? What would you have, my dear Professor? In fact, to quench such thirst for knowledge would have required all the professors of Saint-A----. Fortunately, such whims never last long: the course of studies rarely lasted beyond the third lesson. When I told her that the Latin for rose was _rosa_, she exclaimed, "What a well of learning you are, M. l'abbé! How could you allow yourself to be buried at Noirmoutiers?" To tell you the truth, my dear Professor, the good lady, through reading the silly books that are produced nowadays, got all sorts of queer ideas into her head. One day she lent me a book which she had just received from Paris, and which enraptured her. _Abélard_, by M. de Rémusat. Doubtless you have read it, and admired the learned research made by the author, unfortunately in so wrong a spirit. At first I skipped to the second volume, containing the "Philosophy of Abélard," and, after reading that with the greatest interest, I returned to the first, to the life of the great heresiarch. This, of course, was all Madam had deigned to read. That, my dear Professor, opened my eyes. I realised that there was danger in the society of fine ladies enamoured of learning. This one of Noirmoutiers could give points to Héloïse in the matter of infatuation. This, to me, extremely novel situation was troubling me much, when, suddenly, she said to me, "M. l'abbé, the incumbent of Sainte-Marie is dead, and I want you to have the living. _You must_." Immediately she drove off in her carriage to see Monseigneur; and, a few days later, I was curé of Sainte-Marie, somewhat ashamed of having obtained the living by favour, but in other respects delighted to be far away from the toils of a _lioness_ of the capital. A lioness, my dear Professor, is the Parisian expression for a woman of fashion.

[Greek: O Zeus, gunaikon oioon opasas genos.][1]

Ought I to have rejected this good fortune in order to defy the temptation? What nonsense! Did not St. Thomas of Canterbury accept castles from Henry II.? Good-bye, my dear Professor, I look forward to discussing philosophy with you in a few months' time, each of us in a comfortable armchair, before a plump chicken and a bottle of bordeaux, _more philosophorum. Vac let me ama_.

[1] A line taken, I believe, from the _Seven Against Thebes_, of Æschylus, "O Jupiter! women!... what a race thou hast given us!" The Abbé Aubain and his Professor, the Abbé Bruneau, are good classical scholars.

MATEO FALCONE

Coming out of Porto-Vecchio, and turning north-west towards the centre of the island, the ground is seen to rise very rapidly, and, after three hours' walk by tortuous paths, blocked by large boulders of rocks, and sometimes cut by ravines, the traveller finds himself on the edge of a very broad _mâquis_, or open plateau. These plateaus are the home of the Corsican shepherds, and the resort of those who have come in conflict with the law. The Corsican peasant sets fire to a certain stretch of forest to spare himself the trouble of manuring his lands: so much the worse if the flames spread further than is needed. Whatever happens, he is sure to have a good harvest by sowing upon this ground, fertilised by the ashes of the trees which grew on it. When the corn is gathered, they leave the straw because it is too much trouble to gather. The roots, which remain in the earth without being consumed, sprout, in the following spring, into very thick shoots, which, in a few years, reach to a height of seven or eight feet. It is this kind of underwood which is called _mâquis_. It is composed of different kinds of trees and shrubs mixed up and entangled as in a wild state of nature. It is only with hatchet in hand that man can open a way through, and there are _mâquis_ so dense and so thick that not even the wild sheep can penetrate them.

If you have killed a man, go into the _mâquis_ of Porto-Vecchio, with a good gun and powder and shot, and you will live there in safety. Do not forget to take a brown cloak, furnished with a hood, which will serve as a coverlet and mattress. The shepherds will give you milk, cheese, chestnuts, and you will have nothing to fear from the hand of the law, nor from the relatives of the dead, except when you go down into the town to renew your stock of ammunition.

When I was in Corsica in 18-- Mateo Falcone's house was half a league from this _mâquis_. He was a comparatively rich man for that country, living handsomely, that is to say, without doing anything, from the produce of his herds, which the shepherds, a sort of nomadic people, led to pasture here and there over the mountains. When I saw him, two years after the event that I am about to tell, he seemed about fifty years of age at the most. Imagine a small, but robust man, with jet-black, curly hair, an aquiline nose, thin lips, large and piercing eyes, and a deeply tanned complexion. His skill in shooting passed for extraordinary, even in his country, where there are so many crack shots. For example, Mateo would never fire on a sheep with swanshot, but, at one hundred and twenty paces, he would strike it with a bullet in its head or shoulders as he chose. He could use his gun at night as easily as by day, and I was told the following example of his adroitness, which will seem almost incredible to those who have not travelled in Corsica. A lighted candle was placed behind a transparent piece of paper, as large as a plate, at eighty paces off. He put himself into position, then the candle was extinguished, and in a minute's time, in complete darkness, he shot and pierced the paper three times out of four.

With this conspicuous talent Mateo Falcone had earned a great reputation. He was said to be a loyal friend, but a dangerous enemy; in other respects he was obliging and gave alms, and he lived at peace with everybody in the district of Porto-Vecchio. But it is told of him that when at Corte, where he had found his wife, he had very quickly freed himself of a rival reputed to be equally formidable in love as in war; at any rate, people attributed to Mateo a certain gunshot which surprised his rival while in the act of shaving before a small mirror hung in his window. After the affair had been hushed up Mateo married. His wife Giuseppa at first presented him with three daughters, which enraged him, but finally a son came whom he named Fortunato; he was the hope of the family, the inheritor of its name. The girls were well married; their father could reckon in case of need upon the poniards and rifles of his sons-in-law. The son was only ten years old, but he had already shown signs of a promising disposition.

One autumn day Mateo and his wife set out early to visit one of their flocks in a clearing of the _mâquis_. Little Fortunato wanted to go with them, but the clearing was too far off; besides, it was necessary that someone should stay and mind the house; so his father refused. We shall soon see that he had occasion to repent of this.

He had been gone several hours and little Fortunato was quietly lying out in the sunshine, looking at the blue mountains, and thinking that on the following Sunday he would be going to town to have dinner at his uncle's, the corporal,[1] when his meditations were suddenly interrupted by the firing of a gun. He got up and turned towards that side of the plain from which the sound had proceeded. Other shots followed, fired at irregular intervals, and each time they came nearer and nearer until he saw a man on the path which led from the plain to Mateo's house. He wore a pointed cap like a mountaineer, he was bearded, and clothed in rags, and he dragged himself along with difficulty, leaning on his gun. He had just received a gunshot in the thigh.

This man was a _bandit_ (Corsican for one who is proscribed) who, having set out at night to get some powder from the town, had fallen on the way into an ambush of Corsican soldiers.[2] After a vigorous defence he had succeeded in escaping, but they gave chase hotly, firing at him from rock to rock. He was only a little in advance of the soldiers, and his wound made it out of the question for him to reach the _mâquis_ before being overtaken.

He came up to Fortunato and said--

"Are you the son of Mateo Falcone?"

"Yes."

"I am Gianetto Sanpiero. I am pursued by the yellow-collars.[3] Hide me, for I cannot go any further."

"But what will my father say if I hide you without his permission?"

"He will say that you did right."

"How do you know?"

"Hide me quickly; they are coming."

"Wait till my father returns."

"Good Lord! how can I wait? They will be here in five minutes. Come, hide me, or I will kill you."

Fortunato replied with the utmost coolness--

"Your gun is unloaded, and there are no more cartridges in your _carchera_."[4]

"I have my stiletto."

"But could you run as fast as I can?"

With a bound he put himself out of reach.

"You are no son of Mateo Falcone! Will you let me be taken in front of his house?"

The child seemed moved.

"What will you give me if I hide you?" he said, drawing nearer.

The bandit felt in the leather pocket that hung from his side and took out a five-franc piece, which he had put aside, no doubt, for powder. Fortunato smiled at the sight of the piece of silver, and, seizing hold of it, he said to Gianetto--

"Don't be afraid."

He quickly made a large hole in a haystack which stood close by the house. Gianetto crouched down in it, and the child covered him up so as to leave a little breathing space, and yet in such a way as to make it impossible for anyone to suspect that the hay concealed a man. He acted, further, with the ingenious cunning of the savage. He fetched a cat and her kittens and put them on the top of the haystack to make believe that it had not been touched for a long time. Then he carefully covered over with dust the bloodstains which he had noticed on the path near the house, and, this done, he lay down again in the sun with the utmost sangfroid.

Some minutes later six men with brown uniform with yellow collars, commanded by an adjutant, stood before Mateo's door. This adjutant was a distant relative of the Falcones. (It is said that further degrees of relationship are recognised in Corsica than anywhere else.) His name was Tiodoro Gamba; he was an energetic man, greatly feared by the banditti, and had already hunted out many of them.

"Good day, youngster," he said, coming up to Fortunato. "How you have grown! Did you see a man pass just now?"

"Oh, I am not yet so tall as you, cousin," the child replied, with a foolish look.

"You soon will be. But, tell me, have you not seen a man pass by?"

"Have I seen a man pass by?"

"Yes, a man with a pointed black velvet cap and a waistcoat embroidered in red and yellow."

"A man with a pointed cap and a waistcoat embroidered in scarlet and yellow?"

"Yes; answer sharply and don't repeat my questions."

"The priest passed our door this morning on his horse Piero. He asked me how papa was, and I replied----"

"You are making game of me, you rascal. Tell me at once which way Gianetto went, for it is he we are after; I am certain he took this path."

"How do you know that?"

"How do I know that? I know you have seen him."

"How can one see passers-by when one is asleep?"

"You were not asleep, you little demon: the gunshots would wake you."

"You think, then, cousin, that your guns make noise enough? My father's rifle makes much more noise."

"May the devil take you, you young scamp. I am absolutely certain you have seen Gianetto. Perhaps you have even hidden him. Here, you fellows, go into the house, and see if our man is not there. He could only walk on one foot, and he has too much common sense, the villain, to have tried to reach the _mâquis_ limping. Besides, the traces of blood stop here."

"Whatever will papa say?" Fortunato asked, with a chuckle. "What will he say when he finds out that his house has been searched during his absence?"

"Do you know that I can make you change your tune, you scamp?" cried the adjutant Gamba, seizing him by the ear. "Perhaps you will speak when you have had a thrashing with the flat of a sword."

Fortunato kept on laughing derisively.

"My father is Mateo Falcone," he said significantly.

"Do you know, you young scamp, that I can take you away to Corte or to Bastia? I shall put you in a dungeon, on a bed of straw, with your feet in irons, and I shall guillotine you if you do not tell me where Gianetto Sanpiero is."

The child burst out laughing at this ridiculous menace.

"My father is Mateo Falcone," he repeated.

"Adjutant, do not let us embroil ourselves with Mateo," one of the soldiers whispered.

Gamba was evidently embarrassed. He talked in a low voice with his soldiers, who had already been all over the house. It was not a lengthy operation, for a Corsican hut only consists of a single square room. The furniture comprises a table, benches, boxes and utensils for cooking and hunting. All this time little Fortunato caressed his cat, and seemed, maliciously, to enjoy the confusion of his cousin and the soldiers.

One soldier came up to the haycock. He looked at the cat and carelessly stirred the hay with his bayonet, shrugging his shoulders as though he thought the precaution ridiculous. Nothing moved, and the face of the child did not betray the least agitation.

The adjutant and his band were in despair; they looked solemnly out over the plain, half inclined to return the way they had come; but their chief, convinced that threats would produce no effect upon the son of Falcone, thought he would make one last effort by trying the effect of favours and presents.

"My boy," he said, "you are a wide-awake young dog, I can see. You will get on. But you play a dangerous game with me; and, if I did not want to give pain to my cousin Mateo, devil take it! I would carry you off with me."

"Bah!"

"But, when my cousin returns I shall tell him all about it, and he will give you the whip till he draws blood for having told me lies."

"How do you know that?"

"You will see. But, look here, be a good lad and I will give you something."

"You had better go and look for Gianetto in the _mâquis_, cousin, for if you stay any longer it will take a cleverer fellow than you to catch him."

The adjutant drew a watch out of his pocket, a silver watch worth quite ten crowns. He watched how little Fortunato's eyes sparkled as he looked at it, and he held out the watch at the end of its steel chain.

"You rogue," he said, "you would like to have such a watch as this hung round your neck, and to go and walk up and down the streets of Porto-Vecchio as proud as a peacock; people would ask you the time, and you would reply, 'Look at my watch!'"

"When I am grown up, my uncle the corporal will give me a watch."

"Yes; but your uncle's son has one already--not such a fine one as this, however--for he is younger than you."

The boy sighed.

"Well, would you like this watch, kiddy?"

Fortunato ogled the watch out of the corner of his eyes, just as a cat does when a whole chicken is given to it. It dares not pounce upon the prey, because it is afraid a joke is being played on it, but it turns its eyes away now and then, to avoid succumbing to the temptation, licking its lips all the time as though to say to its master, "What a cruel joke you are playing on me!"

The adjutant Gamba, however, seemed really willing to give the watch. Fortunato did not hold out his hand; but he said to him with a bitter smile--

"Why do you make fun of me?"

"I swear I am not joking. Only tell me where Gianetto is, and this watch is yours."

Fortunato smiled incredulously, and fixed his black eyes on those of the adjutant. He tried to find in them the faith he would fain have in his words.

"May I lose my epaulettes," cried the adjutant, "if I do not give you the watch upon that condition! I call my men to witness, and then I cannot retract."

As he spoke, he held the watch nearer and nearer until it almost touched the child's pale cheeks. His face plainly expressed the conflict going on in his mind between covetousness and the claims of hospitality. His bare breast heaved violently almost to suffocation. All the time the watch dangled and twisted and even hit the tip of his nose. By degrees he raised his right hand towards the watch, his finger ends touched it; and its whole weight rested on his palm although the adjutant still held the end of the chain loosely.... The watch face was blue.... The case was newly polished.... It seemed blazing in the sun like fire.... The temptation was too strong.

Fortunato raised his left hand at the same time, and pointed with his thumb over his shoulder to the haycock against which he was leaning. The adjutant understood him immediately, and let go the end of the chain. Fortunato felt himself sole possessor of the watch. He jumped up with the agility of a deer, and stood ten paces distant from the haycock, which the soldiers at once began to upset.

It was not long before they saw the hay move, and a bleeding man came out, poniard in hand; when, however, he tried to rise to his feet his stiffening wound prevented him from standing. He fell down. The adjutant threw himself upon him and snatched away his dagger. He was speedily and strongly bound, in spite of his resistance.

Gianetto was bound and laid on the ground like a bundle of faggots. He turned his head towards Fortunato, who had come up to him.

"Son of ----," he said to him more in contempt than in anger.

The boy threw to him the silver piece that he had received from him, feeling conscious that he no longer deserved it; but the outlaw took no notice of the action. He merely said in a cool voice to the adjutant--

"My dear Gamba, I cannot walk; you will be obliged to carry me to the town."

"You could run as fast as a kid just now," his captor retorted brutally. "But don't be anxious, I am glad enough to have caught you: I would carry you for a league on my own back and not feel tired. All the same, my friend, we will make a litter for you out of the branches and your cloak. The farm at Crespoli will provide us with horses."

"All right," said the prisoner; "I hope you will put a little straw on your litter to make it easier for me."

While the soldiers were busy, some making a rough stretcher out of chestnut boughs and others dressing Gianetto's wound, Mateo Falcone and his wife suddenly appeared in a turning of the path from the _mâquis_. The wife came in bending laboriously under the weight of a huge sack of chestnuts, while her husband jaunted up carrying his gun in one hand, and a second gun slung in his shoulder-belt. It is considered undignified for a man to carry any other burden but his weapons.

When he saw the soldiers, Mateo's first thought was that they had come to arrest him. But he had no ground for this fear, he had never quarrelled with the law. On the contrary he bore a good reputation. He was, as the saying is, particularly well thought of. But he was a Corsican, and mountain bred, and there are but few Corsican mountaineers who, if they search their memories sufficiently, cannot recall some little peccadillo, some gunshot, or dagger thrust, or such-like bagatelle. Mateo's conscience was clearer than most, for it was fully ten years since he had pointed his gun at any man; yet at the same time he was cautious, and he prepared to make a brave defence if needs be.

"Wife, put down your sack," he said, "and keep yourself in readiness."

She obeyed immediately. He gave her the gun which was slung over his shoulder, as it was likely to be the one that would inconvenience him the most. He held the other gun in readiness, and proceeded leisurely towards the house by the side of the trees which bordered the path, ready to throw himself behind the largest trunk for cover, and to fire at the least sign of hostility. His wife walked close behind him holding her reloaded gun and her cartridges. It was the duty of a good housewife, in case of a conflict, to reload her husband's arms.

On his side, the adjutant was very uneasy at the sight of Mateo advancing thus upon them with measured steps, his gun pointed and finger on trigger.

"If it happens that Gianetto is related to Mateo," thought he, "or he is his friend, and he means to protect him, two of his bullets will be put into two of us as sure as a letter goes to the post, and he will aim at me in spite of our kinship!..."

In this perplexity, he put on a bold face and went forward alone towards Mateo to tell him what had happened, greeting him like an old acquaintance. But the brief interval which separated him from Mateo seemed to him of terribly long duration.

"Hullo! Ah! my old comrade," he called out. "How are you, old fellow? I am your cousin Gamba."

Mateo did not say a word, but stood still; and while the other was speaking, he softly raised the muzzle of his rifle in such a manner that by the time the adjutant came up to him it was pointing sky-wards.

"Good day, brother,"[5] said the adjutant, holding out his hand. "It is a very long time since I saw you."

"Good day, brother."

"I just called in when passing to say 'good day' to you and cousin Pepa. We have done a long tramp to-day; but we must not complain of fatigue, for we have taken a fine catch. We have got hold of Gianetto Sanpiero."

"Thank Heaven!" exclaimed Giuseppa. "He stole one of our milch goats last week."

Gamba rejoiced at these words.

"Poor devil!" said Mateo, "he was hungry."

"The fellow fought like a lion," continued the adjutant, slightly nettled. "He killed one of the men, and, not content to stop there, he broke Corporal Chardon's arm; but that is not of much consequence, for he is only a Frenchman.... Then he hid himself so cleverly that the devil could not have found him. If it had not been for my little cousin Fortunato, I should never have discovered him."

"Fortunato?" cried Mateo.

"Fortunato?" repeated Giuseppa.

"Yes; Gianetto was concealed in your haycock there, but my little cousin showed me his trick. I will speak of him to his uncle the corporal, who will send him a nice present as a reward. And both his name and yours will be in the report which I shall send to the superintendent."

"Curse you!" cried Mateo under his breath.

By this time they had rejoined the company. Gianetto was already laid on his litter, and they were ready to set out. When he saw Mateo in Gamba's company he smiled a strange smile; then, turning towards the door of the house, he spat on the threshold.

"It is the house of a traitor!" he exclaimed.

No man but one willing to die would have dared to utter the word "traitor" in connection with Falcone. A quick stroke from a dagger, without need for a second, would have immediately wiped out the insult. But Mateo made no other movement beyond putting his hand to his head like a dazed man.

Fortunato went into the house when he saw his father come up. He reappeared shortly carrying a jug of milk, which he offered with downcast eyes to Gianetto.

"Keep off me!" roared the outlaw.

Then, turning to one of the soldiers, he said----

"Comrade, give me a drink of water."

The soldier placed the flask in his hands, and the bandit drank the water given him by a man with whom he had but now exchanged gunshots. He then asked that his hands might be tied crossed over his breast instead of behind his back.

"I prefer," he said, "to lie down comfortably."

They granted him his request. Then, at a sign from the adjutant, they set out, first bidding adieu to Mateo, who answered never a word, and descended at a quick pace towards the plain.

Well-nigh ten minutes elapsed before Mateo opened his mouth. The child looked uneasily first at his mother, then at his father, who leant on his gun, looking at him with an expression of concentrated anger.

"Well, you have made a pretty beginning," said Mateo at last in a voice calm, but terrifying, to those who knew the man.

"Father," the boy cried out, with tears in his eyes, just ready to fall at his knees.

"Out of my sight!" shouted Mateo.

The child stopped motionless a few steps off his father, and began to sob.

Giuseppa came near him. She had just seen the end of the watch-chain hanging from out his shirt.

"Who gave you that watch?" she asked severely.

"My cousin the adjutant."

Falcone seized the watch, and threw it against a stone with such force that it broke into a thousand pieces.

"Woman," he said, "is this my child?"

Giuseppa's brown cheeks flamed brick-red.

"What are you saying, Mateo? Do you know to whom you are speaking?"

"Yes, very well. This child is the first traitor of his race."

Fortunato's sobs and hiccoughs redoubled, and Falcone kept his lynx eyes steadily fixed on him. At length he struck the ground with the butt end of his gun; then he flung it across his shoulder, retook the way to the _mâquis_, and ordered Fortunato to follow him. The child obeyed.

Giuseppa ran after Mateo, and seized him by the arm.

"He is your son," she said in a trembling voice, fixing her black eyes on those of her husband, as though to read all that was passing in his mind.

"Leave go," replied Mateo; "I am his father."

Giuseppa kissed her son, and went back crying into the hut. She threw herself on her knees before an image of the Virgin, and prayed fervently. When Falcone had walked about two hundred yards along the path he stopped at a little ravine and went down into it. He sounded the ground with the butt end of his gun, and found it soft and easy to dig. The spot seemed suitable to his purpose.

"Fortunato, go near to that large rock."

The boy did as he was told, then knelt down.

"Father, father, do not kill me!"

"Say your prayers!" repeated Mateo in a terrible voice.

The child repeated the Lord's Prayer and the Creed, stammering and sobbing. The father said "Amen!" in a firm voice at the close of each prayer.

"Are those all the prayers you know?"

"I know also the Ave Maria and Litany, that my aunt taught me, father."

"It is long, but never mind."

The child finished the Litany in a faint voice.

"Have you finished?"

"Oh, father, forgive me! forgive me! I will never do it again. I will beg my cousin the corporal with all my might to pardon Gianetto!"

He went on imploring. Mateo loaded his rifle and took aim.

"May God forgive you!" he said.

The boy made a frantic effort to get up and clasp his father's knees, but he had no time. Mateo fired, and Fortunato fell stone dead.

Without throwing a single glance at the body, Mateo went back to his house to fetch a spade with which to bury his son. He had only returned a little way along the path when he met Giuseppa, who had run out alarmed by the sound of firing.

"What have you done?" she cried.

"Justice!"

"Where is he?"

"In the ravine; I am going to bury him. He died a Christian. I shall have a mass sung for him. Let someone tell my son-in-law Tiodoro Bianchi to come and live with us."

1829.

[1] Corporals were formerly the chief officers of the Corsican communes after they had rebelled against the feudal lords. To-day the name is still given sometimes to a man who, by his property, his connections and his clients, exercises influence, and a kind of effective magistracy over a _pieve_ or canton. By an ancient custom Corsicans divide themselves into five castes: _gentlemen_ (of whom some are of higher, _magnifiques_, some of lower, _signori_, estate), corporals, citizens, plebeians and foreigners.

[2] _Voltigeurs_: a body raised of late years by the Government, which acts in conjunction with the gendarmes in the maintenance of order.

[3] The uniform of the _voltigeurs_ was brown with a yellow collar.

[4] A leather belt which served the joint purposes of a cartridge-box and pocket for despatches and orders.

[5] The ordinary greeting of Corsicans.

THE VISION OF CHARLES XI

"There are more things in heav'n and earth, Horatio,
Than are dreamt of in your philosophy."

SHAKSPEARE: _Hamlet._

Though people laugh at visions and supernatural apparitions, several have been too well authenticated to be discredited, for, should one be consistent, it would be necessary to ignore the whole witness of historic evidence.

A correctly drawn-up report, signed by four reliable witnesses, is the guarantee of the truth of the incident about to be related. I should add that the prediction set forth in this report was so set forth and cited a very long time before the events occurred in our days which seemed to fulfil it.

Charles XI., father of the famous Charles XII., was a most despotic king, but at the same time the wisest of the monarchs who have reigned over Sweden. He restricted the overbearing privileges of the nobility, abolished the power of the Senate, and created laws by his own authority; in fact, he changed the constitution of the country, which before was an oligarchy, and compelled the states to vest the absolute control in him. He was, besides, an enlightened man, steadfastly attached to the Lutheran religion, brave, of an inflexible, self-contained, decided character, and entirely devoid of imagination.

He had just lost his wife, Ulrique Eléonore. Although it is said that his severity had hastened her end, he held her in esteem, and appeared more affected by her death than would have been expected of a man so hard of heart. After that event he grew still more taciturn and gloomy than before, and gave himself up to work with an application that showed an urgent desire to dispel sad thoughts.

At the close of one autumn evening he was sitting in his private apartment in the Stockholm Palace, in his dressing-gown and slippers, before a great fire. With him was his chamberlain, Count Brahé, who was one of his most favoured courtiers, and his physician, Baumgarten, who, it may be remarked in passing, set up for a sceptic, and who would have liked people to disbelieve in everything but in medicine. This night he had been summoned to advise on some slight ailment.

The evening lengthened, but contrary to his habit the King made no sign of dismissal to his companions. He sat in deep silence, his head lowered, and his eyes fixed upon the burning logs, wearied of their company, but afraid, without knowing why, of being left alone. Count Brahé had shrewdly observed that his presence was distasteful to the King, and had several times hinted that he feared His Majesty was in need of repose; but the King had signified by a gesture that he wished him to remain. The physician, in his turn, spoke of the ill-effects to health of keeping late hours. Charles only muttered, "Stay where you are; I have no desire to sleep yet."

At this stage the courtiers tried several different topics of conversation, but all fell flat at the end of the second or third sentence. It was evident that His Majesty was in one of his black moods, and in such circumstance the position of a courtier is decidedly delicate. Count Brahé, suspecting that the King was brooding over the loss of his wife, gazed for some time at the portrait of the Queen which hung on the wall of the room, and remarked with a deep sigh--

"What an excellent likeness! Just the expression she wore, so majestic and yet so gentle."

"Bah!" the King broke in rudely. "That portrait is too flattering. The Queen was ugly."

He was always suspicious of there being underlying reproaches whenever anyone mentioned her name in his presence. Then, vexed at his harshness, he rose and paced the room to hide a blush of shame. He stopped in front of the window which looked on to the courtyard.

It was a dark night and the moon was in its first quarter. The palace in which the Kings of Sweden now reside was not then finished, so that Charles XI., who had begun it, lived then in the old palace on the promontory of Ritterholm overlooking the Lake Moeler. It was a vast building in the form of a horse-shoe. The King's cabinet was at one of the extremities, and nearly opposite it was the large audience hall where Parliament assembled to receive communications from the Crown.

The windows of this chamber appeared to be illuminated with a bright light. This struck the King as strange, but at first he thought the light might be produced by the torch of some valet. Still, what could anybody be doing there at such an hour, and in a room which had not been opened for some time? Besides, the light was too bright to proceed from a single torch. It might be the work of an incendiary, but there was no smoke, and the windows were not broken.

Charles watched the windows some time in silence. No sound could be heard; everything betokened simply an illumination. Meanwhile Count Brahé extended his hand towards the bellrope to summon a page in order to send him to find out the cause of this singular light, but the King stopped him. "I will go to the hall myself," he said.

Whilst he spoke they saw his face grow pale with superstitious fear; but he went out with a firm tread, followed by the chamberlain and physician, each holding a lighted candle.

Baumgarten went to rouse the sleeping porter who had charge of the keys with an order from the King to open immediately the doors of the assembly hall. The man was greatly surprised at this unexpected order. He dressed himself quickly, and joined the King with his bunch of keys. At first he opened the door of a gallery which was used as an antechamber or private entrance to the assembly hall. The King entered. Imagine his surprise at finding the walls completely draped in black.

"Who gave the order for hanging this room thus?" he demanded angrily.

"No one, Sire, to my knowledge," replied the uneasy porter. "The last time I swept out the gallery it was panelled, as it always has been.... I am certain this hanging never came out of Your Majesty's depository."

The King, walking at a rapid pace, had already traversed more than two-thirds of the gallery. The Count and porter followed closely; the physician Baumgarten was a little behind, divided between his fears of being left alone and of being exposed to the consequences of what promised to be such a strange adventure.

"Go no further, Sire," exclaimed the porter. "Upon my soul, there is sorcery behind this. At such an hour ... and since the death of the Queen your gracious wife ... they say she walks in this gallery.... May God protect us!"

"Stop, Sire," entreated the Count in turn. "Do you not hear the noise that comes from the assembly hall? Who knows to what dangers Your Majesty may be exposed?"

"Sire," broke in Baumgarten, whose candle had just been blown out by a gust of wind, "at least allow me to go and fetch a score of your halberdiers."

"Let us go in," said the King sternly, stopping before the door of the great apartment. "Porter, open the door immediately."

He kicked it with his feet, and the noise, echoing from the roof, resounded along the gallery like the report of a cannon.

The porter trembled so much that he could not find the keyhole.

"An old soldier trembling!" said Charles, shrugging his shoulders. "Come, Count, you open the door."

"Sire," replied the Count, recoiling a step, "if Your Majesty commanded me to walk up to the mouth of a German or a Danish cannon I would obey unhesitatingly, but you wish me to defy the powers of hell."

The King snatched the key from the hands of the porter.

"I quite see," he observed contemptuously, "that I must attend this matter myself," and before his suite could stay him he had opened the heavy oaken door and entered the great hall, pronouncing the words "By the power of God!" His three acolytes, urged by a curiosity stronger than their fear--and perhaps ashamed to desert their King--went in after him. The great hall was lighted up by innumerable torches, and the old figured tapestry had been replaced by black hangings. Along the walls hung, as usual, the German, Danish, and Russian flags--trophies taken by the soldiers of Gustavus Adolphus. In their midst were the Swedish banners, covered with crape as for a funeral.

An immense assembly filled the seats. The four orders of the State (the nobility, clergy, citizens and peasants) were arranged in their proper order. All were clothed in black, and this array of human faces, lit up against a dark background, so dazzled the eyes of the four witnesses of this extraordinary scene that not one figure was recognisable in the crowd. Thus an actor who stands before a large audience is not able to distinguish a single individual; he sees but a confused mass of faces.

Seated on the raised throne from which the King usually addressed his Parliament, they saw a bleeding corpse clothed in the royal insignia. At his right stood a child with a crown on his head and a sceptre in his hand; at his left an old man, or rather another spectre, leant against the throne. He wore the State cloak as used by the former administrators of Sweden before Vasa had made it a kingdom. In front of the throne, seated before a table covered with large books and rolls of documents, were several grave and austere-looking personages, clothed in long black robes, who looked like judges. Between the throne and the seats of the assembly a block was raised covered with black crepe; against it lay an axe.

No one in that supernatural assembly seemed to notice the presence of Charles and the three people with him. At their entry they could only hear at first a confused murmur of inarticulate words; then the oldest of the black-robed judges arose--the one who seemed to be the president--and struck the book which lay open in front of him three times with his hand. Deep silence immediately followed. Then there came into the hall by a door opposite to that by which Charles had entered several young men of noble bearing and richly clad. Their hands were tied behind their backs, but they walked with heads erect and confident looks. Behind them a stalwart man in a jerkin of brown leather held the ends of the cords which bound their hands. The most important of the prisoners--he who walked first--stopped in the middle of the hall before the block and looked at it with supreme disdain. While this was going on the corpse seemed to shake convulsively, and a fresh stream of crimson blood flowed out of its wound. The youth kneeled down and laid his head on the block, the axe flashed in the air and the sound of its descent followed immediately. A stream of blood gushed over the dais and mingled with that from the corpse; the head bounded several times on the crimsoned pavement, and then rolled at the feet of Charles. It dyed him with its blood.

Up to this moment surprise had held the King dumb, but this frightful spectacle unloosed his tongue. He stepped forward towards the dais, and, addressing himself to the figure who was clothed in the administrator's robes, he pronounced boldly the well-known form of words--

"If thou art of God, speak; if thou art from the Other, leave us in peace."

The phantom spoke to him slowly in solemn tones--

"KING CHARLES! this blood will not be shed during your reign...." (here the voice grew less distinct) "but five reigns later. Woe, woe, woe to the House of Vasa!"

Then the spectres of the countless personages who formed this extraordinary assembly gradually became fainter, until they soon looked like coloured shadows, and then they completely disappeared. All the fantastic lights were extinguished, and those of Charles and his suite revealed only the old tapestries, slightly waving in the draught. They heard for some time afterwards a melodious sound, which one of the witnesses described as like the sighing of wind amongst leaves, and another to the rasping sound given by the strings of a harp that is being tuned. All agreed as to the duration of the apparition, which they judged to have lasted about ten minutes.

The black draperies, the dissevered head, the drops of blood which had stained the dais--all had vanished with the phantoms; only upon Charles's slipper was there a bloodstain. This was the sole witness left by which to recall the scene of that night, had it not been sufficiently engraved upon his memory.

When the King returned to his chamber he had an account written of what he had seen, signed it himself, and caused it to be signed by his fellow-witnesses. In spite of the precautions taken to keep the contents of this document secret it was soon known, even during the lifetime of Charles XI. It still exists, and up to the present time no one has thought fit to throw doubts upon its authenticity. In it the King concludes with these remarkable words:--

"And if that which I herein relate is not the simple truth, I renounce all my hope in the life to come, the which I may have merited for some good deeds done, and, above all, for my zeal in working for the welfare of my people, and in preserving the faith of my forefathers."

Now, when the reader recollects the death of Gustavus III., and the doom of Ankarstroem, his assassin, they will find more than a mere coincidence between that event and the circumstances of this extraordinary prophecy.

The young man beheaded before the States Assembly should be called Ankarstroem.

The crowned corpse should be Gustavus III.

The child, his son and successor, Gustavus Adolphus IV.

Finally, the old man was the Duke of Sudermania, uncle of Gustavus IV., regent of the Crown, and, in the end, King, after the deposition of his nephew.

HOW WE STORMED THE FORT

(_L'enlèvement de la redoute_.)

A military friend of mine, who died of fever in Greece some years ago, related to me one day the story of the first engagement in which he had taken part. His narrative was so striking that I wrote it down from memory as soon as I had an opportunity. It is as follows:--

On the evening of the 4th September I rejoined my regiment. I found the colonel in bivouac. At first he received me rather coolly, but, after having read General B----'s letter of recommendation, his manner changed, and he said a few kind words.

He introduced me to my captain, who had just returned from a reconnoitring expedition. This captain, whose acquaintance I had scarcely the time to make, was a tall, dark man, with a severe and forbidding expression. He had been a common soldier, and had won his commission and the cross on the battlefield. His voice was weak and hoarse, and contrasted strangely with his almost gigantic height. I was told that this strange voice was due to a ball which had pierced him through at the Battle of Jéna.

On hearing that I came from the school at Fontainebleau he shrugged his shoulders and said, "My lieutenant died yesterday." I understood that he meant to imply, "You are intended to take his place, and you are not up to it." A cutting reply rose to my lips, but I restrained myself.

Behind Fort Cheverino, which stood about two gunshots off our bivouac, rose the moon. It was large and red as it usually is when rising. But this evening it seemed to me to have an unusual splendour. For an instant the fort stood outlined in black against the shining orb, which looked like the cone of a volcano during eruption. An old soldier, near whom I was standing, remarked on the moon's colour.

"How very red it is!" he said; "it is a sign that it will cost much to take this precious fort."

I was always superstitious, and this omen, above all at such a moment, impressed me greatly. I laid myself down, but could not sleep. I got up and walked about for some time, watching the long lines of fire scattered over the heights beyond the village of Cheverino.

When I thought the fresh, sharp night air had sufficiently quickened my blood, I returned to the fire. I wrapped myself carefully in my cloak and closed my eyes, thinking not to open them before the morning. But sleep obstinately evaded me. Gradually my thoughts took a melancholy hue. I told myself I had not one friend amongst the hundred thousand men who covered that plain. If I were wounded I should go to the hospital, there to be treated without consideration by ignorant surgeons. All I had heard of surgical operations returned to my memory. My heart beat fast, and instinctively I arranged my handkerchief and pocket-book over my breast as a kind of cuirass. I was overcome with weariness, and I became more drowsy each moment, but at each moment some dark thought sprang up with greater force and woke me into a start.

Nevertheless weariness overcame me, and, when the reveille sounded, I was fast asleep. We fell into our ranks; the roll was called; then we piled arms again, and everything suggested that we were going to pass a quiet day.

About three o'clock an aide-de-camp arrived, bearing a despatch, and we were ordered to shoulder arms. Our skirmishers scattered themselves over the plain; we followed them slowly, and in about twenty minutes' time we saw all the outposts of the Russians fall back and re-enter the fort.

One battery of artillery was on our right, another on our left, but both were well in advance of us. They opened a sharp fire on the enemy, who answered briskly; and very soon the fort of Cheverino was hidden under thick clouds of smoke.

Our regiment was almost protected from the Russian fire by a ridge of earth. Since they aimed rather at our artillery than at us, their balls passed over our heads, or at the most cast earth and small stone at us.

The moment the order to advance was given us my captain looked at me so closely that I felt impelled to stroke my budding moustache two or three times with as nonchalant an air as possible. In fact, I had no fear; my only dread was that people might think me afraid. Furthermore, these inoffensive shots contributed to keep me in a calm state of mind. My vanity told me that I was really in danger, being at last under battery fire. I was delighted to find myself so cool, and I dreamed of the pleasure of relating in the drawing-room of Madame B----, Rue de Provence, the story of the taking of the fort of Cheverino.

The colonel rode past our company and said to me, "Well, you are going to get it hot at your first battle."

I smiled with a truly military air, at the same time brushing from my sleeve some dust which a ball thirty paces off had thrown up.

It was evident that the Russians had noticed the miscarriage of their balls, for they replaced them by shells which could more easily reach us in the hollow where we were posted. One that burst near by knocked off my cap and killed a man close to me.

"I congratulate you," said the captain to me, as I picked up my cap. "Now you are safe for the day."

I was acquainted with the soldier's superstition that the axiom _non bis in idem_ holds good as much on the battlefield as in the court of justice. I replaced my cap jauntily.

"That's a free and easy kind of greeting," I replied as jovially as possible. This poor joke seemed excellent under the circumstances.

"You are lucky," said the captain; "you need not fear anything more, and you will command a company to-night. I know very well that a bullet for me will find its billet to-day. Each time I have been wounded the officer next to me has been grazed by a spent bullet, and," he added in a lower and half-ashamed tone, "their names always began with a P."

I took courage; most people would have done the same; most people would have been equally struck with such prophetic words. Conscript as I was, I did not think I could confide my feelings to anybody. I thought I ought always to appear cool and brave.

About half an hour after, the fire of the Russians slackened considerably: then we sallied out of our cover to storm the fort.

Our regiment was composed of three battalions. The second was ordered to outflank the fort from the side of the gorge; the other two were to make the assault. I was in the third battalion.

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Abbé Aubain and MosaicsChapter VI: Letter VI (1)

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