Chapter III: Dr Piecraft Clears His Mind (8)

"For some time we talked roses. He had a theory of pruning, which differed from mine, and led to a good deal of argument. Finally, he dropped his sculls, and, taking a piece of paper from his pocket, drew on it the diagram of a rose-bush pruned according to his method. We had forgotten the Cathedral.

"I took his drawing and began to criticise. 'Oh!' he said, 'let's drop it. We're missing one of the noblest sights in England. Look at that!' And he pointed to the heights.

"As we dropped down the river half an hour later, my companion, who had been silent for some time, again broke out on the subject of roses. 'Rose-growing is a thing that takes time and patience and thought,' he said. 'More perhaps than it's worth. If it were not for my wife, I should give it up. She's desperately fond of roses.'

"'That's the best of reasons for not giving it up,' I answered. 'I happen to be a great admirer of your wife.'

"'That's another link between us,' said he. 'She's the best wife man ever had. She's worthy of all the admiration you can give her.'

"She's worthy of all the roses you can grow for her,' I said.

"'By God, she is!' he answered with an emphasis that startled me.

"We grew confidential, and a story followed. He told me that he was the illegitimate son of a baronet; that his father had made him an allowance to study art in London; that he had married his model, in opposition to the wishes of his father; that the baronet had thereupon thrown him over for good and all; that he had failed to make a living by his original art; that he had got an engagement with a great furnishing-house as a skilled painter; that he was earning four pounds a week in doing artistic work in rich men's houses and elsewhere; that he was now engaged in restoring some fifteenth-century frescoes in a parish church. His wife earned money too, though he did not tell me how, and his daughter was being trained as a singer. 'We're all more or less in art,' he said, 'and we are a very happy family.'

"By this time we were back at the landing-place, and as the man stepped ashore he said: 'It's about time I took these roses to my wife. We'll just walk along to where I live, and I'll show you the rest of the sights afterwards. I'll take you to the Cathedral when the afternoon service is over.'

"As we walked through the streets the man kept up an incessant stream of talk, pointing to this and that, and discoursing with great eagerness on the history and antiquities of the town. It struck me as strange that he never waited for any answer but passed from one thing to another without a pause. Presently we stopped in front of a small house, one of a row of villas.

"'This is where I live,' he said, and stopped on the doorstep.

"'Good!' I cried; 'and now you will take me in and reintroduce me to your charming wife.'

"'I'm sorry,' he answered, 'but the thing's quite impossible.'

"I was so startled by this unexpected answer that, without thinking, I blurted out the question, 'Why?'

"'_Because_,' he said, '_she's in her coffin. She died at four o'clock this morning._'

"At the words he sank down on his doorstep, put the basket of roses on his knees and bowed himself over them in a passion of tears.

"The door opened, and the young girl, who had been with me in the train, ran down the steps. Sitting down beside her father she put her arms round his neck and said, 'Daddy, Daddy, don't cry!'"

* * * * *

The Professor ceased and there was a long pause.

"Did you discover," said the Pessimist at length, "why the two were weeping in the train?"

"No need to ask that," said our Hostess. "The woman had received sentence of death."

"Did you ever follow it up?" said the Historian. "What, for example, became of the young girl?"

"_She was married to my eldest son last month_," said the Professor.

"I knew the Pessimist's introduction would not be needed," said our Host.

"Nevertheless, it was the introduction that reminded me of the story," said the Professor. "And now," he continued, "can anyone here explain to me the strange conduct of the man with the white roses? For I confess that I can find no place for it in any system of Psychology known to me."

At this question the Son of the House, who for some reason had become the gravest member of the party, looked up and seemed about to speak. But as he raised his eyes they met the bright glance of his pretty cousin, on whose cheek there was a tear. And when the Son of the House saw that, the impulse to speech died within him.

No one else ventured an explanation. But my impression was that there were two persons in the room to whom the strange conduct of the man with the white roses presented no enigma.

_By the Same Author_

AMONG THE IDOLMAKERS

"A MAN OF KENT" in _The British Weekly_. "Mr Jacks has written a book which, for sheer ability, for rightmindedness, and for driving force, will compare favourably with any book of the season.... This is a book which strongly makes for cleanness, for sanity, for Christianity."

MAD SHEPHERDS: And Other Human Studies

_With a Frontispiece Drawing by MR LESLIE BROOKE_

"A series of highly original studies of some human types portrayed with a wealth of irony and humour. The character Snarley Bob, the old shepherd, is destined to take its place among the unforgettable figures of literature."--_Outlook._

THE ALCHEMY OF THOUGHT

Professor J. H. MUIRHEAD in _The Christian Commonwealth_ says: "It is a significant book ... eloquent, imaginative, humorous. Philosophy here forsakes its usual 'grey in grey.'"

From _The Westminster Review_: "The book is one which no philosophical student of to-day can safely do without."

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