Chapter VI: Part 6

If that was your plot, the reviewer might say, you have hidden it rather successfully. I have certainly done my best to hide it. For although the personalities of the villain and his legal spouse crop up periodically, with ominous insistence, from the first chapter onwards, they are always swallowed up again. The reason is given in the penultimate chapter, where the critic might have found a résumé of my intentions and the key to this plot--to wit, that a murder under those particular circumstances is not only justifiable and commendable but--insignificant. Quite insignificant! Not worth troubling about. Hundreds of decent and honest folk are being destroyed every day; nobody cares tuppence; "one dirty blackmailer more or less--what does it matter to anybody"? There are so many more interesting things on earth. That is why the bishop--i.e. the reader--here discovers the crime to be a "contemptible little episode," and decides to "relegate it into the category of unimportant events." He was glad that the whole affair had remained in the background, so to speak, of his local experiences. It seemed appropriate. In the background: it seemed appropriate. That is the heart, the core, of the plot. And that is why all those other happenings find themselves pushed into the foreground.

I know full well that this is not the way to write an orthodox English novel. For if you hide your plot, how shall the critic be expected to see it? You must serve it on a tray; you must (to vary the simile) hit the nail on the head and ask him to be so good as to superintend the operation. That is the way to rejoice the cockles of his heart. He can then compare you to someone else who has also hit the nail on the head and with whose writings he happens to be familiar. You have a flavour of Dostoievsky minus the Dickens taint; you remind him of Flaubert or Walter Scott or somebody equally obscure; in short, you are in a condition to be labelled--a word, and a thing, which comes perilously near to libelling. If, to this description, he adds a short summary of your effort, he has done his duty. What more can he do? He must not praise overmuch, for that might displease some of his own literary friends. He must not blame overmuch, else how shall his paper survive? It lives on the advertisements of publishers and--say those persons, perhaps wisely--"if you ill-treat our authors, there's an end to our custom." Commercialism....

Which applies far less to literary criticism than to other kinds. Of most of the critics of music and art the best one can say is that there are hearty fellows among them who, with the requisite training, might one day become fit for their work. England is the home of the amateur in matters intellectual, the specialist in things material. No bootmaker would allow an unpractised beginner to hack his leather about in a jejune attempt to construct a pair of shoes. The other commodity, being less valuable than cowhide, may be entrusted to the hands of any 'prentice who cares to enliven our periodicals with his playful hieroglyphics. Criticism in England--snakes in Iceland. [15]

All alone, for a wonder, I climbed up to the sanctuary of St. Michael above Serrone, that solitary white speck visible from afar on the upper slopes of Mount Scalambra. It is a respectable walk, and would have been inconveniently warm but for the fact that I rose with the nightingales, reaching my destination at the very moment when the sun peered over the ridge of the mountain at its back. A delicious ramble in the dewy shade of morning, with ten minutes' rest on a wall at Serrone, talking to an old woman who wore those ponderous red ornaments designed, I suppose, to imitate coral.

I had hoped to meet at this hermitage some amiable and garrulous anchorite who would share my breakfast. It is the ideal place for such a life, and many are the mountain solitaries of this species I have known in Italy (mostly retired shepherds). There was he of Scanno--dead, I doubt not, by this time--that simple-hearted venerable with whom I whiled away the long evenings at the shrine of Sant' Egidio, gazing over the placid lake below, or up stream, at the dusky houses of Scanno theatrically ranged against their hill-side. I became his friend, once and for ever, after finding a wooden snuff-box he had lost--his only snuff-box; it lay at the edge of the path among thick shrubs, and he could hardly believe his eyes when he saw it again. One of my many strokes of luck! Once I found a purse--

The little structure here was barred and deserted. I had no company save a couple of ravens who, after assuring themselves, with that infernal cunning of theirs, that I carried no gun, became as friendly as could be expected of such solemn fowls. They are always in pairs--incurably monogamous; whereas the carrion crow, for reasons of its own, has a fondness for living in trios. This ménage à trois may have subtle advantages and seems to be a step in the direction of the truly social habits of the rook; it enables them to fight with more success against their enemies, the hawks, and fosters, likewise, a certain lightheartedness which the sententious raven lacks. No one who has watched the aerial antics of a triplet of carrion crows can deny them a sense of fun.

After an hour's contemplation of the beauties of nature I descended once more through that ilex grove to Serrone. And now it began to grow decidedly warm. The wide depression between this village and Olevano used to be timbered and is still known as la selva or la foresta. Vines now occupy the whole ground. If they had only left a few trees by the wayside! Walking along, I encountered a sportsman who said he was on the look-out for a hare. Always that hare! They might as well lie in wait for the Great Auk. Not long ago, an old visionary informed me that he had killed a hare beside the Ponte Milvio at Rome. Hares at Ponte Milvio! They reminded me of those partridges in Belgrave Square. In my younger days there was not a general in the British army who had not (1) shot partridges in Belgrave Square and (2) been the chosen lover of Queen Isabella of Spain....

Up to the castle, in the afternoon, for a final chat. We sit under the vine near the entrance of that decayed stronghold, while babies and hens scramble about the exposed rock; he talks, as usual, about the war. He can talk of nothing else. No wonder. One son is maimed for life; the other has been killed outright, and it looks as if no amount of ironmongery (medals, etc.) would ever atone for the loss. This happy land is full of affliction. Mourning everywhere, and hardships and bitterness and ruined homes. Vineyards are untilled, olives unpruned, for lack of labourers. It will take years to bring the soil back into its old state of productivity. One is pained to see decent folk suffering for a cause they fail to understand, for something that happens beyond their ken, something dim and distant--unintelligible to them as that Libyan expedition. None the less, he tells me, there is not a single deserter in Olevano. An old warrior-brood, these men of Latium....

Thence onward and upward, towards evening by that familiar path, for a second farewell visit to Giulio's farm. It is a happy homestead, an abode of peace, with ample rooms and a vine-wreathed terrace that overlooks the smiling valley to the south. A mighty bush of rosemary stands at the door. The mother is within, cooking the evening meal for her man and the elder boys who work in the fields so long as a shred of daylight flits about the sky. The little ones are already half asleep, tired with a long day's playing in the sunshine.

Here is my favourite, Alberto, an adorable cherub and the pickle of the family. I can see at a glance that he has been up to mischief. Alberto is incorrigible. No amount of paternal treatment will do him any good. He hammers nails into tables and into himself, he tumbles down from trees, he throws stones at the girls and cuts himself with knives and saws; he breaks things and loses things, and chases the hens about--disobeys all the time. Every day there is some fresh disaster and fresh chastisement. Two weeks ago he was all but run over by the big station motor--pulled out from the wheels in the nick of time; that scar across his forehead will remain for life, a memento of childish naughtiness. Alberto understands me thoroughly. He is glad to see me. But a certain formality must be gone through; every time we meet there is a moment of shy distrust, while the ice has to be broken afresh--he must assure himself that I have not changed since our last encounter. Everything, apparently, is in order to-night, for he curls up comfortably on my knee and is soon fast asleep, all his little tragedies forgotten.

"It appears you like children," says the mother.

"I like this one, because he is never out of trouble. He reminds me of myself. I shall steal him one of these days, and carry him off to Rome. From there we will walk on foot to Brindisi, along an old track called the Via Appia. It will require two of three years, for I mean to stop a day, or perhaps a week, at every single tavern along the road. Then I will write a book about it; a book to make myself laugh with, when I am grown too old for walking."

"Giulio is big enough."

"I'll wait."

No chance of undertaking such a trip in these times of war, when a foreigner is liable to be arrested at every moment. Besides, how far would one get, with Giulio? Nevermore to Brindisi! As far as Terracina; possibly even to Formia. There, at Formia, we would remain for the rest of our natural lives, if the wine at the Albergo della Quercia is anything like what it used to be; there, at Formia, we would pitch our tent, enacting every day, or perhaps twice a day, our celebrated Faun-and-Silenus entertainment for the diversion of the populace. I have not forgotten Giulio's besetting sin. How nearly he made me exceed the measure of sobriety at Rojate!...

Night descends. I wander homewards. Under the trees of the driving-road fireflies are dancing; countrymen return in picturesque groups, with mules and children, from their work far afield; that little owl, the aluco, sits in the foliage overhead, repeating forever its plaintive note. The lights of Artena begin to twinkle.

This Artena, they say, had such a sorry reputation for crime and brigandage that the authorities at one time earnestly considered the proposition of razing it to the ground. Then they changed their minds. It seemed more convenient to have evil-doers all collected into one place than scattered about the country. To judge by the brightness of the lamps at this distance of twelve miles, the brigands have evidently spared no expense in the matter of street-illumination.

And now the lights of Segni station are visible, down in the malarious valley, where the train passes from Rome to Naples. Every night I have beheld them from my window; every night they tinged my thoughts with a soft sadness, driving them backwards, northwards--creating a link between present and past. Now, for the last time, I see them and recall those four journeys along that road; four, out of at least a hundred; only four, but in what rare company!

Valmontone

Back to Valmontone.

At Zagarolo, where you touch the Rome-Naples line, I found there was no train to this place for several hours. A merchant of straw hats from Tuscany, a pert little fellow, was in the same predicament; he also had some business to transact at Valmontone. How get there? No conveyance being procurable on account of some local fair or festival, we decided to walk. A tiresome march, in the glow of morning. The hatter, after complaining more or less articulately for an hour, was reduced to groans and almost tears; his waxed moustache began to droop; he vowed he was not accustomed to this kind of exercise. Would I object to carrying his bundle of hats for him? I objected so vigorously that he forthwith gave up all hope. But I allowed him to rest now and then by the wayside. I also offered him, gratis, the use of a handful of my choicest Tuscan blasphemies, [16] for which he was much obliged. Most of them were unfamiliar to him. He had been brought up by his mother, he explained. They seemed to make his burden lighter.

Despite wondrous stretches of golden broom, this is rather a cheerless country, poorly cultivated, and still bearing the traces of mediaeval savagery and insecurity. It looks unsettled. One would like to sit down here and let the centuries roll by, watching the tramp of Roman legions and Papal mercenaries and all that succession of proud banners which have floated down this ancient Via Labiena.

That rock-like structure, visible in the morning hours from Olevano, is a monstrous palace containing, among other things, a training school for carbineers. Attached thereto is a church whose interior has an unusual shape, the usual smell, and a tablet commemorating a visit from Pius IX.

There is a beautiful open space up here, with wide views over the surrounding country. It gives food for thought. What an ideal spot, one says, for the populace to frequent on the evenings of these sultry days! It is empty at that hour, utterly deserted. Now why do they prefer to jostle each other in the narrow, squalid and stuffy lane lower down? One would like to know the reason for this preference. I enquired, and was told that the upper place was not sufficiently well-lighted. The explanation is not wholly convincing, for they have the lighting arrangements in their own hands, and could easily afford the outlay. It may be that they like to remain close to the shops and to each other's doors for conversational purposes, since it is a fact that, socially speaking, the more restricted the area, the more expansive one grows. We broaden out, in proportion as the environment contracts. A psychological reason....

I leaned in the bright sunshine over the parapet of this terrace, looking at Artena near-by. It resembled, now, a cluster of brown grapes clinging to the hillside. An elderly man, clean-shaven, with scarred and sallow face, drew nigh and, perceiving the direction of my glance, remarked gravely:

"Artena."

"Artena," I repeated.

He extracted half a toscano cigar from his waistcoat pocket, and began to smoke with great gusto. A man of means, I concluded, to be able to smoke at this hour of an ordinary week-day. He was warmly dressed, with flowing brown tie and opulent vest and corduroy trousers. His feet were encased in rough riding-boots. Some peasant proprietor, very likely, who rode his own horses. Was he going to tell me anything of interest about Artena? Presumably not. He said never another word, but continued to smile at me rather wearily. I tried to enliven the conversation by pointing to a different spot on the hills and observing:

"Segni."

"Segni," he agreed.

His cigar had gone out, as toscanos are apt to do. He applied a match, and suddenly remarked:

"Velletri."

"Velletri."

We were not making much progress. A good many sites were visible from here, and at this rate of enumeration the sun might well set on our labours.

"How about all those deserters?" I inquired.

There was a fair number of them, he said. Young fellows from other provinces who find their way hither across country, God knows how. It was a good soil for deserters--brushwood, deep gullies, lonely stretches of land, and, above all, la tradizione. The tradition, he explained, of that ill-famed forest of Velletri, now extirpated. The deserters were nearly all children--the latest conscripts; a grown man seldom deserts, not because he would not like to do so, but because he has more "judgment" and can weigh the risks. The roads were patrolled by police. A few murders had taken place; yes, just a few murders; one or two stupid people who resented their demands for money or food--

He broke off with another weary smile.

"You have had malaria," I suggested.

"Often."

The fact was patent, not only from his sallow face, but from the peculiar manner....

They brought in a deserter that very afternoon. He lay groaning at the bottom of a cab, having broken his leg in jumping down from somewhere. The rest of the conveyance was filled to overflowing with carbineers. A Sicilian, they said. The whole populace followed the vehicle uphill, reverently, as though attending a funeral. "He is little," said a woman, referring either to his size or his age.

An hour later there was a discussion anent the episode in the fashionable café of Valmontone. A citizen, a well-dressed man, possibly a notary, put the case for United Italy, for intervention against Germany, for military discipline and the shooting of cowardly deserters, into a few phrases so clear, so convincing, that there was a general burst of approval. Then another man said:

"I hate those Sicilians; I have good personal reasons for hating them. But no Sicilian fears death. If they are not brilliant soldiers, they certainly make first-class assassins, which is only another branch of the same business. This boy deserts not because he is afraid of death, but because he still owes a debt. He feels he ought to do something to repay his parents who nursed him when he was a child, and not be sacrificed to that kidnapping camorra of blackguards out yonder"--and he pointed with his thumb, spitting contemptuously the while, in the direction of Rome.

Nobody had any comment to make on this speech. Not a word of protest was raised. The man was entitled to an opinion like everybody else, and might even have obtained his share of approval had the victim been a native. He was only a Sicilian--an outsider. What is one to say of this patriarchal, or parochial, attitude? The enlargement of Italy's boundaries--Albania, Cyrenaica, Asia Minor and so forth--is an ideal that few Italians bother their heads about. They are not sufficiently dense--not yet. [17] To found a world-empire like the British or Roman calls for a certain bullet-headed crassness. One has only to look at the Germans, who have been trying to do so for some time past. That collecting mania.... One single boy who collects postage stamps can infect his whole school with the complaint, and make them all jealous of his fine specimens. England has been collecting, for many centuries, islands and suchlike; she is paying the penalty of her acquisitive mania. She has infected others with the craze and cannot help incurring their envy, seeing that they are now equally acquisitive, but less fortunate. All the good specimens are gone!

That Pergola tavern deserves its name, the courtyard being overhung with green vines and swelling clusters of grapes. The host is a canny old boy, up to any joke and any devilry, I should say. He had already taken a fancy to me on my first visit, for I cured his daughter Vanda of a raging toothache by the application of glycerine and carbolic acid. We went into his cellar, a dim tunnel excavated out of the soft tufa, from whose darkest and chilliest recesses he drew forth a bottle of excellent wine--it might have lain on a glacier, so cold it was. How thoughtful of Providence to deposit this volcanic stuff within a stone's-throw of your dining-table! Nobody need ice his wine at the Pergola.

After a capital repast I sallied forth late at night and walked, striving to resemble a rich English tourist who has lost his way, along the lonely road to Artena, in order to be assassinated by the deserters or, failing that, to hear at least what these fellows have got to say for themselves. My usual luck! Not a deserter was in sight.

Of my sleeping accommodation with certain old ladies, of what happened to their little dog and of other matters trivial to the verge of inanity, I may discourse upon the occasion of some later visit to Valmontone. For this, the second, was by no means the last. Meanwhile, we proceed southwards.

Sant' Agata, Sorrento

Siren-Land revisited....

A delightful stroll, yesterday, with a wild youngster from the village of Torco--what joy to listen to analphabetics for a change: they are indubitably the salt of the earth--down that well-worn track to Crapolla, only to learn that my friend Garibaldi, the ancient fisherman, the genius loci, has died in the interval; thence by boat to the lonely beach of Recomone (sadly noting, as we passed, that the rock-doves at the Grotto delle Palumbe are now all extirpated), where, for the sake of old memories, I indulged in a bathe and then came across an object rare in these regions, a fragment of grey Egyptian granite, relic of some pagan temple and doubtless washed up here in a wintry gale; thence, for a little light refreshment, to Nerano; thence to that ill-famed "House of the Spirits" where my Siren-Land was begun in the company of one who feared no spirits--victim, already, of this cursed war, but then a laughter-loving child--and down to the bay and promontory of Ierate, there to make the unwelcome discovery that certain hideous quarrying operations on the neighbouring hill have utterly ruined the charm of this once secluded site; thence laboriously upwards, past that line of venerable goat-caves, to the summit of Mount San Costanzo.

Nothing has changed. The bay of Naples lay at my feet as of old, flooded in sunshine.

There is a small outdoor cistern here. Peering into its darkness through an aperture in the roof, I noticed that there was water at the bottom; out of the water projected a stone; on the stone, a prisoner for life, sat the most disconsolate lizard imaginable. It must have tumbled through the chink, during some scuffle with a companion, into this humid cell, swum for refuge to that islet and there remained, feeding on the gnats which live in such places. I observed that its tail had grown to an inordinate length--from disuse, very likely; from lack of the usual abrasion against shrubs and stones. An unenviable fate for one of these restless and light-loving creatures, never again to see the sun; to live and die down here, all alone in the dank gloom, chained, as it were, to a few inches of land amid a desolation of black water.

It took my thoughts back to what I saw two days ago while climbing in the torrid hour of noon up that shadeless path where the vanilla-scented orchids grow--the path which runs from Sant' Elia past the shattered Natural Arch to Fontanella. Here, at the hottest turning of the road, sat a woman in great distress. Beside her was a pink pig she had been commissioned to escort down to the farm of Sant' Elia. This beast was suffering hellish torments from the heat and vainly endeavouring, with frenzied grunts of despair, to excavate for itself a hollow in the earth under a thinly clothed myrtle bush. I told the woman of shade lower down. She said she knew about it, but the pig--the pig refused to move! It had been engaged upon this hopeless occupation, without a moment's respite, for an hour or more; nothing would induce it to proceed a step further; it had plainly made up its mind to find shelter here from the burning rays, or die. And of shelter there was none.

What would not this pig (I now thought) have given to be transported into the lizard's cool aquatic paradise; and the lizard, into that scorching sunlight!...

It was not to muse upon the miseries of the animal creation that I have revisited these shores. I came to puzzle once more over the site of that far-famed Athene temple which gave its name to the whole promontory. Now, after again traversing the ground with infinite pleasure, I fail to find any reason for changing what I wrote years ago in a certain pamphlet which some scholar, glancing through these pages and anxious to explore for himself a spot of such celebrity in ancient days, is so little likely to see that he may not be sorry if I here recapitulate its arguments. Others will be well advised to pass over what follows.

Let me begin by saying that the temple, in every probability, stood at the Punta Campanella facing Capri, the actual headland of the Sorrentine peninsula, where--apart from every other kind of evidence--you may pick up to this day small terra-cotta figures of Athene, made presumably to be carried away as keepsakes by visitors to the shrine.

Now for alternative suggestions.

Strabo tells us that the temple was placed on the akron of the promontory; that is, the summit of Mount San Costanzo where we are now standing. (He elsewhere describes it as being "on the straits.") This summit is nearly 500 metres above the sea-level, and here no antique building seems ever to have been erected. No traces of old life are visible save some fragments of Roman pottery which may have found their way up in early Byzantine days, even as modern worshippers carry up the ephemeral vessels popularly called "caccavelle" [18] and scatter them about. With the exception of one fragment of white Pentelic marble, no materials of an early period have been incorporated into the masonry of the little chapel or the walls of the fields below. It is incredible that no vestige of a structure like the Athene temple should remain on a spot of this kind, so favourably situated as regards immunity from depredations, owing to its isolated and exalted position. The rock-surface around the summit has not undergone that artificial levelling which an edifice of this importance would necessitate; the terrace is of mediaeval construction, as can be seen by its supporting walls. No doubt the venerable Christian sanctuary there has been frequently repaired and modified; on the terrace-level to the south can be seen the foundations of an earlier chapel, and the slopes are littered with broken bricks, Sorrentine tufa, and old battuto floors. But there is no trace of antique workmanship or material, nor has the rocky path leading up to the shrine been demarcated with chisel-cuts in the ancient fashion. The sister-summit of La Croce is equally unproductive of classical relics.

We must therefore conclude that Strabo was mistaken. And why not? His accounts of many parts of the Roman world are surprisingly accurate, but, according to Professor Pais, "of Italy Strabo seems to have known merely the road which leads from Brindisi to Rome, the road between Rome and Naples and Pozzuoli, and the coast of Etruria between Rome and Populonia." If so, he probably saw no more of the district than can be seen from Naples. He attributes the foundation of this Athene temple to Odysseus: statements of such a kind make one wonder whether the earlier portions of his lost history were more critical than other old treatises which have survived.

So much for Strabo.

Seduced by a modern name, which means nothing more or less than "a temple"--strong evidence, surely--I was inclined to locate the Athene shrine at a spot called Ierate (marked also as Ieranto on some maps, and popularly pronounced Ghiérate the Greek aspirate still surviving) which lies a mile or more eastwards of the Punta Campanella and faces south. "Hieron," I thought: that settles it. You may guess I was not a little proud of this discovery, particularly when it turned out that an ancient building actually did stand there--on the southern slope, namely, of the miniature peninsula which juts into Ierate bay. Here I found fragments of antique bricks, tegulae bipedales, amphoras, pottery of the lustrous Sorrentine ware--Surrentina bibis?--pavements of opus signinum, as well as one large Roman paving flag of the type that is found on the road between Termini and Punta Campanella. (How came this stone here? Did the old road from Stabiae Athene temple go round the promontory and continue as far as Ierate along the southern slope of San Costanzo hill? No road could pass there now; deforestation has denuded the mountain-side of its soil, laying bare the grey rock--a condition at which its mediaeval name of Mons Canutarius already hints.) Well, a more careful examination of the site has convinced me that I was wrong. No temple of this magnificence can have stood here, but only a Roman villa--one of the many pleasure-houses which dotted these shores under the Empire.

So much for myself.

PEUTINGER'S CHART Showing ancient road rounding the headland and terminating at "Templum Minervae."

None the less--and this is a really curious point--an inspection of Peutinger's Tables seems to bear out my original theory of a temple at Ierate. For the structure is therein marked not at the Punta Campanella but, approximately, at Ierate itself, facing south, with the road from Stabiae over Surrentum rounding the promontory and terminating at the temple's threshold. Capri and the Punta Campanella are plainly drawn, though not designated by name. Much as I should like my first speculation to be proved correct on the evidence of this old chart of A.D. 226, I fear both of us are mistaken.

So much for Peutinger's Tables.

Beloch makes a further confusion in regard to the local topography. He says that the "three-peaked rock" which Eratosthenes describes as separating the gulfs of Cumae and Paestum (that is, of Naples and Salerno) is Mount San Costanzo. I do not understand Beloch falling into this error, for the old geographer uses the term skopelos, which is never applied to a mountain of this size, but to cliffs projecting upon the sea. Moreover, the landmark is there to this day. I have not the slightest doubt that Eratosthenes meant the pinnacle of Ierate, which is three-peaked in a remarkably, and even absurdly, conspicuous manner, both when viewed from the sea and from the land (from the chapel of S. M. della Neve, for instance).

Now this projecting cliff of three peaks--they are called, respectively, Montalto, Ierate, and Mortella; Ierate for short--is not the actual boundary between the two gulfs; not by a mile or more. No; but from certain points it might well be mistaken for it. The ancients had no charts like ours, and the world in consequence presented itself differently to their senses; even Strabo, says Bunbury, "was so ignorant of the general form and configuration of the North African coast as to have no clear conception of the great projection formed by the Carthaginian territory and the deep bay to the east of it"; and, coasting along the shore line, this triple-headed skopelos, behind which lies the inlet of Ierate, might possibly be mistaken for the turning-point into the gulf of Naples. So it looks when viewed from the S.E. of Capri; so also from the Siren islets--a veritable headland.

So much for Beloch and Eratosthenes.

To sum up: Strabo is wrong in saying that the temple of Athene stood on the summit of Mount San Costanzo; I was wrong in thinking that this temple lay at Ierate; Peutinger's Chart is wrong in figuring the structure on the south side of the Sorrentine peninsula; Beloch is wrong in identifying the skopelos trikoruphos of Eratosthenes with Mount San Costanzo; Eratosthenes is wrong in locating his rock at the boundary between the two gulfs.

The shrine of Athene lay doubtless at Campanella, whose crag is of sufficient altitude to justify Roman poets like Statius in their descriptions of its lofty site. So great a number of old writers concur in this opinion--Donnorso, Persico, Giannettasio, Mazzella, Anastasio, Capaccio--that their testimony would alone be overwhelming, had these men been a little more careful as to what they called a "temple." Capasso, the acutest modern scholar of these regions, places it "in the neighbourhood of the Punta Campanella." Professor Pais, in 1900, wrote a paper on this "Atene Siciliana" which I have not seen. The whole question is discussed in Filangieri's recent history of Massa (1908-1910). It also occurs to me that Strabo's term akron may mean an extremity or point projecting into the sea (a sense in which Homer used it), and be applicable, therefore, to the Punta Campanella.

Rome

Here we are.

That mysterious nocturnal incident peculiar to Rome has already occurred--sure sign that the nights are growing sultry. It happens about six times in the course of every year, during the hot season. You may read about it in the next morning's paper which records how some young man, often of good family and apparently in good health, was seen behaving in the most inexplicable fashion at the hour of about 2 a.m.; jumping, that is, in a state of Adamitic nudity, into some public fountain. It goes on to say that the culprit was pursued by the police, run to earth, and carried to such-and-such a hospital, where his state of mind is to be investigated. Will our rising generation, it gravely adds, never learn the most elementary rules of decency?

If I have not had the curiosity to inquire at one of these establishments what has been the result of the medical examination, it is because I will wager my last shirt that the invalid's health leaves nothing to be desired. The genesis of the affair, I take it, is this. He is in bed, suffering from the heat. Sleep refuses to come. He has already passed half the night in agony, tossing on his couch during those leaden hours when not a breath of air is astir. In any other town he would submit to the torture, knowing it to be irremediable. But Rome is the city of fountains. It is they who are responsible for this sad lapse. Their sound is clear by day; after midnight, when the traffic has died down, it waxes thunderous. He hears it through the window--hears it perforce, since the streets are ringing with that music, and you cannot close your ears. He listens, growing hotter and more restless every moment. He thinks.... That splash of waters! Those frigid wavelets and cascades! How delicious to bathe his limbs, if only for a moment, in their bubbling wetness; he is parched with heat, and at this hour of the night, he reflects, there will not be a soul abroad in the square. So he hearkens to the seductive melody, conjuring up the picture of that familiar fountain; he remembers its moistened rim and basin all alive with jolly turmoil; he sees the miniature cataracts tumbling down in streaks of glad confusion, till the longing grows too strong to be controlled.

The thing must be done.

Next day he finds a handful of old donkeys solemnly inquiring into his state of mind....

I can sympathise with that state of mind, having often undergone the same purgatory. My room at present happens to be fairly cool; it looks north, and the fountain down below, audible at this moment, has not yet tempted me to any breach of decorum. Night is quiet here, save for the squeakings of some strange animals in the upper regions of the neighbouring Pantheon; they squeak night and day, and one would take them to be bats, were it not that bats are supposed to be on the wing after sunset. There are no mosquitoes in Rome--none worth talking about. It is well. For mosquitoes have a deplorable habit of indulging in a second meal, an early breakfast, at about four a.m.--a habit more destructive to slumber than that regular and legitimate banquet of theirs. No mosquitoes, and few flies. It is well.

It is more than merely well. For the mosquito, after all, when properly fed, goes to bed like a gentleman and leaves you alone, whereas that insatiable and petty curiousness of the fly condemns you to a never-ending succession of anguished reflex movements. What a malediction are those flies; how repulsive in life and in death: not to be touched by human hands! Their every gesture is an obscenity, a calamity. Fascinated by the ultra-horrible, I have watched them for hours on end, and one of the most cherished projects of my life is to assemble, in a kind of anthology, all the invectives that have been hurled since the beginning of literature against this loathly dirt-born insect, this living carrion, this blot on the Creator's reputation--and thereto add a few of my own. Lucian, the pleasant joker, takes the fly under his protection. He says, among other things, that "like an honest man, it is not ashamed to do in public what others only do in private." I must say, if we all followed the fly's example in this aspect, life would at last be worth living....

Morning sleep is out of the question, owing to the tram-cars whose clangour, both here and in Florence, must be heard to be believed. They are fast rendering these towns uninhabitable. Can folks who cherish a nuisance of this magnitude compare themselves, in point of refinement, with those old Hellenic colonists who banished all noises from their city? Nevermore! Why this din, this blocking of the roadways and general unseemliness? In order that a few bourgeois may be saved the trouble of using their legs. And yet we actually pride ourselves on these detestable things, as if they were inventions to our credit. "We made them," we say. Did we? It is not we who make them. It is they who make us, who give us our habits of mind and body, our very thoughts; it is these mechanical monsters who control our fates and drive us along whither they mean us to go. We are caught in their cog-wheels--in a process as inevitable as the revolution of the planets. No use lamenting a cosmic phenomenon! Were it otherwise, I should certainly mope myself into a green melancholy over the fact, the most dismal fact on earth, that brachycephalism is a Mendelian dominant. [19] No use lamenting. True.

But the sage will reserve to himself the right of cursing. Those morning hours, therefore, when I would gladly sleep but for the tram-car shrieking below, are devoted to the malediction of all modern progress, wherein I include, with fine impartiality, every single advancement in culture which happens to lie between my present state and that comfortable cavern in whose shelter I soon see myself ensconced as of yore, peacefully sucking somebody's marrow while my women, round the corner, are collecting a handful of acorns for my dessert.... The telephone, that diabolic invention! It might vex a man if his neighbour possessed a telephone and he none; how would it be, if neither of them had it? We can hardly realise, now, the blissful quietude of the pre-telephone epoch. And the telegraph and the press! They have huddled mankind together into undignified and unhygienic proximity; we seem to be breathing each other's air. We know what everybody is doing, in every corner of the earth; we are told what to think, and to say, and to do. Your paterfamilias, in pre-telegraph days, used to hammer out a few solid opinions of his own on matters political and otherwise. He no longer employs his brain for that purpose. He need only open his morning paper and in it pours--the oracle of the press, that manufactory of synthetic fustian, whose main object consists in accustoming humanity to attach importance to the wrong things. It furnishes him with opinions ready made, overnight, by some Fleet Street hack at so much a column, after a little talk with his fellows over a pint of bad beer at the Press Club. He has been told what to say--yesterday, for instance, it was some lurid balderdash about a steam-roller and how the Kaiser is to be fed on dog biscuits at Saint Helena--he has been "doped" by the editor, who gets the tip--and out he goes! unless he take it--from the owner, who is waiting for a certain emolument from this or that caucus, and trims his convictions to their taste. That is what the Press can do. It vitiates our mundane values. It enables a gang to fool the country. It cretinises the public mind. The time may come when no respectable person will be seen touching a daily, save on the sly. Newspaper reading will become a secret vice. As such, I fear, its popularity is not likely to wane. Having generated, by means of sundry trite reflections of this nature, an enviable appetite for breakfast, I dress and step out of doors to where, at a pleasant table, I can imbibe some coffee and make my plans for loafing through the day.

Hot, these morning hours. Shadeless the streets. The Greeks, the Romans, the Orientals knew better than to build wide roadways in a land of sunshine.

There exists an old book or pamphlet entitled "Napoli senza sole"--Naples without sun. It gives instructions, they say (for I have never seen it) how foot passengers may keep for ever in the shade at all hours of the day; how they may reach any point of the town from another without being forced to cross the squares, those dazzling patches of sunlight. The feat could have been accomplished formerly even in Rome, which was always less umbrageous than Naples. It is out of the question nowadays. You must do as the Romans do--walk slowly and use the tram whenever possible.

That is what I purpose to do. There is a line which will take me direct to the Milvian bridge, where I mean to have a bathe, and then a lunch at the restaurant across the water. Its proprietor is something of a brigand; so am I, at a pinch. It is "honour among thieves," or "diamond cut diamond."

Already a few enthusiasts are gathered here, on the glowing sands. But the water is still cold; indeed, the Tiber is never too warm for me. If you like it yet more chill, you must walk up to where the Aniene discharges its waves whose temperature, at this season, is of a kind to tickle up a walrus.

Whether it be due to the medley of races or to some other cause, there is a singular variety of flesh-tints among the bathers here. I wish my old friend Dr. Bowles could have seen it; we used to be deeply immersed, both of us, in the question of the chromatophores, I observing their freakish behaviour in the epidermis of certain frogs, while he studied their action on the human skin and wrote an excellent little paper on sunburn--a darker problem than it seems to be. [20]

These men and boys do not grow uniformly sunburnt. They display so many different colour-shades on their bodies that an artist would be delighted with the effect. From that peculiar milky hue which, by reason of some pigment, contrives to resist the rays, the tints diverge; the reds, the scarcer group, traversing every gradation from pale rose to the ruddiest of copper--not excluding that strange marbled complexion concerning which I cannot make up my mind whether it be a beauty or a defect; while the xanthous tones, the yellows, pass through silvery gold and apricot and café au lait to a duskiness approaching that of the negro. At this season the skins are still white. Your artist must come later--not later, however, than the end of August, for on the first of September the bathing, be the weather never so warm, is officially, and quite suddenly, at an end. Tiber water is declared to be "unhealthy" after that date, and liable to give you fever; a relic of the days when the true origin of malaria was unknown.

A glance at the papers is sufficient to prove that bathing has not yet begun in earnest. No drowning accidents, up to the present. Later on they come thick and fast. For this river, with its rapid current and vindictive swirling eddies, is dangerous to young swimmers; it grips them in its tawny coils and holds them fast, often within a few yards of friend or parent who listens, powerless to help, to the victim's cries of anguish and sees his arm raised imploringly out of that serpent-like embrace. So it hurries him to destruction, only to be fished up later in a state, as the newspapers will be careful to inform us, of "incipient putrefaction."

A murderous flood....

That hoary, trickling structure--that fountain which has forgotten to be a fountain, so dreamily does the water ooze through obstructive mosses and emerald growths that dangle in drowsy pendants, like wet beards, from its venerable lips--that fountain un-trimmed, harmonious, overhung by ancient ilexes: where shall a more reposeful spot be found? Doubly delicious, after the turmoil and glistening sheen by the river-bank. For the foliage of the oaks and sycamores is such that it creates a kind of twilight, and all around lies the tranquillity of noon. Here, on the encircling stone bench, you may idle through the sultry hours conversing with some favourite disciple while the cows trample up to drink amid moist gurglings and tail-swishings. They gaze at you with gentle eyes, they blow their sweet breath upon your cheek, and move sedately onward. The Villa Borghese can be hushed, at such times, in a kind of enchantment.

"You never told me why you come to Italy."

"In order," I reply, "to enjoy places like this."

"But listen. Surely you have fountains in your own country?"

"None quite so golden-green."

"Ah, it wants cleaning, doesn't it?"

"Lord, no!" I say; but only to myself. One should never pass for an imbecile, if one can help it.

Aloud I remark:--

"Let me try to set forth, however droll it may sound, the point of view of a certain class of people, supposing they exist, who might think that this particular fountain ought never to be cleaned"--and there ensued a discussion, lasting about half an hour, in the course of which I elaborated, artfully and progressively, my own thesis, and forged, in the teeth of some lively opposition, what struck me as a convincing argument in favour of leaving the fountain alone.

"Then that is why you come to Italy. On account of a certain fountain, which ought never to be cleaned."

"I said on account of places like this. And I ought to have added, on account of moments such as these."

"Are those your two reasons?"

"Those are my two reasons."

"Then you have thought about it before?"

"Often."

One should never pass for an imbecile, if one can help it.

"But listen. Surely it is sometimes two o'clock in the afternoon, in your country?"

"I used that word moment in a pregnant sense," I reply. "Pregnant: when something is concealed or enclosed within. What is enclosed within this moment? Our friendly conversation."

"But listen. Surely folks can converse in your country?"

"They can talk."

"I begin to understand why you come here. It is that difference, which is new to me, between conversing and talking. Is the difference worth the long journey?"

"Not to everybody, I daresay."

"Why to you?"

"Why to me? I must think about it."

One should never pass for an imbecile, if one can help it.

"What is there to think about? You said you had thought about it already.... Perhaps there are other reasons?"

"There may be."

"There may be?"

"There must be. Are you satisfied?"

"Ought I to be satisfied before I have learnt them?"

"I find you rather fatiguing this afternoon. Did you hear about that murder in Trastevere last night and how the police----"

"But listen. Surely you can answer a simple question. Why do you come to Italy...?"

Why does one come here?

A periodical visit to this country seems an ordinary and almost automatic proceeding--a part of one's regular routine, as natural as going to the barber or to church. Why seek for reasons? They are so hard to find. One tracks them to their lair and lo! there is another one lurking in the background, a reason for a reason.

The craving to be in contact with beauty and antiquity, the desire for self-expression, for physical well-being under that drenching sunshine, which while it lasts, one curses lustily; above all, the pleasure of memory and reconstruction at a distance. Yes; herein lies, methinks, the secret; the reason for the reason. Reconstruction at a distance.... For a haze of oblivion is formed by lapse of time and space; a kindly haze which obliterates the thousand fretting annoyances wherewith the traveller's path in every country is bestrewn. He forgets them; forgets that weltering ocean of unpleasantness and remembers only its sporadic islets--those moments of calm delight or fiercer joy which he would fain hold fast for ever. He does not come here on account of a certain fountain which ought never to be cleaned. [21] He comes for the sake of its mirage, that sunny phantom which will rise up later, out of some November fog in another land. Italy is a delightful place to remember, to think and talk about. And is it not the same with England? Let us go there as a tourist--only as a tourist. How attractive one finds its conveniences, and even its conventionalities, provided one knows, for an absolute certainty, that one will never be constrained to dwell among them.

What lovely things one could say about England, in Timbuktu!

Rome is not only the most engaging capital in Europe, it is unusually heterogeneous in regard to population. The average Parisian will assure you that his family has lived in that town from time immemorial. It is different here. There are few Romans discoverable in Rome, save across the Tiber. Talk to whom you please, you will soon find that either he or his parents are immigrants. The place is filled with hordes of employees--many thousands of them, high and low, from every corner of the provinces; the commoner sort, too, the waiters, carpenters, plasterers, masons, painters, coachmen, all the railway folk--they are hardly ever natives. Your Roman of the lower classes does not relish labour. He can do a little amateurish shop-keeping, he is fairly good as a cook, but his true strength, as he frankly admits, consists in eating and drinking. That is as it should be. It befits the tone of a metropolis that outsiders shall do its work. That undercurrent of asperity is less noticeable here than in many towns of the peninsula. There is something of the grande dame in Rome, a flavour of old-world courtesy. The inhabitants are better-mannered than the Parisians; a workday crowd in Rome is as well-dressed as a Sunday crowd in Paris. And over all hovers a gentle weariness.

The city has undergone orgies of bloodshed and terror. Think only, without going further back, of that pillage by the Spanish and German soldiery under Bourbon; half a year's pandemonium. And all those other mediaeval scourges, epidemics and floods and famines. That sirocco, the worst of many Italian varieties: who shall calculate its debilitating effect upon the stamina of the race? Up to quite a short time ago, moreover, the population was malarious; older records reek of malaria; that, assuredly, will leave its mark upon the inhabitants for years to come. And the scorching Campagna beyond the walls, that forbidden land in whose embrace the city lies gasping, flame-encircled, like the scorpion in the tale....

A well-known scholar, surveying Rome with the mind's eye, is so impressed with its "eternal" character that he cannot imagine this site having ever been occupied otherwise than by a city. To him it seems inevitable that these walls must always have stood where now they stand--must have risen, he suggests, out of the earth, unaided by human hands. Yet somebody laid the foundation-stones, once upon a time; somebody who lived under conditions quite different from those that supervened. For who--not five thousand, but, say, five hundred years ago--who would have thought of building a town on a spot like this? None but a crazy despot, some moonstruck Oriental such as the world has known, striving to impress his dreams upon a recalcitrant nature. No facilities for trade or commerce, no scenic beauty of landscape, no harbour, no defence against enemies, no drinking water, no mineral wealth, no food-supplying hinterland, no navigable river--a dangerous river, indeed, a perpetual menace to the place--every drawback, or nearly so, which a town may conceivably possess, and all of them huddled into a fatally unhealthy environment, compressed in a girdle of fire and poison. Human ingenuity has obviated them so effectually, so triumphantly that, were green pastures not needful to me as light and air, I, for one, would nevermore stray beyond those ancient portals....