Chapter XVI: Notes and Questions for Study 325 (10)

The end of his sentence was lost, for he had whisked out the big Colt's dissuader of ladrones, that hung on his belt, and was firing. The six shots went off like a bunch of fire-crackers, but far from at random, for a regular circle boiled up around the dozing caribao. The disturbed animal snorted, and again a discreet "cluck-cluck" rose in the sudden, astounded silence.

"This," said the Maestro, as he calmly introduced fresh cartridges into the chambers of his smoking weapon, "is what might be called an application of western solutions to eastern difficulties."

Again he brought his revolver down, but he raised it without shooting and replaced it in its holster. From beneath the caribao's rotund belly, below the surface, an indistinct form shot out; cleaving the water like a polliwog it glided for the bank, and then a black, round head emerged at the feet of the Maestro.

"All right, bub; we'll go to school now," said the latter, nodding to the dripping figure as it rose before him.

He lifted the sullen brownie and straddled him forward of the saddle, then proceeded to mount himself, when the Capture began to display marked agitation. He squirmed and twisted, turned his head back and up, and finally a grunt escaped him.

"El volador."

"The kite, to be sure; we mustn't forget the kite," acquiesced the Maestro graciously. He pulled up the anchoring stick and laboriously, beneath the hostilely critical eye of the Capture, he hauled in the line till the screeching, resisting flying-machine was brought to earth. Then he vaulted into the saddle.

The double weight was a little too much for the pony; so it was at a dignified walk that the Maestro, his naked, dripping, muddy and still defiant prisoner a-straddle in front of him, the captured kite passed over his left arm like a knightly shield, made his triumphant entry into the pueblo.

_II--Heroism and Reverses_

When Maestro Pablo rode down Rizal-y-Washington Street to the schoolhouse with his oozing, dripping prize between his arms, the kite, like a knightly escutcheon against his left side, he found that in spite of his efforts at preserving a modest, self-deprecatory bearing, his spine would stiffen and his nose point upward in the unconscious manifestations of an internal feeling that there was in his attitude something picturesquely heroic. Not since walking down the California campus one morning after the big game won three minutes before blowing of the final whistle, by his fifty-yard run-in of a punt, had he been in that posture--at once pleasant and difficult--in which one's vital concern is to wear an humility sufficiently convincing to obtain from friends forgiveness for the crime of being great.

A series of incidents immediately following, however, made the thing quite easy.

Upon bringing the new recruit into the schoolhouse, to the perfidiously expressed delight of the already incorporated, the Maestro called his native assistant to obtain the information necessary to a full matriculation. At the first question the inquisition came to a dead-lock. The boy did not know his name.

"In Spanish times," the Assistant suggested modestly, "we called them "de los Reyes" when the father was of the army, and "de la Cruz" when the father was of the church; but now, we can never know _what_ it is."

The Maestro dashed to a solution. "All right," he said cheerily. "I caught him; guess I can give him a name. Call him--Isidro de los Maestros."

And thus it was that the urchin went down on the school records, and on the records of life afterward.

Now, well pleased with himself, the Maestro, as is the wont of men in such state, sought for further enjoyment.

"Ask him," he said teasingly, pointing with his chin at the newly-baptized but still unregenerate little savage, "why he came out of the ditch."

"He says he was afraid that you would steal the kite," answered the Assistant, after some linguistic sparring.

"Eh?" ejaculated the surprised Maestro.

And in his mind there framed a picture of himself riding along the road with a string between his fingers; and, following in the upper layers of air, a buzzing kite; and, down in the dust of the highway, an urchin trudging wistfully after the kite, drawn on irresistibly, in spite of his better judgment, on and on, horrified but fascinated, up to the yawning school-door.

It would have been the better way. "I ought to go and soak my head," murmured the Maestro pensively.

This was check number one, but others came in quick succession.

For the morning after this incident the Maestro did not find Isidro among the weird, wild crowd gathered into the annex (a transformed sugar storehouse) by the last raid of the Municipal Police.

Neither was Isidro there the next day, nor the next. And it was not till a week had passed that the Maestro discovered, with an inward blush of shame, that his much-longed-for pupil was living in the little hut behind his own house. There would have been nothing shameful in the overlooking--there were seventeen other persons sharing the same abode--were it not that the nipa front of this human hive had been blown away by the last baguio, leaving an unobstructed view of the interior, if it might be called such. As it was, the Municipal Police was mobilized at the urgent behest of the Maestro. Its "cabo," flanked by two privates armed with old German needle-guns, besieged the home, and after an interesting game of hide-and-go-seek, Isidro was finally caught by one arm and one ear, and ceremoniously marched to school. And there the Maestro asked him why he had not been attending.

"No hay pantalones"--there are no pants--Isidro answered, dropping his eyes modestly to the ground.

This was check number two, and unmistakably so, for was it not a fact that a civil commission, overzealous in its civilizing ardor, had passed a law commanding that every one should wear, when in public, "at least one garment, preferably trousers?"

Following this, and an unsuccessful plea upon the town tailor who was on a three weeks' vacation on account of the death of a fourth cousin, the Maestro shut himself up a whole day with Isidro in his little nipa house; and behind the closely-shut shutters engaged in some mysterious toil. When they emerged again the next morning, Isidro wended his way to the school at the end of the Maestro's arm, trousered!

The trousers, it must be said, had a certain cachet of distinction. They were made of calico-print, with a design of little black skulls sprinkled over a yellow background. Some parts hung flat and limp as if upon a scarecrow; others pulsed, like a fire-hose in action, with the pressure of flesh compressed beneath, while at other points they bulged pneumatically in little foot-balls. The right leg dropped to the ankle; the left stopped discouraged, a few inches below the knee. The seams looked like the putty mountain chains of the geography class. As the Maestro strode along he threw rapid glances at his handiwork, and it was plain that the emotions that moved him were somewhat mixed in character. His face showed traces of a puzzled diffidence, as that of a man who has come in sack-coat to a full-dress function; but after all it was satisfaction that predominated, for after this heroic effort he had decided that Victory had at last perched upon his banners.

And it really looked so for a time. Isidro stayed at school at least during that first day of his trousered life. For when the Maestro, later in the forenoon paid a visit to the annex, he found the Assistant in charge standing disconcerted before the urchin who, with eyes indignant and hair perpendicular upon the top of his head, was evidently holding to his side of the argument with his customary energy.

Isidro was trouserless. Sitting rigid upon his bench, holding on with both hands as if in fear of being removed, he dangled naked legs to the sight of who might look.

"Que barbaridad!" murmured the Assistant in limp dejection.

But Isidro threw at him a look of black hatred. This became a tense, silent plea for justice as it moved up for a moment to the Maestro's face, and then it settled back upon its first object in frigid accusation.

"Where are your trousers, Isidro?" asked the Maestro.

Isidro relaxed his convulsive grasp of the bench with one hand, canted himself slightly to one side just long enough to give an instantaneous view of the trousers, neatly folded and spread between what he was sitting with and what he was sitting on, then swung back with the suddenness of a kodak-shutter, seized his seat with new determination, and looked eloquent justification at the Maestro.

"Why will you not wear them?" asked the latter.

"He says he will not get them dirty," said the Assistant, interpreting the answer.

"Tell him when they are dirty he can go down to the river and wash them," said the Maestro.

Isidro pondered over the suggestion for two silent minutes. The prospect of a day spent splashing in the lukewarm waters of the Ilog he finally put down as not at all detestable, and getting up to his feet:

"I will put them on," he said gravely.

Which he did on the moment, with an absence of hesitation as to which was front and which was back, very flattering to the Maestro.

That Isidro persevered during the next week, the Maestro also came to know. For now regularly every evening as he smoked and lounged upon his long, cane chair, trying to persuade his tired body against all laws of physics to give up a little of its heat to a circumambient atmosphere of temperature equally enthusiastic; as he watched among the rafters of the roof the snakes swallowing the rats, the rats devouring the lizards, the lizards snapping up the spiders, the spiders snaring the flies in eloquent representation of the life struggle, his studied passiveness would be broken by strange sounds from the dilapidated hut at the back of his house. A voice, imitative of that of the Third Assistant who taught the annex, hurled forth questions, which were immediately answered by another voice, curiously like that of Isidro.

Fiercely: "Du yu ssee dde hhett?"

Breathlessly: "Yiss I ssee dde hhett."

Ferociously: "Show me dde hhett."

Eagerly: "Here are dde hhett."

Thunderously: "Gif me dde hhett."

Exultantly: "I gif yu dde hhett."

Then the Maestro would step to the window and look into the hut from which came this Socratic dialogue. And on this wall-less platform which looked much like a primitive stage, a singular action was unrolling itself in the smoky glimmer of a two-cent lamp. The Third Assistant was not there at all; but Isidro was the Third Assistant. And the pupil was not Isidro, but the witless old man who was one of the many sharers of the abode. In the voice of the Third Assistant, Isidro was hurling out the tremendous questions; and, as the old gentleman, who represented Isidro, opened his mouth only to drule betel-juice, it was Isidro who, in Isidro's voice, answered the questions. In his role as Third Assistant he stood with legs akimbo before the pupil, a bamboo twig in his hand; as Isidro the pupil, he plumped down quickly upon the bench before responding. The sole function of the senile old man seemed that of representing the pupil while the question was being asked, and receiving, in that capacity, a sharp cut across the nose from Isidro-the-Third-Assistant's switch, at which he chuckled to himself in silent glee and druled ad libitum.

For several nights this performance went on with gradual increase of vocabulary in teacher and pupil. But when it had reached the "Do you see the apple-tree?" stage, it ceased to advance, marked time for a while, and then slowly but steadily began sliding back into primitive beginnings. This engendered in the Maestro a suspicion which became certainty when Isidro entered the schoolhouse one morning just before recess, between two policemen at port arms. A rapid scrutiny of the roll-book showed that he had been absent a whole week.

"I was at the river cleaning my trousers," answered Isidro when put face to face with this curious fact.

The Maestro suggested that the precious pantaloons which, by the way, had been mysteriously embellished by a red stripe down the right leg and a green stripe down the left leg, could be cleaned in less than a week, and that Saturday and Sunday were days specially set aside in the Catechismo of the Americanos for such little family duties.

Isidro understood, and the nightly rehearsals soon reached the stage of:

"How menny hhetts hev yu?"

"I hev _ten_ hhetts."

Then came another arrest of development and another decline, at the end of which Isidro again making his appearance flanked by two German needle-guns, caused a blush of remorse to suffuse the Maestro by explaining with frigid gravity that his mother had given birth to a little pickaninny-brother and that, of course, he had had to help.

But significant events in the family did not stop there. After birth, death stepped in for its due. Isidro's relatives began to drop off in rapid sequence--each demise demanding three days of meditation in retirement--till at last the Maestro, who had had the excellent idea of keeping upon paper a record of these unfortunate occurrences, was looking with stupor upon a list showing that Isidro had lost, within three weeks, two aunts, three grandfathers, and five grandmothers--which, considering that an actual count proved the house of bereavement still able to boast of seventeen occupants, was plainly an exaggeration.

Following a long sermon from the Maestro in which he sought to explain to Isidro that he must always tell the truth for sundry philosophical reasons--a statement which the First Assistant tactfully smoothed to something within range of credulity by translating it that one must not lie to _Americanos_, because _Americanos_ do not like it--there came a period of serenity.

_III--The Triumph_

There came to the Maestro days of peace and joy. Isidro was coming to school; Isidro was learning English. Isidro was steady, Isidro was docile, Isidro was positively so angelic that there was something uncanny about the situation. And with Isidro, other little savages were being pruned into the school-going stage of civilization. Helped by the police, they were pouring in from barrio and hacienda; the attendance was going up by leaps and bounds, till at last a circulative report showed that Balangilang had passed the odious Cabancalan with its less strenuous school-man, and left it in the ruck by a full hundred. The Maestro was triumphant; his chest had gained two inches in expansion. When he met Isidro at recess, playing cibay, he murmured softly: "You little devil; you were Attendance personified, and I've got you now." At which Isidro, pausing in the act of throwing a shell with the top of his head at another shell on the ground, looked up beneath long lashes in a smile absolutely seraphic.

In the evening, the Maestro, his heart sweet with content, stood at the window. These were moonlight nights; in the grassy lanes the young girls played graceful Spanish games, winding like garlands to a gentle song; from the shadows of the huts came the tinkle-tinkle of serenading guitars and yearning notes of violins wailing despairing love. And Isidro, seated on the bamboo ladder of his house, went through an independent performance. He sang "Good-night, Ladies," the last song given to the school, sang it in soft falsetto, with languorous drawls, and never-ending organ points, over and over again, till it changed character gradually, dropping into a wailing minor, an endless croon full of obscure melancholy of a race that dies.

"Goo-oo-oo nigh-igh-igh loidies-ies-ies; goo-oo-oo nigh-igh-igh loidies-ies-ies; goo-oo-oo-oo nigh-igh-igh loidies-ies-ies-ies," he repeated and repeated, over and over again, till the Maestro's soul tumbled down and down abysses of maudlin tenderness, and Isidro's chin fell upon his chest in a last drawling, sleepy note. At which he shook himself together and began the next exercise, a recitation, all of one piece from first to last syllable, in one high, monotonous note, like a mechanical doll saying "papa-mama."

"Oh-look-et-de-moon-she-ees-shinin-up-theyre-oh-mudder-she look-like-a-lom-in-de-ayre-lost-night-she-was-smalleyre-on-joos like-a-bow-boot-now-she-ees-biggerr-on-rrraon-like-an-O."

Then a big gulp of air and again:

"Oh-look-et-de-moon-she-ees-shinin-up-theyre,----" etc.

An hour of this, and he skipped from the lyric to the patriotic, and then it was:

"I-loof-dde-name-off-Wash-ing-ton,
I-loof-my-coontrrree-tow,
I-loof-dde-fleg-dde-dear-owl-fleg,
Off-rridd-on-whit-on-bloo-oo-oo!"

By this time the Maestro was ready to go to bed, and long in the torpor of the tropic night there came to him, above the hum of the mosquitoes fighting at the net, the soft, wailing croon of Isidro, back at his "Goo-oo-oo nigh-igh-igh loidies-ies-ies."

These were days of ease and beauty to the Maestro, and he enjoyed them the more when a new problem came to give action to his resourceful brain.

The thing was this: For three days there had not been one funeral in Balangilang.

In other climes, in other towns, this might have been a source of congratulation, perhaps, but not in Balangilang. There were rumors of cholera in the towns to the north, and the Maestro, as president of the Board of Health, was on the watch for it. Five deaths a day, experience had taught him, was the healthy average for the town; and this sudden cessation of public burials--he could not believe that dying had stopped--was something to make him suspicious.

It was over this puzzling situation that he was pondering at the morning recess, when his attention was taken from it by a singular scene.

The "batas" of the school were flocking and pushing and jolting at the door of the basement which served as stable for the municipal caribao. Elbowing his way to the spot, the Maestro found Isidro at the entrance, gravely taking up an admission of five shells from those who would enter. Business seemed to be brisk; Isidro had already a big bandana handkerchief bulging with the receipts which were now overflowing into a great tao hat, obligingly loaned him by one of his admirers, as one by one, those lucky enough to have the price filed in, feverish curiosity upon their faces.

The Maestro thought that it might be well to go in also, which he did without paying admission. The disappointed gate-keeper followed him. The Maestro found himself before a little pink-and-blue tissue-paper box, frilled with paper rosettes.

"What have you in there?" asked the Maestro.

"My brother," answered Isidro sweetly.

He cast his eyes to the ground and watched his big toe drawing vague figures in the earth, then appealing to the First Assistant who was present by this time, he added in the tone of virtue which _will_ be modest:

"Maestro Pablo does not like it when I do not come to school on account of a funeral, so I brought him (pointing to the little box) with me."

"Well, I'll be----" was the only comment the Maestro found adequate at the moment.

"It is my little pickaninny-brother," went on Isidro, becoming alive to the fact that he was a center of interest, "and he died last night of the great sickness."

"The great what?" ejaculated the Maestro who had caught a few words.

"The great sickness," explained the Assistant. "That is the name by which these ignorant people call the cholera."

For the next two hours the Maestro was very busy.

Firstly he gathered the "batas" who had been rich enough to attend Isidro's little show and locked them up--with the impresario himself--in the little town-jail close by. Then, after a vivid exhortation upon the beauties of boiling water and reporting disease, he dismissed the school for an indefinite period. After which, impressing the two town prisoners, now temporarily out of home, he shouldered Isidro's pretty box, tramped to the cemetery and directed the digging of a grave six feet deep. When the earth had been scraped back upon the lonely little object, he returned to town and transferred the awe-stricken playgoers to his own house, where a strenuous performance took place.

Tolio, his boy, built a most tremendous fire outside and set upon it all the pots and pans and caldrons and cans of his kitchen arsenal, filled with water. When these began to gurgle and steam, the Maestro set himself to stripping the horrified bunch in his room; one by one he threw the garments out of the window to Tolio who, catching them, stuffed them into the receptacles, poking down their bulging protest with a big stick. Then the Maestro mixed an awful brew in an old oil-can, and taking the brush which was commonly used to sleek up his little pony, he dipped it generously into the pungent stuff and began an energetic scrubbing of his now absolutely panic-stricken wards. When he had done this to his satisfaction and thoroughly to their discontent, he let them put on their still steaming garments and they slid out of the house, aseptic as hospitals.

Isidro he kept longer. He lingered over him with loving and strenuous care, and after he had him externally clean, proceeded to dose him internally from a little red bottle. Isidro took everything--the terrific scrubbing, the exaggerated dosing, the ruinous treatment of his pantaloons--with wonder-eyed serenity.

When all this was finished the Maestro took the urchin into the dining-room and, seating him on his best bamboo chair, he courteously offered him a fine, dark perfecto.

The next instant he was suffused with the light of a new revelation. For, stretching out his hard little claw to receive the gift, the little man had shot at him a glance so mild, so wistful, so brown-eyed, filled with such mixed admiration, trust, and appeal, that a queer softness had risen in the Maestro from somewhere down in the regions of his heel, up and up, quietly, like the mercury in the thermometer, till it had flowed through his whole body and stood still, its high-water mark a little lump in his throat.

"Why, Lord bless us-ones, Isidro," said the Maestro quietly. "We're only a child after all; mere baby, my man. And don't we like to go to school?"

"Senor Pablo," asked the boy, looking up softly into the Maestro's still perspiring visage, "Senor Pablo, is it true that there will be no school because of the great sickness?"

"Yes, it is true," answered the Maestro. "No school for a long, long time."

Then Isidro's mouth began to twitch queerly, and suddenly throwing himself full-length upon the floor, he hurled out from somewhere within him a long, tremulous wail.

JAMES MERLE HOPPER

James Merle Hopper was born in Paris, France. His father was American, his mother French; their son James was born July 23, 1876. In 1887 his parents came to America, and settled in California. James Hopper attended the University of California, graduating in 1898. He is still remembered there as one of the grittiest football players who ever played on the 'Varsity team. Then came a course in the law school of that university, and admission to the California bar in 1900. All this reads like the biography of a lawyer: so did the early life of James Russell Lowell, and of Oliver Wendell Holmes: they were all admitted to the bar, but they did not become lawyers. James Hopper had done some newspaper work for San Francisco papers while he was in law school, and the love of writing had taken hold of him. In the meantime he had married Miss Mattie E. Leonard, and as literature did not yet provide a means of support, he became an instructor in French at the University of California.

With the close of the Spanish-American War came the call for thousands of Americans to go to the Philippines as schoolmasters. This appealed to him, and he spent the years 1902-03 in the work that Kipling thus describes in "The White Man's Burden":

To wait in heavy harness
On fluttered folk and wild--
Your new-caught sullen peoples,
Half devil and half child.

His experiences here furnished the material for a group of short stories dealing picturesquely with the Filipinos in their first contact with American civilization. These were published in _McClure's_, and afterwards collected in book form under the title _Caybigan_.

In 1903 James Hopper returned to the United States, and for a time was on the editorial staff of _McClure's_. Later in collaboration with Fred R. Bechdolt he wrote a remarkable book, entitled "_9009_". This is the number of a convict in an American prison, and the book exposes the system of spying, of treachery, of betrayal, that a convict must identify himself with in order to become a "trusty." His next book was a college story, _The Freshman_. This was followed by a volume of short stories, _What Happened in the Night_. These are stories of child life, but intended for older readers; they are very successful in reproducing the imaginative world in which children live. In 1915 and 1916 he acted as a war correspondent for _Collier's_, first with the American troops in Mexico in pursuit of Villa, and later in France. His home is at Carmel, California.

THEY WHO BRING DREAMS TO AMERICA

_"No wonder this America of ours is big. We draw the brave ones from the old lands, the brave ones whose dreams are like the guiding sign that was given to the Israelites of old--a pillar of cloud by day, a pillar of fire by night." "The Citizen" is a story of a brave man who followed his dream over land and sea, until it brought him to America, a fortunate event for him and for us._

THE CITIZEN

BY

JAMES FRANCIS DWYER

The President of the United States was speaking. His audience comprised two thousand foreign-born men who had just been admitted to citizenship. They listened intently, their faces, aglow with the light of a new-born patriotism, upturned to the calm, intellectual face of the first citizen of the country they now claimed as their own.

Here and there among the newly-made citizens were wives and children. The women were proud of their men. They looked at them from time to time, their faces showing pride and awe.

One little woman, sitting immediately in front of the President, held the hand of a big, muscular man and stroked it softly. The big man was looking at the speaker with great blue eyes that were the eyes of a dreamer.

The President's words came clear and distinct:

_You were drawn across the ocean by some beckoning finger of hope, by some belief, by some vision of a new kind of justice, by some expectation of a better kind of life. You dreamed dreams of this country, and I hope you brought the dreams with you. A man enriches the country to which he brings dreams, and you who have brought them have enriched America._

The big man made a curious choking noise and his wife breathed a soft "Hush!" The giant was strangely affected.

The President continued:

_No doubt you have been disappointed in some of us, but remember this, if we have grown at all poor in the ideal, you brought some of it with you. A man does not go out to seek the thing that is not in him. A man does not hope for the thing that he does not believe in, and if some of us have forgotten what America believed in, you at any rate imported in your own hearts a renewal of the belief. Each of you, I am sure, brought a dream, a glorious, shining dream, a dream worth more than gold or silver, and that is the reason that I, for one, make you welcome._

The big man's eyes were fixed. His wife shook him gently, but he did not heed her. He was looking through the presidential rostrum, through the big buildings behind it, looking out over leagues of space to a snow-swept village that huddled on an island in the Beresina, the swift-flowing tributary of the mighty Dnieper, an island that looked like a black bone stuck tight in the maw of the stream.

It was in the little village on the Beresina that the Dream came to Ivan Berloff, Big Ivan of the Bridge.

The Dream came in the spring. All great dreams come in the spring, and the Spring Maiden who brought Big Ivan's Dream was more than ordinarily beautiful. She swept up the Beresina, trailing wondrous draperies of vivid green. Her feet touched the snow-hardened ground, and armies of little white and blue flowers sprang up in her footsteps. Soft breezes escorted her, velvety breezes that carried the aromas of the far-off places from which they came, places far to the southward, and more distant towns beyond the Black Sea whose people were not under the sway of the Great Czar.

The father of Big Ivan, who had fought under Prince Menshikov at Alma fifty-five years before, hobbled out to see the sunbeams eat up the snow hummocks that hid in the shady places, and he told his son it was the most wonderful spring he had ever seen.

"The little breezes are hot and sweet," he said, sniffing hungrily with his face turned toward the south. "I know them, Ivan! I know them! They have the spice odor that I sniffed on the winds that came to us when we lay in the trenches at Balaklava. Praise God for the warmth!"

And that day the Dream came to Big Ivan as he plowed. It was a wonder dream. It sprang into his brain as he walked behind the plow, and for a few minutes he quivered as the big bridge quivers when the Beresina sends her ice squadrons to hammer the arches. It made his heart pound mightily, and his lips and throat became very dry.

Big Ivan stopped at the end of the furrow and tried to discover what had brought the Dream. Where had it come from? Why had it clutched him so suddenly? Was he the only man in the village to whom it had come?

Like his father, he sniffed the sweet-smelling breezes. He thrust his great hands into the sunbeams. He reached down and plucked one of a bunch of white flowers that had sprung up overnight. The Dream was born of the breezes and the sunshine and the spring flowers. It came from them and it had sprung into his mind because he was young and strong. He knew! It couldn't come to his father or Donkov, the tailor, or Poborino, the smith. They were old and weak, and Ivan's dream was one that called for youth and strength.

"Ay, for youth and strength," he muttered as he gripped the plow. "And I have it!"

That evening Big Ivan of the Bridge spoke to his wife, Anna, a little woman, who had a sweet face and a wealth of fair hair.

"Wife, we are going away from here," he said.

"Where are we going, Ivan?" she asked.

"Where do you think, Anna?" he said, looking down at her as she stood by his side.

"To Bobruisk," she murmured.

"No."

"Farther?"

"Ay, a long way farther."

Fear sprang into her soft eyes. Bobruisk was eighty-nine versts away, yet Ivan said they were going farther.

"We--we are not going to Minsk?" she cried.

"Aye, and beyond Minsk!"

"Ivan, tell me!" she gasped. "Tell me where we are going!"

"We are going to America."

"_To America?_"

"Yes, to America!"

Big Ivan of the Bridge lifted up his voice when he cried out the words "To America," and then a sudden fear sprang upon him as those words dashed through the little window out into the darkness of the village street. Was he mad? America was 8,000 versts away! It was far across the ocean, a place that was only a name to him, a place where he knew no one. He wondered in the strange little silence that followed his words if the crippled son of Poborino, the smith, had heard him. The cripple would jeer at him if the night wind had carried the words to his ear.

Anna remained staring at her big husband for a few minutes, then she sat down quietly at his side. There was a strange look in his big blue eyes, the look of a man to whom has come a vision, the look which came into the eyes of those shepherds of Judea long, long ago.

"What is it, Ivan?" she murmured softly, patting his big hand. "Tell me."

And Big Ivan of the Bridge, slow of tongue, told of the Dream. To no one else would he have told it. Anna understood. She had a way of patting his hands and saying soft things when his tongue could not find words to express his thoughts.

Ivan told how the Dream had come to him as he plowed. He told her how it had sprung upon him, a wonderful dream born of the soft breezes, of the sunshine, of the sweet smell of the upturned sod and of his own strength. "It wouldn't come to weak men," he said, baring an arm that showed great snaky muscles rippling beneath the clear skin. "It is a dream that comes only to those who are strong and those who want--who want something that they haven't got." Then in a lower voice he said: "What is it that we want, Anna?"

The little wife looked out into the darkness with fear-filled eyes. There were spies even there in that little village on the Beresina, and it was dangerous to say words that might be construed into a reflection on the Government. But she answered Ivan. She stooped and whispered one word into his ear, and he slapped his thigh with his big hand.

"Ay," he cried. "That is what we want! You and I and millions like us want it, and over there, Anna, over there we will get it. It is the country where a muzhik is as good as a prince of the blood!"

Anna stood up, took a small earthenware jar from a side shelf, dusted it carefully and placed it upon the mantel. From a knotted cloth about her neck she took a ruble and dropped the coin into the jar. Big Ivan looked at her curiously.

"It is to make legs for your Dream," she explained. "It is many versts to America, and one rides on rubles."

"You are a good wife," he said. "I was afraid that you might laugh at me."

"It is a great dream," she murmured. "Come, we will go to sleep."

The Dream maddened Ivan during the days that followed. It pounded within his brain as he followed the plow. It bred a discontent that made him hate the little village, the swift-flowing Beresina and the gray stretches that ran toward Mogilev. He wanted to be moving, but Anna had said that one rode on rubles, and rubles were hard to find.

And in some mysterious way the village became aware of the secret. Donkov, the tailor, discovered it. Donkov lived in one-half of the cottage occupied by Ivan and Anna, and Donkov had long ears. The tailor spread the news, and Poborino, the smith, and Yanansk, the baker, would jeer at Ivan as he passed.

"When are you going to America?" they would ask.

"Soon," Ivan would answer.

"Take us with you!" they would cry in chorus.

"It is no place for cowards," Ivan would answer. "It is a long way, and only brave men can make the journey."

"Are you brave?" the baker screamed one day as he went by.

"I am brave enough to want liberty!" cried Ivan angrily. "I am brave enough to want----"

"Be careful! Be careful!" interrupted the smith. "A long tongue has given many a man a train journey that he never expected."

That night Ivan and Anna counted the rubles in the earthenware pot. The giant looked down at his wife with a gloomy face, but she smiled and patted his hand.

"It is slow work," he said.

"We must be patient," she answered. "You have the Dream."

"Ay," he said. "I have the Dream."

Through the hot, languorous summertime the Dream grew within the brain of Big Ivan. He saw visions in the smoky haze that hung above the Beresina. At times he would stand, hoe in hand, and look toward the west, the wonderful west into which the sun slipped down each evening like a coin dropped from the fingers of the dying day.

Autumn came, and the fretful whining winds that came down from the north chilled the Dream. The winds whispered of the coming of the Snow King, and the river grumbled as it listened. Big Ivan kept out of the way of Poborino, the smith, and Yanansk, the baker. The Dream was still with him, but autumn is a bad time for dreams.

Winter came, and the Dream weakened. It was only the earthenware pot that kept it alive, the pot into which the industrious Anna put every coin that could be spared. Often Big Ivan would stare at the pot as he sat beside the stove. The pot was the cord which kept the Dream alive.

"You are a good woman, Anna," Ivan would say again and again. "It was you who thought of saving the rubles."

"But it was you who dreamed," she would answer. "Wait for the spring, husband mine. Wait."

It was strange how the spring came to the Beresina that year. It sprang upon the flanks of winter before the Ice King had given the order to retreat into the fastnesses of the north. It swept up the river escorted by a million little breezes, and housewives opened their windows and peered out with surprise upon their faces. A wonderful guest had come to them and found them unprepared.

Big Ivan of the Bridge was fixing a fence in the meadow on the morning the Spring Maiden reached the village. For a little while he was not aware of her arrival. His mind was upon his work, but suddenly he discovered that he was hot, and he took off his overcoat. He turned to hang the coat upon a bush, then he sniffed the air, and a puzzled look came upon his face. He sniffed again, hurriedly, hungrily. He drew in great breaths of it, and his eyes shone with a strange light. It was wonderful air. It brought life to the Dream. It rose up within him, ten times more lusty than on the day it was born, and his limbs trembled as he drew in the hot, scented breezes that breed the _Wanderlust_ and shorten the long trails of the world.

Big Ivan clutched his coat and ran to the little cottage. He burst through the door, startling Anna, who was busy with her housework.

"The Spring!" he cried. "_The Spring!_"

He took her arm and dragged her to the door. Standing together they sniffed the sweet breezes. In silence they listened to the song of the river. The Beresina had changed from a whining, fretful tune into a lilting, sweet song that would set the legs of lovers dancing. Anna pointed to a green bud on a bush beside the door.

"It came this minute," she murmured.

"Yes," said Ivan. "The little fairies brought it there to show us that spring has come to stay."

Together they turned and walked to the mantel. Big Ivan took up the earthenware pot, carried it to the table, and spilled its contents upon the well-scrubbed boards. He counted while Anna stood beside him, her fingers clutching his coarse blouse. It was a slow business, because Ivan's big blunt fingers were not used to such work, but it was over at last. He stacked the coins into neat piles, then he straightened himself and turned to the woman at his side.

"It is enough," he said quietly. "We will go at once. If it was not enough, we would have to go because the Dream is upon me and I hate this place."

"As you say," murmured Anna. "The wife of Littin, the butcher, will buy our chairs and our bed. I spoke to her yesterday."

Poborino, the smith; his crippled son; Yanansk, the baker; Dankov, the tailor, and a score of others were out upon the village street on the morning that Big Ivan and Anna set out. They were inclined to jeer at Ivan, but something upon the face of the giant made them afraid. Hand in hand the big man and his wife walked down the street, their faces turned toward Bobruisk, Ivan balancing upon his head a heavy trunk that no other man in the village could have lifted.

At the end of the street a stripling with bright eyes and yellow curls clutched the hand of Ivan and looked into his face.

"I know what is sending you," he cried.

"Ay, _you_ know," said Ivan, looking into the eyes of the other.

"It came to me yesterday," murmured the stripling. "I got it from the breezes. They are free, so are the birds and the little clouds and the river. I wish I could go."

"Keep your dream," said Ivan softly. "Nurse it, for it is the dream of a man."

Anna, who was crying softly, touched the blouse of the boy. "At the back of our cottage, near the bush that bears the red berries, a pot is buried," she said. "Dig it up and take it home with you and when you have a kopeck drop it in. It is a good pot."

The stripling understood. He stooped and kissed the hand of Anna, and Big Ivan patted him upon the back. They were brother dreamers and they understood each other.

Boris Lugan has sung the song of the versts that eat up one's courage as well as the leather of one's shoes.

"Versts! Versts! Scores and scores of them!
Versts! Versts! A million or more of them!
Dust! Dust! And the devils who play in it,
Blinding us fools who forever must stay in it."

Big Ivan and Anna faced the long versts to Bobruisk, but they were not afraid of the dust devils. They had the Dream. It made their hearts light and took the weary feeling from their feet. They were on their way. America was a long, long journey, but they had started, and every verst they covered lessened the number that lay between them and the Promised Land.

"I am glad the boy spoke to us," said Anna.

"And I am glad," said Ivan. "Some day he will come and eat with us in America."

They came to Bobruisk. Holding hands, they walked into it late one afternoon. They were eighty-nine versts from the little village on the Beresina, but they were not afraid. The Dream spoke to Ivan, and his big hand held the hand of Anna. The railway ran through Bobruisk, and that evening they stood and looked at the shining rails that went out in the moonlight like silver tongs reaching out for a low-hanging star.

And they came face to face with the Terror that evening, the Terror that had helped the spring breezes and the sunshine to plant the Dream in the brain of Big Ivan.

They were walking down a dark side street when they saw a score of men and women creep from the door of a squat, unpainted building. The little group remained on the sidewalk for a minute as if uncertain about the way they should go, then from the corner of the street came a cry of "Police!" and the twenty pedestrians ran in different directions.

It was no false alarm. Mounted police charged down the dark thoroughfare swinging their swords as they rode at the scurrying men and women who raced for shelter. Big Ivan dragged Anna into a doorway, and toward their hiding place ran a young boy who, like themselves, had no connection with the group and who merely desired to get out of harm's way till the storm was over.

The boy was not quick enough to escape the charge. A trooper pursued him, overtook him before he reached the sidewalk, and knocked him down with a quick stroke given with the flat of his blade. His horse struck the boy with one of his hoofs as the lad stumbled on his face.

Big Ivan growled like an angry bear, and sprang from his hiding place. The trooper's horse had carried him on to the sidewalk, and Ivan seized the bridle and flung the animal on its haunches. The policeman leaned forward to strike at the giant, but Ivan of the Bridge gripped the left leg of the horseman and tore him from the saddle.

The horse galloped off, leaving its rider lying beside the moaning boy who was unlucky enough to be in a street where a score of students were holding a meeting.

Anna dragged Ivan back into the passageway. More police were charging down the street, and their position was a dangerous one.

"Ivan!" she cried, "Ivan! Remember the Dream! America, Ivan! _America!_ Come this way! Quick!"

With strong hands she dragged him down the passage. It opened into a narrow lane, and, holding each other's hands, they hurried toward the place where they had taken lodgings. From far off came screams and hoarse orders, curses and the sound of galloping hoofs. The Terror was abroad.

Big Ivan spoke softly as they entered the little room they had taken. "He had a face like the boy to whom you gave the lucky pot," he said. "Did you notice it in the moonlight when the trooper struck him down?"

"Yes," she answered. "I saw."

They left Bobruisk next morning. They rode away on a great, puffing, snorting train that terrified Anna. The engineer turned a stopcock as they were passing the engine, and Anna screamed while Ivan nearly dropped the big trunk. The engineer grinned, but the giant looked up at him and the grin faded. Ivan of the Bridge was startled by the rush of hot steam, but he was afraid of no man.

The train went roaring by little villages and great pasture stretches. The real journey had begun. They began to love the powerful engine. It was eating up the versts at a tremendous rate. They looked at each other from time to time and smiled like two children.

They came to Minsk, the biggest town they had ever seen. They looked out from the car windows at the miles of wooden buildings, at the big church of St. Catharine, and the woolen mills. Minsk would have frightened them if they hadn't had the Dream. The farther they went from the little village on the Beresina the more courage the Dream gave to them.

On and on went the train, the wheels singing the song of the road. Fellow travelers asked them where they were going. "To America," Ivan would answer.

"To America?" they would cry. "May the little saints guide you. It is a long way, and you will be lonely."

"No, we shall not be lonely," Ivan would say.

"Ha! you are going with friends?"

"No, we have no friends, but we have something that keeps us from being lonely." And when Ivan would make that reply Anna would pat his hand and the questioner would wonder if it was a charm or a holy relic that the bright-eyed couple possessed.

They ran through Vilna, on through flat stretches of Courland to Libau, where they saw the sea. They sat and stared at it for a whole day, talking little but watching it with wide, wondering eyes. And they stared at the great ships that came rocking in from distant ports, their sides gray with the salt from the big combers which they had battled with.

No wonder this America of ours is big. We draw the brave ones from the old lands, the brave ones whose dreams are like the guiding sign that was given to the Israelites of old--a pillar of cloud by day, a pillar of fire by night.

The harbormaster spoke to Ivan and Anna as they watched the restless waters.

"Where are you going, children?"

"To America," answered Ivan.

"A long way. Three ships bound for America went down last month."

"Our ship will not sink," said Ivan.

"Why?"

"Because I know it will not."

The harbor master looked at the strange blue eyes of the giant, and spoke softly. "You have the eyes of a man who sees things," he said. "There was a Norwegian sailor in the _White Queen_, who had eyes like yours, and he could see death."

"I see life!" said Ivan boldly. "A free life----"

"Hush!" said the harbor master. "Do not speak so loud." He walked swiftly away, but he dropped a ruble into Anna's hand as he passed her by. "For luck," he murmured. "May the little saints look after you on the big waters."

They boarded the ship, and the Dream gave them a courage that surprised them. There were others going aboard, and Ivan and Anna felt that those others were also persons who possessed dreams. She saw the dreams in their eyes. There were Slavs, Poles, Letts, Jews, and Livonians, all bound for the land where dreams come true. They were a little afraid--not two per cent of them had ever seen a ship before--yet their dreams gave them courage.

The emigrant ship was dragged from her pier by a grunting tug and went floundering down the Baltic Sea. Night came down, and the devils who, according to the Esthonian fishermen, live in the bottom of the Baltic, got their shoulders under the stern of the ship and tried to stand her on her head. They whipped up white combers that sprang on her flanks and tried to crush her, and the wind played a devil's lament in her rigging. Anna lay sick in the stuffy women's quarters, and Ivan could not get near her. But he sent her messages. He told her not to mind the sea devils, to think of the Dream, the Great Dream that would become real in the land to which they were bound. Ivan of the Bridge grew to full stature on that first night out from Libau. The battered old craft that carried him slouched before the waves that swept over her decks, but he was not afraid. Down among the million and one smells of the steerage he induced a thin-faced Livonian to play upon a mouth organ, and Big Ivan sang Paleer's "Song of Freedom" in a voice that drowned the creaking of the old vessel's timbers, and made the seasick ones forget their sickness. They sat up in their berths and joined in the chorus, their eyes shining brightly in the half gloom:

"Freedom for serf and for slave,
Freedom for all men who crave
Their right to be free
And who hate to bend knee
But to Him who this right to them gave."

It was well that these emigrants had dreams. They wanted them. The sea devils chased the lumbering steamer. They hung to her bows and pulled her for'ard deck under emerald-green rollers. They clung to her stern and hoisted her nose till Big Ivan thought that he could touch the door of heaven by standing on her blunt snout. Miserable, cold, ill, and sleepless, the emigrants crouched in their quarters, and to them Ivan and the thin-faced Livonian sang the "Song of Freedom."

The emigrant ship pounded through the Cattegat, swung southward through the Skagerrack and the bleak North Sea. But the storm pursued her. The big waves snarled and bit at her, and the captain and the chief officer consulted with each other. They decided to run into the Thames, and the harried steamer nosed her way in and anchored off Gravesend.

An examination was made, and the agents decided to transship the emigrants. They were taken to London and thence by train to Liverpool, and Ivan and Anna sat again side by side, holding hands and smiling at each other as the third-class emigrant train from Euston raced down through the green Midland counties to grimy Liverpool.

"You are not afraid?" Ivan would say to her each time she looked at him.

"It is a long way, but the Dream has given me much courage," she said.

"To-day I spoke to a Lett whose brother works in New York City," said the giant. "Do you know how much money he earns each day?"

"How much?" she questioned.

"Three rubles, and he calls the policemen by their first names."

"You will earn five rubles, my Ivan," she murmured. "There is no one as strong as you."

Once again they were herded into the bowels of a big ship that steamed away through the fog banks of the Mersey out into the Irish Sea. There were more dreamers now, nine hundred of them, and Anna and Ivan were more comfortable. And these new emigrants, English, Irish, Scotch, French, and German, knew much concerning America. Ivan was certain that he would earn at least three rubles a day. He was very strong.

On the deck he defeated all comers in a tug of war, and the captain of the ship came up to him and felt his muscles.

"The country that lets men like you get away from it is run badly," he said. "Why did you leave it?"

The interpreter translated what the captain said, and through the interpreter Ivan answered.