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Chapter XIV: Book V: Isabel (3)

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"No, I am not blaming you, Isabel," he continued. What I mean is this. You find it impossible to take all these things seriously. You think I enjoy dressing up in a monk's cowl and reciting a monk's Latin Office in a monk's stall, pretty much as other men enjoy putting on crowns and ermine and going to masques as princes and kings. You don't see that the mere cowl is very little more than nothing, and that a monk's faith and hope and love are nearly everything. You cried out in the chapel last night: 'So your Bride is only Religion, or only the Church, or only the Virgin.' Yes 'Only.' You said 'only.' And I am not quibbling on a mere word. You meant that a mortal bride--such a bride, for example, as Margarida--would be more real, more important, more entitled to my lifelong loyalty."

He ceased. After pondering a little she raised her eyes and said:

"In the main you are right. I'm afraid my vague notions of monks are not worth the trouble; but you have analyzed them correctly. In England we have some people who want to revive medieval tournaments with mailed men and horses, and lists, and queens of beauty, all complete. To me a modern monastery is practically the same thing, except that it's less interesting and more useless."

"I do not know enough of your mind," he said slowly. "After all, monasticism is not the whole of the Church. The Church is wider and older than her religious orders. Do you object only to monasticism in particular? Or are you equally impatient of the Church in general?"

"By the Church," she answered, "no doubt you mean Roman Catholicism. If so, I'm not a fair judge. I was educated with a bias against it, and I am gradually finding out that I was taught a great deal which was unfair and much that was untrue. But I will answer you as frankly as possible. Don't be hurt. I love the Church as I love a ruin in a landscape; but I should not love her if somebody should accomplish the impossible, and put her in a thorough state of repair."

Springing up she stepped to the tumbledown shrine and laid her hands on the mossy shafts of its ivy-hung portal.

"Be honest," she said. "Is not this little chapel far more beautiful in decay than ever it was when the roof didn't leak and these creepers were not allowed to twine about it? If I could wave a wand and bid every beauty-spot of moss vanish from the walls and make all the stones dead-white and all the angels sharp and true, would you love it as you do now? And it's the same, the very same, with the Church. When she was mistress of Europe, she was gaunt and hard and repellent. But she is marvelously picturesque in her decay. I don't know what our poets and painters and romancers would do without her."

"I still read English papers, and I know what you mean," said Antonio. "There is a fashion growing up among your poets of making free with the holiest things. They affect the reverence and simplicity of medieval believers when, in reality, they are robbing altars and looting sacristies to fill a property-box with theatrical properties. Chalices, censers, copes, chasubles, dalmatics, miters, pyxes; bishops, abbots, nuns, monks, friars, acolytes; crypts, stained glass, pointed arches, carven canopies--I see that all these are no more to them than stage backgrounds, stage puppets, stage dresses, stage tricks."

"It makes the poems and paintings much more gorgeous, anyhow," she interrupted.

"No doubt," said Antonio sternly. "Just as the palaces and harems of the Turks were more gorgeous after they had sacked the Holy Places. Let the Church be persecuted more than ever in your country, and I do not fear for her; but I tremble at the thought of your cleverest men taking her name in vain and praising her with their lips, while they are still obstinate pagans in their hearts and lives. Out of such blasphemy I foresee the birth of monstrous sins."

"Until this morning," retorted Isabel, grievously disappointed in him, "I thought you were no worse than over-pious, and a little over-sentimental about your religious memories. I could never have believed that you would be bigoted and narrow-minded. Your prophecy only makes me shudder. I repeat that the beautiful decay of the Church is bringing more beauty into art; and I believe that more beauty in art will bring more beauty into life. Yet you say it will give birth to monstrous sins."

For a long time Antonio did not reply. When he spoke his tone was so much altered that Isabel thought he accepted his defeat in argument.

"Look at this," he said, pointing to a stone which lay near his foot. It had been a gargoyle on the shrine, but must have fallen to the ground before Antonio was born. Even if the shallow carving had not been almost rubbed away by the hand of time Isabel could hardly have made out its outlines through the silken mosses and tiny ivies which covered it.

"It was part of the shrine once," he said. "I admit it looks more beautiful broken off and lying here in decay. I've never noticed it before. It ought to be in the porch. It isn't heavy. Will you help me to carry it?"

They stooped down together. The unclouded sun had already dried both the gargoyle and its mossage and leafage. Isabel took her fair share of the work, and between them they easily lifted the stone from the ground. But they had not borne it twenty inches towards the shrine before she let go and sprang clear, with a scream. The gargoyle struck upon a knob of rock and smashed into three pieces.

Antonio's glance followed Isabel's. She was gazing with horror at the long black grave from which they had wrenched the stone. It was a nest of centipedes. The creatures writhed this way and that, like the letter S, incalculably multiplied and gone mad. Some of them were bright scarlet, some were sickly yellow. Beyond them, half of a long worm, bald and clammy, lay across the slimy track of some hidden slug. A scurrying ear-wig touched it, and the worm disappeared as if by magic into the earth. Meanwhile two horny beetles were shouldering their way through the stubby grass.

The monk had hardly realized the success of his too vivid allegory when he saw that Isabel had snatched up her skirts and fled. He grabbed his cloak and leaped after her; but although he was almost immediately at her side, she continued her flight without recognizing his existence. After two or three minutes a swollen tributary of the torrent brought her to a halt.

"I am so sorry," he said, very humbly. "I never thought it could be so horrible as that."

"You're sorry too late," she cried. "I know you love me; yet you're always acting as if you despise me. It's your chief delight to humiliate me. Religion ruins you. Till we get to religion your heart is tenderer than a woman's; but, when religion comes in, I believe you'd burn me at the stake and feel proud of it."

Great tears came into her eyes; but before he saw them he had already recognized how thoughtless and unkind he had been in luring her to lift the gargoyle. The sight of the tears completed his repentance.

"With my whole heart I ask pardon," he pleaded, "although what I did was almost unpardonable. I didn't think; but it was selfish and brutal to score a point like that. Isabel, try to forgive me."

Whenever he spoke her name and looked into her eyes she became as clay in his hands. But Antonio did not know it. He took her silence to mean anything but pardon; and therefore his tone was humbler than ever as he added:

"We cannot part like this, Isabel. These rocks are dry and warm to your feet. We shall find no better spot."

He spread his cloak for her once more, and sat down at her side. Two or three minutes passed without a word. Then she said:

"If I am all wrong about monks, I am willing to be put right. What are monks for? Why do they exist?"

Antonio hesitated. There were so many gaps in her knowledge and in her sympathy. How could he explain the topmost flowering of churchly life to one who knew so little of the root and the trunk and the branches? At last he replied:

"You have spoken of painters and writers. Is it not true that both painting and writing have advanced almost entirely through the diligence of professional writers and painters? How soon the amateur slips back without the example of the professional to steady him! In our wars we have always found that a few professional soldiers can stiffen citizen levies who would otherwise run away. Monks, so to speak, are the professional Christians, devoting their lives to piety and the pursuit of perfection. I don't mean that they are professional like your English clergy. Monks are not professional shepherds. I might say that they are professional sheep, a professional flock, exemplifying, as Christians in the world can hardly do, blamelessness, simplicity, and obedience at every moment to their divine Shepherd's voice."

He paused; but Isabel made no comment.

"In comparing monks with professionals," he said uneasily, "I know I am putting it on rather a low level."

"So I thought," she said. And with a leap of his heart, he understood that she was not outside the range of Christian spirituality.

"Then we will put it higher," he continued eagerly. "Grant for a moment that Christianity is true. Grant that the everlasting God, Who carved these hills and poured out yonder Atlantic, once imprisoned Himself in space and time and became a mortal man. Grant that before He died for us, He begged for our lifelong love and trust, and for our daily praise and prayer, and good deeds and obedience and self-denial. Grant that He told us how this present life of ours is only a short road leading into a boundless life to come. For the moment you will grant all this?"

She bowed her head.

"Granting it, what do we find?" he asked. "We find the vast majority of men and women, including those who profess to believe His words, living for themselves instead of for Him. 'Seven times in a day have I sung praises unto Thee,' said the Psalmist, who died so long before our Lord was born; yet millions of Christians do not truly praise God seven times in their lives. They rarely think of Him save in time of trouble or in the hour of death. The monk is a man who throws all his poor weight into the other scale, striving to redress the balance. In union with the one Mediator he prays for those who will not pray. He offers praises in the stead of those who will not praise. The scoffer twits him with his unnatural life; but it is not more unnatural to give God all one's thoughts than it is unnatural to give Him none."

"Not more unnatural, perhaps," objected Isabel, "but it is unnatural enough, all the same."

"It may be so. But the monk is born into an unnatural state of things. If no man gave God too little, perhaps we should have no need of monks to give Him what men call too much. Perhaps so: perhaps not. I don't decide. Some monkish writers have seemed to say that even if all men were saints it would still be good for a few to detach themselves from the whirl of life and to offer God more perfect praises; just as there have been theologians to teach that, even if man had not sinned, God would still have been made Man, so as to perfect our humanity. But let such subtleties pass."

"Whether I agree with it or not, I see what you mean," said Isabel. "But is a monk no more than this?"

"He is much more," replied Antonio, "so much more that if we sat here all day we should hardly understand how much. But I will mention one thing more. Not only do the masses of Christians hold back their love and service from God; they also outrage His goodness and dim His glory every hour of every day."

"But monks can't mend that matter," protested Isabel. "I'm no theologian and I'm a double heretic; but I've always been told that my right can't atone for your wrong. One man can't redeem another."

"No," said Antonio, "but one man's prayers may drive another in penitence to the Redeemer. 'We are members one of another.' You love science. Let me prophesy. Science will teach us some day how subtly mind is intertwined with mind, and how mightily a thought or an aspiration can leap from one soul to another. There is enough of sin and shame in Christendom to make the angels weep; but God alone knows how much more there would be if faithful nuns were not pushing that black bulk back, all night and all day, with white hands of prayer."

Isabel desisted from further debate. But no sooner was the stress of argument eased in her brain than a millstone of fear settled heavily upon her heart. Up to that moment she had felt sure of her power as a living and beautiful woman to triumph over Antonio's shadowy Bride. Although his cool greeting had annoyed her, and although she was still a trifle ruffled by the affair of the gargoyle and the centipedes, she had found zest in his monkish coyness. Like many a huntress before her she had deemed the quarry's elusiveness charming so long as she was confident that in the long run he would be caught. But, all in a single moment, her eyes were opened both to the solemn grandeur of Antonio's religion and to the startling energy of his whole-hearted, whole-minded belief in it. The shadowy Bride suddenly towered like an impassable, immeasurable, resplendent Jungfrau across Isabel's path.

"I see what you mean," she said hastily, trying to push back her crowding fears. "It's interesting, it's wonderful, I suppose it's beautiful in a kind of way; but what has it to do with us? You're not a monk any longer. You can't be. You say it isn't the cowl that makes the monk; and surely, it isn't mere bricks and mortar that make a monastery. The old abbey down there is an empty shell. Your Abbot is dead. Your brethren are dead too, or in perpetual exile. The Order has come to an end. You may play at being a monk; but you are free."

Antonio began to explain the Solemn Vows. But she interrupted him scornfully.

"Circumstances alter cases," she said. "Besides, hadn't you better ask your conscience if you are not really worshiping your vows, worshiping your consistency, instead of worshiping God? God will be poorly worshiped by making yourself miserable--yourself and ... and me."

Her voice so softened on the last two syllables that the monk's lips could not frame an argumentative retort. Yet she must be answered. Although he did not look at her, he could feel that the irons of her ordeal were already glowing too hot for her endurance. Something had to be done. At last he said:

"Without intending it you have told me, a scrap at a time, the story of your life. May I tell you the story of mine?"

Her sorrowful eyes lit up gratefully. "Tell me every word," she said.

In the simplest language he could command, Antonio told her all. He began by stating quite baldly the fact of his noble lineage. Then he described briefly his childhood in Lisbon and at Cintra, and his first sight of an Englishman in the person of a fair-haired young captain who had been wounded at the battle of Bussaco. He told of his 'teens in Madeira, and of the drowning of his parents and sisters on their way thither to join him; of his appointment to a scandalous sinecure in the gift of the Government, and of his retreat from a position which he could do nothing to reform; of his excursion into French scepticism; of his religious vocation and of his struggles against it; and of his life in the monastery up to the day of his ordination to the priesthood.

To the narrating of these events Antonio devoted barely a quarter of an hour. When, however, he began to tell of the monks' expulsion he let himself go; and thenceforward his warmth of tone and liveliness of language made Isabel realize vividly every scene he described. With kindling eyes he told her of the dying Abbot's prophecy; of his halt at the deserted farm on the afternoon of the exodus, and of his resolve to win back the monastery for Saint Benedict's family; of his bitter hour in the granary at Navares; of his tramp northward; of his hard life in Oporto; of his never-to-be-forgotten months in England and France and Spain; of his return to the abbey; of his snub at Villa Branca; of José; of Margarida; and of young Crowberry's mysterious candle in the guest-house window.

"The rest you know," he said.

Throughout his recital he had gazed at the rocks, the sky, the trees, the water; but, as he ended, he glanced nervously at Isabel, hungering for her sympathy yet expecting her scorn. To his amazement she slipped from her place at his side, sank down on her knees beside him, seized both his hands in hers, and said:

"Poor Antonio! You poor Antonio. My poor Antonio!"

Her voice was tenderer than a mother's crooning over a wounded child. Tears were brimming her eyes and flowing down her cheeks as she gazed up into the monk's face. Then her voice broke. She bowed her head abruptly and tried to hide her face in her hands. But she did not let Antonio's hands go; and her tears laved the wounds torn by the thorns of her rose.

Antonio could have endured her contempt; but this outburst of a pitying woman's love, the first he had known for five-and-twenty years, almost broke his heart. Thrice he devised words of consolation; thrice they were stifled in his throat. He could only sit and watch the conclusive rise and fall of her shoulders as the sobbing shook her frame. Once she controlled herself enough to look up and moan:

"Why, oh why, must we be so unhappy?"

The monk knew that an answer was not expected; so he sat silent. But later on, when some calmness had returned to her, she put the question again.

"Why must we be so unhappy? If God can do everything, why has he made a world that goes so badly? Why has he made the easy things sins and only the hard things virtues? Why has he made his creatures so inclined to anger him or forget him? It seems mad. It seems almost diabolical. I've never met a wicked man or a foolish woman who could be foolish enough or wicked enough to make a world like this if they had the power. Why is God worse than we are?"

"You do not mean what you say," he answered, soothing her. "You know you are not putting it fairly. You--"

"I know, I know," she interrupted. "I am shallow, I am unjust, I suppose I'm almost blasphemous. Forgive me if I've hurt you. Only, your God is so terrible. I believe in Him; but I'm frightened. He is nothing but grandeur and majesty. He will have no rebellion, He insists on everybody's homage all the time."

"He is Love, everlasting Love," said Antonio warmly, "and if any words of mine have made you doubt it, may He forgive me. I see the world's unbelief, first and foremost, as Love rejected; and if I am a monk it is in the hope that my whole life's prayers may perchance be one poor drop of balm poured into Love's wounds. But these matters are too weighty to be talked of like this. The origin of evil, the mystery of free-will--you have raised the problems that none can solve."

"Let us leave them alone," she pleaded. "I hate them. Deep down in my heart, I do not disbelieve. Before you had half finished your story, my pride was broken. Yes, when you pictured the chapel on the night you returned, and the moonlight lingering on the crown of Jesus, I knelt with you in spirit before that altar and words came back to my lips that I hadn't said since I was a child."

In exceeding thankfulness he was about to speak; but she hurried on.

"Antonio," she said, "if you send me away, perhaps you will think of me as a temptress--a woman raised up by the devil to blandish you aside from your holy purpose, and to lure you into trampling upon your vows. Promise you will never think of me like that. Kneeling here on my knees, I swear before God that I am not ... that."

She paused. Then, with her head bent so that he could not see her face, and in low tones, she added slowly:

"I have only wanted to be near you--to be with you, to spend all the rest of my life listening to you, helping you. Heaven knows there has never been for a moment anything ... anything base in my love. I know what most people mean by love and I loathe it. Tell me you don't misunderstand. Say you believe me. Promise you'll never think of me like that."

"I promise," said Antonio, deeply moved. And, try as he would, he could say no more.

After a long time she raised her head abruptly and challenged his eyes. By the pallor which blanched her cheeks he divined her question, and he knew that the bitterest moment of his life was come.

"So there is no room for me?" she asked in low, vibrating tones. "No room for Isabel as well as for your Bride? You send me away?"

He tried to be cool; but the flame of her pure heart's yearning so scorched him that he cried out:

"No, I do not send you away. It is not my will; it is God's. He knows, Isabel, He knows that all the sacrifices I have ever made and all the trials I have ever borne are as a few grains of dust compared with this. I do not send you away. But you must go. Our spirits are willing to take high and holy vows, here and now; but we are flesh and we are weak. You must go. You must. You will."

She arose slowly and stood upright. Instantly he did the same. He seized her hand; but before he could speak, she said quietly:

"I will go. After this, unless miracles happen, you will only see me with Mrs. Baxter or with my father. But, before I go, do me one little kindness. I promise that, so long as I live, it shall be a secret between us. I know your heart. Once, only once, let me hear you say that you love me."

Antonio knew that he loved her indeed, with a love whereof he had no cause to be ashamed, and that he must speak the three little words she craved. He began to frame a prudent preface which should precisely qualify them and empty them of all their association with profane passion. But his knightly blood stirred in time and saved him. Besides, he knew that he might safely speak the words and trust Isabel not to abuse them. He bent to her ear and said simply:

"I love you."

For a long moment she stood with closed eyes and did not stir. Then she gently freed her hand and moved away. Antonio followed her. Wherever the paths were wide enough they walked side by side; but although the way was long they did not speak. Here and there in the wood there were low boughs to be held aside, and once the monk had to lift her bodily across a little brook; but he did all these things as a matter of course, without a word. When the guest-house gleamed through the trees, Antonio halted and would have uttered the few sentences he had been arranging in his brain; but she silenced him with a gentle gesture and walked across the broad path, up the sunny steps, and through the wide-open doorway, without a glance behind.

VIII

Not more than two hours after Antonio's return to his farm a messenger arrived from the guest-house and handed in two letters. The first ran:

_Mrs. Baxter presents her compliments to Signor da Rocha and begs to request that he will call to-day without fail, as Mrs. B. is under the unpleasant obligation of making a painful communication to Signor R._

The second letter was shorter still. It contained the single line:

_I must see you too._

Antonio's amazement quickly gave place to indignation. He had examined his conscience concerning the whole business too often to deceive himself, and he knew that he was not to blame for what had happened. Yet here he was, summoned to endure a lecture from the vulgar Mrs. Baxter. Worse still, when Sir Percy came back he would be told the tale. Antonio would be regarded ever afterwards as an abuser of a sacred trust, a heartless trifler with young affections, an outsider, a brute, a cur fit for the horse-whip. And he would have to suffer all this injustice in silence, because he could only clear himself by disgracing the lady.

As he grew cooler the monk became certain that Isabel had not deliberately betrayed him to Mrs. Baxter. Probably she had broken down after her protracted excitements and had let slip some fatal admission in a moment of hysteria. Or perhaps a chattering servant had seen her walking with Antonio in the woods. Gravest possibility of all, some sharp eyes or ears might have detected her absence in the middle of the night. At this last thought he seized his hat and set out for the guest-house at once.

When he reached the road, still soft after the rain, some hoof-marks reassured him. He recognized them as the shoe-prints of Negro, an old post-horse ridden by the casual letter-carrier of Navares. News of some kind had evidently arrived from Sir Percy. Perhaps he was ill, or dying. The monk's heart melted towards Isabel as he perceived that new troubles were hurrying to smite her, and he would gladly have submitted to the bitter censures of Mrs. Baxter in their stead.

Isabel met him about fifty yards from the guest-house door. She looked more beautiful than ever, but her expression dismayed him. No traces lingered of the exaltation to which she had attained only a few hours before. She seemed proud, hard, defiant.

"We have heard from my father," she said quickly. "The unexpected--I mean the half-expected--has happened. We are to pack and go, as we have packed and gone from twenty places before. It isn't azulejos this time. It's a railway. But it'll be all the same in the end. He wants us to start for Lisbon the day after to-morrow. Mrs. Baxter will tell you everything."

To Antonio's surprise she neither referred to her note nor said a word on her personal account, but led him straight into the salon where Mrs. Baxter was seated in the midst of confusion. Isabel's pictures had already been removed from the walls, and Jackson could be heard in a back-room nailing down a packing-case. The noises fell on Antonio's heart like blows on a coffin-lid.

"I have learned, Madame, with concern, that you are compelled to undertake a fatiguing journey," said Antonio in his most formal style. "Let me repeat my assurance that I remain, at all times, entirely at your service."

"I'm sure you do, Signor, I'm sure you do," wailed Mrs. Baxter. "But tell me, Signor, what do you think of it all? I was saying, only this morning, how comforting it was that we were settled for life, and how delightful it would be to spend the rest of my days in the salubrious air of this favored spot, enlivened by the profitable conversation of a congenial neighbor."

Isabel listened to her governess with a scornful lip. What Mrs. Baxter had really said, only that morning, was that she had determined to write Sir Percy her mind at once; that, through the almost incredible deficiencies of the village shops and the unscriptural errors of Joanninha, she was being starved and poisoned, both in body and soul; that she had never stayed in such a hole before, and never meant to again; that, after enjoying the intimacy of some of the first personages in England, she found it intolerable to have only one neighbor, especially when he was only a small yeoman with no table-napkins and not enough forks to go round; and, finally, that she flatly declined to remain after Christmas in any Portuguese place save Lisbon or Oporto.

"The Senhora does me too much honor," said Antonio, without enthusiasm. "But this is not final? The Senhoras will return?"

"Sir Percival Kaye-Templeman never returns anywhere," snapped Mrs. Baxter, "I declare, Signor, that he drags me about like a slave. If it hadn't been for my death-bed promise to the sainted mother of that darling child sitting on the blue ottoman, I should have left him a thousand times."

The darling child arose from the blue ottoman and went to an escritoire. She opened a drawer and took something from it.

"Mrs. Baxter is forgetting to give you my father's letter," she said. "He tells us he has written to thank you for all you have done."

Antonio received the sealed letter into his hand; and, as neither of the ladies proffered him leave to read it in their presence, he placed it in his breast-pocket.

"For the present my father also begs you to take the keys of the abbey," added Isabel. "Here they are. He says he has explained everything in his letter. As for this guest-house, there are only two keys. We will give them to you when we go, on Thursday."

Antonio's heart leaped like a bird at her words about the abbey keys; but it sank like a stone as she said, "we go on Thursday." So violent was his agitation that, to cover it, he rose from his seat and advanced to the open drawer of the escritoire where the keys were lying. He dared not look at Isabel.

"If the chapel key is not here," she said, in an off-hand way, "you know where to find it."

She placed the bunch in his hand. There were about twenty keys, great and small, bright and dull, and they tinkled together pleasantly as Antonio carried them back to his place. But they sounded in his ears more like a far-heard knell than a merry chime.

"I suppose you must go now?" she inquired.

"My pet, my darling pet," expostulated Mrs. Baxter, looking daggers. "What on earth will Signor de Rocha think? He'll think you want to hunt him out of the house."

"So I do. There's a waterfall somewhere in the grounds. I want him, if he has time, to show me the way to it. A waterfall and stepping-stones. Perhaps, Mrs. Baxter, you will come with us."

"Stepping-stones!" gasped Mrs. Baxter. "Not if they were made of solid gold. Not if you paid me a million pounds. Why, you've quite forgotten, Isabel, darling, that if it hadn't been for stepping-stones, poor little Lady Margaret Barricott would be alive to-day!"

"Then you won't come? Senhor da Rocha, have you really the leisure to take me?"

"I have the leisure," answered Antonio formally. "And, if I had not, leisure should be made. Mrs. Baxter, I will send up my man to-morrow to assist you in the packing of your goods, and I will certainly attend you on Thursday. Meanwhile, I am your obedient servant."

Isabel was already in the ante-chamber and Antonio did not overtake her until she was descending the steps. Dangling the keys he walked beside her without speech until they reached the shelter of the trees. Then he drew from his pocket the long steel key of the chapel and halted a moment while he placed it among the others.

"You see that I had brought it," he said. "This morning I forgot to give it you."

"Pray don't explain," she commanded curtly. "We've had explanations enough and to spare."

He relocked the old-fashioned key-ring and they resumed their march, Isabel going first along the narrow path. Antonio felt thankful for the short respite from talk. He knew that he was on his way to the sharpest fight of all. Although there was nothing of love in Isabel's manner towards him, he divined that she had invited him to the cascade in order to overthrow him by some final argument or appeal.

Could he be sure that he would once more succeed in resistance? He took stock of his weapons and forces. In sheer dialectic he knew that he was Isabel's match; for the very slowness of his English gave him a certain advantage. Nor was he greatly her inferior in rhetorical resource. What he feared was Isabel's unconscious challenging of his chivalry. He did not dread the wiles of deliberate coquetry, even if she had been capable of practicing them; and, most emphatically, he did not dread the seductiveness of her physical charms, because the stern battle against the flesh was a battle he had fought and won long years before. But he dreaded, with a dread nearly driving him into cowardice, the hateful task of bringing hot tears into her cool blue eyes and of breaking her soft voice into heart-broken sobbings.

He glanced at Isabel as she pressed onward a yard or so ahead. As always, she was the soul and body of grace. The poise of her golden head upon her swan-white neck, her proud shoulders, her exquisite waist, her fine hands plucking at the autumn leaves, her little feet which seemed hardly to touch the earth--all these charms were as adorable as ever. Yet there was something unusual in her port and gait. Perhaps she was less willowy, more rigid. She advanced with a masterful air as if to say: "To-day there shall be no nonsense. I lead: you follow. You are mine to do as I please with. Until this afternoon I have indulged you as I might indulge a favorite young horse. I've let you just smell the halter and then go galloping off to the other end of the field. I've let you lead me a breathless dance through the buttercups and clover. But you have bucked and jibbed and bolted and neighed and tossed up your head and shaken out your mane and tail long enough. This time I mean to put the halter on. So let there be no mistake about it."

Antonio observed all this and was thankful. So long as she chose to be peremptory, scornful, logical, he was safe. The encounter, though painful, would not be perilous. But let her once soften and he was lost. He felt that, even with the remains of yesterday's miraculous grace in his heart, he would be powerless against a tear or a sob. His two sleepless nights and the unwonted stress of romantic emotions were wearing him down, and he inwardly prayed that he might not be tempted beyond what he would bear.

When she reached the pool, Isabel did not cross the stepping-stones. Halting some distance from the brawling waterfall, and hardly waiting for Antonio to approach her, she began:

"We have had many long talks at this pool. To-day's talk will be short. Surely I have crawled to you enough on my hands and knees, and I will do it no more."

Antonio said nothing.

"There's not an hour to lose," she went on. "If you and I are going to do the right thing, I must tell Mrs. Baxter to stop the packing at once. You jump! You turn pale. I suppose you're shocked to hear me call it the right thing. I can't help it. I must speak the truth. It is the right thing. And the opposite thing is not only wrong; it's wicked, it's blasphemous, it's a crime. No. Don't interrupt me. You needn't think we're going over all the old, old arguments again."

"You have changed your mind rather swiftly," said Antonio, refusing to be suppressed. "Barely four hours ago you seemed to acquiesce in--"

"In my fate," she said, with a bitter laugh. "So I did. You worked on my feelings. Don't think me coarse and brutal; but I'll give you one illustration. You spread for me your cloak. Do you think I didn't see how old it was? When I thought of that, and of all the hardships you'd suffered, my heart broke and I cried and cried and cried like a baby. But I've changed my mind. I admire you as much as ever; but I don't admire the way you are going on. A man like you ought to have the best cloak in the world, and all the rest of the best things with it. You are a poet, you are a delicate gentleman. I see it every time you pour out a drop of wine or touch a flower. You would rejoice in exquisite things more than any woman."

"Shall I offend you, Isabel?" he asked, coloring up, "if I remind you that this talk is to be short? We are not getting on."

"Yes, we are getting on fast," she retorted. "I say that I hate the way you are living. To save money and to buy back this place for the Benedictines is all very well; but I say that your sacrifices are overdone, and that God must be grieved by your excesses. He has shown that you are not meant to be a monk. He has driven your brethren away, and instead of them he has sent you ... _me_. No. I'm not conceited. I don't think I'm wonderful. But I'm your destiny, and that's everything. You were not called to monasticism; you were called to _me_. That is, you were called to be a monk only to save you from the wrong woman, only until the appointed day should dawn for you and me to meet. It has dawned. Yes, Antonio, I can quote Scripture, and I don't quote it irreverently either. The day has dawned. And 'To-day if ye will hear His voice, harden not your heart.' If you do, it will be a sin; just as I suppose it's a sin for a man to harden his heart against the call to be a monk."

"No more of this, I pray," cried Antonio. "If there is some great new fact, let us have it; but let us not hark back to what we have threshed out already."

"Very well," she said. "Here is the great new fact. My father. What did I tell you about him? I told you that his next experiment will kill him. But there's only one way of snatching him out of peril. Pardon me for telling you that this abbey is mine. It was bought with my money, and I am, to some extent, mistress of my father's movements in Portugal. If I flatly decline to leave here; if I pension off Mrs. Baxter; and if ... if you do what is right by yourself and by me; then, and only then, will my father come down from the clouds and look facts in the face. If I go back to Lisbon, I go back to kill him."

Deeply pained, Antonio raised a hand to stop her. She took a step forward and looked at him with steady eyes, but with trembling lips.

"Do you think, do you truly believe, that I would say a thing like this if it were not true?" she demanded in low, quivering tones. "Oh, Antonio, I have always known it. In your heart you despise me. You think I'm so far sunk in shamelessness that I am taking the name of God in vain and concocting lies about my father's life, so as to scare you into marrying me."

"Before Heaven, Isabel, I think no such foul thought," he answered solemnly. "But I am puzzled. If this abbey is yours, not his; and if you are mistress of his movements; why not assert your authority without dragging in me? Why not pension off Mrs. Baxter and get a companion from England? Why not despatch a post to Lisbon to-night informing your father that you will be no party to his new scheme, and that you insist on his recruiting quietly here?"

"And you?" she demanded.

"I? No doubt we should meet sometimes."

"No doubt, no doubt," she echoed with scorching scorn. "We should meet sometimes, and talk about the weather. You nearly make me hate you. Have you blood in your veins or water? Have you a heart in your breast or a cold stone? I tell you this is a crime, it is a blasphemy. You call it religion: I call it a black sin against God."

Her terrible earnestness challenged Antonio to answer once and for all.

"Isabel," he said sternly. "Crime and blasphemy are hard words. You speak of God. I will speak of God too. If there is one thing I am sure of, it is that God has called me to live this life which I am living, and to do this work which I am doing. I am more sure of it than I am of these rocks under our feet. As for your father, God knows that I do not speak heartlessly; but your father's life is in God's hands, not mine. You can rid yourself of Mrs. Baxter and compel him to rest in England without forcing me to break my vows."

"Your vows, your precious vows, always your vows!" she cried, in anger and great contempt.

"Yes," he retorted instantly, "my vows, always my vows. They are precious to me indeed, and I will beg you not to speak of them lightly."

She faced him with increasing anger. But, before she could speak, Antonio suddenly repented himself of his sharpness.

"Isabel," he said, in quieter tones. "Think. You despise me for keeping my vows. But suppose I had vowed my vows to you. And suppose I should break them, for some other woman. What then?"

"I would kill her. And you too."

For a moment her wrathful excitement hindered her logical perceptions; but as soon as she recognized his meaning she cried:

"It's different, all different! I'm real; your Bride isn't. Besides, She has deserted you. She's run away, or She's dead. You are free."

"No, Isabel," he said. "Think again. Suppose to-day I should vow my vow to you. Suppose your father, or someone else, should pluck you suddenly from my side so that I could never find you again. Nay, more. Suppose you were untrue to me and that you abandoned me. Would you have me say: 'She has gone. I shall never see her again. To-morrow I will seek another bride?' No, Isabel, no. If you say Yes, I shan't believe it. I know your soul too well. Even if you broke yours, my vow would still be there, and you would despise me for not keeping it. Am I right or wrong?"

He had unguardedly lowered his tones to a perilous tenderness, and he was unconsciously gazing at her with the gaze she could never resist. Her lips lost their hardness and began to tremble, and her eyelids drooped over her eyes.

Antonio involuntarily recoiled from the danger. He knew in an instant that his fate was quivering in the balance. His heart had bled at every harsh word he spoke to her; and he knew that to sweep away the last shaken ruins of his defenses, she needed only to throw herself weeping into his arms. He knew that if she should once sob out, "Antonio, Antonio, don't send me away," his doom would then and there be sealed.

All this Antonio knew. But Isabel did not know it. His sudden movement of recoil stung her back into anger.

"Are you right or wrong?" she echoed bitterly. "You're right, of course. You always are. Even when you're wrong fifty times over, you can argue yourself into the right. I call it cowardly."

He exhaled a deep breath. The peril was past. Her scorn he could withstand.

"I have come to the end," she cried. "The very end. Listen. You are blighting my life, but I won't let you blight your own. Mark me well. This place is mine. These lands are mine. I have the right to go to-night and to set the whole abbey ablaze; and where will your work be then?"

The threat did not alarm him; but the cruelty of it, coming from such lips as hers, cut him to the marrow. He was on the point of retorting that the place was not hers at all, and that her father had deceived her on a wretched point of money. But her anguish was bitter enough without this new mortification; so he held his peace.

"I can make a bonfire of it this minute," she went on passionately. "I hate it. How I should love to see it blaze! But I won't. And I won't sell this place. And when I've left it on Thursday, I'll never come back till you seek me on your knees. Never!"

Still Antonio held his peace. Isabel picked up her little bag. But she did not turn immediately towards home. She stood awaiting his final word. When it failed to come her indignation rose to its climax.

"No!" she cried. "I've altered my mind. I will come back. I foresee the end. You will never seek me. You hate me. But I will come back. You'll go on slaving, slaving, starving, starving, praying, praying, and breaking hearts in the name of God. But I will come back. You'll succeed. You'll regain the abbey. You'll fill it with monks. But remember. I will come back. On the day of your triumph, I will be there. It isn't only you Southern people who love revenge. I will be there. I will come back!"

Antonio had been silently praying for sudden grace in his own dire need; but he ceased to pray for himself and prayed with all his soul for her. She turned to go.

They stood facing one another as they had stood so often during these two bitter days of their ordeal. Try as he would the monk could not conceal his agony of holy love; and under the spell of his gaze the devil of revengeful hate which had entered into Isabel rent her poor heart and fled away. They looked at each other a long time. Then, in a breaking voice, she said softly:

"Antonio. I don't hate you. I love you. This is the very last time. Do you send Isabel away? Is it true that I must go?"

With a sharp moan of anguish and with hands thrust out for mercy he gave his answer.

"For the love of Jesus Christ," he cried. "Go! And may the merciful God help us both!"

He closed his eyes in desperate prayer. But God and the Virgin Mother and the whole company of heaven seemed to have forsaken him. No light shown, no supernal fortitude came down. Instead of a vision of ministering angels, his mind's eyes saw only Isabel. Isabel, standing there. Isabel, weeping. Isabel, wounded to death by his cruel sword. Isabel, hoping against hope for his mercy. Isabel, his Isabel, rarer than gold, lovelier than the dawn, purer than snow, waiting to dart like a bird into the nest of his love.

He could fight no longer. Stepping one staggering step forward he held out his arms and opened his eyes.

She had vanished.

A moment later he caught sight of her pressing up the path above him. She was going swiftly, looking neither to the right hand nor to the left. Now and again a ray of the sinking sun shone upon her hair, till she seemed a queen crowned or a saint glorified.

With all his heart Antonio yearned to leap after her, to capture her like a shy creature of the woods, and to bear her back in triumph, seated on his shoulder as she had sat after the thunderstorm. But his limbs refused to obey. His feet seemed to have been rooted for centuries in the granite. He could not move an inch.

Two cypresses, which they had often halted to admire, hid her from his sight. A groan, which he could not stifle, broke from the monk. There was one more point in the path, one only, where she could reappear. Would she turn round? Would she look back? As he waited, red-hot pincers seemed to be working and worming within him as if they would have his heart out of his body. He felt as if he were bleeding at every pore.

She reappeared. She did not turn round. She did not look back. She was gone.

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AntonioChapter XIV: Book V: Isabel (3)

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