Chapter I: Preface

This book can lay no claim to unity of theme, since its subjects range from skyscrapers to symbols and soul states; but the author claims for it nevertheless a unity of point of view, and one (correct or not) so comprehensive as to include in one synthesis every subject dealt with. For according to that point of view, a skyscraper is only a symbol--and of what? A condition of consciousness, that is, a state of the soul. Democracy even, we are beginning to discover, is a condition of consciousness too.

Our only hope of understanding the welter of life in which we are immersed, as in a swift and muddy river, is in ascending as near to its pure source as we can. That source is in consciousness and consciousness is in ourselves. This is the point of view from which each problem dealt with has been attacked; but lest the author be at once set down as an impracticable dreamer, dwelling aloof in an ivory tower, the reader should know that his book has been written in the scant intervals afforded by the practice of the profession of architecture, so broadened as to include the study of abstract form, the creation of ornament, experiments with color and light, and such occasional educational activities as from time to time he has been called upon to perform at one or another architectural school.

The three essays included under the general heading of "Democracy and Architecture" were prepared at the request of the editor of _The Architectural Record_, and were published in that journal. The two following, on "Ornament from Mathematics," represent a recasting and a rewriting of articles which have appeared in _The Architectural Review, The Architectural Forum_, and _The American Architect_. "Harnessing the Rainbow" is an address delivered before the Ad. Club of Cleveland, and the Rochester Rotary Club, and afterwards made into an essay and published in _The American Architect_ under a different title. The appreciation of Louis Sullivan as a writer appears here for the first time, the author having previously paid his respects to Mr. Sullivan's strictly architectural genius in an essay in _House and Garden_. "Color and Ceramics" was delivered on the occasion of the dedication of the Ceramic Building of the University of Illinois, and afterwards published in _The Architectural Forum_. "Symbols and Sacraments" was printed in the English Quarterly _Orpheus_. "Self Education" was delivered before the Boston Architectural Club, and afterwards published in a number of architectural journals.

Acknowledgment is hereby tendered by the author to the editors of these various magazines for their consent to republication, together with thanks, however belated, for their unfailing hospitality to the children of his brain.

CLAUDE BRAGDON.

_August 1, 1918_.

CONTENTS

ARCHITECTURE AND DEMOCRACY

I. Before the War

II. During the War

III. After the War

ORNAMENT FROM MATHEMATICS

I. The World Order

II. The Fourth Dimension

HARNESSING THE RAINBOW

LOUIS SULLIVAN, PROPHET OF DEMOCRACY

COLOR AND CERAMICS

SYMBOLS AND SACRAMENTS

SELF-EDUCATION

LIST OF FULL PAGE ILLUSTRATIONS

Plate I. The Woolworth Building, New York

Plate II. The New York Public Library

Plate III. The Prudential Building, Buffalo, N.Y.

Plate IV. The Erie County Savings Bank, Buffalo, N.Y.

Plate V. The New York Central Terminal

Plate VI. Plan of the Red Cross Community Club House,
Camp Sherman, Ohio

Plate VII. Interior View of the Camp Sherman Community House

Plate VIII. Imaginative Sketch by Henry P. Kirby

Plate IX. Architectural Sketch by Otto Rieth

Plate X. 200 West 57th Street, New York

Plate XI. Imaginary Composition: The Portal

Plate XII. Imaginary Composition: The Balcony

Plate XIII. Imaginary Composition: The Audience Chamber

Plate XIV. Song and Light: An Approach toward "Color Music"

Plate XV. Symbol of Resurrection

Every form of government, every social institution, every undertaking, however great, however small, every symbol of enlightenment or degradation, each and all have sprung and are still springing from the life of the people, and have ever formed and are now as surely forming images of their thought. Slowly by centuries, generations, years, days, hours, the thought of the people has changed; so with precision have their acts responsively changed; thus thoughts and acts have flowed and are flowing ever onward, unceasingly onward, involved within the impelling power of Life. Throughout this stream of human life, and thought, and activity, men have ever felt the need to build; and from the need arose the power to build. So, as they thought, they built; for, strange as it may seem, they could build in no other way. As they built, they made, used, and left behind them records of their thinking. Then, as through the years new men came with changed thoughts, so arose new buildings in consonance with the change of thought--the building always the expression of the thinking. Whatever the character of the thinking, just so was the character of the building.

What is Architecture? A Study in the American People of Today, by LOUIS SULLIVAN.

Architecture and Democracy