Chapter XVI: A Court (3)

From that moment Catherine was a part of the studio, which, as we have said, she brightened and made cheerful with her childish ways, and enlivened by her unceasing activity. She had become almost indispensable to everybody, above all to Benvenuto. She it was who superintended and managed everything, scolding and caressing Ruperta, who was dismayed at her first appearance in the household, but ended by loving her as everybody else did.

The Erigone lost nothing by this arrangement. Having the model always at hand, Benvenuto had retouched and perfected it with greater care than he had ever before bestowed upon one of his statues, and had then carried it to François I., whose admiration knew no bounds, and who ordered him to execute it in silver. He subsequently conversed for a long time with the goldsmith, asked him if he was pleased with his studio, where it was situated, and whether there were beautiful things to be seen there; and when he dismissed him, he determined in his own mind to take him by surprise some morning, but said nothing to him of his intention.

Thus did matters stand when this history opens,--Benvenuto working, Catherine singing, Ascanio dreaming, and Pagolo praying.

On the day following that on which Ascanio returned home so late, thanks to his excursion in the neighborhood of the Hôtel de Nesle, there was a loud knocking at the street door. Dame Ruperta at once rose to answer the summons, but Scozzone (the reader will remember that this was the name given to Catherine by Benvenuto) was already out of the room.

A moment later they heard her voice, half joyous, half terrified, crying,--

"O mon Dieu! master! mon Dieu! it is the king! The king in person has come to see your studio!"

And poor Scozzone, leaving all the doors open behind her, reappeared, pale and trembling, on the threshold of the workshop, where Benvenuto was at work, surrounded by his pupils and apprentices.

V

GENIUS AND ROYALTY

In very truth, François I. was entering the courtyard with all his retinue. He led by the hand the Duchesse d'Etampes. The King of Navarre followed with the Dauphine, Catherine de Medicis. The Dauphin, afterwards Henri II., came next, with his aunt, Marguerite de Valois, Queen of Navarre. Almost all the nobility accompanied them.

Benvenuto went to meet them, without confusion or embarrassment, and welcomed the king, princes, great lords, and beautiful women as a friend welcomes friends. And yet there were in the throng the most illustrious names of France, and the most resplendent beauties in the world. Marguerite charmed, Madame d'Etampes entranced, Catherine de Medicis astonished, Diane de Poitiers dazzled. But Benvenuto was familiar with the purest types of antiquity and of the sixteenth century in Italy, even as the beloved pupil of Michel-Angelo was accustomed to the society of kings.

"You must needs permit us, madame, to admire by your side the marvels we are to behold," said François I. to the Duchesse d'Etampes, who replied with a smile.

Anne de Pisseleu, Duchesse d'Etampes, who since the king's return from his captivity in Spain had succeeded the Comtesse de Châteaubriand in his favor, was at this time in all the splendor of a truly royal loveliness. Her figure was erect and graceful, and she carried her charming head with a dignity and feline grace which recalled at once the cat and panther, which she also resembled in her habit of pouncing upon one unexpectedly, and in her murderous appetites. With all this the royal courtesan was very clever at assuming an air of sincerity and candor which would disarm the most suspicious. Nothing could be more mobile or more treacherous than the features of this pale-lipped woman, to-day Hermione, to-morrow Galatea, with her smile, sometimes cajoling, sometimes terrible,--her glance, at one moment caressing and suggestive, and the next flaming with wrath. She had a habit of raising her eyelids so slowly that one could never tell whether they would disclose a languorous or a threatening expression. Haughty and imperious, she subjugated François I. by holding his passions enthralled; proud and jealous, she insisted that he should call upon the Comtesse de Châteaubriand to return the jewels he had given her; by returning them in the form of bullion, the lovely and melancholy countess did at least protest against the profanation. Supple and deceitful, she had closed her eyes more than once when the king's capricious fancy seemed to distinguish some charming young woman at court, whom, however, he invariably abandoned very soon to return to his beautiful enchantress.

"I was in haste to see you, Benvenuto, for two months have now passed since your coming to our realm, and vexatious affairs of state have since that time forbade my turning my thoughts to things artistic. Impute it to my brother and cousin, the Emperor, who gives me not a moment of repose."

"If it is your will, Sire, I will write to him, and pray that he will give you time to be a great friend to art, since you have proved to him ere this that you are a mighty captain."

"Pray, do you know Charles V.?" inquired the King of Navarre.

"Four years since, Sire, I had the honor, being then at Rome, to present a missal of my making to his sacred Majesty, and make a speech to him which seemed to touch him nearly."

"What said his sacred Majesty to you?"

"He said that he already knew me from having seen upon the Pope's cope, three years before, a carved stud, which did me honor."

"Ah! I see that you are spoiled for royal compliments," said François I.

"Sire, 't is true that I have had the fortune to please many cardinals, grand dukes, princes, and kings."

"Prithee, show me your beautiful designs, that I may see if I shall not be a harder judge to please than others."

"Sire, I have had very little time; however, here are a vase and silver basin which I have commenced, and which are perhaps not too unworthy of your Majesty's attention."

The king examined the two works of art for five minutes without a word. It seemed that the handiwork made him forget the workman. At last, as the ladies gathered curiously about him, he spoke.

"See, mesdames," he cried, "what marvellous workmanship! Observe the hold and novel shape of this vase! What ingenuity and marvellous modelling in the bas-reliefs and bosses, mon Dieu! Especially do I admire the beauty of the lines; and see how true to life and how diverse are the attitudes of the figures! Look at the one holding her arms over her head; the fugitive gesture is so naturally seized that one wonders that she doesn't continue the movement. In very truth, I believe that the ancients never did anything so fine. I remember the best works of antiquity, and those of the most eminent artists of Italy; but nothing ever made so deep an impression upon me as this. O Madame de Navarre, I pray you look at this pretty child lost among the flowers, and waving her little foot in the air; how graceful and pretty and instinct with life it all is!"

"Others have complimented me, great king," cried Benvenuto, "but you understand me!"

"Have you aught else!" asked the king, greedily.

"Here is a medallion representing Leda and her swan, made for Cardinal Gabriel Cesarini; and here a seal cut in intaglio, representing Saint John and Saint Ambrose; this is a reliquary, enamelled by myself--"

"Do you strike medals?" interposed Madame d'Etampes.

"As Cavadone of Milan did, madame."

"And you work in enamel?" said Marguerite.

"Like Amerigo of Florence."

"And you engrave seals?" inquired Catherine.

"Like Lantizco of Perouse. Pray, did you think, madame, that my talent is confined to the production of tiny golden toys and great silver pieces? I can do a little of everything, God be praised! I am a passable military engineer, and I have twice prevented the capture of Rome. I can turn a sonnet prettily, and your Majesty has but to order me to compose a poem, provided that it be in praise of yourself, and I will undertake to execute it neither better nor worse than if my name were Clement Marot. As to music, which my father taught me with a stick, I found the method an admirable one, and I am so good a performer on the flute and cornet that Clement VII. employed me among his musicians at the age of twenty-four. Furthermore, I discovered the secret of compounding an excellent powder, and I can also make beautiful carbines and surgical instruments. If your Majesty is at war, and chooses to employ me as man-at-arms, you will find that I am not to be despised in that capacity, and that I know as well how to handle an arquebus as to sight a culverin. As a hunter I have brought down my twenty-five peacocks in a day, and as an artillerist I have freed the Emperor from the Prince of Orange, and your Majesty from the Connétable de Bourbon: traitors seem not to be fortunate when they encounter me."

"Of which exploit are you the prouder," the young Dauphin interrupted, "of having killed the constable or the twenty-five peacocks?"

"I am proud of neither, monseigneur. Like all other gifts, address is God-given, and I simply used my address."

"By my faith, I was ignorant that you had already rendered me so great a service," said the king,--"a service which, however, my sister Marguerite will be at great pains to pardon you. Was it indeed you who slew the Connétable de Bourbon? Prithee, how came it to pass?"

"Mon Dieu! it was the simplest thing in the world. The constable's army had arrived unexpectedly before Rome, and a vigorous assault upon the fortifications was in progress. I sallied forth, with a few friends, to watch the fighting. As I left my house, I instinctively put my arquebus over my shoulder. When we reached the walls of the city, I saw that there was nothing to be done; but, I said to myself, it shall not be said that I came hither to so little purpose. So I aimed my arquebus toward the point where I saw a numerous and compact group of soldiers, and singled out one who stood a head taller than his companions. He fell, and a great uproar at once arose, caused by the shot I had fired. I had, in truth, slain Bourbon. I learned afterward that it was he who towered above his companions."

While Benvenuto was relating this incident with a most indifferent air, the circle of lords and ladies of which he was the centre spread out somewhat, and they all gazed with respect, and almost with terror, at this unconscious hero. François I. alone remained at his side.

"And so, my dear fellow," he said, "I see that you loaned me your gallantry before consecrating your genius to me."

"Sire," Benvenuto rejoined with a smile, "I believe, in good sooth, that I was born to be your servitor. An incident of my early youth has always seemed to me to admit of no other interpretation. Your crest is a salamander, is it not?"

"Yes, with this device: _Nutrisco et extinguo_."

"Very well! When I was about five years old, I was sitting one day with my father in a small room where they had been scalding the lye, and where a rousing fire of young oak was still burning. It was very cold. Happening to glance at the fire, I espied a tiny creature like a lizard diverting itself in the spot where the heat was most intense. I pointed it out to my father, and my father--pray pardon me this detail of a somewhat brutal custom of my country--struck me a violent blow, and said to me, with great gentleness, 'I do not strike thee because thou hast done wrong, dear child, but so that thou mayst remember that the little lizard thou hast seen in the fire is a salamander. No human being has ever seen that animal save thou.' Was not that a premonition of fate, Sire? Indeed, I think I was predestined to do as I have done, for at the age of twenty I was about to set out for England, when the sculptor Pietro Torregiano, who was to take me thither, told me that in his youth he one day struck our Michel-Angelo in the face, on the occasion of some studio quarrel. Ah! I abandoned all thought of the journey then; not for a prince's title would I have travelled with one who had raised his hand against my great sculptor. I remained in Italy, and from Italy, instead of going to England, I came to France."

"France, proud of your choice, Benvenuto, will see to it that you do not sigh for your fatherland."

"Oh! my fatherland is art, and my prince he who commands the richest cup at my hands."

"Have you any beautiful work now in contemplation, Cellini?"

"O yes, Sire,--a Christ. Not a Christ upon the Cross, but Christ in His radiance and glory; and I shall copy as closely as possible the infinite beauty of the guise in which he revealed himself to me."

"What!" laughed Marguerite, the sceptic; "in addition to all the kings of earth, have you seen the King of Heaven, too?"

"Yes, madame," replied Benvenuto, with childlike simplicity.

"Oh! pray tell us of that," said the Queen of Navarre.

"Willingly, madame," said Benvenuto, with a confident air, which implied that it did not occur to him that any one could doubt any part of his story.

"Some time before," he continued, "I had seen Satan and all his legions, whom a necromancing friend of mine, a priest, evoked for me at the Coliseum. Indeed, we had much ado to rid ourselves of them. But the dread souvenir of those infernal apparitions was forever banished from my mind when, in answer to my fervent prayer, the blessed Saviour of mankind appeared to me, in a flood of sunlight, crowned with glory, and brought sweet consolation to me in the misery of my captivity."

"And are you sure beyond a peradventure," demanded the Queen of Navarre, "so sure that you have no shadow of doubt, that Christ really appeared to you?"

"I have no doubt of it, madame."

"In that case, Benvenuto, go on and fashion a Christ for our chapel," said François I., with his usual good humor.

"Sire, if your Majesty will so far indulge me, I pray you to order something different, and allow me to postpone the execution of that work."

"Why so?"

"Because I promised God to undertake it for no other sovereign than Him."

"_À la bonne heure!_ Be it so! Benvenuto, I need twelve candlesticks for my table."

"Ah! that is a different matter; and therein, Sire, you shall be obeyed."

"It is my wish that they should take the form' of twelve silver statues."

"The effect will be magnificent, Sire."

"They must represent six gods and six goddesses, and be of my own height."

"Why, your order is for a whole epic poem," said the Duchesse d'Etampes; "for a work of marvellous, surprising splendor, is it not, Monsieur Benvenuto?"

"I am never surprised, madame."

"I should be greatly surprised, my self," retorted the duchess, somewhat piqued, "if other sculptors than those of the olden time could carry such a task to completion."

"I hope, nevertheless, to execute it as satisfactorily as they could have done," rejoined Benvenuto, coolly.

"Oho! are you not inclined to boast a little, Monsieur Benvenuto?"

"I never boast, madame."

As he made this reply with perfect calmness, Cellini looked at Madame d'Etampes, and the haughty duchess lowered her eyes, in spite of herself, under that firm, assured glance, in which there was no trace of irritation. Her resentment was aroused by the consciousness of his superiority, to which she yielded even while resisting it, and without knowing in what it consisted. She had thought hitherto that beauty was the greatest power in the world; she had forgotten genius.

"What treasure," said she, with a bitter sneer, "would suffice to recompense such talent as yours?"

"None that I can command, i' faith," rejoined François I., "and apropos, Benvenuto, I remember that you have as yet received but five hundred crowns. Will you be content with the stipend which I allowed my painter, Leonardo da Vinci, seven hundred gold crowns yearly? I will pay over and above that for all works which you may execute for me."

"Sire, your offer is worthy such a king as François I., and--I venture to say it--of such an artist as Cellini. And yet I shall make so bold as to prefer a request to your Majesty."

"It is granted in advance, Benvenuto."

"Sire, I am but ill and narrowly accommodated in this edifice. One of my pupils has discovered a location much more favorably situated than this for the execution of such great works as my king may choose to command. The property in question belongs to your Majesty; it is the Grand-Nesle. It is at the disposal of the Provost of Paris, but he does not dwell therein; he occupies only the Petit-Nesle, which I will gladly leave in his possession."

"So be it, Benvenuto," said François; "take up your abode at the Grand-Nesle, and I shall have only to cross the river to talk with you and admire your masterpieces."

"Consider, Sire," interposed Madame d'Etampes, "that you thereby, for no motive, deprive a nobleman, and one devoted to my service, of property appertaining to his office."

Benvenuto glanced at her, and for the second time Anne lowered her eyes beneath that steady, piercing gaze. Cellini rejoined, with the same naïve good faith with which he had described the supernatural apparitions:--

"I, too, am of noble birth, madame; my family descends from a gallant officer, who held high rank under Julius Cæsar,--one Fiorino, of Cellino, near Montefiascone,--and who gave his name to Florence; while your provost and his ancestors, if my memory serves me, have never given their name to anything. However," continued Benvenuto, turning to François, and changing his expression and his tone, "it may be that I have made too hold it may be that I shall incur the hatred of powerful and influential persons, who, despite your Majesty's protection, may prove too strong for me at last. The Provost of Paris is said to have something very like an army at his orders."

"I have been told," the king interrupted, "that on a certain day, at Rome, one Cellini, a goldsmith, retained, in default of payment therefor, a silver vase ordered by Monsieur Farnese, then cardinal, and to-day Pope."

"It is true, Sire."

"Furthermore, that the cardinal's whole household stormed the goldsmith's studio, sword in hand, with the design of carrying away the vase by force."

"That, too, is true."

"But this Cellini, in ambush behind the door, armed with his carbine, did defend himself so valorously that he put Monseigneur le Cardinal's people to flight; and was paid by the cardinal on the following day."

"All that, Sire, is strictly true."

"Very good! are not you the Cellini in question?"

"Yes, Sire; let your Majesty but continue to bestow your favor upon me and nothing has any power to terrify me."

"In that case, go straight before you," said the king, smiling in his beard; "go where you will, since you are of noble blood."

Madame d'Etampes said no more, but she registered a mental vow of deadly hatred to Cellini from that moment,--the hatred of an offended woman.

"One last favor, Sire," said Cellini. "I cannot present all my workmen to you; they are ten in number, some French, some German, all worthy, talented comrades. But here are my two pupils whom I brought from Italy with me, Pagolo and Ascanio. Come forward, Pagolo, and raise your head and your eyes a little; not impertinently, but like an honest man who has no evil action to blush for. This good fellow lacks inventive genius perhaps, Sire, and is slightly lacking in earnestness, too; but he is a careful, conscientious artist, who works slowly, but well, who comprehends my ideas perfectly, and executes them faithfully. And this is Ascanio, my noble-hearted, amiable pupil, and my beloved child. It is doubtless true that he has not the vigorous creative faculty which will represent in a bas-relief the serried ranks of two hostile armies meeting in deadly encounter, and tearing each other to pieces, or lions and tigers clinging with claws and teeth to the edge of a vase. Nor has he the original fancy which invents horrible chimeras and impossible dragons. No; but his soul, which resembles his body, has the instinct of a divine ideal, so to speak. Ask him to design an angel, or a group of nymphs, and no one can equal the exquisite poesy and grace of his work. With Pagolo I have four arms, with Ascanio I have two souls; and then he loves me, and I am very happy to have always by my side a pure and devoted heart like his."

While his master was speaking, Ascanio stood near him, modestly, but without embarrassment, in an attitude of unstudied grace, and Madame d'Etampes could not remove her eyes from the fascinating young Italian, black-eyed and black-haired, who seemed a living copy of Apollino.

"If Ascanio," said she, "understands grace and beauty so well, and if he cares to come some morning to the Hôtel d'Etampes, I will furnish him with precious stones and gold, with which he may cause some marvellous flower to bloom for me."

Ascanio bowed and thanked her with a glance.

"And I," said the king, "grant to him, as well as to Pagolo, a yearly pension of one hundred crowns."

"I undertake to make them earn their pension, Sire," said Benvenuto.

"But who is the lovely child with the long eyelashes, hiding yonder in the corner?" said François, spying Scozzone for the first time.

"Oh, pay no attention to her, Sire," replied Benvenuto, with a frown; "she is the only one of the beautiful things in this studio whom I like not to have noticed."

"Aha! you are jealous, my Benvenuto."

"Mon Dieu! Sire, I like not that any hand should be laid upon my property; to compare small things with great, it is as if some other should dare to think of Madame d'Etampes; you would be furious, Sire. Scozzone is my duchess."

The duchess, who was gazing at Ascanio, bit her lips at this unceremonious interruption. Many courtiers smiled in spite of themselves, and all the ladies giggled. As for the king, he laughed outright.

"Foi de gentilhomme! your jealousy is within its right, Benvenuto, and an artist and a king may well understand each other. Adieu, my friend: I commend my statues to your attention. You will commence with Jupiter, naturally, and when you have finished the model you will show it to me. Adieu, and good luck! We will meet at the Hôtel de Nesle."

"To bid me show you the model is a simple matter, Sire; but how shall I gain entrance to the Louvre?"

"Your name will be given at the gates, with orders to introduce you to my presence."

Cellini bowed, and with Pagolo and Ascanio, escorted the king and court to the street. At the door he knelt and kissed the king's hand.

"Sire," he said with deep feeling, "you have heretofore saved me from captivity, perhaps from death, through the intervention of Monseigneur de Montluc; you have overwhelmed me with wealth, you have honored my poor studio with your presence; but far more than all this, Sire, is the fact, and I know not how to thank you that it is so, that you so magnificently anticipate all my dreams. We ordinarily work only for a chosen few scattered through the centuries, but I shall have, had the signal honor of finding a living judge, always present, always enlightened. Until now I have been only the workman of the future; permit me henceforth to call myself your Majesty's goldsmith."

"My workman, my goldsmith, my artist, and my friend, Benvenuto, if the last title seems to you no more deserving of contempt than the others. Adieu, or rather, _au revoir_."

It is needless to say that all the princes and nobles followed the example set by the king, and loaded Cellini with flattery and offers of friendship.

When all were gone, and Benvenuto was left alone in the courtyard with his pupils, they thanked him, Ascanio effusively, Pagolo with something very like constraint.

"Nay, do not thank me, my children, it's not worth while. But look you, if you do in truth consider yourselves under any obligation to me, I wish, since this subject of conversation was introduced to-day, to ask a service at your hands; it relates to something which I have very much at heart. You heard what I said to the king apropos of Catherine, and what I said to him truly expressed the deepest feeling of my heart. The child is necessary to my life, my friends; to my life as an artist, because, as you know, her services as a model are offered so freely and joyously; to my life as a man, because I think that she loves me. I pray you, therefore, although she is beautiful, and although you are young, as she also is, do not let your thoughts rest upon Catherine; there are enough other lovely girls in the world. Do not tear my heart, do not insult my affection by casting bold glances upon my Scozzone; nay, rather watch over her in my absence, and advise her as if you were her brothers. I conjure you, observe my wishes herein, for I know myself and my feeling in this matter, and I swear before God, that if I should discover aught amiss, I would kill her and her accomplice."

"Master," said Ascanio, "I respect you as my master, and I love you as my father; have no fear."

"Blessed Jesus!" cried Pagolo, clasping his hands, "may God preserve me from thinking of such an infamous action! Do I not know that I owe everything to you, and would it not be a crime thus to abuse your sacred confidence in me, and to repay your benefactions by such dastardly treachery?"

"Thanks, my friends," said Benvenuto, pressing their hands. "I have perfect faith in you, and I am content. Now, Pagolo, return to your work, for I have promised the seal at which you are working to M. de Villeroi for to-morrow; while Ascanio and myself pay a visit to the estate which our gracious king has bestowed upon us, and of which we will take possession on Sunday next, peaceably or by force."

Then he turned to Ascanio.

"Come, Ascanio," said he, "let us go and see if this Nesle habitation, which seemed to you so eligible in its external aspect, has internal appointments corresponding to its reputation."

Before Ascanio had time to offer any observation, Benvenuto, with a parting glance over the studio to see if every workman was in his place, and a light tap upon Scozzone's plump, rosy cheek, passed his arm through his pupil's, drew him toward the door, and went out with him.

VI

TO WHAT USE A DUENNA MAY BE PUT

They had taken hardly ten steps in the street, when they met a man of some fifty years, rather short of stature, but with a handsome, mobile countenance.

"I was about to call upon you, Benvenuto," said the new arrival, whom Ascanio saluted with respect, mingled with veneration, and whose hand Benvenuto cordially grasped.

"Is your business of importance, my dear Francesco?" said the goldsmith. "In that case, I will return with you; or was it for no other purpose than a friendly call? In that case, come with us."

"It was to proffer you some friendly advice, Benvenuto."

"I will gladly listen. Advice is always a good thing to receive when it is proffered by a friend."

"But that which I have to give you is for no other ear than yours."

"This youth is another myself, Francesco; say on."

"I would already have done so, had I thought that I ought to do it," replied Benvenuto's friend.

"Pardon, master," said Ascanio, discreetly moving apart.

"Very well; go alone whither I purposed going with you, dear boy," said Benvenuto; "as you know, when you have seen a thing it is as if I had myself seen it. Look most carefully into every detail: see if the studio will have a good light, if the courtyard will be a convenient place for a furnace, and if it will be possible to separate our workshop from that of the other apprentices. Do not forget the tennis-court."

With that Benvenuto passed his arm through the stranger's, waved his hand to Ascanio, and returned to the studio, leaving the young man standing in the middle of Rue Saint-Martin.

In very truth there was in the commission intrusted to him by his master more than enough to embarrass Ascanio. His embarrassment was by no means slight, even when Benvenuto proposed that they should make the visit of inspection in company. Judge, then, what it became when he found himself confronted with the prospect of making it all alone. He had watched Colombe two Sundays without daring to follow her, had followed her on the third without daring to accost her, and now he was to present himself at her home; and for what purpose? To examine the Hôtel de Nesle, which Benvenuto proposed, by way of pastime, to take from Colombe's father on the following Sunday, willy-nilly.

It was a false position for anybody; it was terrible for a lover.

Fortunately it was a long distance from Rue Saint-Martin to the Hôtel de Nesle. Had it been only a step or two, Ascanio would not have taken them; but it was a half-league, so he started.

Nothing so familiarizes one with danger as to be separated from it by a considerable time or distance. To all strong minds and happy dispositions, reflection is a powerful auxiliary. Ascanio belonged to the latter class. In those days it was not fashionable to be disgusted with life before one had fairly entered upon it. All the impulses were ingenuous and ingenuously expressed,--joy by laughter, sorrow by tears. Affectation was a thing almost unknown, in life as in art, and a comely youth of twenty was in no wise ashamed in those days to confess that he was happy.

But in all Ascanio's embarrassment there was a certain amount of joy. He had not expected to see Colombe again until the following Sunday, and he was to see her that very day. Thus he had gained six days, and six days of waiting are, as everybody knows, six centuries according to a lover's reckoning.

And so, as he approached his destination, the affair became more simple in his eyes. He it was, to be sure, who had advised Benvenuto to ask the king for the Hôtel de Nesle for his studio, but could Colombe take it ill of him that he had desired to be near her? This installation of the Florentine goldsmith in the old palace of Amaury could not, it was true, be carried out without interference with Colombe's father, who looked upon it as his own; but would any real injury be inflicted upon Messire Robert d'Estourville when he did not occupy it? Moreover, there were a thousand ways in which Benvenuto could pay for his occupancy;--a chased cup for the provost, a necklace for his daughter (and Ascanio would undertake to make the necklace), might, and undoubtedly would, in that artistic age, make the rough places smooth. Ascanio had seen grand dukes, kings, and popes ready to give their coronets, sceptres, or tiaras as the price of one of the marvellous examples of his master's art. After all, then, supposing that matters should take that course, Messire Robert would eventually be in Master Benvenuto's debt; for Master Benvenuto was so generous that, if Messire Robert showed a disposition to be courteous and compliant, Ascanio was certain that he, Master Benvenuto, would deal right royally with him.

By the time he reached the end of Rue Saint-Martin, Ascanio looked upon himself as a messenger of peace, chosen by the Lord to maintain harmonious relations between two powers.

And yet, notwithstanding that conviction, Ascanio was not sorry--surely lovers are strange creatures--to lengthen his journey by ten minutes, and instead of crossing the Seine by boat, he walked the whole length of the quays, and crossed by the Pont aux Moulins. It may be that he chose that road because it was the same he had taken the evening before when following Colombe.

Whatever his motive for making the detour, he finally found himself in front of the Hôtel de Nesle in about twenty minutes.

But when he saw the little ogive door that he must pass through, when he saw the turrets of the lovely little Gothic palace boldly raising their heads above the wall, when he thought that behind those jalousies, half closed because of the heat, was his beautiful Colombe, the whole card-house of happy dreams which he had built on the road vanished like the structures one sees in the clouds, and which the wind overturns with one blow of its wing; he found himself face to face with reality, and reality did not seem to him the most reassuring thing in the world.

However, after a few moments of hesitation--hesitation which is the harder to understand, in that he was absolutely alone upon the quay in the intense heat--he realized that he must make up his mind to do something. As there was nothing for him to do but find his way into the hotel, he walked to the door and raised the knocker. But God only knows when he would have let it fall, had not the door chanced to open at that moment, bringing him face to face with a sort of Master Jacques, a man about thirty years of age, half servant, half peasant. It was Messire Robert d'Estourville's gardener.

Ascanio and the gardener mutually recoiled a step.

"What do you want?" said the gardener; "whom do you seek?"

Ascanio, thus compelled to go forward with his mission, summoned all his courage, and replied bravely:--

"I desire to inspect the hotel."

"To inspect the hotel!" cried the gardener in amazement; "in whose name?"

"In the king's name!" Ascanio replied.

"In the king's name!" cried the gardener. "Jesus-Dieu! does the king intend to take it from us?"

"Perhaps so!"

"But what does it mean?"

"Pray understand, my friend," said Ascanio, with a self-possession upon which he mentally congratulated himself, "that I have no explanation to give you."

"True. With whom do you desire to speak?"

"Is Monsieur le Prévôt within?" inquired Ascanio, knowing perfectly well that he was not.

"No, Monsieur; he is at the Châtelet."

"Indeed! Who takes his place in his absence?"

"His daughter is here; Mademoiselle Colombe."

Ascanio felt that he was blushing to his ears.

"And there is Dame Perrine, too," the gardener continued. "Does Monsieur desire to speak with Dame Perrine or with Mademoiselle Colombe?"

This was a very simple question, surely, and yet it caused a terrible conflict in Ascanio's mind. He opened his mouth to say that he wished to see Mademoiselle Colombe, and yet it was as if the audacious words refused to pass his lips, and he asked for Dame Perrine. The gardener, who had no suspicion that his question, which seemed so simple to him, had caused such a disturbance, bowed in token of obedience, and went across the courtyard toward the door of the Petit-Nesle. Ascanio followed him.

He had to cross a second courtyard, pass through a second door, then cross a small flower garden, ascend a flight of steps, and traverse a long gallery. At the end of the gallery the gardener opened the door and said:--

"Dame Perrine, here is a young gentleman, who asks to inspect the hotel, in the king's name."

With that he stood aside and made room for Ascanio, who took his place in the doorway.

As he glanced into the room, a cloud passed before his eyes, and he leaned against the door frame for support. A very simple, and yet entirely unforeseen thing had happened; Dame Perrine was with Colombe, and he found himself in the presence of both.

Dame Perrine was sitting at the spinning-wheel, spinning. Colombe was at work at her embroidery frame. They raised their heads at the same instant and looked toward the door.

Colombe instantly recognized Ascanio. She expected him, although her reason told her that he was not likely to come. As for him, when he saw the maiden's eyes raised to his face, although their expression was infinitely soft and sweet, it seemed to him that he was dying.

The fact is, that he had anticipated a thousand difficulties, had dreamed of a thousand obstacles to be surmounted before he could win his way to his beloved. Those obstacles would have aroused all his energy and strengthened his resolution; and lo! everything came about as naturally and simply as if God, touched by the purity of his passion, had smiled upon it and blessed it from the first. He found himself in her presence when he was least expecting it, and of all the beautiful speech he had prepared, the fervent eloquence of which was to amaze and move her, he could not recall a phrase, a word, a syllable.

Colombe, for her part, sat motionless and dumb. The two pure-souled young creatures, who, as if they had been already joined in wedlock in heaven, felt that they belonged to one another, and who, when once their lives had brought them close together, would thenceforth form, like Salmacis and Hermaphrodite, but one existence, were terrified at their first meeting, trembled, hesitated, and stood face to face unable to find words.

Dame Perrine, half rising from her chair, and preparing to put aside her spinning, was the first to break the silence.

"What did that blockhead Raimbault say?" cried the worthy duenna. "Did you hear, Colombe?" As Colombe did not reply, she continued, walking toward Ascanio: "What is your pleasure here, my young master? Why, God forgive me!" she suddenly exclaimed, as she recognized the visitor, "it's the gallant youth who so politely handed me the holy water at the church door these last three Sundays! What is your pleasure, my handsome friend?"

"I would be glad to speak with you," faltered Ascanio.

"With me alone?" queried Dame Perrine coquettishly.

"With you--alone--"

As he made this reply Ascanio told himself that he was a consummate ass.

"Come this way, then, young man," said Dame Perrine, opening a door at the side of the room, and signing to Ascanio to follow her.

Ascanio did as she bade him, but as he left the room he cast upon Colombe one of those long, eloquent glances wherein lovers can say so much, and which, however unintelligible they may be to indifferent observers, are always understood at last by the person to whom they are addressed. Colombe undoubtedly lost no portion of its meaning, for her eyes, how she knew not, having met the youth's, she blushed prodigiously, and when she felt that she was blushing, she cast her eyes down upon her embroidery, and began to mangle a poor inoffensive flower. Ascanio saw the blush, and, stopping abruptly, stepped toward Colombe; but at that moment Dame Perrine turned and called him, and he was compelled to follow her.

He had no sooner crossed the threshold of the door than Colombe dropped her needle, let her arms fall beside her chair, threw back her head, and breathed a long sigh, in which were mingled, by one of those inexplicable miracles which the heart alone can perform, regret at Ascanio's departure, and a sort of relief to feel that he was no longer there.

The young man was very perceptibly in a bad humor; with Benvenuto, who had given him such a strange commission to fulfil; with himself, for his inability to take advantage of his opportunity; but most of all with Dame Perrine, who was cruel enough to make him leave the room just when Colombe's eyes seemed to bid him remain.

So it was that, when the duenna inquired as to the purpose of his visit, Ascanio replied in a most deliberate manner, determined to be revenged upon her for his own bungling:--

"The purpose of my visit, my dear Madame, is to beg you to show me the Hôtel de Nesle from one end to the other."

"Show you the Hôtel de Nesle!" cried Dame Perrine; "why, in Heaven's name, do you desire to see it?"

"To see if it will be convenient for us, if we shall be comfortable here, and if it is worth while for us to leave our present quarters to come and live here."

"What! come and live here! Pray have you hired the hotel of Monsieur le Prévôt?"

"No, but his Majesty gives it to us."

"His Majesty gives it to you!" exclaimed Dame Perrine, more and more amazed.

"Absolutely," replied Ascanio.

"To you?"

"Not precisely, my good woman, but to my master."

"And who is your master, if I may ask, young man? Some great foreign nobleman, no doubt?"

"Better than that, Dame Perrine,--a great artist, come hither from Florence, expressly to serve his Most Christian Majesty."

"Aha!" said the good woman, who did not understand very well; "what does your master make?"

"What does he make? Why, he makes everything: rings to put on maidens' fingers; ewers to put upon kings' tables; statues to place in the temples of the gods; and in his leisure moments he besieges or defends cities, as his caprice leads him to cause an emperor to tremble, or to reassure a pope."

"Jésus Dieu!" cried Dame Perrine: "what is your master's name?"

"His name is Benvenuto Cellini."

"It's strange that I don't know that name," muttered the duenna; "what is his profession?"

"He is a goldsmith."

Dame Perrine gazed wonderingly at Ascanio.

"A goldsmith!" she muttered, "a goldsmith! And do you fancy that Monsieur le Prévôt will give up his palace like this to a--goldsmith?"

"If he doesn't give it up, we will take it."

"By force?"

"Even so."

"But your master will hardly dare to contend against Monsieur le Prévôt, I trust."

"He has contended against three dukes and two popes."

"Jésus Dieu! Two popes! He's not a heretic surely?"

"He is as good a Catholic as you and I, Dame Perrine: have no fear on that score; Satan is in no wise our ally. But in default of the devil, we have the king on our side."

"So! but Monsieur le Prévôt has a more powerful protector than the king."

"Whom has he, pray?"

"Madame d'Etampes."

"Then we are on equal terms," said Ascanio.

"But suppose Messire d'Estourville refuses?"

"Master Benvenuto will take."

"And suppose Messire d'Estourville shuts himself up here as in a citadel?"

"Master Cellini will lay siege to it."

"Consider that the provost has twenty-four sergeants-at-arms."

"Master Benvenuto Cellini has ten apprentices: still we are on equal terms, you see, Dame Perrine."

"But Messire d'Estourville is personally a sturdy fighter. At the tournament which took place at the time of the marriage of François I., he was one of the challengers, and all those who dared measure swords with him were unhorsed."

"Ah well! Dame Perrine, then he is just the man for Benvenuto, who has never met his match, and who, like Messire d'Estourville, always unhorses his adversaries. But there is this difference between them: a fortnight afterward, they who have encountered your provost are on their legs again in good health and spirits, while they who have my master to deal with never raise their heads again, and three days after are dead and buried."

"Evil will come of this! evil will come of this!" muttered Dame Perrine. "Young man, they say that fearful things are done in cities taken by assault."

"Have no fear on that head, Dame Perrine," rejoined Ascanio with a smile. "You will have to do with generous conquerors."

"What I mean, my dear child," said Dame Perrine, who was not sorry perhaps, to secure a friend among the besiegers, "is that I fear there may be bloodshed; for, so far as your proximity to us is concerned, you will understand that it cannot fail to be very agreeable to us, since society is somewhat scanty in this accursed desert to which Messire d'Estourville has consigned his daughter and myself, like two wretched nuns, although neither she nor I have taken the vows, thank God! It isn't good for man to be alone, so saith Holy Writ, and when Holy Writ mentions man, woman is included. Is not that your opinion, young man?"

"That goes without saying."

"And we are entirely alone, and therefore very doleful in this vast habitation."

"Why, do you receive no visitors here?" Ascanio asked.

"Jésus Dieu! it's worse than if we were nuns, as I told you. Nuns have parents at least, and friends who come and talk to them through the grating. They have the refectory where they can assemble and talk together. It's not very diverting, I know, but it's something nevertheless. But we have only Messire le Prévôt, who comes from time to time to lecture his daughter for growing too lovely, I think,--it's her only crime, poor child,--and to scold me because I don't watch her closely enough,--God save the mark! when she doesn't see a living soul in the world except myself, and, aside from what she says to me, doesn't open her mouth except to pray. I beg you, therefore, young man, not to say to any one that you have been admitted here, that you have inspected the Grand-Nesle under my guidance, or that you talked with us for an instant at the Petit-Nesle."

"What!" cried Ascanio, "after our visit to the Grand-Nesle, I am to return with you to the Petit? In that case I shall--" He checked himself, realizing that his joy was carrying him too far.

"I think it would not be courteous, young man, after presenting yourself, as you did, to Mademoiselle Colombe, who is the mistress of the house in her father's absence, and after asking to speak with me alone,--I do not think it would be courteous, I say, to leave the Hôtel de Nesle without taking leave of her. But if you prefer not to do so, you are quite at liberty, as you know, to go into the street directly from the Grand-Nesle, which has its own exit."

"No, no, no indeed!" cried Ascanio, eagerly. "Peste! I flatter myself, Dame Perrine, that I have been as well brought up as anybody on earth, and that I know what good breeding requires in one's treatment of ladies. But, let us do what we have to do, Dame Perrine, without a moment's delay, for I am in very great haste."

Indeed, now that Ascanio knew that he was to return by way of the Petit-Nesle he was in a great hurry to be done with the Grand. And as Dame Perrine was terribly afraid of being surprised by the provost when she least expected it, she had no inclination to delay Ascanio! so she took down a bunch of keys from behind a door, and walked on before him.

Let us, in company with Ascanio, east a hasty glance at this Hôtel de Nesle, where the principal scenes of our narrative will be laid.

The Hôtel, or rather the Séjour de Nesle, as it was more commonly called at that time, occupied, as our readers already know, the site on the left bank of the Seine, on which the Hôtel de Nevers was subsequently built, to be in its turn succeeded by the Mint and the Institute. It was the last building in Paris toward the southwest, and beyond its walls nothing could be seen save the city moat, and the verdant lawns of the Pré-aux-Clercs. It was built by Amaury, Lord of Nesle in Picardie, toward the close of the eighth century. Philippe le Bel bought it in 1308 and made it his royal residence. In 1520 the Tour de Nesle, of bloody and licentious memory, was separated from it, when the quay, the bridge over the moat, and the Porte de Nesle were constructed, and thenceforth the grim tower stood alone upon the river bank, like a sinner doing penance.

But the Séjour de Nesle luckily was so vast that the lopping off of part of it was not noticed. It was as large as a small village; a high wall, pierced by a broad ogive door and a smaller servants' door, protected it on the side of the quay. On entering you found yourself at first in an immense courtyard surrounded by walls; there was a door in the wall at the left, and one at the back. Passing through the door at the left, as Ascanio did, you came to a charming little building in the Gothic style of the fourteenth century; it was the Petit-Nesle, which had its own separate garden. If, on the other hand, you passed through the door in the rear wall, you saw at your right the Grand-Nesle,--all of stone, and flanked by two turrets,--with its high peaked roofs, surrounded by balustrades, its angular façade, its high windows with glass of many colors, and its twenty weather-vanes crying in the wind; there was room enough to provide accommodation for three bankers of to-day.

If you went on, you lost yourself in all sorts of gardens, and you found among them a tennis-court, a bowling-green, a foundry, and an arsenal; and still farther on the stable-yards, stables, cattle-sheds, and sheepfolds; there was accommodation for the establishments of three farmers of to-day.

The whole property, it should be said, was sadly neglected, and consequently in very bad condition, for Raimbault and his two assistants hardly sufficed to take proper care of the garden belonging to the Petit-Nesle, where Colombe raised flowers, and Dame Perrine vegetables. But the whole was of vast extent, well lighted, and substantially built, and with a slight outlay of trouble and money, it could be made the finest workshop in the world.

Even if the place had been infinitely less suitable, Ascanio would have been none the less enchanted with it, as his principal desire was to be brought near to Colombe.

His visit to the larger building was made very short: in less time than it takes to write it, the active youth saw everything that there was to see, and formed an opinion upon everything that he saw. Dame Perrine, finding it impossible to keep pace with him, good-naturedly handed him the keys, which he faithfully restored to her when his investigation was at an end.

"Now, Dame Perrine," said he, "I am at your service."

"Very good: let us return for a moment to the Petit-Nesle, as you agree with me that it is the proper thing to do."

"I should say as much! It would be extremely discourteous to do otherwise."

"But not a word to Colombe of the object of your visit."

"Mon Dieu! what shall I say to her, then?" cried Ascanio.

"You're easily embarrassed, my handsome lad. Did you not tell me that you are a goldsmith?"

"Indeed, yes."

"Very well, talk to her about jewels; that is a subject that always gladdens the heart of the most virtuous maiden. She is or is not a true daughter of Eve, and if she is a true daughter of Eve she loves anything that glitters. Besides, she has so little diversion in her solitude, poor child! that it would be a blessing to entertain her a little. To be sure, the most suitable entertainment for a girl of her age would be a good marriage; and Master Robert never comes hither that I do not whisper in his ear, 'Find a husband for the poor dear; pray find a husband for her.'"

Without stopping to consider what conjectures as to the relations between herself and the provost might be set on foot by this declaration of her familiar manner of addressing him, Dame Perrine led the way back to the Petit-Nesle and to the room where they had left Colombe.

Colombe was still absorbed in thought, and in the same attitude in which we left her. But no one knows how many times she had raised her head and fixed her eyes upon the door through which the comely youth had gone from her sight; any one who had observed these oft-repeated glances might have thought that she was expecting him. But as she saw the door turning upon its hinges, Colombe went about her work once more so earnestly that neither Dame Perrine nor Ascanio could suspect that it had been interrupted.

How she had divined that the young man was following the duenna is something that might have been explained by magnetism, if magnetism had then been invented.