Chapter IV: A Child of the Age, by Francis Adams

V. The Great God Pan and the Inmost Light, by Arthur Machen, also
unfinished sketch in pencil upon the back of the finished design.

VI. Discords, by George Egerton.

VII. Prince Zaleski, by M. P. Shiel.

VIII. The Woman who Did, by Grant Allen.

IX. Women's Tragedies, by H. D. Lowry, 1895.

X. Grey Roses, by Henry Harland.

XI. At the First Corner, and other Stories, by H. B. Marriott Watson.

XII. Monochromes, by Ella D'Arcy.

XIII. At the Relton Arms, by Evelyn Sharp.

XIV. The Girl from the Farm, by Gertrude Dix.

XV. The Mirror of Music, by Stanley V. Makower.

XVI. Yellow and White, by W. Carlton Dawe.

XVII. The Mountain Lovers, by Fiona Macleod.

XVIII. The Woman who Didn't, by Victoria Crosse.

XIX. Nobody's Fault, by Netta Syrett.

XX. The Three Impostors, by Arthur Machen.

XXI. The British Barbarians, a hill-top novel, by Grant Allen.

XXII. Platonic Affections, by John Smith.

Design for wrapper of "Keynotes" series, John Lane, 1896.

(With the exception of No. 2 all the above Keynotes designs are
the property of John Lane, Esq.)

70. THE BARBAROUS BRITISHERS, a tip-top novel, by H. D. Traill. Title-page
design (the same employed for the cloth cover), comprising a portrait
of Miss Ada Lundberg, the whole being a parody of the design for
"The British Barbarians," _vide supra_. John Lane, 1896. (Property
of John Lane, Esq.) Reproduced in "Early Work."

71. THREE HEADPIECES, two of which appeared in _St Paul's_, April 2nd,
1898, the other in the same paper, April 9th, 1898. All three
republished in "Early Work." (Property of Henry Reichardt, Esq.)
1893-4.

72. WOMEN REGARDING A DEAD MOUSE. Three-quarter figure in leaden grey.
Unfinished painting in oils, the only experiment the artist ever made
in this medium; influenced by Walter Sickert. _c._ 1894.

73. MENU OF THE TENTH ANNUAL DINNER OF THE PLAYGOERS' CLUB IN LONDON. Two
drawings, one of them only reproduced in "Early Work." January 28th,
1894.

74. LUCIAN'S TRUE HISTORY. Laurence & Sullen, privately printed, 1894.
Black and white illustrations to