Chapter II

So is it with this singing art of ours,
That once with maids went, maidenlike, and played
With woven dances in the poplar-shade,
And all her song was but of lady's bowers
And the returning swallows, and spring-flowers,
Till forth to seek a shadow-queen she strayed,
A shadowy land; and now hath overweighed
Her singing chaplet with the snow and showers.
And running rivers for the bitter brine
She left, and by the margin of life's sea
Sings, and her song is full of the sea's moan,
And wild with dread, and love of Proserpine;
And whoso once has listened to her, he
His whole life long is slave to her alone.

LOVE'S EASTER.

SONNET.

Love died here
Long ago;
O'er his bier,
Lying low,
Poppies throw;
Shed no tear;
Year by year,
Roses blow!

Year by year,
Adon--dear
To Love's Queen--
Does not die!
Wakes when green
May is nigh!

TWILIGHT.

SONNET.

(AFTER RICHEPIN.)

Light has flown!
Through the grey
The wind's way
The sea's moan
Sound alone!
For the day
These repay
And atone!

Scarce I know,
Listening so
To the streams
Of the sea,
If old dreams
Sing to me!

BION.

The wail of Moschus on the mountains crying
The Muses heard, and loved it long ago;
They heard the hollows of the hills replying,
They heard the weeping water's overflow;
They winged the sacred strain--the song undying,
The song that all about the world must go,--
When poets for a poet dead are sighing,
The minstrels for a minstrel friend laid low.

And dirge to dirge that answers, and the weeping
For Adonais by the summer sea,
The plaints for Lycidas, and Thyrsis (sleeping
Far from "the forest ground called Thessaly"),--
These hold thy memory, Bion, in their keeping,
And are but echoes of the moan for thee.

SAN TERENZO.

(The village in the bay of Spezia, near which Shelley
was living before the wreck of the Don Juan.)

Mid April seemed like some November day,
When through the glassy waters, dull as lead,
Our boat, like shadowy barques that bear the dead,
Slipped down the curved shores of the Spezian bay,
Rounded a point,--and San Terenzo lay
Before us, that gay village, yellow and red,
With walls that covered Shelley's homeless head,--His
house, a place deserted, bleak and grey.

The waves broke on the door-step; fishermen
Cast their long nets, and drew, and cast again.
Deep in the ilex woods we wandered free,
When suddenly the forest glades were stirred
With waving pinions, and a great sea bird
Flew forth, like Shelley's spirit, to the sea!

NATURAL THEOLOGY.

_ἐπει καὶ τοῡτον ὀΐομαι ἀθανατοισιν_
_ἔυχεσται· Πάντες δὲ θεῶν χατέουσ' ἄνθρωποι._
OD. III. 47.

"Once Cagn was like a father, kind and good,
But He was spoiled by fighting many things;
He wars upon the lions in the wood,
And breaks the Thunder-bird's tremendous wings;
But still we cry to Him,--_We are thy brood_--
_O Cagn, be merciful!_ and us He brings
To herds of elands, and great store of food,
And in the desert opens water-springs."

So Qing, King Nqsha's Bushman hunter, spoke,
Beside the camp-fire, by the fountain fair,
When all were weary, and soft clouds of smoke
Were fading, fragrant, in the twilit air:
And suddenly in each man's heart there woke
A pang, a sacred memory of prayer.

HOMER.

Homer, thy song men liken to the sea,
With all the notes of music in its tone,
With tides that wash the dim dominion
Of Hades, and light waves that laugh in glee
Around the isles enchanted; nay, to me
Thy verse seems as the River of source unknown
That glasses Egypt's temples overthrown
In his sky-nurtured stream, eternally.

No wiser we than men of heretofore
To find thy sacred fountains guarded fast;
Enough, thy flood makes green our human shore,
As Nilus Egypt, rolling down his vast
His fertile flood, that murmurs evermore
Of gods dethroned, and empires in the past.

RONSARD.

Master, I see thee with the locks of grey,
Crowned by the Muses with the laurel-wreath;
I see the roses hiding underneath,
Cassandra's gift; she was less dear than they.
Thou, Master, first hast roused the lyric lay,
The sleeping song that the dead years bequeath,
Hast sung thine answer to the songs that breathe
Through ages, and through ages far away.

And thou hast heard the pulse of Pindar beat,
Known Horace by the fount Bardusian!
Their deathless line thy living strains repeat,
But ah, thy voice is sad, thy roses wan,
But ah, thy honey is not cloying sweet,
Thy bees have fed on yews Sardinian.

HOMEROC UNITY

The sacred keep of Ilion is rent
With trench and shaft; foiled waters wander slow
Through plains where Simois and Scamander went
To war with Gods and heroes long ago.
Not yet to tired Cassandra, lying low
In rich Mycenae, do the Fates relent:
The bones of Agamemnon are a show,
And ruined is his royal monument.

The dust and awful treasures of the Dead,
Hath Learning scattered wide, but vainly thee,
Homer, she meteth with her tool of lead,
And strives to rend thy songs; too blind to see
The crown that burns on thine immortal head
Of indivisible supremacy!

IN ITHACA.

"And now am I greatly repenting that ever I left
my life with thee, and the immortality thou didst
promise me."--_Letter of Odysseus to Calypso._
Luciani _Vera Historia_.

'Tis thought Odysseus when the strife was o'er
With all the waves and wars, a weary while,
Grew restless in his disenchanted isle,
And still would watch the sunset, from the shore,
Go down the ways of gold, and evermore
His sad heart followed after, mile on mile,
Back to the Goddess of the magic wile,
Calypso, and the love that was of yore.

Thou too, thy haven gained, must turn thee yet
To look across the sad and stormy space,
Years of a youth as bitter as the sea,
Ah, with a heavy heart, and eyelids wet,
Because, within a fair forsaken place
The life that might have been is lost to thee.

DREAMS.

He spake not truth, however wise,[1] who said
"That happy, and that hapless men in sleep
Have equal fortune, fallen from care as deep
As countless, careless, races of the dead."
Not so, for alien paths of dreams we tread,
And one beholds the faces that he sighs
In vain to bring before his day lit eyes,
And waking, he remembers on his bed;

And one with fainting heart and feeble hand
Fights a dim battle in a doubtful land,
Where strength and courage were of no avail;
And one is borne on fairy breezes far
To the bright harbours of a golden star
Down fragrant fleeting waters rosy pale.

GÉRARD DE NERVAL.

Of all that were thy prisons--ah, untamed,
Ah, light and sacred soul!--none holds thee now;
No wall, no bar, no body of flesh, but thou
Art free and happy in the lands unnamed,
Within whose gates, with weary wings and maimed,
Thou still would'st bear that mystic golden bough
The Sibyl doth to singing men allow,
Yet thy report folk heeded not, but blamed.
And they would smile and wonder, seeing where
Thou stood'st, to watch light leaves, or clouds, or wind,
Dreamily murmuring a ballad air,
Caught from the Valois peasants; dost thou find
A new life gladder than the old times were,
A love as fair as Sylvie, and more kind?

IDEAL.

Suggested by a female head in wax, of unknown date,
but supposed to be either of the best Greek age, or a
work of Raphael or Leonardo. It is now in the Lille
Museum.

Ah, mystic child of Beauty, nameless maid,
Dateless and fatherless, how long ago,
A Greek, with some rare sadness overweighed,
Shaped thee, perchance, and quite forgot his woe!
Or Raphael thy sweetness did bestow,
While magical his fingers o'er thee strayed,
Or that great pupil of Verrocchio
Redeemed thy still perfection from the shade

That hides all fair things lost, and things unborn,
Where one has fled from me, that wore thy grace,
And that grave tenderness of thine awhile;
Nay, still in dreams I see her, but her face
Is pale, is wasted with a touch of scorn,
And only on thy lips I find her smile.

[1] Aristotle.

TRANSLATIONS.

HYMN TO THE WINDS

The winds are invoked by the winnowers of corn.

_Du Bellay, 1550._

To you, troop so fleet,
That with winged wandering feet
Through the wide world pass,
And with soft murmuring
Toss the green shades of spring
In woods and grass,
Lily and violet
I give, and blossoms wet,
Roses and dew;
This branch of blushing roses,
Whose fresh bud uncloses,
Wind-flowers too.
Ah, winnow with sweet breath,
Winnow the holt and heath,
Round this retreat;
Where all the golden mom
We fan the gold o' the corn
In the sun's heat.

A VOW TO HEAVENLY VENUS.

_Du Bellay, 1550_.

We that with like hearts love, we lovers twain,
New wedded in the village by thy fane,
Lady of all chaste love, to thee it is
We bring these amaranths, these white lilies,
A sign, and sacrifice; may Love, we pray,
Like amaranthine flowers, feel no decay;
Like these cool lilies may our loves remain,
Perfect and pure, and know not any stain;
And be our hearts, from this thy holy hour,
Bound each to each, like flower to wedded flower.

APRIL.

_Remy Belleau_, 1560.

April, pride of woodland ways,
Of glad days,
April, bringing hope of prime
To the young flowers that beneath
Their bud sheath
Are guarded in their tender time;

April, pride of fields that be
Green and free,
That in fashion glad and gay
Stud with flowers red and blue,
Every hue,
Their jewelled spring array;

April, pride of murmuring
Winds of spring,
That beneath the winnowed air
Trap with subtle nets and sweet
Flora's feet,
Flora's feet, the fleet and fair;

April, by thy hand caressed,
From her breast
Nature scatters everywhere
Handfuls of all sweet perfumes,
Buds and blooms,
Making faint the earth and air.

April, joy of the green hours,
Clothes with flowers
Over all her locks of gold
My sweet Lady; and her breast
With the blest
Buds of summer manifold.

April, with thy gracious wiles,
Like the smiles,
Smiles of Venus; and thy breath
Like her breath, the Gods' delight,
(From their height
They take the happy air beneath;)

It is thou that, of thy grace,
From their place
In the far-off isles dost bring
Swallows over earth and sea,
Glad to be
Messengers of thee, and Spring.

Daffodil and eglantine,
And woodbine,
Lily, violet, and rose
Plentiful in April fair,
To the air,
Their pretty petals do unclose.

Nightingales ye now may hear,
Piercing clear,
Singing in the deepest shade;
Many and many a babbled note
Chime and float,
Woodland music through the glade.

April, all to welcome thee,
Spring sets free
Ancient flames, and with low breath
Wakes the ashes grey and old
That the cold
Chilled within our hearts to death.

Thou beholdest in the warm
Hours, the swarm
Of the thievish bees, that flies
Evermore from bloom to bloom
For perfume,
Hid away in tiny thighs.

Her cool shadows May can boast,
Fruits almost
Ripe, and gifts of fertile dew,
Manna-sweet and honey-sweet,
That complete
Her flower garland fresh and new.

Nay, but I will give my praise
To these days,
Named with the glad name of her[1]
That from out the foam o' the sea
Came to be
Sudden light on earth and air.

OF HIS LADY'S OLD AGE.

_Ronsard, 1550._

When you are very old, at evening
You 'll sit and spin beside the fire, and say,
Humming my songs, "Ah well, ah well-a-day!
When I was young, of me did Ronsard sing."
None of your maidens that doth hear the thing,
Albeit with her weary task fore done,
But wakens at my name, and calls you one
Blest, to be held in long remembering.

I shall be low beneath the earth, and laid
On sleep, a phantom in the myrtle shade,
While you beside the fire, a grandame grey,
My love, your pride, remember and regret;
Ah, love me, love! we may be happy yet,
And gather roses, while 't is called to-day.

SHADOWS OF HIS LADY.

_Jacques Tahureau, 1527-1555_.

Within the sand of what far river lies
The gold that gleams in tresses of my Love?
What highest circle of the Heavens above
Is jewelled with such stars as are her eyes?
And where is the rich sea whose coral vies
With her red lips, that cannot kiss enough?
What dawn-lit garden knew the rose, whereof
The fled soul lives in her cheeks' rosy guise?

What Parian marble that is loveliest,
Can match the whiteness of her brow and breast?
When drew she breath from the Sabæan glade?
Oh happy rock and river, sky and sea,
Gardens, and glades Sabæan, all that be
The far-off splendid semblance of my maid!

MOONLIGHT.

_Jacques Tahureau, 1527-1555_.

The high Midnight was garlanding her head
With many a shining star in shining skies,
And, of her grace, a slumber on mine eyes,
And, after sorrow, quietness was shed.
Far in dim fields cicalas jargoned
A thin shrill clamour of complaints and cries;
And all the woods were pallid, in strange wise,
With pallor of the sad moon overspread.

Then came my lady to that lonely place,
And, from her palfrey stooping, did embrace
And hang upon my neck, and kissed me over;
Wherefore the day is far less dear than night,
And sweeter is the shadow than the light,
Since night has made me such a happy lover.

THE GRAVE AND THE ROSE.

VICTOR HUGO.

The Grave said to the Rose,
"What of the dews of dawn,
Love's flower, what end is theirs?"
"And what of spirits flown,
The souls whereon doth close
The tomb's mouth unawares?"
The Rose said to the Grave.

The Rose said, "In the shade
From the dawn's tears is made
A perfume faint and strange,
Amber and honey sweet."
"And all the spirits fleet
Do suffer a sky-change,
More strangely than the dew,
To God's own angels new,"
The Grave said to the Rose.

THE BIRTH OF BUTTERFLIES.

VICTOR HUGO.

He dawn is smiling on the dew that covers
The tearful roses; lo, the little lovers
That kiss the buds, and all the flutterings
In jasmine bloom, and privet, of white wings,
That go and come, and fly, and peep and hide,
With muffled music, murmured far and wide!
Ah, Spring time, when we think of all the lays
That dreamy lovers send to dreamy mays,
Of the fond hearts within a billet bound,
Of all the soft silk paper that pens wound,
The messages of love that mortals write
Filled with intoxication of delight,
Written in April, and before the May time
Shredded and flown, play things for the wind's playtime,
We dream that all white butterflies above,
Who seek through clouds or waters souls to love,
And leave their lady mistress in despair,
To flit to flowers, as kinder and more fair,
Are but torn love-letters, that through the skies
Flutter, and float, and change to Butterflies.

AN OLD TUNE.

GÉRARD DE NERVAL.

There is an air for which I would disown
Mozart's, Rossini's, Weber's melodies,--
A sweet sad air that languishes and sighs,
And keeps its secret charm for me alone.

Whene'er I hear that music vague and old,
Two hundred years are mist that rolls away;
The thirteenth Louis reigns, and I behold
A green land golden in the dying* day.

An old red castle, strong with stony towers,
The windows gay with many coloured glass,
Wide plains, and rivers flowing among flowers,
That bathe the castle basement as they pass.

In antique weed, with dark eyes and gold hair,
A lady looks forth from her window high;
It may be that I knew and found her fair,
In some forgotten life, long time gone by.

SPRING IN THE STUDENT'S QUARTER.

HENRI MURGER.

Winter is passing, and the bells
For ever with their silver lay
Murmur a melody that tells
Of April and of Easter day.
High in the sweet air the light vane sets,
The weathercocks all southward twirl;
A son will buy her violets
And make Nini a happy girl.

The winter to the poor was sore,
Counting the weary winter days,
Watching his little fire-wood store,
The bitter snow-flakes fell always;
And now his last log dimly gleamed,
Lighting the room with feeble glare,
Half cinder and half smoke it seemed
That the wind wafted into air.

Pilgrims from ocean and far isles
See where the east is reddening,
The flocks that fly a thousand miles
From sunsetting to sunsetting;
Look up, look out, behold the swallows,
The throats that twitter, the wings that beat;
And on their song the summer follows,
And in the summer life is sweet.

* * * * * * * * * * * * *

With the green tender buds that know
The shoot and sap of lusty spring
My neighbour of a year ago
Her casement, see, is opening;
Through all the bitter months that were,
Forth from her nest she dared not flee,
She was a study for Boucher,
She now might sit to Gavami.

SPRING.

(_After Meleager_.)

Now the bright crocus flames, and now
The slim narcissus takes the rain,
And, straying o'er the mountain's brow,
The daffodilies bud again.
The thousand blossoms wax and wane
On wold, and heath, and fragrant bough;
But fairer than the flowers art thou,
Than any growth of hill or plain.

Ye gardens, cast your leafy crown,
That my Love's feet may tread it down,
Like lilies on the lilies set;
My Love, whose lips are softer far
Than drowsy poppy petals are,
And sweeter than the violet!

OLD LOVES.

HENRI MURGER.

Louise, have you forgotten yet
The corner of the flowery land,
The ancient garden where we met,
My hand that trembled in your hand?
Our lips found words scarce sweet enough,
As low beneath the willow-trees
We sat; have you forgotten, love?
Do you remember, love Louise?

Marie, have you forgotten yet
The loving barter that we made?
The rings we changed, the suns that set,
The woods fulfilled with sun and shade?
The fountains that were musical
By many an ancient trysting tree--
Marie, have you forgotten all?
Do you remember, love Marie?

Christine, do you remember yet
Your room with scents and roses gay?
My garret--near the sky't was set--
The April hours, the nights of May?
The clear calm nights--the stars above
That whispered they were fairest seen
Through no cloud-veil? Remember, love!
Do you remember, love Christine?

Louise is dead, and, well-a-day!
Marie a sadder path has ta'en;
And pale Christine has passed away
In southern suns to bloom again.
Alas I for one and all of us--
Marie, Louise, Christine forget;
Our bower of love is ruinous,
And I alone remember yet.

IANNOULA.

ROMAIC FOLK-SONG.

All the maidens were merry and wed
All to lovers so fair to see;
The lover I took to my bridal bed
He is not long for love and me.

I spoke to him and he nothing said,
I gave him bread of the wheat so fine,
He did not eat of the bridal bread,
He did not drink of the bridal wine.

I made him a bed was soft and deep,
I made him a bed to sleep with me;
"Look on me once before you sleep,
And look on the flower of my fair body.

"Flowers of April, and fresh May-dew,
Dew of April and buds of May;
Two white blossoms that bud for you,
Buds that blossom before the day."

THE MILK WHITE DOE.

FRENCH VOLKS-LIED.

It was a mother and a maid
That walked the woods among,
And still the maid went slow and sad,
And still the mother sung.

"What ails you, daughter Margaret?
Why go you pale and wan?
Is it for a cast of bitter love,
Or for a false leman?"

"It is not for a false lover
That I go sad to see;
But it is for a weary life
Beneath the greenwood tree.

"For ever in the good daylight
A maiden may I go,
But always on the ninth midnight
I change to a milk white doe.

"They hunt me through the green forest
With hounds and hunting men;
And ever it is my fair brother
That is so fierce and keen."

* * * * * * * * * * * * *

"Good-morrow, mother." "Good-morrow, son;
Where are your hounds so good?"
"Oh, they are hunting a white doe
Within the glad greenwood.

"And three times have they hunted her,
And thrice she's won away;
The fourth time that they follow her
That white doe they shall slay."

* * * * * * * * * * * * *

Then out and spoke the forester,
As he came from the wood,
"Now never saw I maid's gold hair
Among the wild deer's blood.

"And I have hunted the wild deer
In east lands and in west;
And never saw I white doe yet
That had a maiden's breast."

Then up and spake her fair brother,
Between the wine and bread.
"Behold, I had but one sister,
And I have been her dead.

"But ye must bury my sweet sister
With a stone at her foot and her head,
And ye must cover her fair body
With the white roses and red.

"And I must out to the greenwood,
The roof shall never shelter me;
And I shall lie for seven long years
On the grass below the hawthorn tree."

A LA BELLE HELENE.

_(After Ronsard_.)

More closely than the clinging vine
About the wedded tree,
Clasp thou thine arms, ah, mistress mine!
About the heart of me.
Or seem to sleep, and stoop your face
Soft on my sleeping eyes,
Breathe in your life, your heart, your grace,
Through me, in kissing wise.
Bow down, bow down your face, I pray,
To me, that swoon to death,
Breathe back the life you kissed away,
Breathe back your kissing breath.
So by your eyes I swear and say,
My mighty oath and sure,
From your kind arms no maiden may
My loving heart allure.

I'll bear your yoke, that's light enough,
And to the Elysian plain,
When we are dead of love, my love,
One boat shall bear us twain.
They 'll flock around you, fleet and fair,
All true loves that have been,
And you of all the shadows there,
Shall be the shadow queen.
_Ah shadow-loves, and shadow-lips!_
_Ah, while 't is called to-day,_
_Love me, my love, for summer slips,_
_And August ebbs away._

THE BURIAL OF MOLIÈRE.

(AFTER J. TRUFFIER.)

Dead--he is dead! The rouge has left a trace
On that thin cheek where shone, perchance, a tear,
Even while the people laughed that held him dear
But yesterday. He died,--and not in grace,
And many a black-robed caitiff starts apace
To slander him whose _Tartuffe_ made them fear,
And gold must win a passage for his bier,
And bribe the crowd that guards his resting-place.

Ah, Molière, for that last time of all,
Man's hatred broke upon thee, and went by,
And did but make more fair thy funeral.
Though in the dark they hid thee stealthily,
Thy coffin had the cope of night for pall,
For torch, the stars along the windy sky!

BEFORE THE SNOW.

(AFTER ALBERT GLATIGNY.)

The winter is upon us, not the snow,
The hills are etched on the horizon bare,
The skies are iron grey, a bitter air,
The meagre cloudlets shudder to and fro.
One yellow leaf the listless wind doth blow,
Like some strange butterfly, unclassed and rare.
Your footsteps ring in frozen alleys, where
The black trees seem to shiver as you go.

Beyond lie church and steeple, with their old
And rusty vanes that rattle as they veer,
A sharper gust would shake them from their hold,
Yet up that path, in summer of the year,
And past that melancholy pile we strolled
To pluck wild strawberries, with merry cheer.

THE CLOUD CHORUS.

(FROM ARISTOPHANES.)

_Socrates speaks_.

Hither, come hither, ye Clouds renowned, and unveil yourselves here;
Come, though ye dwell on the sacred crests of Olympian snow,
Or whether ye dance with the Nereid choir in the gardens clear,
Or whether your golden urns are dipped in Nile's overflow.
Or whether you dwell by Mæotis mere
Or the snows of Mimas, arise! appear!
And hearken to us, and accept our gifts ere ye rise and go.

_The Clouds sing_.

Immortal Clouds from the echoing shore
Of the father of streams, from the sounding sea.
Dewy and fleet, let us rise and soar.
Dewy and gleaming, and fleet are we!

Let us look on the tree-clad mountain crest,
On the sacred earth where the fruits rejoice,
On the waters that murmur east and west,
On the tumbling sea with his moaning voice,
For unwearied glitters the Eye of the Air,
And the bright rays gleam;
Then cast we our shadows of mist, and fare
In our deathless shapes to glance everywhere
From the height of the heaven, on the land and air,
And the Ocean stream.

Let us on, ye Maidens that bring the Rain,
Let us gaze on Pallas' citadel,
In the country of Cecrops, fair and dear
The mystic land of the holy cell,
Where the Rites unspoken securely dwell,
And the gifts of the Gods that know not stain
And a people of mortals that know not fear.
For the temples tall, and the statues fair,
And the feasts of the Gods are holiest there,
The feasts of Immortals, the chaplets of flowers
And the Bromian mirth at the coming of spring,
And the musical voices that fill the hours,
And the dancing feet of the Maids that sing!

[1] Aphrodite--Avril.