Chapter VI: Part 6

But Addison was no politician; nor did he distinguish himself in Parliament or as a political writer. He could not make a speech, not having been trained to debate. He was too timid, and his taste was too severe, for the arena of politicians. He is immortal for his essays, in which his humor is transcendent, and his style easy and graceful, As a writer, he is a great artist. No one has ever been able to equal him in the charming simplicity of his style. Macaulay, a great artist himself in the use of language, places Addison on the summit of literary excellence and fame as an essayist. One is at loss to comprehend why so quiet and unobtrusive a scholar should have been selected for important political positions, but can easily understand why he was the admiration of the highest social circles for his wit and the elegance of his conversation. He was the personification of urbanity and every gentlemanly quality, as well as one of the best scholars of his age; but it was only in an aristocratic age, when a few great nobles controlled public affairs, that such a man could have been so recognized, rewarded, and honored. He died beloved and universally lamented, and his writings are still classics, and likely to remain so. He was not an oracle in general society, like Mackintosh and Macaulay; but among congenial and trusted friends he gave full play to his humor, and was as charming as Washington Irving is said to have been in his chosen circle of admirers. Although he was a Whig, we do not read of any particular intimacy with such men as Marlborough and Godolphin. Marlborough, though an accomplished and amiable man, was not fond of the society of wits, as were Halifax, Montague, Harley, and St. John. As for the Duchess, she was too proud and grand for such a retired scholar as Addison to feel at ease in her worldly coteries. She cared no more for poetry or severe intellectual culture than politicians generally do. She shone only in a galaxy of ladies of rank and fashion. I do not read that she ever took a literary man into her service, and she had no more taste for letters than the sovereign she served. She was doubtless intellectual, shrewd, and discriminating; but her intellect was directed to current political movements, and she was coarse in her language. She would swear, like Queen Elizabeth, when excited to anger, and her wrath was terrible.

On the dismissal of the great Duke from all his offices, and the "disgrace" of his wife at court, they led a comparatively quiet life abroad. The Duchess had parted with her offices with great reluctance. Even when the Queen sent for the golden keys, which were the badge of her office, she refused to surrender them. No one could do anything with the infuriated termagant, and all were afraid of her. She threatened to print the private correspondence of the Queen as Mrs. Morley. The ministers dared not go into her presence, so fierce was her character when offended. To take from her the badge of office was like trying to separate a fierce lioness from her whelps. The only person who could manage her was her husband; and when at last he compelled her to give up the keys, she threw them in a storm of passion at his head, and raved like a maniac. It is amazing how the Queen could have borne so long with the Duchess's ungovernable temper, and still more so how her husband could. But he was always mild and meek in the retirement of his home,--a truly domestic man, to whom pomp was a weariness. Moreover, he was a singularly fortunate man. His ambition and pride and avarice were gratified beyond precedent in English history. He had become the foremost man in his country, and perhaps of his age. And his wife was still looked to as a great personage, not only because of her position and rank, but for her abilities, which were doubtless great. She was still a power in the land, and was surrounded by children and grandchildren who occupied some of the highest social positions in England.

But she was not happy. What can satisfy a restless and ambitious woman whose happiness is in external pleasures? There is a limit to the favors which fortune showers; and when the limits of success are reached, there must be disappointment. The Duchess was discontented, and became morose, quarrelsome, and hard to please. Her children did not love her, and some were in bitter opposition to her. She was perpetually embroiled in family quarrels. Nothing could soften the asperity of her temper, or restrain her unreasonable exactions. At last England became hateful to her, and she and her husband quitted it, and resided abroad for several years. In the retirement of voluntary exile she answered the numerous accusations against her; for she was maligned on every side, and generally disliked, since her arrogance had become insupportable, even to her daughters.

Meanwhile the last days of Queen Anne's weary existence were drawing to a close. She was assailed with innumerable annoyances. Her body was racked with the gout, and her feeble mind was distracted by the contradictory counsels of her advisers. Any allusion to her successor was a knell of agony to her disturbed soul. She became suspicious, and was even alienated from Harley, whom she dismissed from office only a few days before her death, which took place Aug. 1, 1714. She died without signing her will, by which omission Mrs. Masham was deprived of her legacy. She died childless, and the Elector George of Hanover ascended her throne.

On the death of the Queen, Marlborough returned to England; and it was one of the first acts of the new king to restore to him the post of captain-general of the land forces, while his son-in-law Sunderland was made lord-lieutenant of Ireland. A Whig cabinet was formed, but the Duke never regained his old political influence, and he gradually retired to private life, residing with the Duchess almost wholly at Holywell. His peaceful retirement, for which he had longed, came at last. He employed his time in surveying the progress of the building of Blenheim,--in which palace he was never destined to live,--and in simple pleasures, for which he never lost a taste. His wife occupied herself in matrimonial projects for her grandchildren, seeking alliances of ambition and interest.

In 1716 the Duke of Marlborough was attacked with a paralytic fit, from the effects of which he only partially recovered. To restore his health, he went to Bath,--then the fashionable and favorite watering-place, whose waters were deemed beneficial to invalids; and here it was one of the scandals of the day that the rich nobleman would hobble from the public room to his lodgings, in a cold, dark night, to save sixpence in coach-hire. His enjoyments were now few and transient. His nervous system was completely shattered, after so many labors and exposures in his numerous campaigns. He lingered till 1722, when he died leaving a fortune of a million and a half pounds sterling, besides his vast estates. No subject at that time had so large an income. He left a military fame never surpassed in England,--except by Wellington,--and a name unstained by cruelty. So distinguished a man of course received at his death unparalleled funeral honors. He was followed to his temporary resting-place in the vaults of Westminster by the most imposing procession that England had ever seen.

The Duchess of Marlborough was now the richest woman in England. Whatever influence proceeds from rank and riches she still possessed, though the titles and honors of the dukedom descended by act of Parliament, in 1706, to the Countess of Godolphin, with whom she was at war. The Duchess was now sixty-two, with unbroken health and inextinguishable ambition. She resided chiefly at Windsor Lodge, for she held for life the office of ranger of the forest. It was then that she was so severely castigated by Pope in his satirical lines on "Atossa," that she is said to have sent £1000 to the poet, to suppress the libel,--her avarice and wrath giving way to her policy and pride. For twenty years after the death of her husband she continued an intriguing politician, but on ill-terms with Sir Robert Walpole, the prime minister, whom she cordially hated, more because of money transactions than political disagreement. She was a very disagreeable old woman, yet not without influence, if she was without friends. She had at least the merit of frankness, for she concealed none of her opinions of the King, nor of his ministers, nor of distinguished nobles. She was querulous, and full of complaints and exactions. One of her bitterest complaints was that she was compelled to pay taxes on her house in Windsor Park. She would even utter her complaints before servants. Litigation was not disagreeable to her if she had reason on her side, whether she had law or not.

It was not the good fortune of this strong-minded but unhappy woman to assemble around her in her declining years children and grandchildren who were attached to her. She had alienated even them. She had no intimate friends. "A woman not beloved by her own children can have but little claim to the affections of others." As we have already said, the Duchess was at open variance with her oldest daughter Henrietta, the Countess of Godolphin, to whom she was never reconciled. Her quarrels with her granddaughter Lady Anne Egerton, afterwards Duchess of Bedford, were violent and incessant. She lived in perpetual altercation with her youngest daughter, the Duchess of Montague. She never was beloved by any of her children at any time, since they were in childhood and youth intrusted to the care of servants and teachers, while the mother was absorbed in political cabals at court. She consulted their interest merely in making for them grand alliances, to gratify her family pride. Her whole life was absorbed in pride and ambition. Nor did the mortification of a dishonored old age improve her temper. She sought neither the consolation of religion nor the intellectual stimulus of history and philosophy. To the last she was as worldly as she was morose. To the last she was a dissatisfied politician. She reviled the Whig administration of Walpole as fiercely as she did the Tory administration of Oxford. She haughtily refused the Order of the Bath for her grandson the Duke of Marlborough, which Walpole offered, contented with nothing less than the Garter. "Madam," replied Walpole, "they who take the Bath will sooner have the Garter." In her old age her ruling passion was hatred of Walpole. "I think," she wrote, "'tis thought wrong to wish anybody dead, but I hope 'tis none to wish he may be hanged." Her wishes were partly gratified, for she lived long enough to see this great statesman--so long supreme--driven to the very threshold of the Tower. For his son Horace she had equal dislike, and he returned her hatred with malignant satire. "Old Marlborough is dying," said the wit; "but who can tell? Last year she had lain a great while ill, without speaking, and her physician told her that she must be blistered, or she would die. She cried out, 'I won't be blistered, and I won't die,'"

She did indeed last some time longer; but with increasing infirmities, her amusements and pleasures became yearly more circumscribed. In former years she had sometimes occupied her mind with the purchase of land; for she was shrewd, and rarely made a bad bargain. Even at the age of eighty she went to the city to bid in person for the estate of Lord Yarmouth. But as her darkened day approached its melancholy close, she amused herself by dictating in bed her "Vindication," After spending thus six hours daily with her secretary, she had recourse to her chamber organ, the eight tunes of which she thought much better to hear than going to the Italian opera. Even society, in which she once shone,--for her intellect was bright and her person beautiful,--at last wearied her and gave her no pleasure. Like many lonely, discontented women, she became attached to animals; she petted three dogs, in which she saw virtues that neither men nor women possessed. In her disquiet she often changed her residence. She went from Marlborough House to Windsor Lodge, and from Windsor Lodge to Wimbledon, only to discover that each place was damp and unhealthy. Wrapt up in flannels, and wheeled up and down her room in a chair, she discovered that wealth can only mitigate the evils of humanity, and realized how wretched is any person with a soul filled with discontent and bitterness, when animal spirits are destroyed by the infirmities of old age. All the views of this spoiled favorite of fortune were bounded by the scenes immediately before her. While she was not sceptical, she was far from being religious; and hence she was deprived of the highest consolations given to people in disappointment and sorrow and neglect. The older she grew, the more tenaciously did she cling to temporal possessions, and the more keenly did she feel occasional losses. Her intellect remained unclouded, but her feelings became callous. While she had no reverence for the dead, she felt increasing contempt for the living,--forgetting that no one, however exalted, can live at peace in an atmosphere of disdain.

At last she died, in 1744, unlamented and unloved, in the eighty-fourth year of her age, and was interred by the side of her husband, in the tomb in the chapel of Blenheim. She left £30,000 a year to her grandson, Lord John Spencer, provided he would never accept any civil or military office from the Government. She left also £20,000 to Lord Chesterfield, together with her most valuable diamond; but only small sums to most of her relatives or to charities. The residue of her property she left to that other grandson who inherited the title and estates of her husband. £60,000 a year, her estimated income, besides a costly collection of jewels,--one of the most valuable in Europe,--were a great property, when few noblemen at that time had over £30,000 a year.

The life of Sarah, Duchess of Marlborough, is a sad one to contemplate, with all her riches and honors. Let those who envy wealth or rank learn from her history how little worldly prosperity can secure happiness or esteem, without the solid virtues of the heart. The richest and most prosperous woman of her times was the object of blended derision, contempt, and hatred throughout the land which she might have adorned. Why, then, it may be asked, should I single out such a woman for a lecture,--a woman who added neither to human happiness, national prosperity, nor the civilization of her age? Why have I chosen her as one of the Beacon Lights of history? Because I know of no woman who has filled so exalted a position in society, and is so prominent a figure in history, whose career is a more impressive warning of the dangers to be shunned by those who embark on the perilous and troubled seas of mere worldly ambition. God gave her that to which she aspired, and which so many envy; but "He sent leanness into her soul."

AUTHORITIES.

Private Correspondence of the Duchess of Marlborough; Mrs. Thompson's Life of the Duchess of Marlborough; "Conduct," by the Duchess of Marlborough, Life of Dr. Tillotson, by Dr. Birch; Coxe's Life of the Duke of Marlborough; Evelyn's Diary; Lord Mahon's History of England; Macaulay's History of England; Lewis Jenkin's Memoirs of the Duke of Gloucester; Burnet's History of his own Times; Lamberty's Memoirs; Swift's Journal to Stella; Liddiard's Life of the Duke of Marlborough; Boyer's Annals of Queen Anne; Swift's Memoir of the Queen's Ministry; Cunningham's History of Great Britain; Walpole's Correspondence, edited by Coxe; Sir Walter Scott's Life of Swift; Agnes Strickland's Queens of England; Marlborough and the Times of Queen Anne; Westminster Review, lvi. 26; Dublin University Review, lxxiv. 469; Temple Bar Magazine, lii. 333; Burton's Reign of Queen Anne; Stanhope's Queen Anne.

MADAME RÉCAMIER.

* * * * *

A. D. 1777-1849.

THE WOMAN OF SOCIETY.

I know of no woman who by the force of beauty and social fascinations, without extraordinary intellectual gifts or high birth, has occupied so proud a position as a queen of society as Madame Récamier. So I select her as the representative of her class.

It was in Italy that women first drew to their _salons_ the distinguished men of their age, and exercised over them a commanding influence. More than three hundred years ago Olympia Fulvia Morata was the pride of Ferrara,--eloquent with the music of Homer and Virgil, a miracle to all who heard her, giving public lectures to nobles and professors when only a girl of sixteen; and Vittoria Colonna was the ornament of the Court of Naples, and afterwards drew around her at Rome the choicest society of that elegant capital,--bishops, princes, and artists,--equally the friend of Cardinal Pole and of Michael Angelo, and reigning in her retired apartments in the Benedictine convent of St. Anne, even as the Duchesse de Longueville shone at the Hôtel de Rambouillet, with De Retz and La Rochefoucauld at her feet. This was at a period when the Italian cities were the centre of the new civilization which the Renaissance created, when ancient learning and art were cultivated with an enthusiasm never since surpassed.

The new position which women seem to have occupied in the sixteenth century in Italy, was in part owing to the wealth and culture of cities--ever the paradise of ambitious women--and the influence of poetry and chivalry, of which the Italians were the earliest admirers. Provençal poetry was studied in Italy as early as the time of Dante; and veneration for woman was carried to a romantic excess when the rest of Europe was comparatively rude. Even in the eleventh century we see in the southern part of Europe a respectful enthusiasm for woman coeval with the birth of chivalry. The gay troubadours expounded and explained the subtile metaphysics of love in every possible way: a peerless lady was supposed to unite every possible moral virtue with beauty and rank; and hence chivalric love was based on sentiment alone. Provence gave birth both to chivalry and poetry, and they were singularly blended together. Of about five hundred troubadours whose names have descended to us, more than half were noble, for chivalry took cognizance only of noble birth. From Provence chivalry spread to Italy and to the north of France, and Normandy became pre-eminently a country of noble deeds, though not the land of song. It was in Italy that the poetical development was greatest.

After chivalry as an institution had passed away, it still left its spirit on society. There was not, however, much society in Europe anywhere until cities arose and became centres of culture and art. In the feudal castle there were chivalric sentiments but not society, where men and women of cultivation meet to give expression and scope to their ideas and sentiments. Nor can there be a high society without the aid of letters. Society did not arise until scholars and poets mingled with nobles as companions. This sort of society gained celebrity first in Paris, when women of rank invited to their _salons_ literary men as well as nobles.

The first person who gave a marked impulse to what we call society was the Marquise de Rambouillet, in the seventeenth century. She was the first to set the fashion in France of that long series of social gatherings which were a sort of institution for more than two hundred years. Her father was a devoted friend of Henry IV., belonged to one of the first families of France, and had been ambassador to Rome. She was married in the year 1600, at the age of fifteen. When twenty-two, she had acquired a distaste for the dissipations of the court and everything like crowded assemblies. She was among the first to discover that a crowd of men and women does not constitute society. Nothing is more foreign to the genius of the highest cultivated life than a crowded _salon_, where conversation on any interesting topic is impossible; where social life is gilded, but frivolous and empty; where especially the loftiest sentiments of the soul are suppressed. From an early period such crowds gathered at courts; but it was not till the seventeenth century that the _salon_ arose, in which woman was a queen and an institution.

The famous queens of society in the seventeenth and eighteenth centuries do not seem to have mixed much in miscellaneous assemblies, however brilliant in dress and ornament. They were more exclusive. They reserved their remarkable talents for social reunions, perhaps in modest _salons_, where among distinguished men and women they could pour out the treasures of the soul and mind; where they could inspire and draw out the sentiments of those who were gifted and distinguished. Madame du Deffand lived quietly in the convent of St. Joseph, but she gathered around her an elegant and famous circle, until she was eighty and blind. The Saturday assemblies of Mademoiselle de Scudéry, frequented by the most distinguished people of Paris, were given in a modest apartment, for she was only a novelist. The same may be said of the receptions of Madame de la Sablière, who was a childless widow, of moderate means. The Duchesse de Longueville--another of those famous queens--saw her best days in the abbey of Port Royal. Madame Récamier reigned in a small apartment in the Abbaye-au-Bois. All these carried out in their _salons_ the rules and customs which had been established by Madame de Rambouillet, It was in her _salon_ that the French Academy originated, and its first members were regular visitants at her hotel. Her conversation was the chief amusement. We hear of neither cards nor music; but there were frequent parties to the country, walks in the woods,--a perpetual animation, where ceremony was banished. The brilliancy of her parties excited the jealousy of Richelieu. Hither resorted those who did not wish to be bound by the stiffness of the court. At that period this famous hotel had its pedantries, but it was severely intellectual. Hither came Mademoiselle de Scudéri; Mademoiselle de Montpensier, granddaughter of Henry IV.; Vaugelas, and others of the poets; also Balzac, Voiture, Racan, the Duc de Montausier, Madame de Sévigné, Madame de la Fayette, and others. The most marked thing about this hotel was the patronage extended to men of letters. Those great French ladies welcomed poets and scholars, and encouraged them, and did not allow them to starve, like the literary men of Grub Street. Had the English aristocracy extended the same helping hand to authors, the condition of English men of letters in the eighteenth century would have been far less unfortunate. Authors in France have never been excluded from high society; and this was owing in part to the influence of the Hôtel de Rambouillet, which sought an alliance between genius and rank. It is this blending of genius with rank which gave to society in France its chief attraction, and made it so brilliant.

Mademoiselle de Scudéry, Madame de la Sablière, and Madame de Longueville followed the precedents established by Madame de Rambouillet and Madame de Maintenon, and successively reigned as queens of society,--that is, of chosen circles of those who were most celebrated in France,--raising the intellectual tone of society, and inspiring increased veneration for woman herself.

But the most celebrated of all these queens of society was Madame Récamier, who was the friend and contemporary of Madame de Staël. She was born at Lyons, in 1777, not of high rank, her father, M. Bernard, being only a prosperous notary. Through the influence of Calonne, minister of Louis XVI., he obtained the lucrative place of Receiver of the Finances, and removed to Paris, while his only daughter Juliette was sent to a convent, near Lyons, to be educated, where she remained until she was ten years of age, when she rejoined her family. Juliette's education was continued at home, under her mother's superintendence; but she excelled in nothing especially except music and dancing, and was only marked for grace, beauty, and good-nature.

Among the visitors to her father's house was Jacques Rose Récamier, a rich banker, born in Lyons, 1751,--kind-hearted, hospitable, fine-looking, and cultivated, but of frivolous tastes. In 1793, during the Reign of Terror, being forty-two, he married the beautiful daughter of his friend, she being but fifteen. This marriage seems to have been one of convenience and vanity, with no ties of love on either side,--scarcely friendship, or even sentiment. For a few years Madame Récamier led a secluded life, on account of the troubles and dangers incident to the times, but when she did emerge from retirement she had developed into the most beautiful woman in France, and was devoted to a life of pleasure. Her figure was flexible and elegant, her head well-poised, her complexion brilliant, with a little rosy mouth, pearly teeth, black curling hair, and soft expressive eyes, with a carriage indicative of indolence and pride, yet with a face beaming with good-nature and sympathy.

Such was Madame Récamier at eighteen, so remarkable for beauty that she called forth murmurs of admiration wherever she appeared. As it had long been a custom in Paris, and still is, to select the most beautiful and winning woman to hand round the purse in churches for all charities, she was selected by the Church of St. Roche, the most fashionable church of that day; and so great was the enthusiasm to see this beautiful and bewitching creature, that the people crowded the church, and even mounted on the chairs, and, though assisted by two gentlemen, she could scarcely penetrate the crowd. The collection on one occasion amounted to twenty thousand francs,--equal, perhaps, to ten thousand dollars to-day. This adaptation of means to an end has never been disdained by the Catholic clergy. What would be thought in Philadelphia or New York, in an austere and solemn Presbyterian church, to see the most noted beauty of the day handing round the plate? But such is one of the forms which French levity takes, even in the consecrated precincts of the church.

The fashionable drive and promenade in Paris was Longchamps, now the Champs Élysées, and it was Madame Récamier's delight to drive in an open carriage on this beautiful avenue, especially on what are called the holy days,--Wednesdays and Fridays,--when her beauty extorted salutations from the crowd. Of course, such a woman excited equal admiration in the _salons_, and was soon invited to the fêtes and parties of the Directory, through Barras, one of her admirers. There she saw Bonaparte, but did not personally know him at that time. At one of these fêtes, rising at full length from her seat to gaze at the General, sharing in the admiration for the hero, she at once attracted the notice of the crowd, who all turned to look at her; which so annoyed Bonaparte that he gave her one of his dreadful and withering frowns, which caused her to sink into her seat with terror.

In 1798 M. Récamier bought the house which had Récamier belonged to Necker, in what is now the Chaussée d'Antin. This led to an acquaintance between Madame Récamier and Madame de Staël, which soon ripened into friendship. In the following year M. Récamier, now very rich, established himself in a fine chateau at Clichy, a short distance from Paris, where he kept open house. Thither came Lucien Bonaparte, at that time twenty-four years of age, bombastic and consequential, and fell in love with his beautiful hostess, as everybody else did. But Madame Récamier, with all her fascinations, was not a woman of passion; nor did she like the brother of the powerful First Consul, and politely rejected his addresses. He continued, however, to persecute her with his absurd love-letters for a year, when, finding it was hopeless to win so refined and virtuous a lady as Madame Récamier doubtless was,--partly because she was a woman of high principles, and partly because she had no great temptations,--the pompous lover, then Home Minister, ceased his addresses.

But Napoleon, who knew everything that was going on, had a curiosity to see this woman who charmed everybody, yet whom nobody could win, and she was invited to one of his banquets. Although she obeyed his summons, she was very modest and timid, and did not try to make any conquest of him. She was afraid of him, as Madame de Staël was, and most ladies of rank and refinement. He was a hero to men rather than to women,--at least to those women who happened to know him or serve him. That cold and cutting irony of which he was master, that haughty carriage and air which he assumed, that selfish and unsympathetic nature, that exacting slavery to his will, must have been intolerable to well-bred women who believed in affection and friendship, of which he was incapable, and which he did not even comprehend. It was his intention that the most famous beauty of the day should sit next to him at this banquet, and he left the seat vacant for her; but she was too modest to take it unless specially directed to do so by the Consul, which either pride or etiquette prevented. This modesty he did not appreciate, and he was offended, and she never saw him again in private; but after he became Emperor, he made every effort to secure her services as maid-of-honor to one of the princesses, through his minister Fouché, in order to ornament his court. It was a flattering honor, since she was only the wife of a banker, without title; but she refused it, which stung Napoleon with vexation, since it indicated to him that the fashionable and high-born women of the day stood aloof from him. Many a woman was banished because she would not pay court to him,--Madame de Staël, the Duchesse de Chevreuse, and others. Madame Récamier was now at the height of fashion, admired by Frenchmen and foreigners alike; not merely by such men as the Montmorencys, Narbonne, Jordan, Barrère, Moreau, Bernadotte, La Harpe, but also by Metternich, then secretary of the Austrian embassy, who carried on a flirtation with her all winter. All this was displeasing to Napoleon, more from wounded pride than fear of treason. In the midst of her social triumphs, after having on one occasion received uncommon honor, Napoleon, now emperor, bitterly exclaimed that more honor could not be shown to the wife of a marshal of France,--a remark very indicative of his character, showing that in his estimation there was no possible rank or fame to be compared with the laurels of a military hero. A great literary genius, or woman of transcendent beauty, was no more to him than a great scholar or philosopher is to a vulgar rich man in making up his parties.

It was in the midst of these social successes that the husband of Madame Récamier lost his fortune. He would not have failed had he been able to secure a loan from the Bank of France of a million of francs; but this loan the Government peremptorily refused,--doubtless from the hostility of Napoleon; so that the banker was ruined because his wife chose to ally herself with the old aristocracy and refuse the favors of the Emperor. In having pursued such a course, Madame Récamier must have known that she was the indirect cause of her husband's failure. But she bore the reverse of fortune with that equanimity which seems to be peculiar to the French, and which only lofty characters, or people of considerable mental resources, are able to assume or feel. Most rich men, when they lose their money, give way to despondency and grief, conscious that they have nothing to fall back upon; that without money they are nothing. Madame Récamier at once sold her jewels and plate, and her fine hotel was offered for sale. Neither she nor her husband sought to retain anything amid the wreck, and they cheerfully took up their abode in a small apartment,--which conduct won universal sympathy and respect, so that her friends were rather increased than diminished, and she did not lose her social prestige and influence, which she would have lost in cities where money is the highest, and sometimes the only, test of social position. Madame de Staël wrote letters of impassioned friendship, and nobles and generals paid unwonted attention. The death of her mother soon followed, so that she spent the summer of 1807 in extreme privacy, until persuaded by her constant friend Madame de Staël to pay her a visit at her country-seat near Geneva, where she met Prince Frederick of Prussia, nephew of the great Frederic, who became so enamored of her that he sought her hand in marriage. Princes, in those days, had such a lofty idea of their rank that they deemed it an honor to be conferred on a woman, even if married, to take her away from her husband. For a time Madame Récamier seemed dazzled with this splendid proposal, and she even wrote to the old banker, her husband, asking for a divorce from him. I think I never read of a request so preposterous or more disgraceful,--the greatest flaw I know in her character,--showing the extreme worldliness of women of fashion at that time, and the audacity which is created by universal flattery. What is even more surprising, her husband did not refuse the request, but wrote to her a letter of so much dignity, tenderness, and affection that her eyes were opened. "She saw the protector of her youth, whose indulgence had never failed her, growing old, and despoiled of fortune; and to leave him who had been so good to her, even if she did not love him, seemed rightly the height of ingratitude and meanness." So the Prince was dismissed, very much to his surprise and chagrin; and some there were who regarded M. Récamier as a very selfish man, to appeal to the feelings and honor of his wife, and thus deprive her of a splendid destiny. Such were the morals of fashionable people in Europe during the eighteenth century.

Madame Récamier did not meddle with politics, like Madame de Staël and other strong-minded women before and since; but her friendship with a woman whom Napoleon hated so intensely as he did the authoress of "Delphine" and "Germany," caused her banishment to a distance of forty leagues from Paris,--one of the customary acts which the great conqueror was not ashamed to commit, and which put his character in a repulsive light. Nothing was more odious in the character of Napoleon than his disdain of women, and his harsh and severe treatment of those who would not offer incense to him. Madame de Staël, on learning of the Emperor's resentment towards her friend, implored her not to continue to visit her, as it would certainly be reported to the Government, and result in her banishment; but Madame Récamier would obey the impulses of friendship in the face of all danger. And the result was indeed her exile from that city which was so dear to her, as well as to all fashionable women and all gifted men.

In exile this persecuted woman lived in a simple way, first at Chalons and then at Lyons, for her means were now small. Her companions, however, were great people, as before her banishment and in the days of her prosperity,--in which fact we see some modification of the heartlessness which so often reigns in fashionable circles. Madame Récamier never was without friends as well as admirers. Her amiability, wit, good-nature, and extraordinary fascinations always attracted gifted and accomplished people of the very highest rank.

It was at Lyons that she formed a singular friendship, which lasted for life; and this was with a young man of plebeian origin, the son of a printer, with a face disfigured, and with manners uncouth,--M. Ballanche, whose admiration amounted to absolute idolatry, and who demanded no other reward for his devotion than the privilege of worship. To be permitted to look at her and listen to her was enough for him. Though ugly in appearance, and with a slow speech, he was well versed in the literature of the day, and his ideas were lofty and refined.

I have never read of any one who has refused an unselfish idolatry, the incense of a worshipper who has no outward advantage to seek or gain,--not even a king. If it be the privilege of a divinity to receive the homage of worshippers, why should a beautiful and kind-hearted woman reject the respectful adoration of a man contented with worship alone? What could be more flattering even to a woman of the world, especially if this man had noble traits and great cultivation? Such was Ballanche, who viewed the mistress of his heart as Dante did his Beatrice, though not with the same sublime elevation, for the object of Dante's devotion was on the whole imaginary,--the worship of qualities which existed in his own mind alone,--whereas the admiration of Ballanche was based on the real presence of flesh and blood animated by a lovely soul.

Soon after this friendship had begun, Madame Récamier made a visit to Italy, travelling in a _voiture_, not a private carriage, and arrived at Rome in Passion Week, 1812, when the Pope was a prisoner of Napoleon at Fontainebleau, and hence when his capital was in mourning,--sad and dull, guarded and occupied by French soldiers. The only society at Rome in that eventful year which preceded the declining fortunes of Napoleon, was at the palace of Prince Torlonia the banker; but the modest apartment of Madame Récamier on the Corso was soon filled with those who detested the rule of Napoleon. Soon after, Ballanche came all the way from Lyons to see his star of worship, and she kindly took him everywhere, for even in desolation the Eternal City is the most interesting spot on the face of the globe. From Rome she went to Naples (December, 1813), when the King Murat was forced into the coalition against his brother-in-law. In spite of the hatred of Napoleon, his sister the Queen of Naples was devoted to the Queen of Beauty, who was received at court as an ambassadress rather than as an exile. On the fall of Napoleon the next year the Pope returned from his thraldom; and Madame Récamier, being again in Rome, witnessed one of the most touching scenes of those eventful days, when all the nobles and gentry went out to meet their spiritual and temporal sovereign, and amid the exultant shouts and rapture of the crowd, dragged his gilded carriage to St. Peter's Church, where was celebrated a solemn _Te Deum._

But Madame Récamier did not tarry long in Italy, She hastened back to Paris, for the tyrant was fallen. She was now no longer beaming in youthful charms, with groups of lovers at her feet, but a woman of middle age, yet still handsome,--for such a woman does not lose her beauty at thirty-five,--with fresh sources of enjoyment, and a keen desire for the society of intellectual and gifted friends. She now gave up miscellaneous society,--that is, fashionable and dissipated crowds of men and women in noisy receptions and ceremonious parties,--and drew around her the lines of a more exclusive circle. Hither came to see her Ballanche, now a resident of Paris, Mathieu de Montmorency, M. de Châteaubriand, the Due de Broglie, and the most distinguished nobles of the ancient regime, with the literary lions who once more began to roar on the fall of the tyrant who had silenced them, including such men as Barante and Benjamin Constant. Also great ladies were seen in her _salon_, for her husband's fortunes had improved, and she was enabled again to live in her old style of splendor. Among these ladies were the Duchesse de Cars, the Marchionesses de Podences, Castellan, and d'Aguesseau, and the Princess-Royal of Sweden. Also distinguished foreigners sought her society,--Wellington, Madame Krüdener, the friend of the Emperor Alexander, the beautiful Duchess of Devonshire, the Duke of Hamilton, and whoever was most distinguished in that brilliant circle of illustrious people who congregated at Paris on the restoration of the Bourbons.

In 1819 occurred the second failure of M. Récamier, which necessarily led again to a new and more humble style of life. The home which Madame Récamier now selected, and where she lived until 1838, was the Abbaye-au-Bois, while her father and her husband, the latter now sixty-nine, lived in a small lodging in the vicinity. She occupied in this convent--a large old building in the Rue de Sèvres--a small _appartement_ in the third story, with a brick floor, and uneven at that. She afterwards removed to a small _appartement_ on the first floor, which looked upon the convent garden.

Here, in this seclusion, impoverished, and no longer young, Madame Récamier received her friends and guests. And they were among the most distinguished people of France, especially the Duc de Montmorency and the Viscount Châteaubriand. The former was a very religious man, and the breath of scandal never for a moment tainted his reputation, or cast any reproach on the memorable friendship which he cultivated with the most beautiful woman in France. This illustrious nobleman was at that time Minister of Foreign Affairs, and was sent to the celebrated Congress of Vienna, where Metternich, the greatest statesman of the age, presided and inaugurated a reaction from the principles of the Revolution.

But more famous than he was Châteaubriand, then ambassador at London, and afterwards joined with Montmorency as delegate to the Congress of Vienna, and still later Minister of Foreign Affairs, who held during the reign of Louis XVIII. the most distinguished position in France as a statesman, a man of society, and a literary man. The author of the "Genius of Christianity" was aristocratic, moody, fickle, and vain, almost spoiled with the incense of popular idolatry. No literary man since Voltaire had received such incense. He was the acknowledged head of French literature, a man of illustrious birth, noble manners, poetical temperament, vast acquisitions, and immense social prestige. He took sad and desponding views of life, was intensely conservative, but had doubtless a lofty soul as well as intellectual supremacy. He occupied distinct spheres,--was poet, historian, statesman, orator, and the oracle of fashionable _salons_, although he loved seclusion, and detested crowds. The virtues of his private life were unimpeached, and no man was more respected by the nation than this cultivated scholar and gentleman of the old school.

It was between this remarkable man and Madame Récamier that the most memorable friendship of modern times took place. It began in the year 1817 at the bedside of Madame de Staël, but did not ripen into intimacy until 1818, when he was fifty and she was forty-one. His genius and accomplishments soon conquered the first place in her heart; and he kept that place until his death in 1848,--thirty years of ardent and reproachless friendship. Her other friends felt great inquietude in view of this friendship, fearing that the incurable melancholy and fitful moods of the Viscount would have a depressing influence on her; but she could not resist his fascinations any easier than he could resist hers. The Viscount visited her every day, generally in the afternoon; and when absent on his diplomatic missions to the various foreign courts, he wrote her, every day, all the details of his life, as well as sentiments. He constantly complained that she did not write as often as he did. His attachment was not prompted by that unselfish devotion which marked Ballanche, who sought no return, only the privilege of adoration. Châteaubriand was exacting, and sought a warmer and still increasing affection, which it seems was returned. Madame Récamier's nature was not passionate; it was simply affectionate. She sought to have the wants of her soul met. She rarely went to parties or assemblies, and seldom to the theatre. She craved friendship, and of the purest and loftiest kind. She was tired of the dissipation of society and even of flatteries, of which the Viscount was equally weary. The delusions of life were dispelled, in her case, at forty; in his, at fifty.

This intimacy reminds us of that of Louis XIV. and Madame de Maintenon. Neither could live without the other. But their correspondence does not reveal any improper intimacy. It was purely spiritual and affectionate; it was based on mutual admiration; it was strengthened by mutual respect for each other's moral qualities. And the friendship gave rise to no scandal; nor was it in any way misrepresented. Every day the statesman, when immersed even in the cares of a great office, was seen at her modest dwelling, at the same hour,--about four o'clock,--and no other visitors were received at that hour. After unbending his burdened soul, or communicating his political plans, or detailing the gossip of the day, all to the end of securing sympathy and encouragement from a great woman, he retired to his own hotel, and spent the evening with his sick wife. One might suppose that his wife would have been jealous. The wife of Carlyle never would have permitted her husband to visit on such intimate terms the woman he most admired,--Lady Ashburton,--without a separation. But Châteaubriand's wife favored rather than discouraged the intimacy, knowing that it was necessary to his happiness. Nor did the friendship between Madame Récamier and the Due de Montmorency, the political rival of Châteaubriand, weaken the love of the latter or create jealousy, a proof of his noble character. And when the pious Duke died, both friends gave way to the most sincere grief.

It was impossible for Madame Récamier to live without friendship. She could give up society and fortune, but not her friends. The friendly circle was not large, but, as we have said, embraced the leading men of France. Her limited means made no difference with her guests, since these were friends and admirers. Her attraction to men and women alike did not decrease with age or poverty.

The fall of Charles X., in 1830, led of course to the political downfall of Châteaubriand, and of many of Madame Récamier's best friends. But there was a younger class of an opposite school who now came forward, and the more eminent of these were also frequent visitors to the old queen of society,--Ampère, Thiers, Mignet, Guizot, De Tocqueville, Sainte-Beuve. Nor did she lose the friendship, in her altered fortunes, of queens and nobles. She seems to have been received with the greatest cordiality in whatever chateau she chose to visit. Even Louis Napoleon, on his release from imprisonment in the castle of Ham, lost no time in paying his respects to the woman his uncle had formerly banished.

One of the characteristic things which this interesting lady did, was to get up a soiree in her apartments at the convent in aid of the sufferers of Lyons from an inundation of the Rhône, from which she realized a large sum. It was attended by the _élite_ of Paris. Lady Byron paid a hundred francs for her ticket. The Due de Noailles provided the refreshments, the Marquis de Verac furnished the carriages, and Châteaubriand acted as master of ceremonies. Rachel acted in the rôle of "Esther," not yet performed at the theatre, while Garcia, Rubini, and Lablache kindly gave their services. It was a very brilliant entertainment, one of the last in which Madame Récamier presided as a queen of society. It showed her kindness of heart, which was the most conspicuous trait of her character. She wished to please, but she desired still more to be of assistance. The desire to please may arise from blended vanity and good-nature; the desire to be useful is purely disinterested. In all her intercourse with friends we see in Madame Récamier a remarkable power of sympathy. She was not a woman of genius, but of amazing tact, kindness, and amiability. She entered with all her heart into the private and confidential communications of her friends, and was totally free from egotism, forgetting herself in the happiness of others. If not a woman of genius, she had extraordinary good sense, and her advice was seldom wrong. It was this union of sympathy, kindness, tact, and wisdom which made Madame Récamier's friendship so highly prized by the greatest men of the age. But she was exclusive; she did not admit everybody to her salon,--only those whom she loved and esteemed, generally from the highest social circle. Sympathy cannot exist except among equals. We associate Paula with Jerome, the Countess Matilda with Hildebrand, Vittoria Colonna with Michael Angelo, Hannah More with Dr. Johnson. Friendship is neither patronage nor philanthropy; and the more exalted the social or political or literary position, the more rare friendship is and the more beautiful when it shines.

It was the friendships of Madame Récamier with distinguished men and women which made her famous more than her graces and beauty. She soothed, encouraged, and fortified the soul of Châteaubriand in his fits of depression and under political disappointments, always herself cheerful and full of vivacity,--an angel of consolation and spiritual radiance. Her beauty at this period was moral rather than physical, since it revealed the virtues of the heart and the quickness of spiritual insight. In her earlier days--the object of universal and unbounded admiration, from her unparalleled charms and fascinations--she may have coquetted more than can be deemed decorous in a lady of fashion; but if so, it was vanity and love of admiration which were the causes. She never appealed to passion; for, as we have said, her own nature was not passionate. She was satisfied to be worshipped. The love of admiration is not often allied with that passion which loses self-control, and buries one in the gulf of mad infatuation. The mainspring of her early life was to please, and of her later life to make people happy. A more unselfish woman never lived. Those beauties who lure to ruin, as did the Sirens, are ever heartless and selfish,--like Cleopatra and Madame de Pompadour. There is nothing on this earth more selfish than what foolish and inexperienced people often mistake for love. There is nothing more radiant and inspiring than the moral beauty of the soul. The love that this creates is tender, sympathetic, kind, and benevolent. Nothing could be more unselfish and beautiful than the love with which Madame Récamier inspired Ballanche, who had nothing to give and nothing to ask but sympathy and kindness.

One of the most touching and tender friendships ever recorded was the intercourse between Châteaubriand and Madame Récamier when they were both old and infirm. Nothing is more interesting than their letters and daily interviews at the convent, where she spent her latter days. She was not only poor, but she had also become blind, and had lost all relish for fashionable society,--not a religious recluse, saddened and penitent, like the Duchesse de Longueville in the vale of Chevreuse, but still a cheerful woman, fond of music, of animated talk, and of the political news of the day, Châteaubriand was old, disenchanted, disappointed, melancholy, and full of infirmities. Yet he never failed in the afternoon to make his appearance at the Abbaye, driven in a carriage to the threshold of the salon, where he was placed in an arm-chair and wheeled to a corner of the fireplace, when he poured out his sorrows and received consolation. Once, on one of those dreary visits, he asked his friend to marry him,--he being then seventy-nine and she seventy-one,--and bear his illustrious name. "Why," said she, "should we marry at our age? There is no impropriety in my taking care of you. If solitude is painful to you, I am ready to live in the same house with you. The world will do justice to the purity of our friendship. Years and blindness give me this right. Let us change nothing in so perfect an affection."

The old statesman and historian soon after died, broken in mind and body, living long enough to see the fall of Louis Philippe. In losing this friend of thirty years Madame Récamier felt that the mainspring of her life was broken. She shed no tears in her silent and submissive grief, nor did she repel consolation or the society of friends, "but the sad smile which played on her lips was heart-rending.... While witnessing the decline of this noble genius, she had struggled, with singular tenderness, against the terrible effect of years upon him; but the long struggle had exhausted her own strength, and all motives for life were gone."

Though now old and blind, yet, like Mme. du Deffand at eighty, Madame Récamier's attractions never passed away. The great and the distinguished still visited her, and pronounced her charming to the last. Her vivacity never deserted her, nor her desire to make every one happy around her. She was kept interesting to the end by the warmth of her affections and the brightness of her mind. As it is the soul which is the glory of a woman, so the soul sheds its rays of imperishable light on the last pathway of existence. No beauty ever utterly passes away when animated by what is immortal.