Chapter VIII: Appendix: I

LIST OF THE PRIORS OF ST. MARY OVERIE

Appointed. 1. Aldgod 1106 2. Algar 1130 3. Warin 1132 4. Gregory 1142 5. Ralph 1150 6. Richard 1154 7. Valerianus 1163 8. William de Oxenford 1189 9. Richard de St. Mildred 1203 10. William Fitz Samari 1205 11. Martin 1206 12. Robert de Oseney 1218 13. Humphrey 1223 14. Eustachius 1240 15. Stephen 1253 16. Alan 1266 17. William Wallys 1283 18. Peter de Cheyham 1306 19. Thomas de Southwark 1326 20. Robert de Welles 1331 21. John de Peckham 1348 22. Henry Collingbourne 1359 23. John Kyngeston 1395 24. Robert Weston 1397 25. Henry Werkeworth 1414 26. John Bottisham 1452 27. Henry de Burton 1462 28. Richard Briggs 1486 29. John Reculver 1491 30. Richard Michell 1499 31. Robert Shouldham 1512 32. Bartholomew Linstede 1513 (_alias_ Fowle)

The last-named surrendered the Priory to Henry VIII in 1540, when he was granted a pension of £100 per annum, and the use of a house within the close. The aggregate granted to the other annuitants (eleven in number), amounted to £70. The pensions were to be paid half yearly. The annual value of the Priory at the surrender was estimated at £656 10_s._, from which "Reprisals," amounting to £32 3_s._ 6_d._, were deducted by the Commissioners, leaving £624 6_s._ 6_d._ net.

II

THE PRIORY SEAL

The impressions given (p. 103) are taken from a fine, but imperfect, sulphur cast in the British Museum (4050 lxxii, 66 and 67) of the Seal in use in the twelfth century. It is circular, about 2-3/8 inches in diameter, and contains, within a vesical compartment, a figure of the Blessed Virgin, seated on a carved throne, holding a fleur-de-lis in her right hand, and supporting with her left the Infant Saviour upon her knee. The Holy Child is distinguished by a cruciform nimbus, while that of the Virgin is a plain circle. The Child is raising the right hand in benediction, and holds in the left an orb. The vesica is bordered with a double dotted line, containing the salutation: "Ave: Maria: gracia: plena: Dñs: tecum: benedicta." A similar border, immediately within the circumference, holds the legend: "Sigillum ecclesie sancte Marie de Suthewercha."

The space between the circumference and the vesica is occupied on each side by two angels, with expanded wings, those above issuing from waves, those below kneeling.

The reverse contains a small counterseal, 1-3/8 inch in diameter. The figure is an angel, with nimbus and expanded wings, issuing from waves, with (probably) an orb in the hands.

The inscription: "Ave: Mater: Misericordie."

It may be mentioned that the design of the seal varied with different Priors. The British Museum possesses several casts, and an original in red wax (attached to a deed), the design on which is indistinguishable. The specimen chosen appears to be the most interesting and elaborate, though not the most ancient, of those in the collection.

III

LIST OF THE CHAPLAINS OF ST. SAVIOUR'S

(Compiled by the Rev. Dr. Thompson, and here reproduced by his permission.)

Appointed. 1. Rev. Kelle 1563 2. James Holyland 1564 3. Harman 1565 4. Styles 1578 5. Smythe 1582 6. Pattersle 1585 7. Hansonne 1585 8. Thos. Rattdcliffe 1585 9. M. Ed. Philips 1589 10. Butterton 1599 11. Marberry 1601 12. Currie 1603 13. Knapp 1604 14. Snape 1604 15. Church 1605 16. Symonds 1605 17. Francis 1606 18. James Archar 1614 19. Dr. Thomas Sutton 1615 20. Harris 1623 21. P. Micklethwaite 1625 22. Rev. Nicolas Morton 1627 23. Stephen Watkins 1654 24. Robert Knightly 1656 25. Dr. William Hoare 1678 26. Dr. Samuel Barton 1687 27. Dr. H. Sacheverell 1705 28. Dr. Thomas Horne 1709 29. Wainford 1724 30. Dr. Benj. Slocock 1725 31. John Smith 1729 32. Thomas Jones 1753 33. William Day 1762 34. Sambrook Russell 1768 35. Philip Batteson 1769 36. W. Winkworth 1794 37. W. Mann 1804 38. Thomas Bird 1807 39. Dr. W. Harrison 1808 40. W. Curling 1833 41. S. Benson 1843 42. Dr. W. Thompson 1879

NOTE.--An interval of over twenty years will be noticed between Nos. 24 and 25, during which the names of other "Ministers" appear in the Registers.

It was the rule for two Chaplains to be in office at once till 1881, when Dr. Thompson was made sole Chaplain. In 1885 he was appointed Rector, and in 1897 Canon and Chancellor of the Collegiate Church.

The Rev. Mr. Kelle was dismissed in January, 1564, for refusing to wear a surplice at the Communion; but in consideration of his old age he was presented with the sum of £4, "by the good wyllys" of the Vestry and Churchwardens.

Messrs. Holyland and Harman were then elected, as of a more compliant temper, their "wages" being fixed at £20 a year "and not the christenings, and to leave at a fortnight's warning." Mrs. Holyland was to receive "for her wages" ten shillings.

By far the most prominent in the list is Dr. Sacheverell. The two sermons which led to his impeachment were preached at the Derby Assizes on 15th August, and at St. Paul's Cathedral on 5th November, 1709. These, with his published Answer and the Speech in his Defence, delivered at Westminster Hall on the 7th March, 1710, are still exciting reading.

IV

VESTMENTS, PLATE, AND ORNAMENTS AT ST. SAVIOUR'S[33]

An examination was made on the 20th October, 1552, by the agents "assigned and appointed by the Commissioners, and by them sworn truly to enquire and find out the whole of all such plate, jewels, and ornaments, as since the beginning of the King's reign that now is belonged to the Church of Saint Saviour in Southwark, as far as in them lieth."

The duty of the agents involved a comparison of the goods which they actually found in the church with the existing inventories, the most important of which was the inventory made on 26th February, 1548, by the retiring Wardens, and handed to their successors in office with the property transferred to their care at the same time. The contents of this inventory are as follows; the entries, however, have been shortened and the spelling modernised:

Two principal copes of blue tissue "with priest, deacon, and
sub-deacon, with all their apparel."[34]

Three other principal copes of the same material with _ut supra_.

Three principal copes of red tissue with _ut supra_.

A cope of cloth of gold with _ut supra_ (lacking two albes and two
head-pieces).[35]

A cope of blue velvet embroidered with flowers with _ut supra_.

Three copes of white camlet embroidered with flowers with _ut
supra_ (lacking two head-pieces and two "fannelles").[36]

Three copes of white damask, with holy-water "sprynkes" with _ut
supra_.

A cope of white damask with flowers.

A cope of blue tinsel.

A cope of red worsted with flowers, and his vestment of the same,
and a deacon of red damask, lacking an albe.

A cope of blue worsted with l. and x.

A cope of silk "bawdekyn"[37] for Sundays.

A cope of black worsted with priest, deacon, and subdeacon, with
all their apparel.

Two "desk-cloths"[38] of blue with x. and l.

Two "desk-cloths" of silk with images.

A cope of white tissue given by "Maister Fowle."[39]

WORKDAY VESTMENTS.[40]

A vestment of red damask with an albe.

A vestment of red velvet with a green cross.[41]

A vestment of blue velvet with x. and l. and his albe.

A vestment of red velvet embroidered with moons and stars.[42]

A vestment of satin of Bruges, with a green cross, and a picture
of Our Lady and her Son.

A vestment of red "bawdkyn," with a lion of gold.

A vestment of "bawdkyn," with a crucifix.

A "cross-cloth"[43] of purple damask, with an image of the Trinity
of gold.

A "cross-cloth" of the same material, with St. Margaret.

A "cross-cloth" of green sarcenet, with the Assumption of Our Lady
in gold.

Two "lawnes" for the cross,[44] one blue and one white, both
fringed with gold.

Two "canabye-cloths,"[45] one of cloth of gold, the other of blue
velvet with flowers of gold, both fringed.

Seven corporas-cases.[46]

A fore front of cloth of tissue.

Two pieces of blue velvet, with flower-de-luces.

A fore front of white damask embroidered.

Two cloths of tissue for the High Altar.

A fore front of red worsted.

A cloth of red and blue to hang over the table of the High
Altar.[47]

A veil for Lent in the chancel.

Two hangings for Our-Lady altar (above and beneath) of red tissue.

Hangings for the same altar[48] (above and beneath) of white and
green damask embroidered with flowers.

Hangings of the Trinity altar, of red damask with flowers of gold.

Hangings of red silk for the same altar, with a picture of the
Trinity and Our Lady.

Another hanging of white taffata, with the Passion of Christ.

A black hearse-cloth[49] of worsted, with a white cross.

ST. JOHN'S ALTAR.

Hangings, above and beneath, of cloth of gold.

Two hangings of blue damask embroidered.

Two hangings of white chamlet embroidered with flowers.

Hangings of russet sarcenet embroidered with "iij levyd
gresse."[50]

One hanging of "dornyx."

BANNER-CLOTHS.

Two streamers of sarcenet, one blue, the other green.

Fourteen "cross-cloths," banner-cloths of all sorts, good and bad,
silk and other.

ALTAR-CLOTHS, ETC.

Eight altar-cloths of diaper, and four plain.

Nine surplices.

Three towels--two of diaper and one plain.

A cushion of green silk.[51]

A carpet[52] before the high altar.

LATTEN.

One holy-water pot.

Two pair of great standards.[53]

One pair of small [standards].

The best hearse-cloth of St. Katherine.[54]

The Trinity hearse-cloth.[55]

Two other hearse-cloths, good and bad.[56]

PLATE.

A monstrance of silver and gilt,[57] with a "burrall" (= beryl).

Two candlesticks of silver and parcel gilt.[58]

A pax of silver and gilt, with a "burrall."[59]

Two basons of silver and parcel gilt.[60]

A pair of censers of silver parcel gilt.[61]

A ship[62] of silver parcel gilt.

A single cross of silver parcel gilt.

A "maser" with a border and a "knop" of silver all gilt.[63]

Two pieces of silver "knoppis which was in the brest of the image
of the Resurrection."

Other lists follow, and contain goods and ornaments that were
missing, or that had been sold by various churchwardens since
the beginning of the reign of Edward VI.

From these we learn that the church had also possessed such
vestments and ornaments as the following:

"Item a vestment of blewe velvyt with a crosse of redde
velvyt sprenged with gold with all thinges perteyninge to
the same."

"All thinges perteyninge to the same" here includes the vestments
for the assistants, and the stoles, maniples, and apparels.

"Item a vestment of white bustyan, with a redde cross and all
thinges perteyninge to the same."

Evidently vestments of coarse white stuff such as were universal in England during the first four weeks of Lent, cf. the "ash-coloured," or white vestments still worn on weekdays in Lent in the South of France.

"Item an altar cloth hanginge afore the altare of redde silke
with a crucyfix."

This was probably the frontal used in Passiontide, _i.e._, from
Passion Sunday until Easter. Other Lenten ornaments were the
following:

"Item iiij paynted clothes for altar clothes in Lent."

"Item iij paynted clothes to hange upon saynt Katerynes and
saynt Margarettes in Lent."

The following is an interesting description of a panelled or striped frontal and frontlet:

"Item an altar cloth for the frontur of thalter of redde
velvyt and yelowe & redde damask in paynes with Kateryn
wheles in the bordour above."

The sales are quoted as realising in all £165 17_s._ 8_d._, but
an addition of the separate items does not result in this
total.

The difficulties in the way of an exact calculation are (1) lax or
ambiguous entries, _e.g._:

"Item iiij chalyces wayng liiij onz. wherof ij communyon
cuppis were made by the said Calton (purchaser of a
previous lot) waynge but lij onz.... xvijs viii.d"

(2) The omission of prices, and (3) the disappearance of articles quoted as "myssinge at the praysement of the vestry stuff," or (4) "myssinge and not delyveryd to the now Churche wardens neither sold or accompted for to thuse of the Churche."

The conclusion arrived at by the representatives of the parish is thus stated: "And where yt is a parcell of our othe to present howe and to what use the moneye cummynge of the sale of our ornamentes and plate is employd and in what place of our church it is bestowed, to that we saye yt is not in our wyttes to tell ... and surly yf there be not moche more reparacyons done upon the said churche shortly yt will utterly dekay."

The list of "plate and other things" left in the church is as follows:

Two communion cups with a cover all gilt.

Nineteen albes and six amices, lacking all their apparel,
"whereof the wardens have made sixteen surplices for the
choir, which was all that could be made of them."

Towels and tablecloths, good and bad, diaper and plain xij.

A cushion of green silk.

Three hearse-cloths, one of Our Lady, another of Saynt
Katheryne, and one of blue and red velvet.

Six "bells of accorde" and one small bell.

Which bells the parish bought of the late king of famous
memory king Henry the eight at the purchesing of the hole
church.

A bible and a paraphrases.

Three communion books and four psalters printed.

Two pair of good organs furnished.

A chest with two locks for the alms for the poor.

Five "great pieces of leed squayr lyeinge upon the bellowes."

This is followed by a _Memorandum_, which is not without a touch
of humour under the circumstances, pointing out that "it
appears in the accounts of Nycholas Stokbrige and his
companions (Wardens of the first and second year) that they
have not charged themselves in their book a good carpet and a
chapel bell."

(_Signed by_) THOMAS DYSON,
ROGER PYLFOLD, and
THOMAS DOWMAN.

The Inventories are given _in extenso_ among the "Inventories of the Goods and Ornaments of the Churches in the County of Surrey in the reign of Edward VI," carefully edited by J.R. Daniel Tyssen, Esq., F.S.A., for the "Surrey Archaeological Collections," from the original documents in the Public Record Office.

FOOTNOTES:

[33] The explanations in the footnotes have been kindly furnished by Mr. F.C. Eeles, Secretary to the Alcuin Club.

[34] The term "vestment" was often used to include not merely the chasuble, but also the other vestments of the celebrant and his assistant ministers; sometimes it also included the vestments of the altar, the frontal and upper frontal; it nearly always included the apparels, sometimes also the albe and amice, but at other times these were reckoned separately among the linen.

Sometimes the vestments for the celebrant, the gospeller, and the epistoler, were called "priest, deacon, and subdeacon," instead of chasuble, dalmatic, and tunicle. Sometimes the last two vestments (often identical in appearance) were both called dalmatics, or "deacons," or were both called tunicles.

Apparels were pieces of coloured or embroidered material sewn on to the albe and amice; they were on the skirt and sleeves of the former, and the amice apparel was like a large embroidered collar. These additions to the albe and amice were always used in England, and of course lace was unknown in old times.

[35] The amices are here called "head-pieces," as they were properly little hoods which could be turned up so as to cover the head, and were actually so worn out of doors. The Dominican Friars still wear the amice on the head when approaching the altar at mass.

Sets of vestments often had copes belonging to them. The cope was required not only for use when censing altars at choir services, but also for the celebrant in the procession which (like our Litany) preceded the principal celebration of the Eucharist on Sundays.

[36] Fannelles = fanons or maniples.

[37] Cloth of gold.

[38] Hangings for lecterns.

[39] Probably the last Prior, alias Linstede.

[40] "Work-day vestments" means vestments for use on weekdays at low masses.

[41] A vestment with a Latin cross on the back of the chasuble; these were common in England in the sixteenth century.

[42] _Vide_ the design on the coffin-lid now preserved in the North Transept (p. 89).

[43] A small banner which was hung on the processional cross.

[44] Probably curtains for hanging behind the rood.

[45] Canopies for hanging above the pyx, which contained the reserved Sacrament, and was, as usual in England, suspended over the high altar. N.B.--The Roman form of altar-tabernacle seldom if ever seems to have been used in England.

[46] Burses, to keep the corporals in.

[47] The "table of the high altar" was the reredos, only exposed on high days, this cloth or upper frontal concealing it at other times. The reredos must not be confused with the great altar screen: it was quite small, and was immediately at the back of the altar itself.

[48] "Hangings for altars above and beneath" include frontals and upper frontals, the latter taking the place of the reredos, or being used to cover it at ordinary times. Some of these hangings may be "riddels" or curtains to hang at the ends of the altar. These used to hang at right angles to the reredos, and close to the altar ends.

[49] _I.e._, a funeral pall.

[50] Shamrock or trefoil.

[51] A cushion to lay the altar book upon. Such cushions were often very rich and handsome, and in the days of large books and fine bindings were almost necessary. They were much more general than desks.

[52] _I.e._, a frontal; the same word is used in the Canon of 1603, which orders a frontal.

[53] Four great standard candlesticks to stand on the pavement before the altar. Large churches often had more than two standard lights. The pair of small standards (the next entry) were probably for one of the lesser altars.

[54] Probably included under "Latten" by mistake or carelessness.

[55] _Ibid._

[56] _Ibid._

[57] This ornament was used in one or two processions when the Holy Eucharist was carried. The "burrall" is the glass in the middle wherein the Sacrament was placed. Only rich churches possessed this ornament, which was of very late introduction. It is needless to add that the still more modern service of Benediction of the Blessed Sacrament was never in use in England.

[58] Probably to stand on the high altar.

[59] Perhaps held a relic.

[60] To stand on the high altar for ornament.

[61] Two censers were commonly carried side by side in procession in England.

[62] Incense-boat.

[63] The "maser" is quoted as "given to the Wardens when they meet to drink on."

V

SPECIFICATION OF THE ORGAN

(Furnished by the builders, Messrs. Lewis and Co., Limited)

CHOIR ORGAN, C C TO C. 61 NOTES.

Lieblich-gedact 16 feet Geigen Principal 8 " Salicional 8 " Dulciana 8 " Lieblich-gedact 8 " Salicet 4 feet Flauto Traverso 4 " Lieblich-gedact 4 " Lieblich-gedact 2 " Mixture (3 ranks) 2 "

Ten Key-touches for Couplers and fixed Combinations.

GREAT ORGAN, C C TO C. 61 NOTES.

Contra Viola 16 feet Bourdon 16 " Open Diapason, No. 1 8 " Open Diapason, No. 2 8 " Stopped Diapason 8 " Flûte Harmonique 8 " Octave 4 " Flûte Harmonique 4 feet Octave Quint 2-2/3 " Super Octave 2 " Cornet (3, 4, and 5 ranks) 2-2/3 " Mixture (4 ranks) 1-1/3 " Trumpet 8 "

Ten Key-touches for Couplers and fixed Combinations.

SWELL ORGAN, CC TO C. 61 NOTES.

Bourdon 16 feet Open Diapason 8 " Rohr-flöte 8 " Viole de Gambe 8 " Voix Célestes 8 " Geigen Principal 4 " Rohr-flöte 4 " Flautina 2 " Mixture (4 ranks) 1-1/3 " Bassoon 16 " Horn 8 " Voix Humaine 8 " Oboe 8 " Clarion 4 "

Ten Key-touches for Couplers and fixed Combinations.

SOLO ORGAN, CC TO C. 61 NOTES.

Flûte Harmonique 8 feet Vox Angelica 8 " Unda Maris 8 " Flûte Harmonique 4 " Cor Anglais (Ten. C) 16 " Bombarde 16 " Clarionet 8 " Orchestral Oboe 8 " Tuba Magna 8 " Trompette Harmonique 8 "

Solo Organ is inclosed in a separate Swell Box.

Ten Key-touches for fixed Combinations and Solo Stops.

PEDAL ORGAN, C C C TO F. 30 NOTES.

Great Bass 32 feet Major Violon 32 " Great Bass 16 " Violon 16 " Sub Bass 16 " Dulciana Bass 16 " Violoncello 8 " Flute Bass 8 " Flute 4 " Contra Posaune 32 " Posaune 16 " Trombone 16 " Trumpet 8 "

COUPLERS.

Choir to Pedal. Great to Pedal. Swell to Pedal. Solo to Pedal. Choir to Great. Swell to Great. Solo to Great. Swell to Choir. Solo to Swell. Solo Octave.

Tremulant to Swell.

Six Pedals for Interchangeable Combinations.

Ordinary Swell Pedal for Solo Organ.

Balanced Pedal for Swell Organ.

Balanced Pedal for Crescendo over Entire Organ, including the Solo Swell Shutters.

The entire action is Electro-pneumatic. The Console is detached and placed behind the Choir Stalls.

INDEX

Aisles, choir, 81, _et seq._
Nave, North, 60.
Nave, South, 64.

Alleyn, Edward, 66.

Altar, 71.

---- Screens, 18, 28, 72.

Andrewes, Bishop, 25, 28, 43, 77-78.

Anglican Martyrs, 22, 78-79.

Applebee, Dorothy, 88.

Architectural remains, Early English, 17, 64.
Norman, 16, 52, 53, 60, 84, 89.

Barford, Susanna, Tablet, 86.

Beaufort, Cardinal, 17, 44, 95-97.

Beaufort, Escutcheon, 96.

Beaufort, Joan, 97.

Beaumont, Francis, 66.

Bells, 48.

Benson, Rev. S., 80, 81.

Blomfield, Sir Arthur, 34, 46, 48, 54, 57, 88, 93, 97.

Bosses from the old Ceiling, 90.

Browne, Sir Anthony, 38.

Bunyan, John, 61.

Chandelier, 88.

Chapels, the Bishop's, or Little Lady Chapel, 28, 30,43, 76, 77.
Lady Chapel, or Retro-Choir, 21, 42, 44, 75 _et seq._
St. John the Baptist, 18, 61.
St. John the Divine (Harvard), 16, 84.

Chaplains, introduction of, 24.
List of, 104.

Chapter House, 36-38.

Chaucer, Geoffrey, 62.

Child, Alwin, 20.

Choir, exterior, 43.
Interior, 69, _et seq._
Stalls, 74.

Coffin, ancient, 89.

Collegiate Church, 15 _n._

---- Chapter, 35.

---- House, 36.

Cruden, Alexander, 60, 61.

Crusader, effigy of, 81-82.

Cure, Thomas, 81.

Curling, Rev. W., 80.

Dauncey, William, 14.

Davidson, Archbishop, 34, 100.

De la Roche (de Rupibus), Bishop, 17, 42, 49.

Dimensions of the Church, 115.

Dissolution of Monasteries, 19.

Dollman, F.T., 34 _n._, 47, 48.

Doorways, Norman, 52, 60.
South-west, 49.
West, 18, 51.

Easter Sepulchre, 77.

Emerson, William, 95.

Exterior of the Church, 41-43.

Ferthing, Aleyn, 20.

Fletcher, John, 67, 68.

Font, 66.

---- In Lady Chapel, 77.

Foster Hall, 36.

Fox, Bishop, 18, 47, 72-73.

Giffard, Bishop, 15, 20, 49.

Goldsmith, Oliver, 60.

Gower, John, 17, 18, 61-62.

Gwilt, George, 30, 32, 42, 43, 47, 48, 54.
Burial-place, 44.
Memorial Tablet, 44, 80.
Memorial Window, 86.

Harvard, John, 84-86.
Memorial window, 54, 84-86.

Holy-water Stoup, 53.

Horne, Bishop, 23 _n._

James I, of Scotland, 97.

Johnson, Dr. Samuel, 60 _n._

Jones, Rev. Thomas, 95.

Lectern, 88.

Linstede, Bartholomew, 13, 19.

Massinger, Philip, 67, 68.

Muniment chest, 90.

Nave, exterior, North Side, 52.
Nave, exterior, South Side, 48.
Nave, exterior, West Front, 51.
Nave, exterior, Interior, 57-59.

Newcomen, Elizabeth, 94.

Newland, Abraham, tablet, 86.

Organ, 86-87.
Specification of, 111.

Ornaments and Vestments, sale of, under Queen Elizabeth, 23, 24.
Inventories and sales (Edward VI), 105, _et seq._

Overy, John, 15.

Overy, Mary, 14, 15.

Pews, introduced at the Church, 26.

Pont de la Arch, William, 14.

Priors of St. Mary Overie, 103.

Priory Seal, 104.

Pugin, A.W., quoted, 32.

Pulpit, 88.

Queen Anne, Escutcheon, 93.

Restorations, 33, 34, 48, 97.

Roman relics, 14, 54, 87.

Sacheverell, Dr., 60 _n._, 93.

St. Margaret, Church of, 20.

St. Mary Magdalene, Church of, 17, 21, 30, 44, 46, 76.

St. Mary Overie, etymology of, 15.
Traditional origin of, 13.

St. Thomas, Church of, 36.

St. Thomas's Hospital, 17.

Shakespeare, Edmund, 68-69.

Shakespeare, William, 68-69.

Southwark, Diocese of, 99, _et seq._

Sumner, Bishop, 32.

Talbot, Bishop, 34, 100-101.

Thorold, Bishop, 33, 34, 100.

Tombs and Monuments, Bishop Andrewes, 43, 77-78.
William Austin, 92.
Richard Benefeld, 95.
John Bingham, 94.
William Emerson, 95.
John Gower, 18, 61-62.
Richard Humble, 73.
Rev. Thomas Jones, 95.
Lionel Lockyer, 92.
John Trehearne, 83-84.

Tower, exterior, 47.
Interior, 87.

Transepts, North, 17, 88, _et seq._
South, 17, 44-47, 93, _et seq._

Vestrymen, 20, 21, 22.

Wallace, Robert, 30, 44-46.

Wigan, Sir Frederick, Bart., 34, 74, 93, 94.

Windows, East, 62.
West, 64.
In Nave, North Aisle, 60-61.
In Nave, South Aisle, 64-68.
In Choir, North Aisle, 81.
In Choir, South Aisle, 86.
In Lady Chapel, 78, _et seq._
Harvard, 84, _et seq._
In North Transept, 88.
In South Transept, 93.

Wood, George, 81.

Yeatman-Biggs, Bishop, 100.

CHISWICK PRESS: PRINTED BY CHARLES WHITTINGHAM AND CO. TOOKS COURT, CHANCERY LANE, LONDON.

DIMENSIONS

Length of nave internal 104 feet. Length of choir internal 78 " Retro-choir from east to west internal 41 " Total length internal 248 " Breadth, including aisles internal 60 " Retro-choir from north to south internal 61 " Transepts from north to south internal 116 " Transepts from east to west internal 26 " Height of nave internal 55 " Height of choir internal 53 " 6 inches. Height of tower 129 " 6 " (exclusive of the pinnacles, which rise 34 feet above it). Area internal 17,113 sq. "

* * * * *

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