Chapter I: Paintings Attributed to Giorgione 155

II. THE TRUE GIORGIONE 172

INDEX 215

PLATES

PLATES I AND II. PORTRAITS OF BERNINI
NUMBER
I. Bernini. Pencil Drawing, by himself (p. 12);
Brandegee Collection _Frontispiece_
FACING PAGE
II. Portrait, formerly thought to be of Velasquez,
probably of Bernini (p. 12, footnote 3);
Capitoline Gallery, Rome 4

PLATES III-X. WORKS OF BERNINI

III. Æneas and Anchises (p. 16); Borghese
Collection, Rome 8
IV. David (p. 17); Borghese Collection 12
V. Proserpina and Pluto (p. 17); Borghese
Collection 16
VI. Apollo and Daphne (p. 17); Borghese Collection 18
VII. Angel with the Crown of Thorns (p. 25); Church
of S. Andrea delle Fratte, Rome 22
VIII. Angel with a Scroll (p. 25); Church of S.
Andrea delle Fratte, Rome 24
IX. Saint Theresa (p. 30); Church of S. Maria
della Vittoria, Rome 30
X. Louis XIV (p. 39); Versailles 38

PLATES XI-XXVII. SCULPTOR’S MODELS BY BERNINI; BRANDEGEE COLLECTION

XI. Female figure in relief, with helmet (p. 46,
No. 1) 44
XII. Figure of Longinus, for St. Peter’s (p. 46,
No. 2) 44
XIII. Putti, for the decoration of the piers in St.
Peter’s (p. 47, Nos. 3 and 4) 44
XIV. Two saints, for the Ciborio in the Cappella
del Sacramento in St. Peter’s (p. 47, Nos.
5, 7) 46
XV. Two saints, for the Ciborio in the Cappella
del Sacramento in St. Peter’s (p. 47, Nos.
6, 8) 46
XVI. Bas-relief with half-figures (p. 47, No. 9) 46
XVII. Half figure of a Triton holding a woman on his
shoulders (p. 47, No. 10) 46
XVIII. Study for the head of the St. Jerome in the
Duomo of Siena (p. 47, No. 11) 46
XIX-XXIV. Models of Angels (pp. 47, 48, Nos. 12–21) 48
XXV. Standing male figure in high relief (p. 49,
No. 22) 48
XXVI. Oval bas-relief of the Virgin (p. 49, No. 23) 48
XXVII. Standing female figure, and standing Angel (p.
49, Nos. 24, 25) 48

PLATES XXVIII-XL. BERNINI’S DESIGNS FOR THE PIAZZA OF ST. PETER’S;
BRANDEGEE COLLECTION

XXVIII. Orb, surmounted by a cross; outline of a
crucified figure (p. 51, Nos. 1, 2) 50
XXIX. Outline plan of St. Peter’s church correlated
with a figure on a cross above lines
suggesting the colonnades (p. 52, Nos. 3, 4) 50
XXX. More complete correlation of the crucified
figure with St. Peter’s church (p. 52, Nos.
5, 6) 50
XXXI. Outline elevation of north half of the facade
of St. Peter’s, with the colonnade (p. 52,
No. 7) 52
XXXII. Sketches of the north colonnade (p. 53, No. 8) 52
XXXIII. More elaborate sketch of the north colonnade
(p. 53, No. 9) 52
XXXIV. Outline sketch of the outer end of the north
arm of the colonnade, treated as if in two
stories (p. 53, No. 10) 52
XXXV. Interior of inner end of north arm of
colonnade (p. 53, No. 11) 52
XXXVI. Plan and elevation of the Cortile di S. Damaso
(p. 53, No. 12) 54
XXXVII. Façade of St. Peter’s, with both colonnades
treated as if in two stories (p. 53, No. 13) 54
XXXVIII. View looking east from the front of St.
Peter’s (p. 54, No. 14) 54
XXXIX. The Borgo, looking toward St. Peter’s (p. 54,
No. 15) 54
XL. Correlation of the Piazza with the Orb (p. 54,
No. 16) 54

PLATES XLI-LI. PORTRAITS

XLI. Sheik-el-Beled, statue of wood, Fourth Dynasty
(p. 57); Boulak Museum, Cairo 58
XLII. Sheik-el-Beled, head of statue shown in plate
XLI 60
XLIII. Portrait, so-called Scipio type, now
identified as priest of Isis (p. 57); Museum
of Fine Arts, Boston 64
XLIV. Pericles (p. 78); British Museum 66
XLV. So-called Menander (p. 82); Brandegee
Collection 72
XLVI. Periander (p. 82); Vatican Museum 74
XLVII. Unknown Roman, terra-cotta (p. 85); Museum of
Fine Arts, Boston 78
XLVIII. Unknown old man, Roman (p. 85); Brandegee
Collection 84
XLIX. Antoninus Pius (p. 88); Brandegee Collection 86
L. Roman girl (p. 90); Museum of Fine Arts,
Boston 88
LI. Sabina? (p. 90); Brandegee Collection 90

PLATES LII-LIX. PHEIDIAS AND MICHAEL ANGELO

LII. Caryatid from the Erechtheum, Athens (p. 101);
British Museum 96
LIII. Madonna and Child, by Michael Angelo (p. 116);
Bruges 100
LIV. The Victor, by Michael Angelo (p. 116);
National Museum, Florence 106
LV. Bacchus with Satyr, by Michael Angelo (p.
116); National Museum, Florence 112
LVI. Eros, by Michael Angelo (p. 118); South
Kensington Museum 118
LVII. Ares and other Divinities (p. 118); Frieze of
the Parthenon, Athens 124
LVIII. So-called Athena Medici (p. 119); École des
Beaux-Arts, Paris 126
LIX. Madonna and Child, by Michael Angelo,
unfinished (p. 131); Church of S. Lorenzo,
Florence 130

PLATES LX, LXI. CYRENE ATHENA

LX. Profile view of head (p. 135); Cyrene 136
LXI. Front view of head 144

PLATES LXII-LXIX. PAINTINGS BY GIORGIONE

LXII. The Judgment of Solomon (p. 172); Kingston
Lacy, England 162
LXIII. Adoration of the Magi, or Epiphany (p. 175);
National Gallery, London 168
LXIV. Shepherd’s Offering (p. 180); in the Lord
Allandale Collection, London 174
LXV. The Storm, gypsy woman and soldier in the
foreground (p. 181); Giovanelli Palace,
Venice 180
LXVI. The Three Philosophers (p. 181); Vienna 186
LXVII. Head of Christ bearing the Cross (p. 185);
Gardner Collection, Boston 194
LXVIII. Portrait (p. 202); Wood Collection, Temple
Newsam, England 202
LXIX. Madonna and Child (p. 204); Vienna 204

BERNINI