Chapter IV (4)
"'Love her still; always love her with a spiritual and pure affection. This will not hinder thee from bestowing the other half of thy affection upon some fair daughter of Eve, worthy of thy heart.'
"'And is this to be spiritually faithful?' said Bolko, in a reproachful tone.
"'No earthly passion, my son,' continued Hubert, 'can either break or abolish the spiritual faith which thou hast vowed to Auriola. When thou hast loved a daughter of Eve, thou wilt see, feel, and be satisfied, that between the love of thy earthly bride and of the enchanting Auriola, there is a difference as wide as heaven from earth.'
"Bolko heaved a bitter sigh, and shook his head in doubt. Nevertheless, he meditated long and seriously upon all that Hubert said. By degrees, even, he acknowledged to himself, that the kernel, the pure light of a deep truth, glimmered in his words, although in a manner veiled. He began to question his own heart; the more probable, nay, the more desirable seemed the consummation of Hubert's promises. For reasons, which he could scarcely explain to himself, he studiously avoided another visit to the moor. But in the meanwhile, that which originally had been a half-formed wish, and scarcely that, ripened into absorbing passion, vehement desire. Incessant thought nourished the ever-glowing flame, which burned the brighter, the more the spiritual love of Auriola receded and grew faint. Remembrance, it is true, still clung with a devout aspiration upon that beauteous image, but it resembled rather the placid feeling of a holy friendship, than the impetuous throbbing of a young and passionate love. 'Hubert is right!' said the youth; 'I will follow his direction. Auriola, lovely and rapturous being, angelic, spiritual, and human, will rejoice with the Accursed, when he carries to his desolate home the mistress of his castle--the wife of his bosom.'
"Opportunity is seldom wanting when inclination needs its service. About three miles from Gottmar, amongst the mountains, majestically rose the battlements of a proud castle. Baron T----, its wealthy master, had already visited Bolko upon his accession to the family estates, and Bolko now determined to acknowledge his neighbour's act of kindness. Had the baron been childless, it is very likely that Bolko would still have remembered what was due to society, and to his own station in the world; and it is equally true, that the fact of his possessing a young and lovely daughter, did not diminish the youthful noble's desire to act conformably to usage and propriety. Unfortunately for the intention of his visit, Bolko learned, on his arrival at the castle, that the baron was from home. In his stead, however, a maiden greeted him, slender of figure, noble in bearing. It was very strange, but it is certain, that the tumultuous feelings which of late had stirred within him unrestrained--were suddenly chained and riveted upon an object that afforded them a sweet tranquillity. Emma was gentle, frank, and beauteous as the blushing rose. In Bolko's frame of mind, could she fail to make a deep impression upon his young and too susceptible soul? He lingered at her side hour after hour, and was himself astonished to find the darkness of night creeping over the earth, and he not more prepared for departure than he had been on entering the castle-gates some hours before. However, the knight did not make his appearance, and good breeding suggested to unwilling ears that it was time to retire. Bolko said farewell--more tenderly, perhaps, than he supposed or meant; and as the delicate hand of Emma lay involuntarily in his own, he flattered himself that he felt his pressure softly returned, and that he could perceive a smile of contentment escaping from her lips as he promised to pay a second visit 'shortly.'
"The night was very dark: a few stars only twinkled through the thin veil which covered the heavens. Bolko madly spurred his steed, and the high-spirited animal, who needed no such incitement, bounded like a deer towards home. The thoughts of the baron were no longer with him, but imprisoned in the happy room in which he had passed so many blissful hours. Trusting to the instinct of the horse, the master took no heed of the road: and the trustworthy servant, scenting the vicinity of his stable, found easily for himself the best and shortest paths towards that wished-for spot. The trees became thinner and thinner, falling back on either side, whilst a flat and barren region lay before horse and rider. The former snorted and pranced, and the latter could not distinguish the locality through the blackness. Bolko coaxed the steed, and gently urged him forwards. But the animal trembled, and, in spite of bridle and spur, struck to the side, and swept along the skirts of the forest, without touching so much as with a hoof the gloomy-looking heath. Accustomed to the surrounding darkness, the eye of Bolko was at length able to discern--not without a creeping of horror--the ruddy and unsteady reed-grass. The moor and the Gold Spring were on one side of him. Pale stripes of fog, like ribbed vaults, were spread above him, giving a sacredness to the air, with which all other things strangely contrasted. The mind of Bolko, against his will, reverted to Auriola; his heart beat, as though he were conscious of a heavy fault--of some inhuman crime. He turned his gaze from the moor, and, with an effort, directed it towards the dark forest, to which the horse galloped at full speed.
"The words, 'BE CONSTANT!' fell loudly and articulately upon the ears of Bolko--uttered in a tone rather of supplication than of demand or threatening. He turned his horse's head in terror, and--oh amazement! sitting at the edge of the fountain, covered with a bright veil, hemmed with diamonds, was--Auriola! Her fair and loosened hair, encompassed, as at their first meeting, her entire body, and glittering, curled along the ground. Her right hand was stretched high above her lovely head, holding between forefinger and thumb the ring with which the already inconstant Bolko had espoused her.
"'BE CONSTANT!' The words re-echoed from the moor: the streaks of fog descended. Over the maiden's head beamed forth a shining spot--gaining in size, and forming itself into a picture. Bolko, shuddering, beheld the second vision of Auriola's enchantment, and looked upon himself as he had burst a few minutes before upon the moor.
"Auriola beckoned to the youth, and pointed to the picture. Then once again, more melancholy, more mournfully, more entreatingly upon the distracted ears of Bolko came--the repeated cry of admonition--'BE CONSTANT!'
"The youth galloped for his life. He reached his home paler than death, and refused to be comforted even by the wisdom of his preceptor.
"From this time, Bolko ceased to visit the moor in search of Auriola. The daughter of earth had inspired him with a love that admitted of no commingling of affection. Memory however, refused to lose sight of her. It obtruded her form upon him, the more determinedly he endeavoured to thrust it from his mind by dwelling upon the charms of his Emma. He repeated his visit at the castle, and was soon a constant guest there. He confessed his love to Emma, and she did not rebuke him. Her father was less tender. He roundly refused his daughter's hand. 'He had no desire,' he said, 'to make his child unhappy. He knew well enough how every Lord of Gottmar was obliged to harbour an evil Kobold in his house, who couldn't endure the sight of women, and no sooner met one than he mercilessly strangled her. No, sir baron,' he continued, 'it cannot be. Take not unkindly the answer which I give thee. It touches not thy noble person, which pleases me right well, but simply thy house and castle Kobold. Remove the creature, or at least its power of doing harm, and thou art welcome here. But before that time, I pray thee come not again, lest I should forget myself, and do that which both of us would be sorry for.'
"The lovers protested against the decision, and Bolko tried hard to convince the old baron that the mysterious power which had so long and so fatally reigned over the house of Gottmar, was propitiated, and no longer hurtful. Hubert attested the repeated asseverations of his pupil, but nothing could bring conviction to the stubborn veteran. He swore they were all in a league, or building castles in the air, and he persisted in his resolution.
"It was autumn. The days were declining. Showers and tempests swept through the forest. Upon a night, brightened by no moonbeam or glittering star, Emma sat melancholy and alone in her apartment. The heavy embroidered curtains were drawn across the high windows of the balcony, which jutted out as a point of observation from the castle-wall. At intervals, the maiden applied her delicate ear to the window, catching eagerly at every strange sound muttered forth by the growing storm. She had resumed her seat many times, when the castle-bell tolled eleven, and almost at the same moment the cry of a screech-owl was distinctly heard. The expectant damsel glided on tiptoe to the window, and listened eagerly. The cry was repeated. Emma's eye sparkled at length with joy, a deep blush overspread her cheeks, and she produced from an aperture a ladder of twine, which she fastened to the casement. The cry of the owl was heard for the third time. The ladder was dropped, and in another instant a vigorous youth had mounted it.
"Bolko and Emma, happy and blessed, were in each other's arms, and they forgot all but the delicious present. Vows of love and constancy were exchanged, and rings were given, in remembrance of the blissful hour. But strange to say, as Bolko was about to adorn the hand of Emma with the pledge of his affection, a fearful gust of wind burst the window open, and blew into the room a little glistening object that rolled to Bolko's feet and settled there. Emma raised it from the ground, and discovered in her hand a broken ring.
"Bolko saw and trembled. It was his gift to Auriola. He fixed his eyes upon the broken symbol, and there glared before them the third charmed picture created from the waters. The rope-ladder, the balcony Emma and himself, all grouped, and taking the shape and form of that bright vision. Bolko glanced at the window, dreading to meet the reproachful look of Auriola; but instead of this, he heard with no less horror the approaching footsteps of his Emma's father.
"'Fly, Bolko, fly!' exclaimed the maiden. 'My father! We are lost!'
"Bolko hurried to the recess, and would have escaped, had not the malicious wind already carried away the rope-ladder. A prisoner and unarmed, he expected nothing short of death at the hands of the baron. The latter entered the apartment, stood for a few seconds in silence at the door, and measured the criminals with looks of stern severity.
"'My aged eye did not deceive me, then!' he said, at length, advancing to the trembling lovers.
"'Baron!' said Bolko, hesitatingly.
"'Silence, sir!' continued the old knight. 'If I should act now as my fathers would have done, I should fling you through that very window which helped you, like a robber, into this room; but I charge myself with blame already in this business, and I am more disposed to mercy. Come hither, young man. I know the fire and boldness of our youth. Give my child your hand; you are her future husband. May God prosper you both, and send his blessing on your union!'
"Bolko quaffed with the sturdy Baron of T---- until an early hour of the morning. The happy Emma acted the part of Hebe, and presented the flagons to the merry carousers.
* * * * *
"'Why have you withheld this from me?' asked Hubert, when Bolko related to him the unaccountable restoration of the ring. 'Oh, youth, youth! inconsiderate even to madness, and only content to listen to the voice of wisdom when they can of themselves find no outlet from difficulty and danger.'
"Bolko stood with folded arms at the window, gazing into the forest, and upon the lofty turrets of Castle T---- peeping in the grey distance above it.
"'Thou hast not visited the moor of late?' asked Hubert, after a pause.
"'What should I do there?' answered Bolko peevishly. 'Why should I spend my days in chasing an apparition, the mere creation of an over-heated fancy?'
"'Beware whom thou calumniatest!' said Hubert solemnly. 'Beware of the mysterious being that can deal out weal or woe to thee and all thy race! One whom thou mightest have appeased hadst thou been obedient and followed my instructions.'
"'Thy instructions!' repeated Bolko hastily. 'It is because I have listened too patiently to thy advice, because I have connected myself with thy aërial and capricious schemes, that I am the most miserable of men. But for thy persuasion and thy childish parchment, I should never have dreamed of making love to a ghost.'
"Hubert disregarded the youth's reproaches.
"'Rage avails not here,' he said calmly. 'Wisdom alone can save thee. Listen to me. Women are women ever, even such as we call supernatural--easy to anger, easy to persuade--before flattery the weakest of the weak. Praise the ugliest for her beauty, and she smiles graciously, yea, with the mirror before her eyes. Speak the plain truth, and you are a rough uncouth companion. They thrive best upon the sugary food of delusion--therefore, delude them. It is the rattle of these eternal glorious children!'
"'What wouldst thou have me do?'
"'Cast the ring into the Spring, and pray to Auriola for forgiveness.'
"'And if she prove obstinate?'
"'Have no fear; she will forgive you. Here is the ring; take it; it is once more united!'
"Bolko took the pledge from Hubert, and hastened to the moor. The high grass was already withered by storm and cold; it lay bent down upon the marshy earth-crust, which now breathed out its vapour more abundantly than ever, wrapping the Gold Spring in one enduring mist. If this spot looked barren and deserted in summer, the abandonment was increased a hundred-fold in autumn. Even the butterflies were gone. The damp and chilly fog only was visible; nothing could be heard but the monotonous current of the rippling water.
"The boggy ground yielded to the foot more readily than ever, and Bolko trod it with a faltering step. He approached the spring, and, suing for reconciliation, dropped the ring into the charmed element. As though he feared some extraordinary result from the act, he covered his eyes with his hands, and could with difficulty summon courage to remove them. When he did so, he perceived the fog receding by degrees from the confines of the moor, and the graceful form of Auriola standing before him at a little distance. As at their first meeting, her countenance was averted. She waved the earthen pitcher as was her wont, and bathed the ground on which she went with flashes of the brilliant water.
"'Auriola!' cried Bolko, in a voice that carried the tenderness of love, the sorrow of repentance, to the ear of the listener--'gentle Auriola!' She turned her face towards the imploring youth, placed the pitcher at her side, and beckoned him to approach.
"'My father was right!' said the Moor Maiden. 'No Gottmar but is fickle and inconstant. Well it is for thee, youth, that thou art here of thy own free-will, and didst not tarry for my summons. Thou hast kept thy promise badly, and thou wilt keep it so again, if I give thee no monitor to aid thee. Take this, and carry it, henceforward, in thy bosom; it will protect thee from harm, and keep thee faithful in _spirit_, albeit in heart thou art already estranged from me.'
"With these words, the enchantress placed upon the neck of Bolko a chain braided of her own golden hair, to which was attached a small box wrought of the shards of the Peacock's eye and Purple-bird. In the tiny case, trembling with its ever-changing light, was one pearly drop from the spring.
"'Lose or give away this jewel,' proceeded Auriola--'this jewel, which is a portion of my heart, and thy ruin and the destruction of thy house is certain. Love, or at least its symbol, can and must avert the curse of my father!'
"Bolko looked into the earnest and marvellously bright eyes of Auriola, as she pronounced his doom. His heart belonged once more to the Maiden of the Moor, and his gaze made known his passion. She touched his forehead with her transparent fingers, poured the last drops of water into the hollow of her hand, and in her usual manner blew the little curling waves into the misty air. A multitude of images arose, but in scarcely finished outline. The moist atmosphere seemed to hinder their accomplishment.
"'Now, farewell!' said Auriola. 'Thou hast beheld. Thy life is troubled, as are the feelings which sway thy heart. Love truly and wholly, as aforetime thou lovedst me, and the mirror of thought will again display its clear bright pictures.
"Auriola took the pitcher, and her bare feet, scarcely disturbing the faded blades of grass, glided towards the margin of the spring, where she melted into air.
* * * * *
"Emma and Bolko were united in holy matrimony. The halls of Castle T---- overflowed with joyous guests. Music delighted the noble visitors during the marriage-feast, and a happier scene could not be imagined. All hearts joined in wishing prosperity to the bridal pair, and the latter seemed to entertain no fears for their bright future. The banquet over, the guests, preceded by the newly-married couple, withdrew to the adjoining saloon. The old knights seated themselves in the niches of the windows, having still many goblets to empty over the dice-box, whilst the younger spirits disposed themselves for dancing. Bolko, with his high-born bride, commenced the ball. If they were happy before, they were now at the very porch of a terrestrial heaven. They made but short pauses in their pleasure, and these only that they might mingle again the more intensely in the delightful measure.
"It was during the jocund dance that Bolko's doublet suddenly opened, and the mysterious little box flew out. The bridegroom was made aware of the accident by the exclamations of his partner.
"'Oh! look, look, Bolko! See that magnificent butterfly! How singular at this season of the year!'
"Emma caught at the little beauty, and Bolko discovered his fault.
"'Hold, hold!' said he, in a whisper. 'That is no butterfly for thee, my love! Its colours play for me alone!'
"Emma looked enquiringly at her husband, then more closely at the little box, glowing in a fire of colours, and she beheld the golden hair chain to which it was attached.
"'A chain too! and what beautiful hair!' The maiden caught at the prize, and continued, 'Who gave thee this hair and the sweet case! Dearest Bolko, to whom does it belong? Why have you never mentioned this? What need was there of secresy?'
"Emma sobbed, and Bolko hardly knowing what excuse to offer, withdrew her to a neighbouring room.
"'Promise me, dearest Emma,' said he, 'to be calm and patient, and you shall know every thing.'
"The young wife looked at him distrustfully.
"'Make known to me the history and contents of the little box, and I will restrain my curiosity until----to-morrow.'
"'Content, my beloved, so let it be; as we return to Gottmar all shall be cleared up.'
"'Oh, I unhappy!' exclaimed the girl, bursting into tears.
"'Say rather _happy_, dearest. Since all our happiness flows from the history of this chain; from this alone. Sweetest, let us return to the dance.'
"Emma resigned her arm to her young lord with a sullen resignation. As the latter opened the folding-doors of the saloon, and gazed for a few seconds upon the dancing throng, he seemed to possess a distant remembrance of the scene. The Gothic arches, the window niches, the gaily-attired musicians, the groups of dancers--the whole scene had once before been present to his eyes. He taxed his memory until his thoughts carried him to the bleak and barren moor. Had not the dazzling vision flowed into the sunny evening air over the white transparent fingers of the ethereal Auriola? He acknowledged it, and shuddered.
"The dance was at an end. The guests had departed. In the eyes of the newly-married Emma a tear of troubled joy trembled, as she sank upon the bosom of her young and doating husband.
"Upon the following morning, Bolko already repented him of his hasty promise, and delayed his departure by every means in his power. The weather favoured him, for hail and storm were pouring down upon the earth. As the day declined, Bolko found it impossible to conceal his disquietude; and Emma, when she perceived his anxiety, attributed it at once to conscious guilt. This conviction on her part only made her urge their departure with greater perseverance. There remained at last no good ground for refusal, and Bolko silently acquiesced in her wish.
"For some time the young couple sat side by side, and were very sparing of their speech. Bolko, indeed, was dumb. The inquisitive Emma, however, had not so powerful an excuse for silence. In a few kind words she reminded her lord of his pledged word, and begged him to confide in her.
"'Emma,' said Bolko in reply, and in a serious tone, 'if I comply with thy request, I risk the eternal happiness of both. I have promised that which I cannot perform without a breach of faith. Thou canst gain nothing by my communication, and I pray thee, therefore, give me back my promise.'
"Bolko could not have preferred a more untimely suit. Emma, inquisitive, suspicious, and jealous, would rather have been put to death in torture than have given up her claim. She refused his petition at once; implored, threatened, implored again; and, finding all such efforts only darkened Bolko's humour, proceeded to flattery and coaxing. She promised the most perfect secresy, and used, in short, every artifice by which woman knows how to overcome the strongest resolutions of weak man. Bolko grew tender-hearted, and then related to his wife all that he had to tell;--the history of the malediction that rested on his family, and the singular manner in which he had effected the expiation.
"Emma listened to the narrative not without an inward pique and lively jealousy.
"'I thank thee, Bolko, for thy confidence,' said she. 'Fear not my prudence. But for the charm, thou wilt not surely wear it so near thy bosom.'
"'Next my heart, beloved--since there it shields us both from ruin.'
"Emma bit her lips with womanly vexation.
"'Thou canst not wish,' continued Bolko, 'that I should take it thence.'
"'I do, I do!' replied the jealous wife. 'I wish it. I insist upon it--now--this very instant.'
"The storm increased in fury. The fir-trees were beating together as if in battle.
"'It is impossible!' cried Bolko. 'Thou art mad to ask it.'
"'Then shall I mistrust thy love,' continued Emma, 'or canst thou hope for my affection whilst that ghostly gift divides us? Never! Inhuman man, thou wilt teach me to hate thee.'
"The carriage drove rapidly through the hurricane into the midst of the forest. The wind bellowed, the yellow lightning glared, and thunder crashed and resounded fearfully from the distant valleys.
"'It is the warning voice of heaven!' said Bolko. 'Its lightnings will reach us if I yield to thy entreaty.'
"'Heaven has nothing in common with enchanters and sorcerers,' replied Emma; 'nature is uttering a summons to thee, and--whilst a devoted wife embraces thee--protects and defends thee against demoniac powers, bids thee renounce all witchcraft, and put aside the unholy gift.'
"Bolko answered not, but peered through the door carriage windows to learn his exact situation. The dark pinnacles of Gottmar lay immediately before him. Above his head the tempest lowered, hurling its lightnings on every side.
"'Art thou angry with me?' enquired Emma sorrowfully, leaning her ringleted head upon the bosom of her husband. Bolko pressed her forehead to his lips. Emma threw her arms about his neck. She wept, she kissed, she coaxed him; they were the fondest lovers, as in the earliest days of their attachment. The heart of Bolko was melted. In the intoxication of happiness he forgot his danger; and reposing on Emma's bosom, did not perceive that she untied his doublet, and heedfully but eagerly searched for the amulet. She was mistress of it before Bolko could suspect her intention.
"'It is mine, it is mine!' almost shrieked the young wife in her delight, snatching away both chain and box. The next moment the carriage window was drawn down and the precious objects thrown into the storm. Bolko caught at them, but too late. A gust of wind had already clutched them, and carried them away.
"A flash of lightning struck a beech-tree, that blazed, awfully illuminating the whole neighbourhood. The horses took fright, plunged aside, then tore with the carriage towards a treeless melancholy-looking plain. Bolko recognised the spot at the first brief glance.
"'The moor! the moor!' he screamed to the driver; but the latter had lost all power over the snorting steeds, who bore the fated carriage in a whizzing gallop towards the marsh. The blazing beech-tree rendered the surrounding objects fearfully distinct. Bolko could descry the figure of Auriola at the margin of the spring. Between her fingers glittered the ring, and words of lamentation issuing from her lips, dropped into the soul of Bolko and paralysed it."
"'Auriola, Auriola!' exclaimed the youth, supporting the pale and quivering Emma--'forgive me! forgive me!'
"The Moor Maiden dropped the ring into the well, and it vanished like an unearthly flame. Auriola herself, slowly and like a mist, descended after it. She held her hand above her head, and it seemed to point to the onward-dashing carriage.
"Horror upon horror! the carriage itself began to sink into the earth--quicker and quicker.
"'We are sinking! Heaven help us!' cried the driver. Bolko burst the carriage door open, but escape was impossible. The moor had given way around him. The horses were already swallowed up in the abyss. The pale earth-crust trembled and heaved like flakes of ice upon a loosening river. It separated, and huge pieces were precipitated and hurled against each other. In a few seconds horses and carriage, bride and bridegroom, had disappeared for ever. As the moor closed over them, the hand of Auriola vanished.
"The Curse of her father was accomplished.
"On the same night, Gottmar castle was struck by lightning. It burned to the ground, and there the aged Hubert found his grave."
"THAT'S WHAT WE ARE."
"Careful and troubled about many things,"
(Alas! that it should be so with us still
As in the time of Martha,) I went forth
Harass'd and heartsick, with hot aching brow,
Thought fever'd, happy to escape myself.
Beauteous that bright May morning! All about
Sweet influences of earth, and air, and sky,
Harmoniously accordant. I alone,
The troubled spirit that had driven me forth,
In dissonance with that fair frame of things
So blissfully serene. God had not yet
Let fall the weight of chastening that makes dumb
The murmuring lip, and stills the rebel heart,
Ending all earthly interests, and I call'd
(O Heaven!) that incomplete experience--Grief.
It would not do. The momentary sense
Of soft refreshing coolness pass'd away;
Back came the troublous thoughts, and, all in vain,
I strove with the tormentors: All in vain,
Applied me with forced interest to peruse
Fair nature's outspread volume: All in vain,
Look'd up admiring at the dappling clouds
And depths cerulean: Even as I gazed,
The film--the earthly film obscured my vision,
And in the lower region, sore perplex'd,
Again I wander'd; and again shook off
With vex'd impatience the besetting cares,
And set me straight to gather as I walk'd
A field-flower nosegay. Plentiful the choice;
And, in few moments, of all hues I held
A glowing handful. In a few moments more
Where are they? Dropping as I went along
Unheeded on my path, and I was gone--
Wandering again in muse of thought perplex'd.
Despairingly I sought the social scene--
Sound--motion--action--intercourse of _words_--
Scarcely of mind--rare privilege!--We talk'd--
Oh! how we talk'd! Discuss'd and solved all questions:
Religion--morals--manners--politics--
Physics and metaphysics--books and authors--
Fashion and dress--our neighbours and ourselves.
But even as the senseless changes rang,
And I help'd ring them, in my secret soul
Grew weariness, disgust, and self-contempt;
And more disturb'd in spirit, I retraced,
More cynically sad, my homeward way.
It led me through the churchyard, and methought
There entering, as I let the iron gate
Swing to behind me, that the change was good--
The unquiet living, for the quiet dead.
And at that moment, from the old church tower
A knell resounded--"Man to his long home"
Drew near. "The mourners went about the streets;"
And there, few paces onward to the right,
Close by the pathway, was an open grave,
Not of the humbler sort, shaped newly out,
Narrow and deep in the dark mould; when closed,
To be roofed over with the living sod,
And left for all adornment (and so best)
To Nature's reverential hand. The tomb,
Made ready there for a fresh habitant,
Was that of an old family. I knew it.--
A very ancient altar-tomb, where Time
With his rough fretwork mark'd the sculptor's art
Feebly elaborate--heraldic shields
And mortuary emblems, half effaced,
Deep sunken at one end, of many names,
Graven with suitable inscriptions, each
Upon the shelving slab and sides; scarce now
Might any but an antiquarian eye
Make out a letter. Five-and-fifty years
The door of that dark dwelling had shut in
The last admitted sleeper. She, 'twas said,
Died of a broken heart--a widow'd mother
Following her only child, by violent death
Cut off untimely, and--the whisper ran--
By his own hand. The tomb was ancient _then_,
When they two were interr'd; and they, the first
For whom, within the memory of man,
It had been open'd; and their names fill'd up
(With sharp-cut newness mocking the old stone)
The last remaining space. And so it seem'd
The gathering was complete; the appointed number
Laid in the sleeping chamber, and seal'd up
Inviolate till the great gathering day.
The few remaining of the name dispersed--
The family fortunes dwindled--till at last
They sank into decay, and out of sight,
And out of memory; till an aged man
Pass'd by some parish very far away
To die in ours--his legal settlement--
Claim'd kindred with the long-forgotten race,
Its sole survivor, and in right thereof,
Of that affinity, to moulder with them
In the old family grave.
"A natural wish,"
Said the authorities; "and sure enough
HE WAS of the old stock--the last descendant--
And it would cost no more to bury him
Under the old crack'd tombstone, with its scutcheons,
Than in the common ground." So, graciously,
The boon was granted, and he died content.
And now the pauper's funeral had set forth,
And the bell toll'd--not many strokes, nor long--
Pauper's allowance. He was coming home.
But while the train was yet a good way off--
The workhouse burial train--I stopp'd to look
Upon the scene before me; and methought
Oh! that some gifted painter could behold
And give duration to that living picture,
So rich in moral and pictorial beauty,
If seen arightly by the spiritual eye
As with the bodily organ!
The old tomb,
With its quaint tracery, gilded here and there
With sunlight glancing through the o'er-arching lime,
Far flinging its cool shadow, flickering light--
Our greyhair'd sexton, with his hard grey face,
(A living tombstone!) resting on his mattock
By the low portal; and just over right,
His back against the lime-tree, his thin hands
Lock'd in each other--hanging down before him
As with their own dead weight--a tall slim youth
With hollow hectic cheek, and pale parch'd lip,
And labouring breath, and eyes upon the ground
Fast rooted, as if taking measurement
Betime for his own grave. I stopp'd a moment,
Contemplating those thinkers--youth and age--
Mark'd for the sickle; as it seem'd--the _unripe_
To be first gather'd. Stepping forward, then,
Down to the house of death, in vague expectance,
I sent a curious, not unshrinking, gaze.
There lay the burning brain and broken heart,
Long, long at rest: and many a Thing beside
That had been life--warm, sentient, busy life--
Had hunger'd, thirsted, laugh'd, wept, hoped, and fear'd--
Hated and loved--enjoy'd and agonized.
Where of all this, was all I look'd to see?
The mass of crumbling coffins--some belike
(The undermost) with their contents crush'd in,
Flatten'd, and shapeless. Even in this damp vault,
With more completeness could the old Destroyer
Have done his darkling work? Yet lo! I look'd
Into a small square chamber, swept and clean,
Except that on one side, against the wall,
Lay a few fragments of dark rotten wood,
And a small heap of fine, rich, reddish earth
Was piled up in a corner.
"How is this?"
In stupid wonderment I ask'd myself,
And dull of apprehension. Turning, then,
To the old sexton--"Tell me, friend," I said,
"Here should be many coffins--Where are they?
And"--pointing to the earth-heap--"what is that?"
He raised his eyes to mine with a strange look
And strangely meaning smile; and I repeated--
(For not a word he spoke)--my witless question.
Then with a deep distinctness he made answer,
Distinct and slow, looking from whence I pointed,
Full in my face again, and what he said
Thrill'd through my very soul--"_That's what we are!_"
So I was answer'd. Sermons upon death
I had heard many. Lectures by the score
Upon life's vanities. But never words
Of mortal preacher to my heart struck home
With such convicting sense and suddenness
As that plain-spoken homily, so brief,
Of the unletter'd man.
"That's what we are!"--
Repeating after him, I murmur'd low
In deep acknowledgment, and bow'd the head
Profoundly reverential. A deep calm
Came over me, and to the inward eye
Vivid perception. Set against each other,
I saw weigh'd out the things of time and sense,
And of eternity;--and oh! how light
Look'd in that truthful hour the earthly scale!
And oh! what strength, when from the penal doom
Nature recoil'd, in _His_ remember'd words:
"_I am the Resurrection and the Life_."
And other words of that Divinest Speaker
(Words to all mourners of all times address'd)
Seem'd spoken to me as I went along
In prayerful thought, slow musing on my way--
"_Believe in me_"--"_Let not your hearts be troubled_"--
And sure I could have promised in that hour,
But that I knew myself how fallible,
That never more should cross or care of this life
Disquiet or distress me. So I came,
Chasten'd in spirit, to my home again,
Composed and comforted, and cross'd the threshold
That day "a wiser, _not_ a sadder, _woman_."
C.
EDMUND BURKE.[14]
Burke died in 1797, and yet, after the lapse of almost half a century, the world is eager to treasure every recollection of his name. This is the true tribute to a great man, and the only tribute which is worth the wishes of a great man. The perishable nature of all the memorials of human hands has justly been the theme of every moralist, since tombs first bore an image or an inscription. Yet, such as they are, they ought to be given; but they are all that man can give. The nobler monument must be raised by the individual himself, and must be the work of his lifetime; its guardianship must be in the hands, not of sacristans and chapters, but in those of the world; his panegyric must be found, not in the extravagance or adulation of his marble, but in the universal voice which records his career, and cherishes his name as a new stimulant of public virtue.
We have no intention of retracing the steps by which this memorable man gradually rose to so high a rank in the estimation of his own times. No history of intellectual eminence during the latter half of the nineteenth century--the most troubled, important, and productive period of human annals since the birth of the European kingdoms--can be written, without giving some testimonial to his genius in every page. But his progress was not limited to his Age. He is still progressive. While his great contemporaries have passed away, honoured indeed, and leaving magnificent proofs of their powers, in the honour and security of their country, Burke has not merely retained his position before the national eye, but has continually assumed a loftier stature, and shone with a more radiant illumination. The great politician of his day, he has become the noblest philosopher of ours. Every man who desires to know the true theory of public morals, and the actual causes which influence the rise and fall of thrones, makes his volumes a study; every man who desires to learn how the most solemn and essential truths may not merely be adorned, but invigorated, by the richest colourings of imagination, must labour to discover the secret of his composition; and every man who, born in party, desires to emancipate his mind from the egotism, bitterness, and barrenness of party, or achieve the still nobler and more difficult task of turning its evils into good, and of making it an instrument of triumph for the general cause of mankind, must measure the merits and success of his enterprise by its similarity to the struggles, the motives, and the ultimate triumph of Edmund Burke.
The present volumes contain a considerable portion of the correspondence which Burke carried on with his personal and public friends during the most stirring period of his life. The papers had been put in trust of the late French Lawrence the civilian, and brother to the late Archbishop of Cashel, with whom was combined in the trust Dr King, afterwards Bishop of Rochester, both able men and particular friends of Burke. But Lawrence, while full of the intention of giving a life of his celebrated friend, died in 1809, and the papers were bequeathed by the widow of Burke, who died in 1812, to the Bishop of Rochester, the Right Hon. W. Elliot, and Earl Fitzwilliam, for the publication of such parts as had not already appeared. This duty chiefly devolved upon Dr King, who had been made Bishop of Rochester in 1808. Personal infirmity, and that most distressing of all infirmities, decay of sight, retarded the publishing of the works; but sixteen volumes were completed. The bishop's death in 1828, put an end to all the hopes which had been long entertained, of an authentic life from his pen.
On this melancholy event, the papers came into the possession of the late Earl Fitzwilliam, from whom they devolved to the present Earl, who, with Sir Richard Bourke, a distant relative of the family, and personally intimate with Burke during the last eight years of his life, has undertaken the present collection of his letters. Those letters which required explanation have been supplied with intelligent and necessary notes, and the whole forms a singularly important publication.
* * * * *
Many of Burke's earliest letters were written to a Richard Shackleton, the son of a Quaker at whose school Burke with his two brothers had been placed in 1741. In 1743, he was placed in the college of Dublin, and then commenced his correspondence with Shackleton. Even those letters exhibit, at the age of little more than fifteen, the sentiments which his mature life was spent in establishing and enlarging. He says of sectaries, and this was to a sectary himself, "I assure you, I don't think near so favourably of those sectaries you mentioned, (he had just spoken of the comparative safety of virtuous heathens, who, not having known the name of Christianity, were not to be judged by its law,) many of those sectaries breaking, as they themselves confessed, for matters of indifference, and no way concerned in the only affair that is necessary, viz. salvation; and what a great crime schism is, you can't be ignorant. This, and the reasons in my last, and if you consider what will occur to yourself, together with several texts, will bring you to my way of thinking on that point. Let us endeavour to live according to the rules of the Gospel; and he that prescribed them, I hope, will consider our endeavours to please him, and assist us in our designs.
"I don't like that part of your letter, wherein you say you had the testimony of well-doing in your breast. Whenever such notions rise again, endeavour to suppress them. We should always be in no other than the state of a penitent, because the most righteous of us is no better than a sinner. Read the parable of the Pharisee and the Publican who prayed in the temple."
We next have a letter exhibiting the effect of external things on the writer's mind, and expressed with almost the picturesque power of his higher days. He tells his friend, that he will endeavour to answer his letter in good-humour, "though every thing around," he says, "conspires to excite in him a contrary disposition--the melancholy gloom of the day, the whistling winds, and the hoarse rumbling of the swollen Liffey, with a flood which, even where I write, lays close siege to our own street, not permitting any to go in or out to supply us with the necessaries of life."
After some statements of the rise of the river, he says, "It gives me pleasure to see nature in those great though terrible scenes; it fills the mind with grand ideas, and turns the soul in upon herself. This, together with the sedentary life I lead, forced some reflections on me, which perhaps would otherwise not have occurred. I considered how little man is, yet, in his own mind, how great. He is lord and master of all things, yet scarce can command any thing. What well laid, and what better executed scheme of his is there, but what a small change of nature is entirely able to defeat and abolish. If but one element happens to encroach a little upon another, what confusion may it not create in his affairs, what havoc, what destruction: the servant destined to his use, confines, menaces, and frequently destroys this mighty, this feeble lord."
One of those letters mentions his feelings on the defeat of the luckless Charles Edward, whose hopes of the British crown were extinguished by the battle of Culloden, (April 16, 1746.) "The Pretender, who gave us so much disturbance for some time past, is at length, with all his adherents, utterly defeated, and himself (as some say) taken prisoner. 'Tis strange to see how the minds of the people are in a few days changed. The very men who, but a while ago, while they were alarmed by his progress, so heartily cursed and hated those unfortunate creatures, are now all pity, and wish it could be terminated without bloodshed. I am sure I share in the general compassion. It is, indeed, melancholy to consider the state of those unhappy gentlemen who engaged in this affair, (as for the rest, they lose but their lives,) who have thrown away their lives and fortunes, and destroyed their families for ever, in what, I believe, they thought a just cause." Those sentiments exhibit the early propensity of Burke's mind to a generous dealing with political opponents. He was a Protestant, a zealous admirer of the constitution of 1688, as all Irish Protestants were in his day, whether old or young; and yet he feels an unequivocal, as it was a just compassion for the brave men, who, under an impulse of misapplied loyalty, and in obedience to a mistaken sense of duty, went headlong to their ruin, for a prince who was a Papist, and thus would have been, like his father, a most hazardous sovereign to the liberties and religion of England.
In allusion to his collegiate career, he describes himself as having taken up every successive subject, with an ardour which, however, speedily declined.
"First, I was greatly taken with natural philosophy, which, while I should have given my mind to logic, employed me incessantly, (logic forming a principal part of the first year's studies.) This I call my _furor mathematicus_. But this worked off as soon as I began to read it in the college. This threw me back to logic and metaphysics. Here I remained a good while, and with much pleasure, and this was my _furor logicus_--a disease very common in the days of ignorance, and very uncommon in these enlightened times. Next succeeded the _furor historicus_, which also had its day, but is now no more, being absorbed in the _furor poeticus_, which (as skilful physicians assure me) is difficultly cured. But doctors differ, and I don't despair of a cure." Fortunately, he at last accomplished that cure, for his early poetry gives no indications of future excellence. His prose is much more poetic, even in those early letters, than his verse. A great poet unquestionably is a great man; but Burke's greatness was to be achieved in another sphere. It is only in the visions of prophecy that we see the Lion with wings. Burke entered his name at the Middle Temple in April 1747, and went to London to keep his terms in 1750. He was now twenty-two years old, and his constitution being delicate, and apparently consumptive, he adopted, during this period of his residence in England, a habit to which he probably owed his strength of constitution in after-life. During the vacations, he spent his time in travelling about England, generally in company with a friend and relative, Mr William Burke. Though his finances were by no means narrow--his father being a man of success in his profession--Burke probably travelled the greater part of those journeys on foot. When he found an agreeable country town or village, he fixed his quarters there, leading a regular life, rising early, taking frequent exercise, and employing himself according to the inclinations of the hour. There could be no wiser use of his leisure; exercise of the frame is health of the mind, open air is life to the student, change of scene is mental vigour to an enquiring, active, and eager spirit; and thus the feeble boy invigorated himself for the most strenuous labours of the man, and laid the foundation for a career of eminent usefulness and public honour for nearly half a century of the most stirring period of the modern world.
Some of his letters touch, in his style of grave humour, on these pleasant wanderings.--"You have compared me, for my rambling disposition, to the sun. Sincerely, I can't help finding a likeness myself, for they say the sun sends down much the same influences whenever he comes into the same signs. Now I am influenced to shake off my laziness, and write to you at the same time of the year, and from the same west country I wrote my last in. Since I had your letter I have often shifted the scene. I spent part of the winter, that is the term time, in London, and part in Croydon in Surrey. About the beginning of the summer, finding myself attacked with my old complaints, I went once more to Bristol, and found the same benefit." Of his adventures at Monmouth, he says they would almost compose a novel, and of a more curious kind than is generally issued from the press. He and his relative formed the topic of the town, both while they were there and after they left it. "The most innocent scheme," said he, "they guessed, was that of fortune-hunting; and when they saw us quit the town without wives, the lower sort sagaciously judged us spies to the French king. What is much more odd is, that here my companion and I puzzled them as much as we did at Monmouth, [he was then at Turlaine in Wiltshire,] for this is a place of very great trade in making fine cloths, in which they employ a great number of hands. The first conjecture, for they could not fancy how any other sort of people could spend so much of their time at books; but finding that we receive from time to time a good many letters, they conclude us merchants. They at last began to apprehend that we were spies from Spain on their trade." Still they appeared mysterious; and the old woman in whose lodgings they lived, paid them the rather ambiguous compliment of saying, "I believe that you be gentlemen, but I ask no questions." "What makes the thing still better," says Burke, "about the same time we came hither, arrived a little parson equally a stranger; but he spent a good part of his time in shooting and other country amusements, got drunk at night, got drunk in the morning, and became intimate with every body in the village. But he surprised nobody, no questions were asked about him, because he lived like the rest of the world. But that two men should come into a strange country, and partake of none of the country diversions, seek no acquaintance, and live entirely recluse, is something so inexplicable as to puzzle the wisest heads, even that of the parish-clerk himself."
About the year 1756, Burke, still without a profession--for though he had kept his terms he was never called to the bar--began to feel the restlessness, perhaps the self-condemnation, natural to every man who feels life advancing on him without an object. He now determined to try his strength as an author, and published his _Vindication of Natural Society_--a pamphlet in which, adopting the showy style of Bolingbroke, but pushing his arguments to the extreme, he shows the fallacy of his principles. This work excited considerable attention at the time. The name of the author remained unknown, and the imitation was so complete, that for some time it was regarded as a posthumous work of the infidel lord. Burke, in one of his later publications, exclaims--Who now reads Bolingbroke? who ever read him through? We may be assured, at least, that one read him through; and that one was Edmund Burke. The dashing rhetoric, and headlong statements of Bolingbroke; his singular affluence of language, and his easy disregard of fact; the boundless lavishing and overflow of an excitable and glowing mind, on topics in which prejudice and passion equally hurried him onward, and which the bitter recollections of thwarted ambition made him regard as things to be trampled on, if his own fame was to survive, was incomparably transferred by Burke to his own pages. The performance produced a remarkable sensation amongst the leaders of public opinion and literature. Chesterfield pronounced it to be from the pen of Bolingbroke. Mallet, the literary lord's residuary legatee, was forced to disclaim it by public advertisement; but Mallet's credit was not of the firmest order, and his denial was scarcely believed until Burke's name, as the author, was known. But his _Philosophical Enquiry into the Origin of the Sublime and Beautiful_, brought him more unequivocal applause. His theory on this subject has been disputed, and is obviously disputable; but it was chiefly written at the age of nineteen; it has never been wholly superseded, and, for elegance of diction, has never been equaled. It brought him into immediate intercourse with all that may be called the fashion of literature--Lyttleton, Warburton, Soame Jenyns, Hume, Reynolds, Lord Bath, Johnson, the greatest though the least influential of them all, and Mrs Montague, the least but the most influential of them all. There must have been a good deal of what is called fortune in this successful introduction to the higher orders of London society; for many a work of superior intelligence and more important originality has been produced, without making its author known beyond the counter of the publisher. But what chance began his merits completed. The work was unquestionably fit for the hands of blue-stockingism; the topic was pleasing to literary romance; the very title had a charm for the species of philosophy which lounges on sofas, and talks metaphysics in the intervals of the concert or the card-table. It may surprise us, that in an age when so many manly and muscular understandings existed at the same time in London, things so infinitely trifling as conversaziones should have been endured; but conversaziones there were, and Burke's book was precisely made to their admiration. It is no dishonour to the matured abilities of this great man, that he produced a book which found its natural place on the toilet-tables, and its natural praise in the tongues of the Mrs Montagues of this world. It might have been worse; he never thought it worth his while to make it better; the theory is worth nothing, but the language is elegant; and the whole, regarded as the achievement of a youth of nineteen, does honour to the spirit of his study, and the polish of his pen.
Comments
Log in to leave a comment.
Blackwood's Edinburgh Magazine, Volume 56, Number 350, December 1844Chapter IV (4)
0%36 min left in chapter