Chapter XVI: Part I: Come and Show Your Face, Like a Man! (1)

If I were asked to point to a space of ground which, of all other spaces in the world, most truly represents the good and bad, the high and low, of humanity, I should unhesitatingly describe a circle of a mile around Westminster Abbey. Within that space is contained all that ennobles life, and all that debases it; and within that space, at the same moment, the lofty aspiration of the statesman pulses in the great Senate House in unison with the degraded desires of the inhabitant of Old Pye-street. There St. Giles and St. James elbow each other. There may be seen, in one swift comprehensive glance, all the beauty and ugliness of life, all its hope and hopelessness, all its vanity and modesty, all its knowledge and ignorance, all its piety and profanity, all its fragrance and foulness. The wisdom of ages, the nobility that sprung from fortunate circumstance or from brave endeavour, the sublime lessons that lie in faith and heroism, sanctify the solemn aisles of the grand old Abbey. Within its sacred cloisters rest the ashes of the great: outside its walls, brushing them with his ragged garments, skulks the thief--and worse.

But not with these contrasts, nor with any lesson that they may teach, have you and I to deal now. Our attention is fixed upon the striking of eight o'clock by the sonorous tongue of Westminster. And not our attention alone--for many of the friends with whom we shall presently shake hands are listening also; so that we find ourselves suddenly plunged into very various company. Ben Sparrow, the old grocer, who, just as One tolls, is weighing out a quarter of a pound of brown sugar for a young urchin without a cap, inclines his head and listens, for all the world as if he _were_ a sparrow, so birdlike is the movement: Bessie Sparrow, his granddaughter, who, having put Tottie to bed, is coming downstairs in the dark (she has left the candle in the washhand-basin in Tottie's room, for Tottie cannot go to sleep without a light), stops and counts from One to Eight, and thinks the while, with eyes that have tears in them, of Somebody who at the same moment is thinking of her: Tottie, with one acid-drop very nearly at the point of dissolution in her mouth, and with another perspiring in her hand, lies in bed and listens and forgets to suck until the sound dies quite away: a patient-looking woman, pausing in the contemplation of a great crisis in her life, seeks to find in the tolling of the bell some assurance of a happy result: James Million, Member of Parliament, whose name, as he is a very rich man, may be said to be multitudinous, listens also as he rolls by in his cab; and as his cab passes the end of the street in which Mrs. Naldret resides, that worthy woman, who is standing on a chair before an open cupboard, follows the sound, with the tablecloth in her hand, and mutely counts One, Two, Three, Four, Five, Six, Seven, Eight, the last number being accompanied by a resigned sigh, as if Eight were the end of all things.

The room in which Mrs. Naldret is standing is poor and comfortable; a cheerful fire is burning, and the kettle is making up its mind to begin to sing. An old black cat is lazily blinking her eyes at the little jets of gas that thrust their forked tongues from between the bars of the stove. This cat is lying on a faded hearthrug, in which once upon a time a rampant lion reigned in brilliant colours; and she is not at all disturbed by the thought that a cat lying full-length upon a lion, with his tongue hanging out, is an anomaly in nature and a parody in art. There is certainly some excuse for her in the circumstance that the lion is very old, and is almost entirely rubbed out.

Mrs. Naldret steps from the chair with the tablecloth in her hand, and in one clever shake, and with as nimble a movement as any wizard could have made, shakes it open. As it forms a balloon over the table, she assists it to expel the wind, and to settle down comfortably--being herself of a comfortable turn of mind--and smoothes the creases with her palms, until the cloth fits the table like wax. Then she sets the tea-things, scalds the teapot, and begins to cut the bread and to butter it. She cuts the bread very thick, and butters it very thin. Butter is like fine gold to poor people.

'I don't remember,' she says, pausing to make the reflection, with the knife in the middle of the loaf, 'its being so cold for a long time. To be sure, we're in December, and it'll be Christmas in three weeks. Christmas!' she repeats, with a sigh, 'and George'll not be here. He'll be on the sea--on the stormy ocean. It'll be a heavy Christmas to us. But, there! perhaps it's all for the best; though how George got the idea of emigrating into his head, I can't tell; it seemed to come all of a sudden like. The house won't seem like the same when he's away.' For comfort, her thoughts turn in another direction--towards her husband. 'I wish father was home, though it isn't quite his time--and he's pretty punctual, is father.' She goes to the window, and peeps at the sky through a chink in the shutters. 'It looks as if it was going to snow. What a bright clear night it is, but how cold! It's freezing hard!' Turning, she looks at the fire, and at the cozy room, gratefully. 'Thank God, we've got a fire, and a roof to cover us! God help those who haven't! There are a many of 'em, poor creatures, and times are hard.' She turns again to the window, to takes another peep at the sky through the shutters, and finds the light shut out. 'There's some one looking into the room!' she exclaims, retreating hastily out of view. 'It can't be Jim--he's never done such a thing. He's only too glad to get indoors such nights as this. And it can't be George. And there's the lock of the street-door broken--no more use than a teapot with a hole in the bottom.' Being a woman of courage, Mrs. Naldret runs into the passage, and opens the street-door. 'Who's there? she cries, looking into the street, and shivering, as the cold wind blows into her face. 'Who's there? Don't sneak away like that, but come and show your face, like a man!'

The man pauses at the challenge, stands irresolute for a moment or two, then walks slowly back to the window, with hanging head.

'Show my face, like a man!' he repeats, sadly, bitterly, and with a world of self-reproach in his tone. 'There's not much of that stuff left in me, Mrs. Naldret.'

'Good Lord!' she exclaims, as he stands before her like a criminal. 'It's Saul Fielding!'

'Yes,' he replies. 'It's Saul Fielding, God help him!'

'Why can't Saul Fielding help himself?' she retorts, half angrily, half pityingly. 'There was stuff enough in him once--at all events I thought so.'

'Show me the way!' he cries; but lowers his tone instantly, and says humbly, 'I beg your pardon, Mrs. Naldret, for speaking in that manner. It's ungrateful of me to speak like that to any of George's friends. and least of all to his mother, that George loves like the apple of his eye.'

'So he does, dear lad,' says the grateful woman, 'and it does my heart good to hear you say so. But you've nothing to be grateful to me for, Saul. I've never done you any good; it's never been in my power.'

'Yes, you have, and it has been in your power, Mrs. Naldret. Why, it was only last week that you offered me----'

'What you wouldn't take,' she interrupts hastily; 'so you don't know if I meant it. Let be! Let be!'

'----That you offered me food,' he continues steadily. 'But it's like you and yours to make light of it. You've never done me any good! Why, you're George's mother, and you brought him into the world! And I owe him more than my life--ay, more than my life!'

'I know the friendship there was between you and George,' she says, setting the strength of his words to that account, 'and that George loved you like a brother. More's the pity, because of that, that you are as you are.'

'It is so,' he assents meekly; 'but the milk's spilt; I can't pick it up again.'

'Saul, Saul! you talk like a woman!'

'Do I?' he asks tenderly, and looking into her face with respect and esteem in his eyes. 'Then there's some good left in me. I know one who is stronger than I am, better, wiser, than a hundred such as I--and I showed my appreciation of her goodness and her worth by doing her wrong. Show my face like a man! I ought to hide it, as the moles do, and show my contempt for myself by flying from the sight of men!'

Filled with compassion, she turns her face from him so that she may not witness his grief.

'She is the noblest, the best of women!' he continues. 'In the face of God, I say it. Standing here, with His light shining upon me, with His keen wind piercing me to my bones (but it is just!), I bow to her, although I see her not, as the nearest approach to perfect goodness which it has ever been my happiness and my unhappiness to come in contact with. Ay; although virtue, as humanly exercised, would turn its back upon her.'

'Are you blaming the world, Saul Fielding,' she asks, in a tone that has a touch of sternness in it, 'for a fault which is all your own?'

'No,' he answers; 'I am justifying Jane. _I_ blame the world! a pretty object I, to turn accuser!'

He appeals to his rags, in scorn of them and of himself.

'Saul Fielding,' she says, after a pause during which she feels nothing but ruth for his misery, 'you are a bit of a scholar; you have gifts that others could turn to account, if they had them. Before you--you----'

'Went wrong,' he adds, as she hesitates, 'I know what you want to say. Go on, Mrs. Naldret. _Your_ words don't hurt me.'

'Before that time, George used to come home full of admiration for you and your gifts. He said that you were the best-read man in all the trade, and I'm sure, to hear you speak is proof enough of that. Well, let be, Saul; let the past die, and make up your mind, like a man, to do better in the future.'

'Let the past die!' he repeats, as through the clouds that darken his mind rifts of human love shine, under the influence of which his voice grows indescribably soft and tender. 'Let the past die! No, not for a world of worlds. Though it is filled with shame, I would not let it go.--What are you looking for?'

'It's Jim's time--my husband's--for coming home,' she says, a little anxiously, looking up the street. 'He mightn't like----' But again she hesitates and stumbles over her words.

'To see you talking to me. He shall not My eyes are better than his, and the moment I see him turn the corner of the street, I will go.'

'What were you looking through the shutters for?'

'I wanted to see if George was at home.'

'And supposing he had been?'

'I should have waited in the street until he came out.'

'Do you think Jim Naldret would like to see his son talking to Saul Fielding?'

'No, I don't suppose he would,' he replies quietly; 'but for all that, I shall do George no harm. I would lay down my life to serve him. You don't know what binds me and George together. And he is going away soon--how soon, Mrs. Naldret?'

'In a very few days,' she answers, with a sob in her throat.

'God speed him! Ask him to see me before he goes, will you, Mrs. Naldret?'

'Yes, I will, Saul; and thank you a thousand times for the good feeling you show to him.'

'Tell him that I have joined the waits, and that he will hear my flute among them any night this week. I'll manage so that we don't go away from this neighbourhood till he bids good-bye to it.'

'Joined the waits!' she exclaims. 'Good Lord! Have you come to that?'

'That's pretty low, isn't it?' he says, with a light laugh, and with a dash of satire in his tone. 'But, then, you know--playing the flute--is one of my gifts--(I learnt it myself when I was a boy)--and if s the only thing I can get to do. Is there any tune you're very fond of, and would like to hear as you lie a-bed? If there is, we'll play it.'

'If you could play a tune to keep George at home,' says Mrs. Naldret, 'that's the tune I'd like to hear.'

'Your old Gospel of contentment, Mrs. Naldret,' he remarks.

'I like to let well alone,' she replies, with emphatic nods; 'if you'd been content with that, years ago, instead of trying to stir men up----'

'I shouldn't be as I am now,' he says, interrupting her; 'you are right--you are right. Good-night, and God bless you!'

He shuffles off, without waiting for another word, blowing on his fingers, which are almost frozen. Mrs. Naldret, who is also cold enough by this time, is glad to get to her fireside, to warm herself. Her thoughts follow Saul Fielding. 'Poor fellow!' she muses. 'I should like to have had him by the fire for a while, but Jim would have been angry. And to be sure it wouldn't be right, with the life he's been leading. But how well he talks, and how clever he is! What'll be the end of him, goodness only knows. He's made me feel quite soft. And how he loves George! That's what makes me like him. "You don't know what binds me and George together," he said. "I would lay down my life to serve him," he said. Well, there must be some good in a man who speaks like that!'

AND SO THE LAD GOES ON WITH HIS BESSIE AND HIS BESSIE, UNTIL ONE
WOULD THINK HE HAS NEVER A MOTHER IN THE WORLD.

By an egregious oversight on the part of the architect, designer, or what not, the door of Mrs. Naldret's room turned into the passage, so that whenever it was opened the cold wind had free play, and made itself felt. Mrs. Naldret, bending before the fire to warm herself, does not hear the softest of raps on the panel, but is immediately afterwards made sensible that somebody is coming into the room by a chill on the nape of her neck and down the small of her back, 'enough to freeze one's marrow,' she says. She knows the soft footfall, and, without turning, is aware that Bessie Sparrow is in the room.

'Come to the fire, my dear,' she says.

Bessie kneels by her side, and the two women, matron and maid, look into the glowing flames, and see pictures there. Their thoughts being on the same subject, the pictures they see are of the same character--all relating to George, and ships, and wild seas, and strange lands.

'I dreamt of you and George last night,' says Mrs. Naldret, taking Bessie's hand in hers. She likes the soft touch of Bessie's fingers; her own are hard and full of knuckles. The liking for anything that is soft is essentially womanly. 'I dreamt that you were happily married, and we were all sitting by your fireside, as it might be now, and I was dancing a little one upon my knee.'

'O, mother!' exclaims Bessie, hiding her face on Mrs. Naldret's neck.

'I told father my dream before breakfast this morning, so it's sure to come true. The little fellow was on my knee as naked as ever it was born, a-cocking out its little legs and drawing of them up again, like a young Samson. Many a time I've had George on my knee like that, and he used to double up his fists as if he wanted to fight all the world at once. George was the finest babby I ever _did_ see; he walked at nine months. He's been a good son, and'll make a good husband; and he's as genuine as salt, though I say it perhaps as shouldn't, being his mother. Is your grandfather coming into-night, Bess?

'I don't think it. He's busy getting ready a Christmas show for the window; he wants to make it look very gay, to attract business: Grandfather's dreadfully worried because business is so bad. People are not laying out as much money as they used to do.'

'Money don't buy what it used to do, Bess; things are dearer, and money's the same. Father isn't earning a shilling more to-day than he earnt ten years ago, and meat's gone up, and rent's gone up, and plenty of other things have gone up' But we've got to be contented, my dear, and make the best of things. If George could get enough work at home to keep him going, do you suppose he'd ever ha' thought of going to the other end of the world?' She asks this question, with a shrewd, watchful look into Bessie's face, which the girl does not see, her eyes being towards the fire; and adds immediately, 'Although he's not going for long, thank God.'

'It is very, very hard,' sighs Bessie, 'that he should have to go.'

'It would be harder, my dear, for him to remain here doing nothing. There's nothing that does a man--or a woman either, Bess--so much mischief as idleness. My old mother used to say that when a man's idle, he's worshipping the devil. You know very well, Bess, that I'm all for contentment. One can make a little do if one's mind is made up for it--just as one can find a great deal not enough if one's mind is set that way. For my part, I think that life's too short to worrit your inside out, a-wishing for this, and a-longing for that, and a-sighing for t'other. When George began to talk of going abroad, I said to him, "Home's home, George, and you can be happy on bread-and-cheese and kisses, supposing you can't get better." "Very well, mother," said George, "I'm satisfied with that. But come," said he, in his coaxing way--_you_ know, Bessie!--"But come, you say home's home, and you're right, mammy." (He always calls me mammy when he's going to get the best of me with his tongue--he knows, the cunning lad, that it reminds me of the time when he was a babby!) "You're right, mammy," he said; "but I love Bess, and I want to marry her. I want to have her all to myself," he said. "I'm not happy when I'm away from her," he said. "I want to see her a-setting by _my_ fireside," he said. "I don't want to be standing at the street-door a-saying goodnight to her"--(what a long time it takes a-saying! don't it, Bess? Ah, I remember!) "a-saying good-night to her with my arm round her waist, and my heart so full of love for her that I can hardly speak"--(his very words, my dear!)--"and then, just as I'm feeling happy and forgetting everything else in the world, to hear grandfather's voice piping out from the room behind the shop, 'Don't you think it's time to go home, George? Don't you think that it's time for Bessie to be a-bed?' And I don't want," said George, "when I answer in a shamefaced way, 'All right, grandfather; just five minutes more!' to hear his voice, in less than a half a minute, waking me out of a happy dream, calling out, 'Time's up, George! Don't you think you ought to go home, George? Don't you think Bessie's tired, George?" "That's all well and good," said I to him; "but what's that to do with going abroad?" "O, mammy," he said, "when I marry Bessie, don't I want to give her a decent bed to lie upon? Ain't I bound to get a bit of furniture together?" Well, well; and so the lad goes on with his Bessie and his Bessie, until one would think he has never a mother in the world.'

There is not a spice of jealousy in her tone as she says this, although she pretends to pout, for the arm that is around Bessie tightens on the girl's waist, and the mother's lips touch the girl's face lovingly. All that Mrs. Naldret has said is honey to Bessie, and the girl drinks it in, and enjoys it, as bright fresh youth only can enjoy.

'So,' continues Mrs. Naldret, pursuing her story, 'when George comes home very down in the mouth, as he does a little while ago, and says that trade's slack, and he don't see how he's to get the bit of furniture together that he's bound to have when he's married, I knew what was coming. And as he's got the opportunity--and a passage free, thanks to Mr. Million'--(here Mrs. Naldret looks again at Bessie in the same watchful manner as before, and Bessie, in whose eyes the tears are gathering, and upon whose face the soft glow of the firelight is reflected, again does not observe it)--'I can't blame him; though, mind you, my dear, if he could earn what he wants here, I'd be the last to give him a word of encouragement But he can't earn it here, he says; times are too bad. He can't get enough work here, he says; there's too little to do, and too many workmen to do it. So he's going abroad to get it, and good luck go with him, and come back with him! Say that, my dear.'

'Good luck go with him,' repeats Bessie, unable to keep back her tears, 'and come back with him!'

'That's right. And, as George has made up his mind and can't turn back now, we must put strength into him, whether he's right or whether he's wrong. So dry your eyes, my girl, and send him away with a light heart instead of a heavy one. Don't you know that wet things are always heavier to carry than dry? George has got to fight with the world, you see; and if a young fellow stands up to fight with the tears running down his cheeks, he's bound to get the worst of it But if he says, "Come on!" with a cheerful heart and a smiling face, he stands a good chance of winning--as George will, you see if he don't!'

'You dear good mother!' and Bessie kisses Mrs. Naldret's neck again and again.

'Now, then,' says Mrs. Naldret, rising from before the fire, 'go and wash your eyes with cold water, my dear. Go into George's room. Lord forgive me!' she soliloquises when Bessie has gone, 'I'd give my fingers for George not to go. But what's the use of fretting and worriting one's life away now that he's made up his mind? I shall be glad when they are married, though I doubt she doesn't love George as well as George loves her. But it'll come; it'll come. Times are different now to what they were, and girls are different. A little more fond of dress and pleasure and fine ways. She was very tender just now--she feels it now that George is really going. It would be better for her if he was to stay; but George is right about the times being hard. Ah, well! it ain't many of us as gets our bread well buttered in this part of the world! But there! I've tasted sweet bread without a bit of butter on it many and many a time!'

YOU WORE ROSES THEN, MOTHER.

Having made this reflection, Mrs. Naldret thinks of her husband again, and wonders what makes him so late to-night. But in a few moments she hears a stamping in the passage. 'That's Jim,' she thinks, with a light in her eyes. A rough comely man; with no hair on his face but a bit of English whisker of a light sandy colour in keeping with his skin, which is of a light sandy colour also. Head well shaped, slightly bald, especially on one side, where the hair has been worn away by the friction of his two-foot rule. When Jim Naldret makes a purse of his lips, and rubs the side of his head with his rule, his mates know that he is in earnest. And he is very often in earnest.

'It's mortal cold, mother,' he says almost before he enters.

'There's a nice fire, father,' replies Mrs. Naldret cheerfully; 'that'll soon warm you.'

'I don't know about that,' he returns, with the handle of the door in his hand. 'Now look here,--_did_ you ever see such a door as this? Opens bang into the passage.'

'You're always grumbling about the door, father.'

'Well, if I like it, it doesn't do any one any harm, does it? The architect was a born fool, that's what he was.'

To support his assertion that the architect was a born fool, Jim Naldret thinks it necessary to make a martyr of himself; so he stands in the draught, and shivers demonstratively as the cold wind blows upon him.

'Never mind the door, Jim,' says Mrs. Naldret coaxingly. 'Come and wash your hands.'

'But I shall mind the door!' exclaims Jim Naldret, who is endowed with a large organ of combativeness, and never can be induced to shirk an argument. 'The architect he made this door for warm weather. Then it's all very well. But in this weather, it's a mistake, that's what it is. Directly you open it, comes a blast cold enough to freeze one. I ain't swearing, mother, because I say blast.'

This small pleasantry restores his equanimity, and he repeats it with approving nods; but it produces little effect upon his wife, who says,

'_Will_ you wash your hands and face, father, instead of maudlin?'

'All right, all right, mother! Bring the basin in here, and I'll soon sluice myself.'

Mrs. Naldret, going to their bedroom, which is at the back of the parlour, to get the soap and water, calls out softly from that sanctuary,

'Bessie's here, father.'

'Ah,' he says, rubbing his knuckles before the fire. 'Where is she?'

'Up-stairs in George's room. She'll be down presently. She's pretty low in spirits, father.'

'I suppose you've been having a cry together, mother,' By this time Mrs. Naldret has brought in a basin of water and a towel, which she places on a wooden chair, 'I daresay George'll pipe his eye a bit too, when he says good-bye to some of his mates. Ugh! the water is cold!'

'George pipe his eye! Not him! He's a man is George--not one of your crying sort.'

'I don't know about that,' gasps Jim Naldret; 'a man may be crying although you don't see the tears running down his face. Ugh!'

There was something apposite to his own condition in this remark, for Jim's eyes were smarting and watering in consequence of the soap getting into them.

'That's true, Jim. Many a one's heart cries when the eyes are dry.'

'I can't get over Mr. Million getting that passage-ticket for George. I can't get over it, mother. It's bothered me ever so much.'

'Well, it's only steerage, Jim, and you can't say that it wasn't kind of Mr. Million.'

'I don't know so much about that, mother.'

'Do you know, Jim,' says Mrs. Naldret, after a pause, during which both seem to be thinking of something that they deem it not prudent or wise to speak about, 'that I've sometimes fancied----' Here the old black cat rubs itself against her ankles, and she stoops to fondle it, which perhaps is the reason why she does not complete the sentence.

'Fancied what, mother?

'That young Mr. Million was fond of Bessie.'

'I shouldn't wonder,' he replies, with a cough. 'Who wouldn't be?'

'Yes; but not in that way.'

'Not in what way, mother?'

'You drive me out of all patience, Jim. As if you couldn't understand--but you men are _so_ blind!'

'And you women are so knowing!' retorts Jim Naldret, in a tone made slightly acid because he is groping about for the towel, and cannot find it. 'Where _is_ the towel, mother? That's Bessie's step, I know. Come and kiss me, my girl.'

'There!' exclaims Bessie, who has just entered the room, standing before him with an air of comical remonstrance, with patches of soapsuds on her nose and face, 'you've made my face all wet.'

'Father never _will_ wash the soap off his skin before he dries it,' says Mrs. Naldret, wiping Bessie's face with her apron.

'Never mind, Bessie,' says Mr. Naldret, rubbing himself hot; 'your face'll stand it better than some I've seen. I can't wash the colour out of your cheeks.'

Bessie laughs, and asks him how does he know? and says there is a sort of paint that women use that defies water. While Mrs. Naldret tells him not to be satirical, remarking that all women have their little weaknesses.

'Weaknesses!' echoes Mr. Naldret, digging into the corners of his eyes viciously. 'It's imposition, that's what it is!'

'You'll rub all the skin off your face, if you rub like that.'

'It's a playing a man false,' continues Jim Naldret, not to be diverted from the subject, 'that's what it is. It's a----'

'Is George coming home to tea, do you know, father?' asks Mrs. Naldret, endeavouring to stem the torrent.

'No; he told me we wasn't to wait for him. It's a trading under false pretences----'

'Not coming home to tea! And here I've been laying the tablecloth for him, because I know he enjoys his tea better when there's something white on the table. Mind you remember that, Bessie. There's nothing like studying a man's little ways, if you want to live happy with him.'

'I wondered what the tablecloth was on for,' remarks Jim Naldret; and then resumes with bulldog tenacity, 'It's a trading under false pretences, that's what it is! Little weaknesses! Why----'

'Now, father, will you come and have tea?'

'Now, mother, _will_ you learn manners, and not interrupt? But I can have my tea and talk too.'

Mrs. Naldret makes a great fuss in setting chairs, and a great clatter with the cups and saucers, but her wiles produce not the slightest effect on her husband, who seats himself, and says,

'Well, this is my opinion, and I wouldn't mind a-telling of it to the Queen. What do girls look forward to naturally? Why, matrimony to be sure----'

'Put another lump of sugar in father's cup, Bessie. He likes it sweet.'

'Well,' continues the irrepressible Jim, 'looking forward to that, they ought to be honest and fair to the men, and not try to take them in by painting themselves up. It's a good many years ago that I fell in love with you, mother, and a bright-looking girl you was when you said Yes, to me. You wore roses then, mother! But if, when I married you, I had found that the roses in your cheek came off with a damp towel, and that you hadn't any eyebrows to speak of except what you put on with a brush, and that what I saw of your skin before I married you was a deal whiter than what I saw of your skin after I married you,--I'd--I'd----'

'What on earth would you have done, father?' asks Mrs. Naldret, laughing.

'I'd have had you up before the magistrate,' replies Jim Naldret, with a look of sly humour. 'I'd have had you fined, as sure as my name's Jim.'

'That wouldn't have hurt me,' says Mrs. Naldret, entering into the humour of the idea, and winking at Bessie; 'my husband would have had to pay the fine.'

Jim Naldret gives a great laugh at this conclusion of the argument, in appreciation of having been worsted by these last few pithy words, and says, with an admiring look at his wife,

'Well, let you women alone!'

Then, this subject being disposed of, and Jim Naldret having had his say, Mrs. Naldret asks if he has brought home the _Ha'penny Trumpet_.

'Yes,' he answers, 'here it is. A great comfort to the poor man are the ha'penny papers. He gets all the news of the day for a ha'penny--all the police-courts----'.

'Ah,' interrupts Mrs. Naldret, 'that's the sort of reading I like. Give me a newspaper with plenty of police-court cases.'

But police-court cases have not the charm for Jim Naldret that they have for the women, with whom a trial for breach-of promise is perhaps the most interesting reading in the world.

'There's a strike in the North among the colliers,' says Jim. 'The old hands are beating the new men, and setting fire to their houses.'

'And turning,' adds Mrs. Naldret, 'the women and children into the streets, I daresay--the wretches!'

'I don't know so much about that, mother. Men are goaded sometimes, till they lose their heads. If a man puts my blood up, I hit him.'

'You, father! You hurt any one.'

'I said I'd hit him--I didn't say I'd hurt him. I'd hit him soft, perhaps; but I'd be bound to hit him if he put my blood up!'

'A strike's a wicked thing, father,' is Mrs. Naldret's commentary.

'I don't know so much about that. There's a good deal to be said on both sides.'

'There's Saul Fielding,' says Mrs. Naldret; 'getting up a strike was the ruin of him--and hurt a good many others, hurt 'em badly, as you know, Jim.'

By this time the tea-things are cleared away, the hearth is swept up, and the fire is trimmed. The picture that is presented in this humble room is a very pleasant one; Bessie and Mrs. Naldret are doing needlework more as a pastime than anything else, and Jim is looking down the columns of the _Trumpet_.

'Saul Fielding went too far,' says Jim; 'and when he had dragged a lot of men into a mess, he deserted them, and showed the white feather. I'm for my rights, and I'll stand up for them, but I'm not for violence nor unreasonable measures. Saul Fielding's fine speech misled a many, who swore by him, and would have followed him through thick and thin. He makes a speech one night that set the men on fire. I heard it myself, and I was all of a quiver; but when I was in the cold air by myself I got my reason back, and I saw that Saul Fielding was putting things in a wrong light. But other men didn't see it. Then, what does he do? Deserts his colours the very next day, and leaves the men that he's misled in the lurch.'

'He may have got in the air, as you did, Jim, and thought better of what he had said. He may have found out afterwards that he was wrong.'

'Not he! He had plenty of time to consider beforehand--seemed as if he had studied his speeches by heart--never stumbled over a word, as the others did, who were a deal honester than him--stumbled over 'em as if words was stones.'

'Well, poor fellow, he's suffered enough. From that day masters and men have been against him.'

'He's made his bed, and he must lay on it,' says Jim Naldret; 'and you know, mother, even if he could wipe that part of his life away, he's not fit company for honest men and women.'

Jim Naldret feels inclined to say a great deal more on another subject about Saul Fielding, but as the subject which he would have ventilated is a delicate one, and refers to a woman who is not Saul Fielding's wife, he refrains, because Bessie is present.

'Let Saul Fielding drop, mother.'

Mrs. Naldret deems it wise to say no more about Saul, and allows a minute or so to elapse before she speaks again.

'Anything in the paper, Jim, about that working-man that put up for Parliament?'

'He didn't get in.'

Mrs. Naldret expresses her satisfaction at this result by saying that 'it's a good job for his family, if he's got one.'

'Why shouldn't a working-man be in Parliament, mother?' asks Jim Naldret.

'Because he can't be two things at once. If he fuddles away all his time at Parliament, he can't have time to work; and if he don't work for his living, he's not a workingman.'

'He'd work with his tongue, mother.'

'He'd better work with his hands,' says Mrs. Naldret emphatically, 'and leave the tongue work to his wife. She'd do it better, I'll be bound.'

'I've no doubt she would,' says Jim Naldret, with a chuckle. 'But that working-man in Parliament question is a problem.'

'Well, don't you bother your head about it--that's other people's business. My old mother used to say that every hen's got enough to do to look after its own chicks, and it clacks enough over that, goodness knows.'

'But I'm not a hen, mother,' remonstrates Jim; 'I'm a cock, and I like to have a crow now and then.'

'Well,' exclaims Mrs. Naldret, stitching viciously, 'crow on your own dunghill. Don't you go encroaching on other people's premises.'

IF I DID NOT LOVE HER, I WOULD NOT GO AWAY.

The entrance of George Naldret and young Mr. Million gives a new turn to the conversation, and to the aspect of affairs. George Naldret needs but a very few words of introduction. He is like his father was when his father was a young man. More comely-looking because of the difference in their ages, but his little bit of English whisker is after the same model as his father's, and his hair is also of a light sandy colour. His head is well shaped, and he has contracted his father's habit of rubbing one side of it with his two-foot rule when he is in earnest. When he came into the world, his mother declared that he was as like his father as two peas, which statement, regarded from a purely grammatical point of view, involved a contradiction of ideas. But grammar stands for nothing with some. Poor folk who have received imperfect education are not given to hypercriticism. It is not what is said, but what is meant. George's father and his father's father had been carpenters before him, and as he has taken after them, he may be said to have become a carpenter by hereditary law. Mrs. Naldret was satisfied. To have a trade at one's finger-ends, as she would have expressed it, is not a bad inheritance.

Young Mr. Million was named after his father, James, and was therefore called young Mr. Million to prevent confusion. _His_ father and his father's father had been brewers, or, more correctly speaking, in the brewing interest before him, and he was supposed to take after them. There was this difference, however, between him and George Naldret. George Naldret was a thoroughly good carpenter, but it cannot be said that young Mr. Million was a thoroughly good brewer. In point of fact, he was not a brewer at all, for he knew no more of the trade than I do. He knew a good glass of beer when he was drinking it, but he did not know how to make it; as George knew a good piece of carpentering work when it was before him; but then George could produce a similar piece of work himself. George took pride in his trade; young Mr. Million looked down upon his because it _was_ a trade--he thought it ought to be a profession. Although he and his were the last who should have thought unkindly of it, for from the profits of the family brewery a vast fortune had been accumulated. Estates had been bought; position in society had been bought; a seat in the House had been bought; perhaps, by and by, a title would be bought: for eminence deserves recognition. And a man can be eminent in so many different ways. One maybe an eminent tea-dealer, or an eminent chiropodist, or an eminent dentist, if one's profits are large enough. The seat in the House was occupied at the present time by Mr. James Million senior, whose chief business in the Senate appeared to be to look sharply after his own interests and those of his class, and to vote as he was bid upon those indifferent questions of public interest which did not affect the profits of his brewery, and which were not likely to lessen his income from it. For Mr. Million's brewery, being an old-established institution, had become a sacred 'vested interest,' which it was absolute sacrilege to touch or interfere with. And it is true that 'vested interests' _are_ ticklish questions to deal with; but it happens, now and then, in the course of time, that what is a 'vested interest' with the few (being fed and pampered until it has attained a monstrous growth) becomes a vested wrong to the many. Then the safety of society demands that something should be done to stop the monstrous growth from becoming more monstrous still. The name of Million was well known in the locality in which the Naldrets resided, for a great many of the beershops and public-houses in the streets round about were under the family thumb, so to speak, and it was more than the commercial lives of the proprietors were worth to supply any liquids but those that Million brewed to the thirsty souls who patronised them. And nice houses they were for a man to thrive upon--worthy steps upon the ladder of fame for a man to grow Eminent by!

Young Mr. Million was a handsome-looking fellow, with the best of clothes, and with plenty of money in his purse. Having no career marked out for him pending the time when he would have to step into his father's shoes, he made one for himself. He became a merchant in wild oats--a kind of merchandise which is popularly considered to be rather a creditable thing for young men to speculate in; and it was a proof of his industry that he was accumulating a large supply of the corn--having regard probably to its future value in the market. But in this respect he was emulated by many who deem it almost a point of honour to have their granaries well supplied with the commodity.

As the young men enter the room, Bessie's eyes brighten. She knows George's footsteps well, and has not recognised the other. George enters first, and he has drawn Bessie to him and kissed her, and she him, before she sees young Mr. Million. When she does see that heir to the family brewery, she gently releases herself from George's embrace, and stands a little aside, with a heightened colour in her face. The action is perfectly natural, and just what a modest girl would do in the presence of a comparative stranger--as young Mr. Million must have been, necessarily, he being so high in the social scale, and she so low. The young gentleman, in the most affable manner, shakes hands all round, and gives them good evening.

'Meeting George as I was strolling this way,' he says, accepting the chair which Mrs. Naldret offers him, 'and having something to say to him, I thought I might take advantage of his offer to step in, and rest for a minute or so.'

Had he told the exact truth, he would have confessed that he had no idea of coming into the house until he heard from old Ben Sparrow, at whose shop he had called, that Bessie was at Mrs. Naldret's, and that, meeting George afterwards, he had walked with him to the door, and had accepted a casual invitation to walk in, given out of mere politeness, and almost as a matter of form.

'You have the _Trumpet_ there, I see,' continues young Mr. Million, addressing the master of the house; 'is there anything particular in it?'

'No, sir,' replies Jim, 'nothing but the usual things--strikes, elections, and that like. There's always plenty stirring to fill a newspaper.'

'That there is,' says the young brewer; 'I'm sorry to hear of the strikes spreading. They make things bad in every way.'

'That they do, sir,' chimes in Mrs. Naldret; 'let well alone, I say.'

Young Mr. Million assents with a motion of his head. Perhaps he would have spoken if his attention had not been fixed upon Bessie, whom George has drawn within the circle of his arm.

'Women can't be expected,' says Jim Naldret, with rather less politeness than he usually shows to his wife in company, 'to understand the rights and wrongs of this sort of thing. It's only the horse in the shafts that feels the weight of the pull.'

'Well,' says young Mr. Million in a careless manner, 'I'm no politician; I leave that to my father. So, without venturing an opinion in the presence of one who has studied these questions'--with a condescending nod to Jim Naldret--'I can't do better than side with Mrs. Naldret, and say with her. Let well alone.' With a graceful bow to that worthy creature, who receives it without gratitude, for it does not please her to find herself trapped into taking sides with a stranger, however much of a gentleman he may be, against her husband.

'Mr. Million came to tell me,' says George during the lull that follows, clearing his throat, 'that the Queen of the South sails earlier than was expected. It goes out of the Mersey the day after to-morrow.'

He does not look at any one of them as he says this, but they all, with the exception of young Mr. Million, turn their anxious eyes to George. The Queen of the South is the name of the ship in which George is to sail for the other end of the world.

'So soon!' exclaims Mrs. Naldret, with a motherly movement towards her son.

'So soon!' echoes Bessie faintly, clinging closer to her lover.

And 'Why not stop at home?' is on the mother's tongue. 'Even now, why not stop at home, and be contented? But she knows what George's answer would be, so she restrains her speech. 'I want my Bessie,' he would have answered, 'and I want a home to bring her to. If I did not love her, I would not go away, but I would be content to work here as you have done all your lives, and live as you have done, from hand to mouth.'

To cheer them, young Mr. Million tells them the latest best news from the other side of the world--how cheaply a man could live; how much larger a workman's earnings were there than here; what a demand there was for skilled labour; and what chances there were for every man whose head was screwed on the right way.

'Suppose a man doesn't wish to work at his trade,' he says, 'and takes it into his head to make a venture for three or four months. There are the gold-fields. All over New South Wales and New Zealand new gold-fields are being discovered. They say that the natives of New Zealand are bringing in great lumps of gold from the north, and that the ground there has never been turned over, and is full of gold. Once in the colonies, it takes no time to get to these places; and even if a man is not fortunate enough to do well, he can come back to his trade. The experiment that occupies three or four months in making is not a great slice out of a young man's life, and the prize that's likely to be gained is worth the venture. Then at these new places, supposing George does not care to run the risk that lies in gold-digging, but determines to stick to his trade, what better one can he have than that of a carpenter? Houses and shops must be built, and they must be built of wood. Who is to build them? Why, carpenters! Think of the scope there is for good workmen. Why, a carpenter must be almost a king in those places! If I hadn't been born into a fortune,' he concludes, 'I would give three cheers for Captain Cook, and be off without a day's delay.'

'When he bids them good-night, as he does presently, seeing that silence falls upon them and that they wish to be left alone, he does not leave a bad impression behind him. But although he has not addressed half a dozen words to the girl, he sees with his mind's eye Bessie's bright face, and no other, as he walks through the cold air. Now, what on earth could a pretty girl like Bessie have to do with the stock of wild oats which young Mr. Million was so industriously collecting?

WITH THE DAWNING OF A NEW YEAR, BEGIN A NEW LIFE.

When Saul Fielding left Mrs. Naldret he made his way through the narrow streets, shivering and stamping, until he came to a house, the lower portion of which was devoted to the sale of plum- and peas-pudding, and food of that description. The side door which led to the upper portion of the house was open, and Saul ascended the dark stairs until there were no more stairs to ascend, and entered a room, the low roof of which shelved in one part almost to the floor. A common lamp was alight, the flame being turned very low down, more, it is to be presumed, for the sake of economy than for safety, for there was nothing in the room of the slightest value. What little furniture there was was rickety and broken: two cane chairs, nearly bald; the few ragged pieces of cane that were left in the frames were tattered and of various lengths, and mournfully proclaimed, 'See what we have come to!' while one of the chairs was so completely decrepit, that it had lost its backbone, and had so little life left in it, that it wheezed when sat upon; a turn-up bedstead, which made a miserable pretence of being something else; a deal table, which once could flap its wings, but could do so no longer; on the table two cups, which were not of a match, but this was really of the smallest consequence, for one was chipped and one was without a handle; and a metal teapot, the surface of which was so battered, that it might be likened to the face of a worn-out prizefighter who had played second best in a hundred fierce encounters. But, common and poor as was everything in the room, everything was as clean and tidy as orderly hands could make it.

Saul Fielding turned up the light of the lamp, and the lamp spat and spluttered in the operation with a discontented air of being ill-fed; this discontent was plainly expressed in the top of the wick, which was lurid and inflamed. There were signs in the room of a woman's care, and Saul Fielding sat down upon the wheezy chair, and waited with his head resting upon his hand. He had not long to wait; the sound of light steps running up the stairs caused him to rise, and look towards the door.

'Jane!'

She nodded and kissed him, and asked him if he were hungry.

'No,' he answered; 'where have you been to?'

'Only on a little errand. Come, you _must_ be hungry. You've had no tea, I know.'

She took the remains of a loaf, and a yellow basin containing a little dripping, from a cupboard, and cut the bread and spread the dripping solicitously. Then she pressed him to eat.

'I shall have some with you,' she said.

To please her, he forced himself to eat.

'It's very cold, Jane.'

'Very, Saul.'

She was a woman who once was very fair to look at, who was fair now, despite her poverty. She was not more than twenty-five years of age, but she looked older; there was no wedding-ring on her finger, and she was too poor for adornment of any kind about her person. There was beauty in her, however; the beauty that lies in resignation. And now, as Saul Fielding looked at her furtively, he noticed, with evident inward fear, a certain kind of sad resolution in her manner which tempered the signs of long suffering that dwelt in her face. He put his hand timidly upon her once, and said in a troubled voice.

'You have no flannel petticoat on, Jane.'

'No, Saul,' she answered cheerfully; 'I have pledged it.'

An impressive silence followed. As the darkness that fell upon Egypt could be felt, so the silence that fell upon this room spoke: with bitter, brazen tongue.

'I have been out all the afternoon,' she said presently. 'First I went to----you know where.' Her soft voice faltered, and carried the meaning of the vague words to his sense.