Chapter XXVIII: Commencement—and the End
As Julia sat in church on Baccalaureate Sunday she felt sadder than on any occasion since the class had begun to take its farewell of Cambridge and of college life, for now they were together for the last time before Commencement as the Senior class in cap and gown.
The last day was near at hand, and after that final assembling in Sanders Theatre, it was unlikely that these threescore girls would ever be all together again in the same place. Impressive though the sermon was, more than once Julia had to recall her thoughts from wandering in a review of the past four years. Had she herself made the best use of her time? Was there not some girl among the Seniors to whom she might have been more helpful than she had been—in ways intangible if not material? Had she herself drawn all the inspiration she might have drawn from her classmates? She had learned much from her intimates, but had she been sufficiently appreciative of some of the others or responsive to them? Thoughts like these so mingled themselves with her impressions of the sermon that she left the church in a state of abstraction.
Questions such as Julia had asked herself can never receive a definite answer. The wisest of us makes many mistakes, and the most foolish would be plunged in constant despair if she had to call herself to account at every step. To do her best is the most that can be asked of any girl, and if only she tries to learn from her errors, whatever her past faults, she can turn hopefully to the future.
Julia, fortunately, had comparatively little occasion for self-reproach; for if she had made the very most of her opportunities at Radcliffe—if she had left nothing undone that should have been done—she would have been the only one of her kind. Thoughts like these of Julia’s presented themselves to nearly every girl in the class—from Pamela the over-conscientious to careless Polly. Even the self-sufficient Annabel talked in a less self-satisfied manner, as she walked homeward from church accompanied by two or three of her best friends.
The three days intervening between Class Day and Baccalaureate Sunday had been very full. Friday had been Harvard Class Day, and there wasn’t a girl in the class who did not know at least one Harvard Senior. It was the first Class Day for Julia since the year of Philip’s failure, and the things that she did seemed a repetition of the happenings of that other year. There was but one marked change: the Tree exercises had been given up, and a less strenuous performance went on around the John Harvard statue on the delta. Confetti took the place of flowers, and the whole affair was carried on in the most gentlemanly way. Yet Julia, like many others, thought with regret of the old struggle around the Tree—regret that it was to be no more. Philip, although he realized better than any one else that this was not his real Class Day, yet managed to get a great deal of fun out of it. Tom Hearst and some of his former classmates, now about to be graduated from the Law School, gave a small tea in the early evening, and it proved a reunion of the group of young people who had been together so much at Rockley and in Boston. Brenda’s engagement had come out that very day, and she and Arthur Weston received the congratulations showered on them in a fashion that amused every one. They were surprised that their friends were not surprised.
“I am sure that I have always complained of the way Arthur teased me,” pouted Brenda, “and I never _really_ made up my mind until—”
“When?” shouted Tom Hearst, noting with delight that Brenda was embarrassed. But Brenda refused to answer.
Ruth and Will Hardon had an equally large share of congratulations, and they would have been astonished had their friends not taken their engagement as a matter of course.
On Saturday the same group of young people went to the Yale-Harvard game on Soldier’s Field, and after they had returned home from Annabel’s concert party, Ruth and Julia were tired enough.
Kaleidoscopic visions of the past week’s festivities mingled with Julia’s more serious thoughts that Baccalaureate Sunday, as she scratched off the dates on her calendar that showed only two days remaining of college life.
But at last the eventful Tuesday had come—the Commencement that was to end the undergraduate days of the class. They had breakfasted that morning with the Dean, and had met many of their instructors at the informal reception that followed. Commencement was at half-past four o’clock, and promptly at that hour, while the orchestra in the gallery was playing, a long procession filed into Sanders Theatre. The amphitheatre was already filled with guests who had been ushered to their seats by Harvard Seniors. At the head of the procession walked the President of Harvard, and on his arm leaned the President of Radcliffe—stately and benign. Close behind were the Dean, the Secretary, the members of the Governing Board of Radcliffe and the Overseers of Harvard, with whose approval the degrees were granted.
All these took their seats on the platform, and at the left sat the Radcliffe Glee Club. The Seniors in cap and gown at the end of the procession marched to places on the floor of the theatre directly under the stage. It was hard for them to maintain their dignity without turning around, when they knew that in the balconies were so many of those with whom they would have liked to exchange a glance and a nod.
After the prayer, and the singing of “Integer Vitæ” by the Glee Club, the President of Radcliffe congratulated the class on their four years’ work, and on the special honors that had come to some of them. She told of the improving prospects of the college, and mentioned several gifts that had been made during the year. The most important news was the statement that one generous donor had given the whole sum needed to build a handsome dormitory,—the first Radcliffe dormitory,—and at this news there was loud applause.
The address that followed by the President of Harvard—a dignified and scholarly address—showed deep sympathy with the aims of college girls, many of whom had gained their degrees at the cost of certain things that most young girls might think more attractive. He called attention to the fact that the experiment of the higher education of women had lasted now for two generations, with satisfactory results. He added that the degrees about to be granted had been properly won, for they represent as hard a training as the more vigorous young men receive, and he concluded with a hope that some at least of the women graduates might show themselves possessed of the creative faculty, and add something to the world’s stock of knowledge.
“Aren’t the Seniors to take any part? Isn’t there a valedictory or something of that kind?” asked Edith of her neighbor Nora, as a little pause followed the President’s address.
“Oh, no, that isn’t the way. I suppose it’s the only college in the country where the class has no preparation for Commencement.”
“It’s much the best way,” said Mr. Blair, overhearing what the girls said. “A great deal of needless effort is wasted on useless speeches for Commencement. It’s as fatiguing to the audience as to the Seniors themselves. This way, it seems to me, is much best. It is so simple and dignified.”
“Yes, but some people are disappointed at not seeing the class celebrities,” responded Edith. “Of course we know something about Clarissa and Lois and Pamela and the others who have distinguished themselves.”
“Not to mention Julia,” interposed Nora.
“Yes, naturally; well, we know all these girls by sight, but there must be many here who have never seen them, and who would be very glad to know who’s who.”
“Well, they are all there; and if we listen, we may be able to fit the right name to the right girl.”
Of all in that great audience, perhaps no one was more disappointed than Angelina at the simplicity of the programme. Julia had had a card of invitation sent her, and she had come in a wonderful yellow hat covered with large pink flowers, and a gown of the brightest pink gingham. She had fully expected that Julia would be the centre of interest, and she was really grieved that one who had been so kind to her had not been given an opportunity at least to sing or play something from the operetta. Besides, she had a personal disappointment in the fact that she could not present to Julia the immense bouquet that she had brought with her from Shiloh. She had had the whole scene planned. In the midst of a burst of applause she would advance toward the stage, and, with a curtsy that she had been practising, fling the bouquet at Julia’s feet, at the close of her performance, whatever it was. But now Julia was no more conspicuous than the others of the class. She had neither sung nor made an oration, and Angelina herself had had no opportunity for a dramatic appearance before the audience. Her curtsy had been practised in vain; and Angelina, as she grasped the flowers, looked decidedly woe-begone.
But at last the Seniors were passing in single file toward the platform to receive their degrees, and each girl as her name was called received the crimson-tied parchment from the hands of the President. Before the Seniors several Alumnæ received their M.A. But the receiving of the degrees in the presence of that great audience was not unalloyed bliss. Even Lois and Pamela with _summa cum_, and Clarissa and Julia and others with their _magnas_, and Polly and Ruth with _cum laude_, felt a thrill of sadness as they passed down the steps in front of the dignified statue of Josiah Quincy.
Their undergraduate days were over!
That evening as Alumnæ they were cordially welcomed to an Alumnæ dinner by the older graduates, and if they felt uncomfortably warm wearing their long black gowns over their white dresses, there were compensations; for there was a satisfaction when Clarissa responded to one of the toasts to hear her speech called the wittiest ever made by a graduate, for Clarissa belonged to the whole class. Then, too, some of Polly’s songs were so enthusiastically received that it was a delight to remember that two others of the class, Julia the composer of the music and Ruth who had written the words, shared the credit with the gay singer.
At dusk the gay crowd wandered out on the lawn, where the Glee Club sang, and old friends gathered in little groups to talk over the happenings of the past year.
“In a year _we_ shall be old graduates,” said Ruth with a sigh; “already I begin to feel the change. It seems as if everything _has_ been, as if—”
“Nonsense,” interposed Julia, “everything is to be. Our undergraduate days are past, and yet I doubt that any of us would really care to live them over again. We can be thankful for what we have learned here, but after all, the sooner we can take our places in the world, the better. College life at the best is selfish—”
“There—there, Julia, don’t preach! Look at Fay House. It is almost picturesque.”
As they stood at the gate, the two girls turned and gazed at the old building, whose outlines in the dusk showed dimly through the screen of elms. Lights shone from some of its upper windows, and it looked like a stately palace.
This was undoubtedly the thought in Julia’s mind as she cried, turning away, “Good-bye, Palace of Learning,” while Ruth added, “Good-bye, great Class of 189—.”
Truly, it _had_ been a great class, but its undergraduate days were over.
HELEN LEAH REED’S
“BRENDA” BOOKS
BRENDA, HER SCHOOL AND HER CLUB
By Helen Leah Reed. Illustrated by Jessie Willcox Smith. 12mo. Decorated cloth. $1.50
This book, the first volume of a very popular and successful series of
books for girls, has received high praise. The _New York Tribune_ says
it “has a tone of healthy common sense which is not always found in
girls’ story books.”
The _Boston Herald_ says: “Miss Reed’s girls have all the impulses and
likes of real girls as their characters are developing, and her record
of their thoughts and actions reads like a chapter snatched from the
page of life. It is bright, genial, merry, wholesome, and full of good
characterizations.”
BRENDA’S SUMMER AT ROCKLEY
By Helen Leah Reed. Illustrated by Jessie Willcox Smith. l2mo. Decorated cloth. $1.20 _net_
A charming picture of vacation life along the famous North Shore of
Massachusetts.
The _Outlook_ says: “The author is one of the best equipped of our
writers for girls of larger growth. Her stories are strong,
intelligent, and wholesome.”
“A clean, wholesome narrative, with a bright sparkle to its lines and
sound moral for its girl readers,” says the _Pittsburg
Chronicle-Telegraph_.
BRENDA’S COUSIN AT RADCLIFFE
By Helen Leah Reed. Illustrated by Alice Barber Stephens. 12mo. Decorated cloth. $1.20 _net_
The third and concluding “Brenda” book, in which student life at
Radcliffe is described. A remarkably real and fascinating story of a
college girl’s career, excelling in interest Miss Reed’s first
“Brenda” book, of which the _Congregationalist_ said: “Equal to the
best of the recent books of school life about boys. Lively and
amusing, revealing a shrewd understanding of girl nature.”
ANNA CHAPIN RAY’S
“TEDDY” STORIES
TEDDY: HER BOOK A Story of Sweet Sixteen
Illustrated by Vesper L. George. 12mo. $1.50
The girls of sweet sixteen owe Anna Chapin Ray a debt of gratitude. No
other writer, of recent years at least, has given such complete
expression to the comprehensiveness of the complex character of the
modern girl of that age. The story is charmingly told and thoroughly
wholesome.—_Denver Times._
PHEBE: HER PROFESSION A Sequel to “Teddy: Her Book”
Illustrated by Frank T. Merrill. 12mo. $1.50
Miss Ray’s work draws instant comparison with the best of Miss
Alcott’s: first, because she has the same genuine sympathy with boy
and girl life; secondly, because she creates real characters,
individual and natural, like the young people one knows, actually
working out the same kind of problems; and, finally, because her style
of writing is equally unaffected and straightforward. She builds upon
clearly thought-out convictions, and the influence of the book will be
wholly for good, tending toward a sane, wholesome view of life
generally. There is a deal of fun in it too.—_Christian Register_,
Boston.
TEDDY: HER DAUGHTER A Sequel to “Teddy: Her Book,” and “Phebe: Her Profession”
Illustrated by J. B. Graff. 12mo. $1.20 _net_
Introduces a new generation of girls and boys, all well bred and
gifted with good manners, takes them through much fun and such
adventures as one may find on a small sandy island, and gives the girl
a page or two of saving common sense about her duties to boys and her
obligation to be true and womanly.—_New York Times Saturday Review._
NATHALIE’S CHUM
Illustrated by Ellen Bernard Thompson. 12mo. $1.20 _net_
A new volume by the author of “Teddy: Her Book,” is pronounced by
those who have read it the most delightful she has yet written.
“Teddy,” “Babe,” “Dr. McAlister,” and several other favorite
characters in the previous books reappear, together with an orphan
family of New York.
_Myra Sawyer Hamlin’s Stories_
NAN AT CAMP CHICOPEE; or, Nan’s Summer with the Boys
Illustrated by Jessie McDermott. 16mo. $1.25.
The story is one of free, outdoor life, characterized by a deal of
fine descriptive writing and many bits of local color that invest the
whole book with an atmosphere which is actually fragrant.—_Bangor
Commercial._
NAN IN THE CITY; or, Nan’s Winter with the Girls
Illustrated by L. J. Bridgman. 16mo. $1.25.
A bright story in which children and animals play an equal part.—_The
Outlook._
She is a womanly girl, and we have met her like outside of
story-books. A wonderfully healthy, thoroughly womanly maiden,
standing at the point in life where childhood and womanhood meet, one
follows with interest the account of her first winter at school in a
great city, where she made new friends and found some old
ones.—_Chicago Advance._
NAN’S CHICOPEE CHILDREN
Illustrated by L. J. Bridgman. 16mo. $1.25.
Myra Sawyer Hamlin’s stories are full of outdoor life, redolent of the
woods, the fields, and the mountain lakes, and her characters are very
natural young folk.—_Cambridge Tribune._
Full of happiness and helpfulness, with experiences in doors and out
that will interest all young people.—_Evening Standard, New Bedford._
CATHARINE’S PROXY. A Story of Schoolgirl Life
Illustrated by Florence E. Plaisted. 12mo. $1.20 _net_.
An entertaining story of a very modern young American girl of wealth
who fails to appreciate the advantages of an expensive education, and
at the suggestion of her father gives her educational advantage to
another girl, who for a year becomes her proxy.
The girl characters are from fifteen to seventeen years of age, the
boys are preparing for college, and all are instilled with the spirit
of modern life in our best schools.
New Illustrated Editions of
Miss Alcott’s Famous Stories
LITTLE MEN: Life at Plumfield with Jo’s Boys
By Louisa M. Alcott. With fifteen full-page illustrations by Reginald B. Birch. Crown 8vo. Decorated cloth. $2.00.
Nothing of its kind could be better than Miss Alcott’s “Little Men,”
unless, possibly, her “Little Women.” ... It is the story of boys at
school, and how they lived there. The boys will like it, for it will
tell them of their own kind. The mothers will like it, for it is full
of suggestions on the high art of governing. And everybody should read
it, for it is cheery and like cordial from beginning to
end.—_Congregationalist._
“Little Men” has never been given to an admiring public in any form so
charming as this one. All that was needed to make the tale quite
irresistible was such illustrations as are here supplied, fifteen
full-page ones instinct with life and movement and charm.—_Boston
Budget._
LITTLE WOMEN: or Meg, Jo, Beth, and Amy
By Louisa M. Alcott. With 15 full-page illustrations by Alice Barber Stephens. Crown 8vo. Decorated cloth. $2.00.
No book for the young is better known than Miss Alcott’s famous
“Little Women.” It continues to have a wider reading and circulation
than any other book of its class. Thousands of new readers will be
delighted with this favorite book, in its new form, with Mrs.
Stephens’s charming pictures.
AN OLD-FASHIONED GIRL
By Louisa M. Alcott. With 12 full-page pictures by Jessie Willcox Smith. Crown 8vo. Decorated cloth. $2.00.
The third volume of “The Little Women Series.” Miss Alcott in this
book described “the good old fashions which make women truly beautiful
and honored, and render home what it should be,—a happy place where
parents and children, brothers and sisters, learn to love and know and
help one another.”
_In Preparation_
NEW ILLUSTRATED EDITIONS OF MISS ALCOTT’S OTHER BOOKS
JO’S BOYS, and How They Turned Out. A Sequel to “Little Men”
EIGHT COUSINS; or, The Aunt-Hill
ROSE IN BLOOM. A Sequel to “Eight Cousins”
UNDER THE LILACS
JACK AND JILL. A Village Story
LITTLE, BROWN, & COMPANY
_Publishers_, 254 WASHINGTON ST., BOSTON, MASS.
GROSSET & DUNLAP, - NEW YORK
Transcriber’s Notes
--Copyright notice provided as in the original printed text—this e-text
is public domain in the country of publication.
--Silently corrected palpable typos; left non-standard spellings and
dialect unchanged.
--Moved promotional material to the end of the text.
--In the text versions, included italics inside _underscores_ (the HTML
version replicates the format of the original.)
End of Project Gutenberg's Brenda's Cousin at Radcliffe, by Helen Leah Reed
Comments
Log in to leave a comment.
Brenda's cousin at RadcliffeChapter XXVIII: Commencement—and the End
0%13 min left in chapter