Chapter XXI: Part VII: The Hermit of the Wood (1)

'This Hermit good lives in that wood
Which slopes down to the sea.
How loudly his sweet voice he rears!
He loves to talk with marineres
That come from a far countree.

He kneels at morn, and noon, and eve--
He hath a cushion plump:
It is the moss that wholly hides
The rotted old oak-stump.

The skiff-boat near'd: I heard them talk,
"Why, this is strange, I trow!
Where are those lights so many and fair,
That signal made but now?"

Approacheth the ship with wonder.

"Strange, by my faith!" the Hermit said--
"And they answer'd not our cheer!
The planks looked warp'd! and see those sails,
How thin they are and sere!
I never saw aught like to them,
Unless perchance it were

Brown skeletons of leaves that lag
My forest-brook along;
When the ivy-tod is heavy with snow,
And the owlet whoops to the wolf below,
That eats the she-wolf's young."

"Dear Lord! it hath a fiendish look--
(The Pilot made reply)
I am a-fear'd"--"Push on, push on!"
Said the Hermit cheerily.

The boat came closer to the ship,
But I nor spake nor stirr'd;
The boat came close beneath the ship,
And straight a sound was heard.

The ship suddenly sinketh.

Under the water it rumbled on,
Still louder and more dread:
It reach'd the ship, it split the bay;
The ship went down like lead.

The ancient Mariner is saved in the Pilot's boat.

Stunn'd by that loud and dreadful sound,
Which sky and ocean smote,
Like one that hath been seven days drown'd
My body lay afloat;
But swift as dreams, myself I found
Within the Pilot's boat.

Upon the whirl, where sank the ship,
The boat spun round and round;
And all was still, save that the hill
Was telling of the sound.

I moved my lips--the Pilot shriek'd
And fell down in a fit;
The holy Hermit raised his eyes,
And pray'd where he did sit.

I took the oars: the Pilot's boy,
Who now doth crazy go,
Laugh'd loud and long, and all the while
His eyes went to and fro.
"Ha! ha!" quoth he, "full plain I see
The Devil knows how to row."

And now, all in my own countree,
I stood on the firm land!
The Hermit stepp'd forth from the boat,
And scarcely he could stand.

The ancient Mariner earnestly entreateth the Hermit to shrieve him; and the penance of life falls on him.

"O shrieve me, shrieve me, holy man!"
The Hermit cross'd his brow.
"Say quick," quoth he, "I bid thee say--
What manner of man art thou?"

Forthwith this frame of mine was wrench'd
With a woful agony,
Which forced me to begin my tale;
And then it left me free.

And ever and anon throughout his future life an agony constraineth him to travel from land to land;

Since then, at an uncertain hour,
That agony returns:
And till my ghastly tale is told,
This heart within me burns.

I pass, like night, from land to land;
I have strange power of speech;
That moment that his face I see,
I know the man that must hear me:
To him my tale I teach.

What loud uproar bursts from that door!
The wedding-guests are there:
But in the garden-bower the bride
And bride-maids singing are:
And hark the little vesper bell,
Which biddeth me to prayer!

O Wedding-Guest! this soul hath been
Alone on a wide, wide sea:
So lonely 'twas, that God Himself
Scarce seemed there to be.

O sweeter than the marriage-feast,
'Tis sweeter far to me,
To walk together to the kirk
With a goodly company!--

To walk together to the kirk,
And all together pray,
While each to his great Father bends,
Old men, and babes, and loving friends,
And youths and maidens gay!

And to teach, by his own example, love and reverence to all things that God made and loveth.

Farewell, farewell! but this I tell
To thee, thou Wedding-Guest!
He prayeth well, who loveth well
Both man and bird and beast.

He prayeth best, who loveth best
All things both great and small;
For the dear God who loveth us,
He made and loveth all.'

The Mariner, whose eye is bright,
Whose beard with age is hoar,
Is gone: and now the Wedding-Guest
Turn'd from the bridegroom's door.

He went like one that hath been stunn'd,
And is of sense forlorn:
A sadder and a wiser man
He rose the morrow morn.

Samuel Taylor Coleridge. 1772-1834

550. Kubla Khan

IN Xanadu did Kubla Khan
A stately pleasure-dome decree:
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.
So twice five miles of fertile ground
With walls and towers were girdled round:
And there were gardens bright with sinuous rills
Where blossom'd many an incense-bearing tree;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery.

But O, that deep romantic chasm which slanted Down the green hill athwart a cedarn cover! A savage place! as holy and enchanted As e'er beneath a waning moon was haunted By woman wailing for her demon-lover! And from this chasm, with ceaseless turmoil seething, As if this earth in fast thick pants were breathing, A mighty fountain momently was forced; Amid whose swift half-intermitted burst Huge fragments vaulted like rebounding hail, Or chaffy grain beneath the thresher's flail: And 'mid these dancing rocks at once and ever It flung up momently the sacred river. Five miles meandering with a mazy motion Through wood and dale the sacred river ran, Then reach'd the caverns measureless to man, And sank in tumult to a lifeless ocean: And 'mid this tumult Kubla heard from far Ancestral voices prophesying war!

The shadow of the dome of pleasure
Floated midway on the waves;
Where was heard the mingled measure
From the fountain and the caves.
It was a miracle of rare device,
A sunny pleasure-dome with caves of ice!

A damsel with a dulcimer
In a vision once I saw:
It was an Abyssinian maid,
And on her dulcimer she play'd,
Singing of Mount Abora.
Could I revive within me,
Her symphony and song,
To such a deep delight 'twould win me,
That with music loud and long,
I would build that dome in air,
That sunny dome! those caves of ice!
And all who heard should see them there,
And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed,
And drunk the milk of Paradise.

Samuel Taylor Coleridge. 1772-1834

551. Love

ALL thoughts, all passions, all delights, Whatever stirs this mortal frame, All are but ministers of Love, And feed his sacred flame.

Oft in my waking dreams do I Live o'er again that happy hour, When midway on the mount I lay, Beside the ruin'd tower.

The moonshine, stealing o'er the scene, Had blended with the lights of eve; And she was there, my hope, my joy, My own dear Genevieve!

She lean'd against the armed man, The statue of the armed Knight; She stood and listen'd to my lay, Amid the lingering light.

Few sorrows hath she of her own, My hope! my joy! my Genevieve! She loves me best whene'er I sing The songs that make her grieve.

I play'd a soft and doleful air; I sang an old and moving story-- An old rude song, that suited well That ruin wild and hoary.

She listen'd with a flitting blush, With downcast eyes and modest grace; For well she knew I could not choose But gaze upon her face.

I told her of the Knight that wore Upon his shield a burning brand; And that for ten long years he woo'd The Lady of the Land.

I told her how he pined: and ah! The deep, the low, the pleading tone With which I sang another's love, Interpreted my own.

She listen'd with a flitting blush, With downcast eyes, and modest grace; And she forgave me, that I gazed Too fondly on her face!

But when I told the cruel scorn That crazed that bold and lovely Knight, And that he cross'd the mountain-woods, Nor rested day nor night;

That sometimes from the savage den, And sometimes from the darksome shade, And sometimes starting up at once In green and sunny glade--

There came and look'd him in the face An angel beautiful and bright; And that he knew it was a Fiend, This miserable Knight!

And that, unknowing what he did, He leap'd amid a murderous band, And saved from outrage worse than death The Lady of the Land;--

And how she wept and clasp'd his knees; And how she tended him in vain-- And ever strove to expiate The scorn that crazed his brain;--

And that she nursed him in a cave; And how his madness went away, When on the yellow forest leaves A dying man he lay;--

His dying words--but when I reach'd That tenderest strain of all the ditty, My faltering voice and pausing harp Disturb'd her soul with pity!

All impulses of soul and sense Had thrill'd my guileless Genevieve; The music and the doleful tale, The rich and balmy eve;

And hopes, and fears that kindle hope, An undistinguishable throng, And gentle wishes long subdued, Subdued and cherish'd long!

She wept with pity and delight, She blush'd with love and virgin shame; And like the murmur of a dream, I heard her breathe my name.

Her bosom heaved--she stepp'd aside, As conscious of my look she stept-- Then suddenly, with timorous eye She fled to me and wept.

She half enclosed me with her arms, She press'd me with a meek embrace; And bending back her head, look'd up, And gazed upon my face.

'Twas partly love, and partly fear, And partly 'twas a bashful art, That I might rather feel, than see. The swelling of her heart.

I calm'd her fears, and she was calm, And told her love with virgin pride; And so I won my Genevieve, My bright and beauteous Bride.

Samuel Taylor Coleridge. 1772-1834

552. Youth and Age

VERSE, a breeze 'mid blossoms straying, Where Hope clung feeding, like a bee-- Both were mine! Life went a-maying With Nature, Hope, and Poesy, When I was young! When I was young?--Ah, woful When! Ah! for the change 'twixt Now and Then! This breathing house not built with hands, This body that does me grievous wrong, O'er aery cliffs and glittering sands, How lightly then it flash'd along-- Like those trim skiffs, unknown of yore, On winding lakes and rivers wide, That ask no aid of sail or oar, That fear no spite of wind or tide! Naught cared this body for wind or weather When Youth and I lived in 't together.

Flowers are lovely! Love is flower-like; Friendship is a sheltering tree; O the joys, that came down shower-like, Of Friendship, Love, and Liberty, Ere I was old! Ere I was old? Ah, woful Ere, Which tells me, Youth 's no longer here! O Youth! for years so many and sweet, 'Tis known that thou and I were one; I'll think it but a fond conceit-- It cannot be that thou art gone! Thy vesper-bell hath not yet toll'd-- And thou wert aye a masker bold! What strange disguise hast now put on, To make believe that thou art gone? I see these locks in silvery slips, This drooping gait, this alter'd size: But springtide blossoms on thy lips, And tears take sunshine from thine eyes! Life is but thought: so think I will That Youth and I are housemates still.

Dewdrops are the gems of morning, But the tears of mournful eve! Where no hope is, life 's a warning That only serves to make us grieve, When we are old! That only serves to make us grieve With oft and tedious taking-leave, Like some poor nigh-related guest That may not rudely be dismist. Yet hath outstay'd his welcome while, And tells the jest without the smile.

Samuel Taylor Coleridge. 1772-1834

553. Time, Real and Imaginary AN ALLEGORY

ON the wide level of a mountain's head (I knew not where, but 'twas some faery place), Their pinions, ostrich-like, for sails outspread, Two lovely children run an endless race, A sister and a brother! This far outstripp'd the other; Yet ever runs she with reverted face, And looks and listens for the boy behind: For he, alas! is blind! O'er rough and smooth with even step he pass'd, And knows not whether he be first or last.

Samuel Taylor Coleridge. 1772-1834

554. Work without Hope

ALL Nature seems at work. Slugs leave their lair-- The bees are stirring--birds are on the wing-- And Winter, slumbering in the open air, Wears on his smiling face a dream of Spring! And I, the while, the sole unbusy thing, Nor honey make, nor pair, nor build, nor sing.

Yet well I ken the banks where amaranths blow, Have traced the fount whence streams of nectar flow. Bloom, O ye amaranths! bloom for whom ye may, For me ye bloom not! Glide, rich streams, away! With lips unbrighten'd, wreathless brow, I stroll: And would you learn the spells that drowse my soul? Work without Hope draws nectar in a sieve, And Hope without an object cannot live.

Samuel Taylor Coleridge. 1772-1834

555. Glycine's Song

A SUNNY shaft did I behold,
From sky to earth it slanted:
And poised therein a bird so bold--
Sweet bird, thou wert enchanted!

He sank, he rose, he twinkled, he troll'd
Within that shaft of sunny mist;
His eyes of fire, his beak of gold,
All else of amethyst!

And thus he sang: 'Adieu! adieu!
Love's dreams prove seldom true.
The blossoms, they make no delay:
The sparking dew-drops will not stay.
Sweet month of May,
We must away;
Far, far away!
To-day! to-day!'

Robert Southey. 1774-1843

556. His Books

MY days among the Dead are past; Around me I behold, Where'er these casual eyes are cast, The mighty minds of old: My never-failing friends are they, With whom I converse day by day.

With them I take delight in weal And seek relief in woe; And while I understand and feel How much to them I owe, My cheeks have often been bedew'd With tears of thoughtful gratitude.

My thoughts are with the Dead; with them I live in long-past years, Their virtues love, their faults condemn, Partake their hopes and fears; And from their lessons seek and find Instruction with an humble mind.

My hopes are with the Dead; anon My place with them will be, And I with them shall travel on Through all Futurity; Yet leaving here a name, I trust, That will not perish in the dust.

Walter Savage Landor. 1775-1864

557. The Maid's Lament

I LOVED him not; and yet now he is gone,
I feel I am alone.
I check'd him while he spoke; yet, could he speak,
Alas! I would not check.
For reasons not to love him once I sought,
And wearied all my thought
To vex myself and him; I now would give
My love, could he but live
Who lately lived for me, and when he found
'Twas vain, in holy ground
He hid his face amid the shades of death.
I waste for him my breath
Who wasted his for me; but mine returns,
And this lorn bosom burns
With stifling heat, heaving it up in sleep,
And waking me to weep
Tears that had melted his soft heart: for years
Wept he as bitter tears.
'Merciful God!' such was his latest prayer,
'These may she never share!'
Quieter is his breath, his breast more cold
Than daisies in the mould,
Where children spell, athwart the churchyard gate,
His name and life's brief date.
Pray for him, gentle souls, whoe'er you be,
And, O, pray too for me!

Walter Savage Landor. 1775-1864

558. Rose Aylmer

AH, what avails the sceptred race!
Ah, what the form divine!
What every virtue, every grace!
Rose Aylmer, all were thine.

Rose Aylmer, whom these wakeful eyes
May weep, but never see,
A night of memories and sighs
I consecrate to thee.

Walter Savage Landor. 1775-1864

559. Ianthe

FROM you, Ianthe, little troubles pass
Like little ripples down a sunny river;
Your pleasures spring like daisies in the grass,
Cut down, and up again as blithe as ever.

Walter Savage Landor. 1775-1864

560. Twenty Years hence

TWENTY years hence my eyes may grow, If not quite dim, yet rather so; Yet yours from others they shall know, Twenty years hence.

Twenty years hence, though it may hap That I be call'd to take a nap In a cool cell where thunder-clap Was never heard,

There breathe but o'er my arch of grass A not too sadly sigh'd 'Alas!' And I shall catch, ere you can pass, That winged word.

Walter Savage Landor. 1775-1864

561. Verse

PAST ruin'd Ilion Helen lives,
Alcestis rises from the shades;
Verse calls them forth; 'tis verse that gives
Immortal youth to mortal maids.

Soon shall Oblivion's deepening veil
Hide all the peopled hills you see,
The gay, the proud, while lovers hail
These many summers you and me.

Walter Savage Landor. 1775-1864

562. Proud Word you never spoke

PROUD word you never spoke, but you will speak Four not exempt from pride some future day. Resting on one white hand a warm wet cheek, Over my open volume you will say, 'This man loved me'--then rise and trip away.

Walter Savage Landor. 1775-1864

563. Resignation

WHY, why repine, my pensive friend,
At pleasures slipp'd away?
Some the stern Fates will never lend,
And all refuse to stay.

I see the rainbow in the sky,
The dew upon the grass;
I see them, and I ask not why
They glimmer or they pass.

With folded arms I linger not
To call them back; 'twere vain:
In this, or in some other spot,
I know they'll shine again.

Walter Savage Landor. 1775-1864

564. Mother, I cannot mind my Wheel

MOTHER, I cannot mind my wheel;
My fingers ache, my lips are dry:
O, if you felt the pain I feel!
But O, who ever felt as I?

No longer could I doubt him true--
All other men may use deceit;
He always said my eyes were blue,
And often swore my lips were sweet.

Walter Savage Landor. 1775-1864

565. Autumn

MILD is the parting year, and sweet
The odour of the falling spray;
Life passes on more rudely fleet,
And balmless is its closing day.

I wait its close, I court its gloom,
But mourn that never must there fall
Or on my breast or on my tomb
The tear that would have soothed it all.

Walter Savage Landor. 1775-1864

566. Remain!

REMAIN, ah not in youth alone!
--Tho' youth, where you are, long will stay--
But when my summer days are gone,
And my autumnal haste away.
'Can I be always by your side?'
No; but the hours you can, you must,
Nor rise at Death's approaching stride,
Nor go when dust is gone to dust.

Walter Savage Landor. 1775-1864

567. Absence

HERE, ever since you went abroad,
If there be change no change I see:
I only walk our wonted road,
The road is only walk'd by me.

Yes; I forgot; a change there is--
Was it of that you bade me tell?
I catch at times, at times I miss
The sight, the tone, I know so well.

Only two months since you stood here?
Two shortest months? Then tell me why
Voices are harsher than they were,
And tears are longer ere they dry.

Walter Savage Landor. 1775-1864

568. Of Clementina

IN Clementina's artless mien
Lucilla asks me what I see,
And are the roses of sixteen
Enough for me?

Lucilla asks, if that be all,
Have I not cull'd as sweet before:
Ah yes, Lucilla! and their fall
I still deplore.

I now behold another scene,
Where Pleasure beams with Heaven's own light,
More pure, more constant, more serene,
And not less bright.

Faith, on whose breast the Loves repose,
Whose chain of flowers no force can sever,
And Modesty who, when she goes,
Is gone for ever.

Walter Savage Landor. 1775-1864

569. Ianthe's Question

'DO you remember me? or are you proud?' Lightly advancing thro' her star-trimm'd crowd, Ianthe said, and look'd into my eyes. 'A yes, a yes to both: for Memory Where you but once have been must ever be, And at your voice Pride from his throne must rise.'

Walter Savage Landor. 1775-1864

570. On Catullus

TELL me not what too well I know About the bard of Sirmio. Yes, in Thalia's son Such stains there are--as when a Grace Sprinkles another's laughing face With nectar, and runs on.

Walter Savage Landor. 1775-1864

571. Dirce

STAND close around, ye Stygian set,
With Dirce in one boat convey'd!
Or Charon, seeing, may forget
That he is old and she a shade.

Walter Savage Landor. 1775-1864

572. Alciphron and Leucippe

AN ancient chestnut's blossoms threw Their heavy odour over two: Leucippe, it is said, was one; The other, then, was Alciphron. 'Come, come! why should we stand beneath This hollow tree's unwholesome breath?' Said Alciphron, 'here 's not a blade Of grass or moss, and scanty shade. Come; it is just the hour to rove In the lone dingle shepherds love; There, straight and tall, the hazel twig Divides the crooked rock-held fig, O'er the blue pebbles where the rill In winter runs and may run still. Come then, while fresh and calm the air, And while the shepherds are not there.'

Leucippe. But I would rather go when they Sit round about and sing and play. Then why so hurry me? for you Like play and song, and shepherds too.

Alciphron. I like the shepherds very well, And song and play, as you can tell. But there is play, I sadly fear, And song I would not have you hear.

Leucippe. What can it be? What can it be?

Alciphron. To you may none of them repeat The play that you have play'd with me, The song that made your bosom beat.

Leucippe. Don't keep your arm about my waist.

Alciphron. Might you not stumble?

Leucippe. Well then, do. But why are we in all this haste?

Alciphron. To sing.

Leucippe. Alas! and not play too?

Walter Savage Landor. 1775-1864

573. Years

YEARS, many parti-colour'd years,
Some have crept on, and some have flown
Since first before me fell those tears
I never could see fall alone.

Years, not so many, are to come,
Years not so varied, when from you
One more will fall: when, carried home,
I see it not, nor hear Adieu.

Walter Savage Landor. 1775-1864

574. Separation

THERE is a mountain and a wood between us, Where the lone shepherd and late bird have seen us Morning and noon and eventide repass. Between us now the mountain and the wood Seem standing darker than last year they stood, And say we must not cross--alas! alas!

Walter Savage Landor. 1775-1864

575. Late Leaves

THE leaves are falling; so am I; The few late flowers have moisture in the eye; So have I too. Scarcely on any bough is heard Joyous, or even unjoyous, bird The whole wood through.

Winter may come: he brings but nigher His circle (yearly narrowing) to the fire Where old friends meet. Let him; now heaven is overcast, And spring and summer both are past, And all things sweet.

Walter Savage Landor. 1775-1864

576. Finis

I STROVE with none, for none was worth my strife. Nature I loved and, next to Nature, Art: I warm'd both hands before the fire of life; It sinks, and I am ready to depart.

Charles Lamb. 1775-1834

577. The Old Familiar Faces

I HAVE had playmates, I have had companions, In my days of childhood, in my joyful school-days-- All, all are gone, the old familiar faces.

I have been laughing, I have been carousing, Drinking late, sitting late, with my bosom cronies-- All, all are gone, the old familiar faces.

I loved a Love once, fairest among women: Closed are her doors on me, I must not see her-- All, all are gone, the old familiar faces.

I have a friend, a kinder friend has no man: Like an ingrate, I left my friend abruptly; Left him, to muse on the old familiar faces.

Ghost-like I paced round the haunts of my childhood, Earth seem'd a desert I was bound to traverse, Seeking to find the old familiar faces.

Friend of my bosom, thou more than a brother, Why wert not thou born in my father's dwelling? So might we talk of the old familiar faces--

How some they have died, and some they have left me, And some are taken from me; all are departed-- All, all are gone, the old familiar faces.

Charles Lamb. 1775-1834

578. Hester

WHEN maidens such as Hester die Their place ye may not well supply, Though ye among a thousand try With vain endeavour.

A month or more hath she been dead, Yet cannot I by force be led To think upon the wormy bed And her together.

A springy motion in her gait, A rising step, did indicate Of pride and joy no common rate, That flush'd her spirit:

I know not by what name beside I shall it call: if 'twas not pride, It was a joy to that allied, She did inherit.

Her parents held the Quaker rule, Which doth the human feeling cool; But she was train'd in Nature's school; Nature had blest her.

A waking eye, a prying mind; A heart that stirs, is hard to bind; A hawk's keen sight ye cannot blind; Ye could not Hester.

My sprightly neighbour! gone before To that unknown and silent shore, Shall we not meet, as heretofore, Some summer morning--

When from thy cheerful eyes a ray Hath struck a bliss upon the day, A bliss that would not go away, A sweet forewarning?

Charles Lamb. 1775-1834

579. On an Infant dying as soon as born

I SAW where in the shroud did lurk A curious frame of Nature's work; A floweret crush'd in the bud, A nameless piece of Babyhood, Was in her cradle-coffin lying; Extinct, with scarce the sense of dying: So soon to exchange the imprisoning womb For darker closets of the tomb! She did but ope an eye, and put A clear beam forth, then straight up shut For the long dark: ne'er more to see Through glasses of mortality. Riddle of destiny, who can show What thy short visit meant, or know What thy errand here below? Shall we say that Nature blind Check'd her hand, and changed her mind, Just when she had exactly wrought A finish'd pattern without fault? Could she flag, or could she tire, Or lack'd she the Promethean fire (With her nine moons' long workings sicken'd) That should thy little limbs have quicken'd? Limbs so firm, they seem'd to assure Life of health, and days mature: Woman's self in miniature! Limbs so fair, they might supply (Themselves now but cold imagery) The sculptor to make Beauty by. Or did the stern-eyed Fate descry That babe or mother, one must die; So in mercy left the stock And cut the branch; to save the shock Of young years widow'd, and the pain When single state comes back again To the lone man who, reft of wife, Thenceforward drags a maimed life? The economy of Heaven is dark, And wisest clerks have miss'd the mark, Why human buds, like this, should fall, More brief than fly ephemeral That has his day; while shrivell'd crones Stiffen with age to stocks and stones; And crabbed use the conscience sears In sinners of an hundred years. Mother's prattle, mother's kiss, Baby fond, thou ne'er wilt miss: Rites, which custom does impose, Silver bells, and baby clothes; Coral redder than those lips Which pale death did late eclipse; Music framed for infants' glee, Whistle never tuned for thee; Though thou want'st not, thou shalt have them, Loving hearts were they which gave them. Let not one be missing; nurse, See them laid upon the hearse Of infant slain by doom perverse. Why should kings and nobles have Pictured trophies to their grave, And we, churls, to thee deny Thy pretty toys with thee to lie-- A more harmless vanity?

Thomas Campbell. 1774-1844

580. Ye Mariners of England

YE Mariners of England
That guard our native seas!
Whose flag has braved a thousand years
The battle and the breeze!
Your glorious standard launch again
To match another foe;
And sweep through the deep,
While the stormy winds do blow!
While the battle rages loud and long
And the stormy winds do blow.

The spirits of your fathers
Shall start from every wave--
For the deck it was their field of fame,
And Ocean was their grave:
Where Blake and mighty Nelson fell
Your manly hearts shall glow,
As ye sweep through the deep,
While the stormy winds do blow!
While the battle rages loud and long
And the stormy winds do blow.

Britannia needs no bulwarks,
No towers along the steep;
Her march is o'er the mountain-waves,
Her home is on the deep.
The thunders from her native oak
She quells the floods below,
As they roar on the shore,
When the stormy winds do blow!
When the battle rages loud and long,
And the stormy winds do blow.

The meteor flag of England
Shall yet terrific burn;
Till danger's troubled night depart
And the star of peace return.
Then, then, ye ocean-warriors!
Our song and feast shall flow
To the fame of your name,
When the storm has ceased to blow!
When the fiery fight is heard no more,
And the storm has ceased to blow.

Thomas Campbell. 1774-1844

581. The Battle of the Baltic

OF Nelson and the North Sing the glorious day's renown, When to battle fierce came forth All the might of Denmark's crown, And her arms along the deep proudly shone; By each gun the lighted brand In a bold determined hand, And the Prince of all the land Led them on.

Like leviathans afloat Lay their bulwarks on the brine, While the sign of battle flew On the lofty British line: It was ten of April morn by the chime: As they drifted on their path There was silence deep as death, And the boldest held his breath For a time.

But the might of England flush'd To anticipate the scene; And her van the fleeter rush'd O'er the deadly space between: 'Hearts of oak!' our captains cried, when each gun From its adamantine lips Spread a death-shade round the ships, Like the hurricane eclipse Of the sun.

Again! again! again! And the havoc did not slack, Till a feeble cheer the Dane To our cheering sent us back;-- Their shots along the deep slowly boom:-- Then ceased--and all is wail, As they strike the shatter'd sail, Or in conflagration pale Light the gloom.

Out spoke the victor then As he hail'd them o'er the wave: 'Ye are brothers! ye are men! And we conquer but to save:-- So peace instead of death let us bring: But yield, proud foe, thy fleet, With the crews, at England's feet, And make submission meet To our King.'...

Now joy, old England, raise! For the tidings of thy might, By the festal cities' blaze, Whilst the wine-cup shines in light! And yet amidst that joy and uproar, Let us think of them that sleep Full many a fathom deep, By thy wild and stormy steep, Elsinore!

Thomas Moore. 1779-1852

582. The Young May Moon

THE young May moon is beaming, love, The glow-worm's lamp is gleaming, love; How sweet to rove Through Morna's grove, When the drowsy world is dreaming, love! Then awake!--the heavens look bright, my dear, 'Tis never too late for delight, my dear; And the best of all ways To lengthen our days Is to steal a few hours from the night, my dear!

Now all the world is sleeping, love, But the Sage, his star-watch keeping, love, And I, whose star More glorious far Is the eye from that casement peeping, love. Then awake!--till rise of sun, my dear, The Sage's glass we'll shun, my dear, Or in watching the flight Of bodies of light He might happen to take thee for one, my dear!

Thomas Moore. 1779-1852

583. The Irish Peasant to His Mistress

THROUGH grief and through danger thy smile hath cheer'd my way, Till hope seem'd to bud from each thorn that round me lay; The darker our fortune, the brighter our pure love burn'd, Till shame into glory, till fear into zeal was turn'd: Yes, slave as I was, in thy arms my spirit felt free, And bless'd even the sorrows that made me more dear to thee.

Thy rival was honour'd, while thou wert wrong'd and scorn'd; Thy crown was of briers, while gold her brows adorn'd; She woo'd me to temples, whilst thou lay'st hid in caves; Her friends were all masters, while thine, alas! were slaves; Yet cold in the earth, at thy feet, I would rather be Than wed what I loved not, or turn one thought from thee.

They slander thee sorely, who say thy vows are frail-- Hadst thou been a false one, thy cheek had look'd less pale! They say, too, so long thou hast worn those lingering chains, That deep in thy heart they have printed their servile stains: O, foul is the slander!--no chain could that soul subdue-- Where shineth thy spirit, there Liberty shineth too!

Thomas Moore. 1779-1852

584. The Light of Other Days

OFT, in the stilly night,
Ere slumber's chain has bound me,
Fond Memory brings the light
Of other days around me:
The smiles, the tears
Of boyhood's years,
The words of love then spoken;
The eyes that shone,
Now dimm'd and gone,
The cheerful hearts now broken!
Thus, in the stilly night,
Ere slumber's chain has bound me,
Sad Memory brings the light
Of other days around me.

When I remember all
The friends, so link'd together,
I've seen around me fall
Like leaves in wintry weather,
I feel like one
Who treads alone
Some banquet-hall deserted,
Whose lights are fled,
Whose garlands dead,
And all but he departed!
Thus, in the stilly night,
Ere slumber's chain has bound me.
Sad Memory brings the light
Of other days around me.

Thomas Moore. 1779-1852

585. At the Mid Hour of Night

AT the mid hour of night, when stars are weeping, I fly To the lone vale we loved, when life shone warm in thine eye; And I think oft, if spirits can steal from the regions of air To revisit past scenes of delight, thou wilt come to me there, And tell me our love is remember'd even in the sky.

Then I sing the wild song it once was rapture to hear, When our voices commingling breathed like one on the ear; And as Echo far off through the vale my sad orison rolls, I think, O my love! 'tis thy voice from the Kingdom of Souls Faintly answering still the notes that once were so dear.

Edward Thurlow, Lord Thurlow. 1781-1829

586. May

MAY! queen of blossoms, And fulfilling flowers, With what pretty music Shall we charm the hours? Wilt thou have pipe and reed, Blown in the open mead? Or to the lute give heed In the green bowers?

Thou hast no need of us, Or pipe or wire; Thou hast the golden bee Ripen'd with fire; And many thousand more Songsters, that thee adore, Filling earth's grassy floor With new desire.

Thou hast thy mighty herds, Tame and free-livers; Doubt not, thy music too In the deep rivers; And the whole plumy flight Warbling the day and night-- Up at the gates of light, See, the lark quivers!

Ebenezer Elliott. 1781-1849

587. Battle Song

DAY, like our souls, is fiercely dark;
What then? 'Tis day!
We sleep no more; the cock crows--hark!
To arms! away!
They come! they come! the knell is rung
Of us or them;
Wide o'er their march the pomp is flung
Of gold and gem.
What collar'd hound of lawless sway,
To famine dear--
What pension'd slave of Attila,
Leads in the rear?
Come they from Scythian wilds afar,
Our blood to spill?
Wear they the livery of the Czar?
They do his will.
Nor tassell'd silk, nor epaulet,
Nor plume, nor torse--
No splendour gilds, all sternly met,
Our foot and horse.
But, dark and still, we inly glow,
Condensed in ire!
Strike, tawdry slaves, and ye shall know
Our gloom is fire.
In vain your pomp, ye evil powers,
Insults the land;
Wrongs, vengeance, and the Cause are ours,
And God's right hand!
Madmen! they trample into snakes
The wormy clod!
Like fire, beneath their feet awakes
The sword of God!
Behind, before, above, below,
They rouse the brave;
Where'er they go, they make a foe,
Or find a grave.

Ebenezer Elliott. 1781-1849

588. Plaint

DARK, deep, and cold the current flows Unto the sea where no wind blows, Seeking the land which no one knows.

O'er its sad gloom still comes and goes The mingled wail of friends and foes, Borne to the land which no one knows.

Why shrieks for help yon wretch, who goes With millions, from a world of woes, Unto the land which no one knows?

Though myriads go with him who goes, Alone he goes where no wind blows, Unto the land which no one knows.

For all must go where no wind blows, And none can go for him who goes; None, none return whence no one knows.

Yet why should he who shrieking goes With millions, from a world of woes, Reunion seek with it or those?

Alone with God, where no wind blows, And Death, his shadow--doom'd, he goes. That God is there the shadow shows.

O shoreless Deep, where no wind blows! And thou, O Land which no one knows! That God is All, His shadow shows.

Allan Cunningham. 1784-1842

589. The Sun rises bright in France

THE sun rises bright in France,
And fair sets he;
But he has tint the blythe blink he had
In my ain countree.

O, it 's nae my ain ruin
That saddens aye my e'e,
But the dear Marie I left behin'
Wi' sweet bairnies three.

My lanely hearth burn'd bonnie,
And smiled my ain Marie;
I've left a' my heart behin'
In my ain countree.

The bud comes back to summer,
And the blossom to the bee;
But I'll win back, O never,
To my ain countree.

O, I am leal to high Heaven,
Where soon I hope to be,
An' there I'll meet ye a' soon
Frae my ain countree!

tint] lost.

Allan Cunningham. 1784-1842

590. Hame, Hame, Hame

HAME, hame, hame, O hame fain wad I be-- O hame, hame, hame, to my ain countree!

When the flower is i' the bud and the leaf is on the tree, The larks shall sing me hame in my ain countree; Hame, hame, hame, O hame fain wad I be-- O hame, hame, hame, to my ain countree!

The green leaf o' loyaltie 's beginning for to fa', The bonnie White Rose it is withering an' a'; But I'll water 't wi' the blude of usurping tyrannie, An' green it will graw in my ain countree.

O, there 's nocht now frae ruin my country can save, But the keys o' kind heaven, to open the grave; That a' the noble martyrs wha died for loyaltie May rise again an' fight for their ain countree.

The great now are gane, a' wha ventured to save, The new grass is springing on the tap o' their grave; But the sun through the mirk blinks blythe in my e'e, 'I'll shine on ye yet in your ain countree.'

Hame, hame, hame, O hame fain wad I be-- O hame, hame, hame, to my ain countree!

Allan Cunningham. 1784-1842

591. The Spring of the Year

GONE were but the winter cold,
And gone were but the snow,
I could sleep in the wild woods
Where primroses blow.

Cold 's the snow at my head,
And cold at my feet;
And the finger of death 's at my e'en,
Closing them to sleep.

Let none tell my father
Or my mother so dear,--
I'll meet them both in heaven
At the spring of the year.

Leigh Hunt. 1784-1859

592. Jenny kiss'd Me

JENNY kiss'd me when we met,
Jumping from the chair she sat in;
Time, you thief, who love to get
Sweets into your list, put that in!
Say I'm weary, say I'm sad,
Say that health and wealth have miss'd me,
Say I'm growing old, but add,
Jenny kiss'd me.

Thomas Love Peacock. 1785-1866

593. Love and Age

I PLAY'D with you 'mid cowslips blowing,
When I was six and you were four;
When garlands weaving, flower-balls throwing,
Were pleasures soon to please no more.
Through groves and meads, o'er grass and heather,
With little playmates, to and fro,
We wander'd hand in hand together;
But that was sixty years ago.

You grew a lovely roseate maiden,
And still our early love was strong;
Still with no care our days were laden,
They glided joyously along;
And I did love you very dearly,
How dearly words want power to show;
I thought your heart was touch'd as nearly;
But that was fifty years ago.

Then other lovers came around you,
Your beauty grew from year to year,
And many a splendid circle found you
The centre of its glimmering sphere.
I saw you then, first vows forsaking,
On rank and wealth your hand bestow;
O, then I thought my heart was breaking!--
But that was forty years ago.

And I lived on, to wed another:
No cause she gave me to repine;
And when I heard you were a mother,
I did not wish the children mine.
My own young flock, in fair progression,
Made up a pleasant Christmas row:
My joy in them was past expression;
But that was thirty years ago.

You grew a matron plump and comely,
You dwelt in fashion's brightest blaze;
My earthly lot was far more homely;
But I too had my festal days.
No merrier eyes have ever glisten'd
Around the hearth-stone's wintry glow,
Than when my youngest child was christen'd;
But that was twenty years ago.

Time pass'd. My eldest girl was married,
And I am now a grandsire gray;
One pet of four years old I've carried
Among the wild-flower'd meads to play.
In our old fields of childish pleasure,
Where now, as then, the cowslips blow,
She fills her basket's ample measure;
And that is not ten years ago.

But though first love's impassion'd blindness
Has pass'd away in colder light,
I still have thought of you with kindness,
And shall do, till our last good-night.
The ever-rolling silent hours
Will bring a time we shall not know,
When our young days of gathering flowers
Will be an hundred years ago.

Thomas Love Peacock. 1785-1866

594. The Grave of Love

I DUG, beneath the cypress shade,
What well might seem an elfin's grave;
And every pledge in earth I laid,
That erst thy false affection gave.

I press'd them down the sod beneath;
I placed one mossy stone above;
And twined the rose's fading wreath
Around the sepulchre of love.

Frail as thy love, the flowers were dead
Ere yet the evening sun was set:
But years shall see the cypress spread,
Immutable as my regret.

Thomas Love Peacock. 1785-1866

595. Three Men of Gotham

SEAMEN three! What men be ye? Gotham's three wise men we be. Whither in your bowl so free? To rake the moon from out the sea. The bowl goes trim. The moon doth shine. And our ballast is old wine.-- And your ballast is old wine.

Who art thou, so fast adrift? I am he they call Old Care. Here on board we will thee lift. No: I may not enter there. Wherefore so? 'Tis Jove's decree, In a bowl Care may not be.-- In a bowl Care may not be.

Fear ye not the waves that roll? No: in charmed bowl we swim. What the charm that floats the bowl? Water may not pass the brim. The bowl goes trim. The moon doth shine. And our ballast is old wine.-- And your ballast is old wine.

Caroline Southey. 1787-1854

596. To Death

COME not in terrors clad, to claim
An unresisting prey:
Come like an evening shadow, Death!
So stealthily, so silently!
And shut mine eyes, and steal my breath;
Then willingly, O willingly,
With thee I'll go away!

What need to clutch with iron grasp
What gentlest touch may take?
What need with aspect dark to scare,
So awfully, so terribly,
The weary soul would hardly care,
Call'd quietly, call'd tenderly,
From thy dread power to break?

'Tis not as when thou markest out
The young, the blest, the gay,
The loved, the loving--they who dream
So happily, so hopefully;
Then harsh thy kindest call may seem,
And shrinkingly, reluctantly,
The summon'd may obey.

But I have drunk enough of life--
The cup assign'd to me
Dash'd with a little sweet at best,
So scantily, so scantily--
To know full well that all the rest
More bitterly, more bitterly,
Drugg'd to the last will be.

And I may live to pain some heart
That kindly cares for me:
To pain, but not to bless. O Death!
Come quietly--come lovingly--
And shut mine eyes, and steal my breath;
Then willingly, O willingly,
I'll go away with thee!

George Gordon Byron, Lord Byron. 1788-1824

597. When we Two parted

WHEN we two parted
In silence and tears,
Half broken-hearted
To sever for years,
Pale grew thy cheek and cold,
Colder thy kiss;
Truly that hour foretold
Sorrow to this.

The dew of the morning
Sunk chill on my brow--
It felt like the warning
Of what I feel now.
Thy vows are all broken,
And light is thy fame:
I hear thy name spoken,
And share in its shame.

They name thee before me,
A knell to mine ear;
A shudder comes o'er me--
Why wert thou so dear?
They know not I knew thee,
Who knew thee too well:
Long, long shall I rue thee,
Too deeply to tell.

In secret we met--
In silence I grieve,
That thy heart could forget,
Thy spirit deceive.
If I should meet thee
After long years,
How should I greet thee?
With silence and tears.

George Gordon Byron, Lord Byron. 1788-1824

598. For Music

THERE be none of Beauty's daughters With a magic like thee; And like music on the waters Is thy sweet voice to me: When, as if its sound were causing The charmed ocean's pausing, The waves lie still and gleaming, And the lull'd winds seem dreaming:

And the midnight moon is weaving Her bright chain o'er the deep; Whose breast is gently heaving, As an infant's asleep: So the spirit bows before thee, To listen and adore thee; With a full but soft emotion, Like the swell of Summer's ocean.

George Gordon Byron, Lord Byron. 1788-1824

599. We'll go no more a-roving

SO, we'll go no more a-roving
So late into the night,
Though the heart be still as loving,
And the moon be still as bright.

For the sword outwears its sheath,
And the soul wears out the breast,
And the heart must pause to breathe,
And love itself have rest.

Though the night was made for loving,
And the day returns too soon,
Yet we'll go no more a-roving
By the light of the moon.

George Gordon Byron, Lord Byron. 1788-1824

600. She walks in Beauty

SHE walks in beauty, like the night
Of cloudless climes and starry skies;
And all that 's best of dark and bright
Meet in her aspect and her eyes:
Thus mellow'd to that tender light
Which heaven to gaudy day denies.
One shade the more, one ray the less,
Had half impair'd the nameless grace
Which waves in every raven tress,
Or softly lightens o'er her face;
Where thoughts serenely sweet express
How pure, how dear their dwelling-place.

And on that cheek, and o'er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!

George Gordon Byron, Lord Byron. 1788-1824

601. The Isles of Greece

THE isles of Greece! the isles of Greece Where burning Sappho loved and sung, Where grew the arts of war and peace, Where Delos rose, and Phoebus sprung! Eternal summer gilds them yet, But all, except their sun, is set.

The Scian and the Teian muse, The hero's harp, the lover's lute, Have found the fame your shores refuse: Their place of birth alone is mute To sounds which echo further west Than your sires' 'Islands of the Blest.

The mountains look on Marathon-- And Marathon looks on the sea; And musing there an hour alone, I dream'd that Greece might still be free; For standing on the Persians' grave, I could not deem myself a slave.

A king sate on the rocky brow Which looks o'er sea-born Salamis; And ships, by thousands, lay below, And men in nations;--all were his! He counted them at break of day-- And when the sun set, where were they?

And where are they? and where art thou, My country? On thy voiceless shore The heroic lay is tuneless now-- The heroic bosom beats no more! And must thy lyre, so long divine, Degenerate into hands like mine?

'Tis something in the dearth of fame, Though link'd among a fetter'd race, To feel at least a patriot's shame, Even as I sing, suffuse my face; For what is left the poet here? For Greeks a blush--for Greece a tear.

Must we but weep o'er days more blest? Must we but blush?--Our fathers bled. Earth! render back from out thy breast A remnant of our Spartan dead! Of the three hundred grant but three, To make a new Thermopylae!

What, silent still? and silent all? Ah! no;--the voices of the dead Sound like a distant torrent's fall, And answer, 'Let one living head, But one, arise,--we come, we come!' 'Tis but the living who are dumb.

In vain--in vain: strike other chords; Fill high the cup with Samian wine! Leave battles to the Turkish hordes, And shed the blood of Scio's vine: Hark! rising to the ignoble call-- How answers each bold Bacchanal!

You have the Pyrrhic dance as yet; Where is the Pyrrhic phalanx gone? Of two such lessons, why forget The nobler and the manlier one? You have the letters Cadmus gave-- Think ye he meant them for a slave?

Fill high the bowl with Samian wine! We will not think of themes like these! It made Anacreon's song divine: He served--but served Polycrates-- A tyrant; but our masters then Were still, at least, our countrymen.

The tyrant of the Chersonese Was freedom's best and bravest friend; That tyrant was Miltiades! O that the present hour would lend Another despot of the kind! Such chains as his were sure to bind.

Fill high the bowl with Samian wine! On Suli's rock, and Parga's shore, Exists the remnant of a line Such as the Doric mothers bore; And there, perhaps, some seed is sown, The Heracleidan blood might own.

Trust not for freedom to the Franks-- They have a king who buys and sells; In native swords and native ranks The only hope of courage dwells: But Turkish force and Latin fraud Would break your shield, however broad.

Fill high the bowl with Samian wine! Our virgins dance beneath the shade-- I see their glorious black eyes shine; But gazing on each glowing maid, My own the burning tear-drop laves, To think such breasts must suckle slaves.

Place me on Sunium's marbled steep, Where nothing, save the waves and I, May hear our mutual murmurs sweep; There, swan-like, let me sing and die: A land of slaves shall ne'er be mine-- Dash down yon cup of Samian wine!

Sir Aubrey De Vere. 1788-1846

602. The Children Band

ALL holy influences dwell within The breast of Childhood: instincts fresh from God Inspire it, ere the heart beneath the rod Of grief hath bled, or caught the plague of sin. How mighty was that fervour which could win Its way to infant souls!--and was the sod Of Palestine by infant Croises trod? Like Joseph went they forth, or Benjamin, In all their touching beauty to redeem? And did their soft lips kiss the Sepulchre? Alas! the lovely pageant as a dream Faded! They sank not through ignoble fear; They felt not Moslem steel. By mountain, stream, In sands, in fens, they died--no mother near!

Charles Wolfe. 1791-1823

603. The Burial of Sir John Moore after Corunna

NOT a drum was heard, not a funeral note,
As his corse to the rampart we hurried;
Not a soldier discharged his farewell shot
O'er the grave where our hero we buried.

We buried him darkly at dead of night,
The sods with our bayonets turning,
By the struggling moonbeam's misty light
And the lanthorn dimly burning.

No useless coffin enclosed his breast,
Not in sheet or in shroud we wound him;
But he lay like a warrior taking his rest
With his martial cloak around him.

Few and short were the prayers we said,
And we spoke not a word of sorrow;
But we steadfastly gazed on the face that was dead,
And we bitterly thought of the morrow.