Chapter V: At the Château De Bruyères (2)

But doors and windows remain inexorably closed, and no notice is taken of the valet’s thundering knocks and mocking summons to surrender; secure in the strength of their bolts and bars, the garrison, which consists of Isabelle and her maid, vouchsafes no reply. Matamore, becoming more enraged at each vain attempt to gain a response from his fair enemy, stamps about the stage, roaring out his defiance, threatening to sack and burn the place, pouring out volleys of remarkable oaths, and lashing himself into such a fury that he actually foams at the mouth. When his valet at length, after many vain efforts, is able to gain a hearing, and tells him of his formidable rival, Leander, and how he has already won the lady’s heart, all his rage is turned against that fortunate suitor, of whom he vows that he will make mince-meat as soon as he can lay hands on him. At this very moment Leander himself returns, and Scapin points him out to his master as he approaches, adding that he will keep a sharp look-out for the police while Matamore is giving him his quietus. But the cowardly braggadocio would fain withdraw, now that the enemy is actually in sight, and is only restrained from flight by his servant, who pushes him forward directly in Leander’s path.

Seeing that escape is impossible, Matamore settles his hat firmly on his head, twists the long ends of his mustache, puts his hand on the hilt of his big sword, and advances threateningly towards Leander—but it is pure bravado, for his teeth are chattering with fear, and his long, thin legs waver and tremble under him visibly, like reeds shaken by the wind. Only one hope remains to him—that of intimidating Leander by loud threats and ferocious gestures, if, by a happy chance, he be a fellow of his own kidney. So in a terrible voice he addresses him thus: “Sir, do you know that I am the great Captain Matamore of the celebrated house of Cuerno de Cornazan, and allied to the no less illustrious family of Escobombardon de la Papirontonda? I am a descendant, on my mother’s side, of the famous Antacus, the ancient hero and giant.”

“Well, you may be a descendant of the man in the moon for all that I care,” answers Leander, with a disdainful shrug of the shoulders; “what the devil have I to do with such absurd stuff and nonsense?”

“Blood and bones! thunder and Mars! You see, sir, you shall see, and that very quickly, what you have to do with it, unless you take yourself off in the twinkling of an eye. I will give you one minute’s grace, for your extreme youth touches me, so take to your heels and fly while there is yet time. Observe me well! I am the terror of the whole world—my path is marked with graves—my own shadow scarcely dares to follow me into the perils I delight in. If I enter a besieged city, it is by the breach—when I quit it I pass under a triumphal arch; if I cross a river, it is one of blood, and the bridge is made of the bodies of my adversaries. I can toss a knight and his horse, both, weighted with armour, high into the air. I can snap elephants’ bones, as you would pipe-stems. When great Mars himself chances to meet me on the battle-field he turns and flees, dreading the weight of my arm. My prowess is so well known, and the terror I inspire so great, that no one dares to meet me face to face, and I never see anything but the backs of my retreating foes.”

“Is it so? well, you shall meet _me_ face to face. Take _that_, and see how you like it!” says Leander laughing merrily, and giving him a sounding slap on one cheek which almost knocks the poor devil over, and is instantly followed by an equally hearty one on the other, to restore his equilibrium.

During this scene Isabelle and Zerbine come out upon the balcony. The mischievous _soubrette_ goes into convulsions of laughter, whilst her mistress nods encouragingly to Leander. Meantime Pandolphe, accompanied by the notary, turns the corner of one of the streets and enters the square just in time to see Leander’s extraordinary exploit, whereat he is horrified and amazed. The valiant captain bellows like a bull, shrieks out the most frightful threats and curses, vowing all sorts of vengeance, and making prodigious efforts to draw his big sword, so that he may forthwith set about cutting up his unmannerly assailant into mince-meat. He tugs and strains until he is red in the face, but his “man-killer” cannot be induced to quit the scabbard and Leander, growing impatient, follows up his first attack with a vigorous, well directed kick, which sends the unlucky bully flying to the other side of the stage, where he falls all in a heap and rolls in the dust. The handsome, young gallant then bows gracefully to Isabelle and retires from the scene.

Captain Matamore meanwhile lies sprawling on the ground, making ludicrous and ineffectual efforts to regain his feet. Pandolphe and Scapin go to his assistance, and when they have hauled him up, and he has made sure that Leander is no longer present, he roars out in a voice of thunder: “Scapin, quick, hoop me with iron bands or I shall burst! I am in such a rage! I shall explode like a bomb! and you, treacherous blade, do _you_ play me false at such a moment? Is it thus you reward me for having always tried to slake your insatiable thirst with the blood of the bravest and noblest? I don’t know why I have not already broken you into a thousand pieces, as you so richly deserve—false, ungrateful weapon that you are! But stay—was it to teach me that it is unworthy of the true warrior to desert his post?—or forget his sterner duties in the soft delights of love?—was it for that you refused to leap from your scabbard as of old? It is true, alas! that thus far this week I have not defeated a single army—I have killed neither ogre nor dragon—I have not furnished his usual rations to Death—and in consequence my trusty blade has rusted in the scabbard—that I should live to say it! rusted!—and I have been forced to submit to insults, and even blows, before the very eyes of my mistress. What a lesson! Henceforth I shall make it a rule to kill at least three men every morning before I break my fast, so as to be sure that my good sword plays freely—keep me in mind, Scapin, do you hear?”

“Perhaps Leander will return before long,” says the valet; “suppose we all help you to draw your ‘_trusty blade_,’ so that you may be ready for him.”

Matamore, accordingly, plants himself firmly, holding the scabbard in both hands, Scapin seizes the handle of the sword, Pandolphe clasps him firmly round the waist, the notary tries to do as much by Pandolphe’s stout person, and they all pull and pull. For some time the rusty old sword resists all their efforts, but at last yields suddenly, and the three fall in a confused heap on the ground, with legs and arms waving wildly in the air, while Matamore tumbles the other way, still clinging to the now empty scabbard. Picking himself up as quickly as possible he seizes his big sword, which has dropped from the valet’s hand, and waving it triumphantly says with stern emphasis, “Now Leander’s fate is sealed! There is but one way for him to escape certain death. He must emigrate to some distant planet. If he be sufficiently fool-hardy to remain on this globe I will find him, no matter in what distant land he strives to hide himself, and transfix him with this good sword—unless indeed he be first turned to stone by the terrible Medusa-like power of my eye.”

In spite of all that he has witnessed, the obstinate old father still feels unbounded faith in Matamore’s valour, and persists in his lamentable intention to bestow the hand of his fair daughter upon this magnificent hero. Poor Isabelle bursts into tears, and declares that she prefers the convent to such a fate. Zerbine loudly swears that this marriage shall never take place, and tries to console her weeping mistress. Matamore attributes this rather discouraging demonstration on the part of Isabelle to an excess of maidenly modesty, not doubting her _penchant_ for himself, though he acknowledges that he has not yet properly paid his court, nor shown himself in all his glory to her—this last from prudential motives, fearing lest she might be dangerously dazzled and overwhelmed if he should burst upon her too suddenly in the full splendour of his heroic character, remembering, and taking warning by, the sad and terrible fate that befell Semele, when Jupiter, reluctantly yielding to her wishes, appeared before her with all the insignia of his majesty.

Isabelle and her maid withdrew from the balcony, without taking any further notice of the valiant Matamore; but he, undaunted, wishing to play the lover after the most approved fashion, plants himself resolutely under her window and sends Scapin to fetch a guitar; upon which he thrums awkwardly for a while, and then accompanies it with his voice, in an attempt at a Spanish love song, which sounds much like the nocturnal caterwauling of a disconsolate tabby than anything else we can compare it to. A dash of cold water, mischievously thrown down on him by Zerbine under pretext of watering the plants in the balcony, does not extinguish his musical ardour. “A gentle shower from the sweet eyes of my Isabelle, moved to tears by this plaintive melody,” says he, “for it is universally conceded that I excel in music as in arms, and wield the lyre as skilfully as the sword.”

Unfortunately for him, Leander suddenly reappears, and highly indignant that this miserable rascal should presume to serenade _his_ mistress, snatches the guitar from his hands and begins whacking him over the head with it, so furiously that it is quickly broken through, and slipping over the unhappy serenader’s head remains fixed round his neck, so that he is completely at the mercy of his assailant. Holding fast to the handle of the guitar, Leander hauls him about the stage, banging him against the side-scenes, dragging him forward to the footlights—making the most absurd scene imaginable—and finally, letting go of him suddenly, sends him sprawling on the ground. Fancy the ridiculous appearance of the unfortunate bully, who looked as if he had put his head through a frying-pan!

But his miseries are not yet at an end. Leander’s valet had been arranging a clever little plot to prevent the fulfilment of the proposed marriage between Isabelle and Captain Matamore. At his instigation, a certain Doralice, very pretty and coquettish, makes her appearance, accompanied by a fierce-looking brother—represented by Hérode—carrying two immensely long rapiers under his arm, and evidently “spoiling for a fight.” The young lady complains that she has been shamefully jilted by Captain Matamore, who has deserted her for Isabelle, the daughter of a certain Pandolphe, and demands instant reparation for this outrage, adding that her brother is ready to exact it at the point of the sword, or avenge the insult by taking the life of the heartless villain who has trifled with her youthful affections.

“Make haste to give this rascal his quietus,” says Pandolphe to his future son-in-law; “it will be only child’s play for you, who have fearlessly encountered, single-handed, a whole army of Saracens.”

Very reluctantly, and after many most absurd grimaces, Matamore crosses swords with Doralice’s ferocious brother, but he trembles so that the latter, with one quick movement, sends his weapon flying out of his hand, and chastises him with the flat of his sword until he roars for mercy.

To cap the climax, Mme. Léonarde comes upon the scene, mopping her streaming eyes with an enormous pocket-handkerchief, sighing and sobbing, and bewailing herself. She goes straight to Pandolphe and shows him a written promise of marriage, over Matamore’s signature, cleverly counterfeited; whereupon the poor wretch, convicted of such abominable and complicated perfidy, is assailed with a new shower of blows and curses, and finally condemned, by the unanimous vote of all present, to marry old Mme. Léonarde—who has made herself as hideous as possible—as a fitting punishment for all his deviltries, rodomontades, and cowardice. Pandolphe, thoroughly disgusted with Matamore at last, makes no further objections to Leander’s suit, and the curtain falls as he gives his consent to the marriage of the two young lovers.

This _bouffonnade_, being played with great spirit, was enthusiastically applauded. The gentlemen were charmed with the mischievous, coquettish _soubrette_, who was fairly radiant with beauty that evening; the ladies were greatly pleased with Isabelle’s refinement and modesty; whilst Matamore received the well merited encomiums of all. It would have been impossible to find, even in the great Parisian theatres, an actor better fitted for the part he had played so admirably. Leander was much admired by all the younger ladies, but the gentlemen agreed, without a dissenting voice, that he was a horridly conceited coxcomb. Wherever he appeared indeed this was the universal verdict, with which he was perfectly content—caring far more for his handsome person, and the effect it produced upon the fair sex, than for his art; though, to do him justice, he was a very good actor. Serafina’s beauty did not fail to find admirers, and more than one young gentleman swore by his mustache that she was an adorable creature—quite regardless of the displeasure of the fair ladies within hearing.

During the play, de Sigognac, hidden in the _coulisses_, had enjoyed intensely Isabelle’s charming rendering of her part, though he was more than a little jealous of the favour she apparently bestowed upon Leander—and especially at the tender tone of her voice whenever she spoke to him—not being yet accustomed to the feigned love-making on the stage, which often covers profound antipathies and real enmity. When the play was over, he complimented the young actress with a constrained, embarrassed air, which she could not help remarking, and perfectly understood.

“You play that part admirably, Isabelle! so well that one might almost think there was some truth in it.”

“Is it not my duty to do so?” she asked smilingly, secretly pleased at his displeasure; “did not the manager engage me for that?”

“Doubtless,” de Sigognac replied, “but you seemed to be _really_ in love with that conceited fellow, who never thinks of anything but his own good looks, and how to display them to the best advantage.”

“But the role required it. You surely would not have had me play it as if he disgusted me! besides, did I not preserve throughout the quiet demeanour of a well-bred, respectable girl? If I failed in that you must tell me how and where, so that I may endeavour to correct it in future.”

“Oh no! you appeared from the beginning to the end like a modest, retiring, young lady—no, there is no fault to be found with you in that respect; your acting was inimitable—so graceful, lady-like, and easy—but withal so true to nature that it was almost too real.”

“My dear baron, they are putting out the lights; everybody has gone but ourselves, and we shall be left in the dark if we don’t make haste. Be good enough to throw this cloak around my shoulders and accompany me to the château.”

De Sigognac acquitted himself of this novel duty with less awkwardness than might have been expected, though his hands trembled a little, and he felt an almost irresistible desire to take her into his arms as he wrapped the mantle round her slender form; but he restrained himself, and respectfully offering his arm led her out of the orangery, which by this time was entirely deserted. It was, as we have said, at a little distance from the château, and on the level of the park, lower than the mansion, which stood on a high terrace, with a handsome stone balustrade at the edge, supporting at regular intervals large vases filled with blooming plants, in the pretty Italian fashion. A broad, easy flight of stone steps led up to the terrace, affording in their ascent a most imposing view of the château, which loomed up grandly against the evening sky. Many of the windows on this side were lighted, whilst the others glistened brightly as the silvery moon-beams struck upon them—as did also the dewdrops on the shrubbery and the grass-plots—as if a shower of diamonds had fallen on this favoured spot. Looking towards the park, the long vistas cut through the wood, losing themselves in the hazy blue of the distance, called to mind Breughel’s famous picture of Paradise, or else disclosed the far-away gleam of a marble statue, or the spray of a misty fountain sparkling in the moonlight.

Isabelle and de Sigognac slowly ascended the broad steps, pausing frequently to turn and look back at this enchanting scene, and charmed with the beauty of the night walked for a little while to and fro upon the terrace before retiring to their rooms. As they were in full sight of the windows, and it was not yet very late, the modest young girl felt that there could be no impropriety in this little indulgence; and besides, the baron’s extreme timidity was very reassuring to her, and she knew that he would not presume upon the favour accorded to him. He had not made a formal avowal of his love to her, but she was as well aware of it as if he had, and also of his profound respect for her, which sentiment is indeed always an accompaniment of a worthy passion. She knew herself beloved—the knowledge was very sweet to her—and she felt herself safe from all fear of offence in the company of this honourable gentleman and true lover. With the delicious embarrassment of nascent, unavowed love, this young couple wandering by moonlight in a lonely garden, side by side, arm in arm, only exchanged the most insignificant, commonplace remarks; but if no undercurrent was betrayed by actual words, the trembling, voices, long pauses, stifled sighs, and low, confidential tones told of strong emotions beneath this quiet surface.

The chamber assigned to the beautiful Yolande de Foix, near that of Mme. la Marquise, was on this side of the château, overlooking the park, and after she had dismissed her maid, she went to the window to look out once more upon the exceeding beauty of the night, and caught sight of de Sigognac and Isabelle, pacing slowly back and forth on the terrace below, without any other company than their own shadows. Assuredly the disdainful Yolande, haughty as a goddess, could never have felt anything but scorn for our poor young baron, past whom she had sometimes flashed in a whirlwind of light and noise in the chase, and whom she had so recently cruelly insulted; but still it displeased her to see him devoting himself thus to a beautiful young girl, to whom he was undoubtedly making love at that very moment. She had regarded him as her own humble vassal—for she had not failed to read the passionate admiration in his eyes whenever they met her own—and could not brook his shaking off his allegiance thus; her slaves ought to live and die in her service, even though their fidelity were never rewarded by a single smile. She watched them, with a frowning brow, until they disappeared, and then sought her couch in anything but a tranquil mood, haunted by the lover-like pair that had so roused her wrath, and still kept her long awake.

De Sigognac escorted Isabelle to the door of her chamber, where he bade her good-night, and as he turned away towards his own, saw, at the end of the corridor, a mysterious looking individual closely wrapped in a large cloak, with one end thrown over the shoulder in Spanish fashion, and so drawn up round his face that only the eyes were visible; a slouch hat concealed his forehead, so that he was completely disguised, yet he drew back hurriedly into a dark corner when de Sigognac turned towards him, as if to avoid his notice. The baron knew that the comedians had all gone to their rooms already, and besides, it could not be one of them, for the tyrant was much larger and taller, the pedant a great deal stouter, Leander more slender, Matamore much thinner, and Scapin of quite a different make. Not wishing to appear curious, or to annoy the unknown in any way, de Sigognac hastened to enter his own room—not however without having observed that the door of the tapestry-hung chamber stood ajar. When he had closed his, he heard stealthy footsteps approaching, and presently a bolt shot home softly, then profound silence.

About an hour later, Leander opened his door as quietly as possible, looked carefully to see if the corridor was empty, and then, stepping as lightly and cautiously as a gipsy performing the famous egg-dance, traversed its whole length, reached the staircase, which he descended as noiselessly as the phantoms in a haunted castle, and passed out into the moonlight; he crept along in the shadow of the wall and of some thick shrubbery, went down the steps into the park, and made his way to a sort of bower, where stood a charming statue of the mischievous little god of love, with his finger on his lip—an appropriate presiding genius of a secret rendezvous, as this evidently must be. Here he stopped and waited, anxiously watching the path by which he had come, and listening intently to catch the first sound of approaching footsteps.

We have already related how Leander, encouraged by the smile with which Mme. la Marquise acknowledged his salutation, and convinced that she was smitten with his beauty and grace, had made bold to address a letter to her, which he bribed Jeanne to place secretly upon her mistress’s toilet-table, where she would be sure to see it. This letter we copy here at length, so as to give an idea of the style of composition employed by Leander in addressing the great ladies of whose favours he boasted so loudly.

“Madame, or rather fair goddess of beauty, do not blame anything but your own incomparable charms for this intrusion upon you. I am forced by their radiance to emerge from the deep shadow in which I should remain shrouded, and approach their dazzling brilliancy—just as the dolphins are attracted from the depths of ocean, by the brightness of the fisherman’s lanterns, though they are, alas! to find destruction there, and perish by the sharp harpoons hurled pitilessly at them with unerring aim. I know but too well that the waves will be reddened by my blood; but as I cannot live without your favour, I do not fear to meet death thus. It may be strangely audacious, on my part to pretend to the privileges of gods and demi-gods—to die by your fair hand—but I dare to aspire to it; being already in despair, nothing worse can come to me, and I would rather incur your wrath than your scorn, or your disdain. In order to direct the fatal blow aright, the executioner must look upon his victim, and I shall have, in yielding up my life under your fair, cruel hand, the supreme delight of being for one blissful moment the object of your regard. Yes, I love you, madame! I adore you! And if it be a crime, I cannot repent of it. God suffers himself to be adored; the stars receive the admiration of the humblest shepherd; it is the fate of all such lofty perfection as yours to, be beloved, adored, only by inferior beings, since it has not its equal upon earth, nor scarcely indeed in heaven. I, alas! am but a poor, wandering actor, yet were I a haughty duke or prince, my head would not be on a level with your beauteous feet, and there would be, all the same, between your heavenly height and my kneeling adoration, as great a distance as from the soaring summit of the loftiest Alp to the yawning abyss far, far below. You must always stoop to reach a heart that adores you. I dare to say, madame, that mine is as proud as it is tender, and she who would deign not to repulse it, would find in it the most ardent love, the most perfect delicacy, the most absolute respect, and unbounded devotion. Besides, if such divine happiness be accorded me, your indulgence would not have to stoop so low as you might fancy. Though reduced by an adverse destiny and the jealous hatred of one of the great ones of the earth, who must be nameless, to the dire necessity of hiding myself under this disguise, I am not what I seem. I do not need to blush for my birth—rather I may glory in it. If I dared to betray the secrecy imposed upon me, for reasons of state, I could prove to you that most illustrious blood runs in my veins. Whoever may love me, noble though she be, will not degrade herself. But I have already said too much—my lips are sealed. I shall never be other than the humblest, most devoted of your slaves; even though, by one of those strange coincidences that happen sometimes in real life, I should come to be recognised by all the world as a king’s son. If in your great goodness you will condescend to show me, fair goddess of beauty, by the slightest sign, that my boldness has not angered you, I shall die happy, consumed by the burning brightness of your eyes upon the funeral pyre of my love.”

How would Mme. la Marquise have received this ardent epistle? which had perhaps done him good service already more than once. Would she have looked favourably upon her humble suitor?—who can tell?—for the feminine heart is past comprehension. Unfortunately the letter did not reach her. Being entirely taken up with great ladies, Leander overlooked their waiting-maids, and did not trouble himself to show them any attentions or gallantries—wherein he made a sad mistake—for if the _pistoles_ he gave to Jeanne, with his precious epistle, had been supplemented by a few kisses and compliments, she would have taken far more pains to execute his commission. As she held the letter carelessly in her hand, the marquis chanced to pass by, and asked her idly what she had got there.

“Oh! nothing much,” she answered scornfully, “only a note from Mr. Leander to Mme. la Marquise.”

“From Leander? that jackanapes who plays the lover in the Rodomontades of Captain Matamore? What in the world can _he_ have to say to Mme. la Marquise? Doubtless he asks for a gratuity!”

“I don’t think so,” said the spiteful waiting-maid; “when he gave me this letter he sighed, and rolled up his eyes like a love-sick swain.”

“Give me the letter,” said the marquis, “_I_ will answer it—and don’t say anything about it to your mistress. Such chaps are apt to be impertinent—they are spoiled by admiration, and sometimes presume upon it.”

The marquis, who dearly loved a joke, amused himself by answering Leander’s extraordinary epistle with one in much the same style—written in a delicate, lady-like hand upon perfumed paper, and sealed with a fanciful device—altogether a production well calculated to deceive the poor devil, and confirm him in his ridiculous fancies. Accordingly, when he regained his bed-chamber after the play was over, he found upon his dressing-table a note addressed to himself. He hastened to open it, trembling from head to foot with excitement and delight, and read as follows: “It is true, as you say so eloquently—too eloquently for my peace of mind—that goddesses can only love mortals. At eleven o’clock, when all the world is sunk in slumber, and no prying human eyes open to gaze upon her, Diana will quit her place in the skies above and descend to earth, to visit the gentle shepherd, Endymion—not upon Mount Latmus, but in the park—at the foot of the statue of silent love. The handsome shepherd must be sure to have fallen asleep ere Diana appears, so as not to shock the modesty of the immortal goddess—who will come without her cortege of nymphs, wrapped in a cloud and devoid of her silvery radiance.”

We will leave to the reader’s imagination the delirious joy that filled to overflowing the foolish heart of the susceptible Leander, who was fooled to the top of his bent, when he read this precious note, which exceeded his wildest hopes. He immediately began his preparations to play the part of Endymion—poured a whole bottle of perfume upon his hair and hands, chewed a flower of mace to make his breath sweet, twisted his glossy curls daintily round his white fingers—though not a hair was awry—and then waited impatiently for the moment when he should set forth to seek the rendezvous at the foot of the statue of silent love—where we left him anxiously awaiting the arrival of his goddess. He shivered nervously from excitement, and the penetrating chilliness of the damp night air, as he stood motionless at the appointed spot. He trembled at the falling of a leaf—the crackling of the gravel under his feet whenever he moved them sounded so loud in his ears that he felt sure it would be heard at the château. The mysterious darkness of the wood filled him with awe, and the great, black trees seemed like terrible genii, threatening him. The poor wretch was not exactly frightened, but not very far from it. Mme. la Marquise was tardy—Diana was leaving her faithful Endymion too long cooling his heels in the heavy night dew. At last he thought he heard heavy footsteps approaching,—but they could not be those of his goddess—he must be mistaken—goddesses glide so lightly over the sward that not even a blade of grass is crushed beneath their feet—and, indeed, all was silent again.

“Unless Mme. la Marquise comes quickly, I fear she will find only a half-frozen lover, instead of an ardent, impatient one,” murmured Leander with chattering teeth; and even as the words escaped him four dark shadows advanced noiselessly from behind upon the expectant gallant. Two of these shadows, which were the substantial bodies of stout rascals in the service of the Marquis de Bruyères, seized him suddenly by the arms, which they held pinioned closely to his sides, while the other two proceeded to rain blows alternately upon his back—keeping perfect time as their strokes fell thick and fast. Too proud to run the risk of making his woes public by an outcry, their astonished victim took his punishment bravely—without making a sound. Mutius Scaevola did not bear himself more heroically while his right hand lay among the burning coals upon the altar in the presence of Porsenna, than did Leander under his severe chastisement. When it was finished the two men let go of their prisoner, all four saluted him gravely, and retired as noiselessly as they had come, without a single word being spoken.

What a terrible fall was this! that famous one of Icarus himself, tumbling down headlong from the near neighbourhood of the sun, was not a greater. Battered, bruised, sore and aching all over, poor Leander, crestfallen and forlorn, limping painfully, and suppressing his groans with Spartan resolution, crept slowly back to his own room; but so overweening was his self-conceit that he never even suspected that a trick had been played upon him. He said to himself that without doubt Mme. la Marquise had been watched and followed by her jealous husband, who had overtaken her before she reached the rendezvous in the park, carried her back to the château by main strength, and forced her, with a poniard at her throat, to confess all. He pictured her to himself on her knees, with streaming eyes, disordered dress and dishevelled hair, imploring her stern lord and master to be merciful—to have pity upon her and forgive her this once—vowing by all she held sacred never to be faithless to him again, even in thought. Suffering and miserable as he was after his tremendous thrashing, he yet pitied and grieved over the poor lady who had put herself in such peril for his sake, never dreaming that she was in blissful ignorance of the whole affair, and at that very moment sleeping peacefully in her luxurious bed. As the poor fellow crept cautiously and painfully along the corridor leading to his room and to those of the other members of the troupe he had the misfortune to be detected by Scapin, who, evidently on the watch for him, was peeping out of his own half-open door, grinning, grimacing, and gesticulating significantly, as he noted the other’s limping gait and drooping figure.

In vain did Leander strive to straighten himself up and assume a gay, careless air; his malicious tormentor was not in the least taken in by it.

The next morning the comedians prepared to resume their journey; no longer, however, in the slow-moving, groaning ox-cart, which they were glad, indeed, to exchange for the more roomy, commodious vehicle that the tyrant had been able to hire for them—thanks to the marquis’s liberality—in which they could bestow themselves and their belongings comfortably, and to which was harnessed four stout draught horses.

Leander and Zerbine were both rather late in rising, and the last to make their appearance—the former with a doleful countenance, despite his best efforts to conceal his sufferings under a cheerful exterior, the latter beaming with satisfaction, and with smiles for everybody. She was decidedly inclined to be munificent towards her companions, and bestow upon them some of the rich spoils that had fallen plentifully to her share—taking quite a new position among them—even the duenna treating her with a certain obsequious, wheedling consideration, which she had been far from ever showing her before. Scapin, whose keen observation nothing ever escaped, noticed that her box had suddenly doubled in weight, by some magic or other, and drew his own conclusions therefrom. Zerbine was a universal favourite, and no one begrudged her her good fortune, save Serafina, who bit her lip till it bled, and murmured indignantly, “Shameless creature!” but the _soubrette_ pretended not to hear it, content for the moment with the signal humiliation of the arch-coquette.

At last the new Thespian chariot was ready for a start, and our travellers bade adieu to the hospitable château, where they had been so honourably received and so generously treated, and which they all, excepting poor Leander, quitted with regret. The tyrant dwelt upon the bountiful supply of _pistoles_ he had received; the pedant upon the capital wines of which he had drunk his fill; Matamore upon the enthusiastic applause that had been lavished upon him by that aristocratic audience; Zerbine upon the pieces of rich silk, the golden necklaces and other like treasures with which her chest was replete—no wonder that it was heavy—while de Sigognac and Isabelle, thinking only of each other, and happy in being together, did not even turn their heads for one last glimpse of the handsome Château de Bruyere.