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Chapter V (4)

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‘Thady,’ says he, ‘I’ve had enough of this; I’m smothering, and can’t hear a word of all they’re saying of the deceased.’

‘God bless you, and lie still and quiet,’ says I, ‘a bit longer, for my shister’s afraid of ghosts, and would die on the spot with fright was she to see you come to life all on a sudden this way without the least preparation.’

So he lays him still, though well nigh stifled, and I made all haste to tell the secret of the joke, whispering to one and t’other, and there was a great surprise, but not so great as we had laid out it would. ‘And aren’t we to have the pipes and tobacco, after coming so far to-night?’ said some; but they were all well enough pleased when his honour got up to drink with them, and sent for more spirits from a shebeen-house,{21} where they very civilly let him have it upon credit. So the night passed off very merrily, but to my mind Sir Condy was rather upon the sad order in the midst of it all, not finding there had been such a great talk about himself after his death as he had always expected to hear.

{21} ‘Shebeen-house,’ a hedge alehouse. Shebeen properly means weak,
small-beer, taplash.

The next morning, when the house was cleared of them, and none but my shister and myself left in the kitchen with Sir Condy, one opens the door and walks in, and who should it be but Judy M’Quirk herself! I forgot to notice that she had been married long since, whilst young Captain Moneygawl lived at the Lodge, to the captain’s huntsman, who after a whilst ‘listed and left her, and was killed in the wars. Poor Judy fell off greatly in her good looks after her being married a year or two; and being smoke-dried in the cabin, and neglecting herself like, it was hard for Sir Condy himself to know her again till she spoke; but when she says, ‘It’s Judy M’Quirk, please your honour; don’t you remember her?’

‘Oh, Judy, is it you?’ says his honour. ‘Yes, sure, I remember you very well; but you’re greatly altered, Judy.’

‘Sure it’s time for me,’ says she. ‘And I think your honour, since I seen you last--but that’s a great while ago--is altered too.’

‘And with reason, Judy,’ says Sir Condy, fetching a sort of a sigh. ‘But how’s this, Judy?’ he goes on. ‘I take it a little amiss of you that you were not at my wake last night.’

‘Ah, don’t be being jealous of that,’ says she; ‘I didn’t hear a sentence of your honour’s wake till it was all over, or it would have gone hard with me but I would have been at it, sure; but I was forced to go ten miles up the country three days ago to a wedding of a relation of my own’s, and didn’t get home till after the wake was over. But,’ says she, ‘it won’t be so, I hope, the next time,{22} please your honour.’

{22} At the coronation of one of our monarchs the King complained of
the confusion which happened in the procession. ‘The great officer
who presided told his Majesty that ‘it should not be so next time.’

‘That we shall see, Judy,’ says his honour, ‘and maybe sooner than you think for, for I’ve been very unwell this while past, and don’t reckon anyway I’m long for this world.’

At this Judy takes up the corner of her apron, and puts it first to one eye and then to t’other, being to all appearance in great trouble; and my shister put in her word, and bid his honour have a good heart, for she was sure it was only the gout that Sir Patrick used to have flying about him, and he ought to drink a glass or a bottle extraordinary to keep it out of his stomach; and he promised to take her advice, and sent out for more spirits immediately; and Judy made a sign to me, and I went over to the door to her, and she said, ‘I wonder to see Sir Condy so low: has he heard the news?’

‘What news?’ says I.

‘Didn’t ye hear it, then?’ says she; ‘my Lady Rackrent that was is kilt[29] and lying for dead, and I don’t doubt but it’s all over with her by this time.’

‘Mercy on us all,’ says I; ‘how was it?’

‘The jaunting-car it was that ran away with her,’ says Judy. ‘I was coming home that same time from Biddy M’Guggin’s marriage, and a great crowd of people too upon the road, coming from the fair of Crookaghnawaturgh, and I sees a jaunting-car standing in the middle of the road, and with the two wheels off and all tattered. “What’s this?” says I. “Didn’t ye hear of it?” says they that were looking on; “it’s my Lady Rackrent’s car, that was running away from her husband, and the horse took fright at a carrion that lay across the road, and so ran away with the jaunting-car, and my Lady Rackrent and her maid screaming, and the horse ran with them against a car that was coming from the fair with the boy asleep on it, and the lady’s petticoat hanging out of the jaunting-car caught, and she was dragged I can’t tell you how far upon the road, and it all broken up with the stones just going to be pounded, and one of the road-makers, with his sledge-hammer in his hand, stops the horse at the last; but my Lady Rackrent was all kilt and smashed,”{23} and they lifted her into a cabin hard by, and the maid was found after where she had been thrown in the gripe of a ditch, her cap and bonnet all full of bog water, and they say my lady can’t live anyway. Thady, pray now is it true what I’m told for sartain, that Sir Condy has made over all to your son Jason?’

{23} KILT AND SMASHED.--Our author is not here guilty of an
anti-climax. The mere English reader, from a similarity of sound
between the words ‘kilt’ and ‘killed,’ might be induced to suppose
that their meanings are similar, yet they are not by any means in
Ireland synonymous terms. Thus you may hear a man exclaim, ‘I’m kilt
and murdered!’ but he frequently means only that he has received a
black eye or a slight contusion. ‘I’m kilt all over’ means that he
is in a worse state than being simply ‘kilt.’ Thus, ‘I’m kilt with
the cold,’ is nothing to ‘I’m kilt all over with the rheumatism.’

‘All,’ says I.

‘All entirely?’ says she again.

‘All entirely’ says I.

‘Then,’ says she, ‘that’s a great shame; but don’t be telling Jason what I say.’

‘And what is it you say?’ cries Sir Condy, leaning over betwixt us, which made Judy start greatly. ‘I know the time when Judy M’Quirk would never have stayed so long talking at the door and I in the house.’

‘Oh!’ says Judy, ‘for shame, Sir Condy; times are altered since then, and it’s my Lady Rackrent you ought to be thinking of.’

‘And why should I be thinking of her, that’s not thinking of me now?’ says Sir Condy.

‘No matter for that,’ says Judy, very properly; ‘it’s time you should be thinking of her, if ever you mean to do it at all, for don’t you know she’s lying for death?’

‘My Lady Rackrent!’ says Sir Condy, in a surprise; ‘why it’s but two days since we parted, as you very well know, Thady, in her full health and spirits, and she, and her maid along with her, going to Mount Juliet’s Town on her jaunting-car.

‘She’ll never ride no more on her jaunting-car,’ said Judy, ‘for it has been the death of her, sure enough.’

And is she dead then?’ says his honour.

‘As good as dead, I hear,’ says Judy; ‘but there’s Thady here as just learnt the whole truth of the story as I had it, and it’s fitter he or anybody else should be telling it you than I, Sir Condy: I must be going home to the childer.’

But he stops her, but rather from civility in him, as I could see very plainly, than anything else, for Judy was, as his honour remarked at her first coming in, greatly changed, and little likely, as far as I could see--though she did not seem to be clear of it herself--little likely to be my Lady Rackrent now, should there be a second toss-up to be made. But I told him the whole story out of the face, just as Judy had told it to me, and he sent off a messenger with his compliments to Mount Juliet’s Town that evening, to learn the truth of the report, and Judy bid the boy that was going call in at Tim M’Enerney’s shop in O’Shaughlin’s Town and buy her a new shawl.

‘Do so,’ Said Sir Condy, ‘and tell Tim to take no money from you, for I must pay him for the shawl myself.’ At this my shister throws me over a look, and I says nothing, but turned the tobacco in my mouth, whilst Judy began making a many words about it, and saying how she could not be beholden for shawls to any gentleman. I left her there to consult with my shister, did she think there was anything in it, and my shister thought I was blind to be asking her the question, and I thought my shister must see more into it than I did, and recollecting all past times and everything, I changed my mind, and came over to her way of thinking, and we settled it that Judy was very like to be my Lady Rackrent after all, if a vacancy should have happened.

The next day, before his honour was up, somebody comes with a double knock at the door, and I was greatly surprised to see it was my son Jason.

‘Jason, is it you?’ said I; ‘what brings you to the Lodge?’ says I. ‘Is it my Lady Rackrent? We know that already since yesterday.’

‘Maybe so,’ says he; ‘but I must see Sir Condy about it.’

‘You can’t see him yet,’ says I; ‘sure he is not awake.’

‘What then,’ says he, ‘can’t he be wakened, and I standing at the door?’

‘I’ll not be disturbing his honour for you, Jason,’ says I; ‘many’s the hour you’ve waited in your time, and been proud to do it, till his honour was at leisure to speak to you. His honour,’ says I, raising my voice, at which his honour wakens of his own accord, and calls to me from the room to know who it was I was speaking to. Jason made no more ceremony, but follows me into the room.

‘How are you, Sir Condy?’ says he; ‘I’m happy to see you looking so well; I came up to know how you did to-day, and to see did you want for anything at the Lodge?’

‘Nothing at all, Mr. Jason, I thank you,’ says he; for his honour had his own share of pride, and did not choose, after all that had passed, to be beholden, I suppose, to my son; ‘but pray take a chair and be seated, Mr. Jason.’

Jason sat him down upon the chest, for chair there was none, and after he had set there some time, and a silence on all sides.

‘What news is there stirring in the country, Mr. Jason M’Quirk?’ says Sir Condy, very easy, yet high like.

‘None that’s news to you, Sir Condy, I hear,’ says Jason. ‘I am sorry to hear of my Lady Rackrent’s accident.’

‘I’m much obliged to you, and so is her ladyship, I’m sure,’ answered Sir Condy, still stiff; and there was another sort of a silence, which seemed to lie the heaviest on my son Jason.

‘Sir Condy,’ says he at last, seeing Sir Condy disposing himself to go to sleep again, ‘Sir Condy, I daresay you recollect mentioning to me the little memorandum you gave to Lady Rackrent about the £500 a year jointure.’

‘Very true,’ said Sir Condy; ‘it is all in my recollection.’ ‘But if my Lady Rackrent dies, there’s an end of all jointure,’ says Jason.

‘Of course,’ says Sir Condy.

‘But it’s not a matter of certainty that my Lady Rackrent won’t recover,’ says Jason.

‘Very true, sir,’ says my master.

‘It’s a fair speculation, then, for you to consider what the chance of the jointure of those lands, when out of custodiam, will be to you.’

‘Just five hundred a year, I take it, without any speculation at all,’ said Sir Condy.

‘That’s supposing the life dropt, and the custodiam off, you know; begging your pardon, Sir Condy, who understands business, that is a wrong calculation.’

‘Very likely so,’ said Sir Condy; ‘but, Mr. Jason, if you have anything to say to me this morning about it, I’d be obliged to you to say it, for I had an indifferent night’s rest last night, and wouldn’t be sorry to sleep a little this morning.’

‘I have only three words to say, and those more of consequence to you, Sir Condy, than me. You are a little cool, I observe; but I hope you will not be offended at what I have brought here in my pocket,’ and he pulls out two long rolls, and showers down golden guineas upon the bed.

‘What’s this?’ said Sir Condy; ‘it’s long since’--but his pride stops him.

‘All these are your lawful property this minute, Sir Condy, if you please,’ said Jason.

‘Not for nothing, I’m sure,’ said Sir Condy, and laughs a little. ‘Nothing for nothing, or I’m under a mistake with you, Jason.’

‘Oh, Sir Condy, we’ll not be indulging ourselves in any unpleasant retrospects,’ says Jason; ‘it’s my present intention to behave, as I’m sure you will, like a gentleman in this affair. Here’s two hundred guineas, and a third I mean to add if you should think proper to make over to me all your right and title to those lands that you know of.’

‘I’ll consider of it,’ said my master; and a great deal more, that I was tired listening to, was said by Jason, and all that, and the sight of the ready cash upon the bed, worked with his honour; and the short and the long of it was, Sir Condy gathered up the golden guineas, and tied them up in a handkerchief, and signed some paper Jason brought with him as usual, and there was an end of the business: Jason took himself away, and my master turned himself round and fell asleep again.

I soon found what had put Jason in such a hurry to conclude this business. The little gossoon we had sent off the day before with my master’s compliments to Mount Juliet’s Town, and to know how my lady did after her accident, was stopped early this morning, coming back with his answer through O’Shaughlin’s Town, at Castle Rackrent, by my son Jason, and questioned of all he knew of my lady from the servant at Mount Juliet’s Town; and the gossoon told him my Lady Rackrent was not expected to live over night; so Jason thought it high time to be moving to the Lodge, to make his bargain with my master about the jointure afore it should be too late, and afore the little gossoon should reach us with the news. My master was greatly vexed--that is, I may say, as much as ever I seen him when he found how he had been taken in; but it was some comfort to have the ready cash for immediate consumption in the house, anyway.

And when Judy came up that evening, and brought the childer to see his honour, he unties the handkerchief, and--God bless him! whether it was little or much he had, ‘twas all the same with him--he gives ‘em all round guineas apiece.

‘Hold up your head,’ says my shister to Judy, as Sir Condy was busy filling out a glass of punch for her eldest boy--‘Hold up your head, Judy; for who knows but we may live to see you yet at the head of the Castle Rackrent estate?’

‘Maybe so,’ says she, ‘but not the way you are thinking of.’

I did not rightly understand which way Judy was looking when she made this speech till a while after.

‘Why, Thady, you were telling me yesterday that Sir Condy had sold all entirely to Jason, and where then does all them guineas in the handkerchief come from?’

‘They are the purchase-money of my lady’s jointure,’ says I.

Judy looks a little bit puzzled at this. ‘A penny for your thoughts, Judy,’ says my shister; ‘hark, sure Sir Condy is drinking her health.’

He was at the table in the room,{24} drinking with the excise-man and the gauger, who came up to see his honour, and we were standing over the fire in the kitchen.

{24} THE ROOM--the principal room in the house.

‘I don’t much care is he drinking my health or not,’ says Judy; ‘and it is not Sir Condy I’m thinking of, with all your jokes, whatever he is of me.’

‘Sure you wouldn’t refuse to be my Lady Rackrent, Judy, if you had the offer?’ says I.

‘But if I could do better!’ says she.

‘How better?’ says I and my shister both at once.

‘How better?’ says she. ‘Why, what signifies it to be my Lady Rackrent and no castle? Sure what good is the car, and no horse to draw it?’

‘And where will ye get the horse, Judy?’ says I.

‘Never mind that,’ says she; ‘maybe it is your own son Jason might find that.’

‘Jason!’ says I; ‘don’t be trusting to him, Judy. Sir Condy, as I have good reason to know, spoke well of you when Jason spoke very indifferently of you, Judy.’

‘No matter,’ says Judy; ‘it’s often men speak the contrary just to what they think of us.’

‘And you the same way of them, no doubt,’ answered I. ‘Nay, don’t he denying it, Judy, for I think the better of ye for it, and shouldn’t be proud to call ye the daughter of a shister’s son of mine, if I was to hear ye talk ungrateful, and anyway disrespectful of his honour.’

‘What disrespect,’ says she, ‘to say I’d rather, if it was my luck, be the wife of another man?’

‘You’ll have no luck, mind my words, Judy,’ says I; and all I remembered about my poor master’s goodness in tossing up for her afore he married at all came across me, and I had a choking in my throat that hindered me to say more.

‘Better luck, anyhow, Thady,’ says she, ‘than to be like some folk, following the fortunes of them that have none left.’

Oh! King of Glory!’ says I, ‘hear the pride and ungratitude of her, and he giving his last guineas but a minute ago to her childer, and she with the fine shawl on her he made her a present of but yesterday!’

‘Oh, troth, Judy, you’re wrong now,’ says my shister, looking at the shawl.

‘And was not he wrong yesterday, then,’ says she, ‘to be telling me I was greatly altered, to affront me?’

‘But, Judy,’ says I, ‘what is it brings you here then at all in the mind you are in; is it to make Jason think the better of you?’

‘I’ll tell you no more of my secrets, Thady,’ says she, ‘nor would have told you this much, had I taken you for such an unnatural fader as I find you are, not to wish your own son prefarred to another.’

‘Oh, troth, you are wrong now, Thady,’ says my shister.

Well, I was never so put to it in my life: between these womens, and my son and my master, and all I felt and thought just now, I could not, upon my conscience, tell which was the wrong from the right. So I said not a word more, but was only glad his honour had not the luck to hear all Judy had been saying of him, for I reckoned it would have gone nigh to break his heart; not that I was of opinion he cared for her as much as she and my shister fancied, but the ungratitude of the whole from Judy might not plase him; and he could never stand the notion of not being well spoken of or beloved like behind his back. Fortunately for all parties concerned, he was so much elevated at this time, there was no danger of his understanding anything, even if it had reached his ears. There was a great horn at the Lodge, ever since my master and Captain Moneygawl was in together, that used to belong originally to the celebrated Sir Patrick, his ancestor; and his honour was fond often of telling the story that he learned from me when a child, how Sir Patrick drank the full of this horn without stopping, and this was what no other man afore or since could without drawing breath. Now Sir Condy challenged the gauger, who seemed to think little of the horn, to swallow the contents, and had it filled to the brim with punch; and the gauger said it was what he could not do for nothing, but he’d hold Sir Condy a hundred guineas he’d do it.

‘Done,’ says my master; ‘I’ll lay you a hundred golden guineas to a tester{25} you don’t.’

{25} TESTER: sixpence; from the French word _tête_, a head--a piece
of silver stamped with a head, which in old French was called UN
TESTION, and which was about the value of an old English sixpence.
‘Tester’ is used in Shakspeare.

‘Done,’ says the gauger; and done and done’s enough between two gentlemen. The gauger was cast, and my master won the bet, and thought he’d won a hundred guineas, but by the wording it was adjudged to be only a tester that was his due by the exciseman. It was all one to him; he was as well pleased, and I was glad to see him in such spirits again.

The gauger--bad luck to him!--was the man that next proposed to my master to try himself, could he take at a draught the contents of the great horn.

‘Sir Patrick’s horn!’ said his honour; ‘hand it to me: I’ll hold you your own bet over again I’ll swallow it.’

‘Done,’ says the gauger; ‘I’ll lay ye anything at all you do no such thing.’

‘A hundred guineas to sixpence I do,’ says he; ‘bring me the handkerchief.’ I was loth, knowing he meant the handkerchief with the gold in it, to bring it out in such company, and his honour not very able to reckon it. ‘Bring me the handkerchief, then, Thady,’ says he, and stamps with his foot; so with that I pulls it out of my greatcoat pocket, where I had put it for safety. Oh, how it grieved me to see the guineas counting upon the table, and they the last my master had! Says Sir Condy to me, ‘Your hand is steadier than mine to-night, old Thady, and that’s a wonder; fill you the horn for me.’ And so, wishing his honour success, I did; but I filled it, little thinking of what would befall him. He swallows it down, and drops like one shot. We lifts him up, and he was speechless, and quite black in the face. We put him to bed, and in a short time he wakened, raving with a fever on his brain. He was shocking either to see or hear.

‘Judy! Judy! have you no touch of feeling? Won’t you stay to help us nurse him?’ says I to her, and she putting on her shawl to go out of the house.

‘I’m frightened to see him,’ says she, ‘and wouldn’t nor couldn’t stay in it; and what use? He can’t last till the morning.’ With that she ran off. There was none but my shister and myself left near him of all the many friends he had.

The fever came and went, and came and went, and lasted five days, and the sixth he was sensible for a few minutes, and said to me, knowing me very well, ‘I’m in a burning pain all withinside of me, Thady.’ I could not speak, but my shister asked him would he have this thing or t’other to do him good? ‘No,’ says he, ‘nothing will do me good no more,’ and he gave a terrible screech with the torture he was in; then again a minute’s ease--‘brought to this by drink,’ says he. ‘Where are all the friends?--where’s Judy? Gone, hey? Ay, Sir Condy has been a fool all his days,’ said he; and there was the last word he spoke, and died. He had but a very poor funeral after all.

If you want to know any more, I’m not very well able to tell you; but my Lady Rackrent did not die, as was expected of her, but was only disfigured in the face ever after by the fall and bruises she got; and she and Jason, immediately after my poor master’s death, set about going to law about that jointure; the memorandum not being on stamped paper, some say it is worth nothing, others again it may do; others say Jason won’t have the lands at any rate; many wishes it so. For my part, I’m tired wishing for anything in this world, after all I’ve seen in it; but I’ll say nothing--it would be a folly to be getting myself ill-will in my old age. Jason did not marry, nor think of marrying Judy, as I prophesied, and I am not sorry for it: who is? As for all I have here set down from memory and hearsay of the family, there’s nothing but truth in it from beginning to end. That you may depend upon, for where’s the use of telling lies about the things which everybody knows as well as I do?

The Editor could have readily made the catastrophe of Sir Condy’s history more dramatic and more pathetic, if he thought it allowable to varnish the plain round tale of faithful Thady. He lays it before the English reader as a specimen of manners and characters which are perhaps unknown in England. Indeed, the domestic habits of no nation in Europe were less known to the English than those of their sister country, till within these few years.

Mr. Young’s picture of Ireland, in his tour through that country, was the first faithful portrait of its inhabitants. All the features in the foregoing sketch were taken from the life, and they are characteristic of that mixture of quickness, simplicity, cunning, carelessness, dissipation, disinterestedness, shrewdness, and blunder, which, in different forms and with various success, has been brought upon the stage or delineated in novels.

It is a problem of difficult solution to determine whether a union will hasten or retard the amelioration of this country. The few gentlemen of education who now reside in this country will resort to England. They are few, but they are in nothing inferior to men of the same rank in Great Britain. The best that can happen will be the introduction of British manufacturers in their places.

Did the Warwickshire militia, who were chiefly artisans, teach the Irish to drink beer? or did they learn from the Irish to drink whisky?

GLOSSARY

SOME FRIENDS, WHO HAVE SEEN THADY’S HISTORY SINCE IT HAS BEEN PRINTED HAVE SUGGESTED TO THE EDITOR, THAT MANY OF THE TERMS AND IDIOMATIC PHRASES, WITH WHICH IT ABOUNDS, COULD NOT BE INTELLIGIBLE TO THE ENGLISH READER WITHOUT FURTHER EXPLANATION. THE EDITOR HAS THEREFORE FURNISHED THE FOLLOWING GLOSSARY.

[1] MONDAY MORNING--Thady begins his memoirs of the Rackrent Family by dating MONDAY MORNING, because no great undertaking can be auspiciously commenced in Ireland on any morning but MONDAY MORNING. ‘Oh, please God we live till Monday morning, we’ll set the slater to mend the roof of the house. On Monday morning we’ll fall to, and cut the turf. On Monday morning we’ll see and begin mowing. On Monday morning, please your honour, we’ll begin and dig the potatoes,’ etc.

All the intermediate days, between the making of such speeches and the ensuing Monday, are wasted: and when Monday morning comes, it is ten to one that the business is deferred to THE NEXT Monday morning. The Editor knew a gentleman, who, to counteract this prejudice, made his workmen and labourers begin all new pieces of work upon a Saturday.

[2] LET ALONE THE THREE KINGDOMS ITSELF.--LET ALONE, in this sentence, means put out of consideration. The phrase, let alone, which is now used as the imperative of a verb, may in time become a conjunction, and may exercise the ingenuity of some future etymologist. The celebrated Horne Tooke has proved most satisfactorily, that the conjunction but comes from the imperative of the Anglo-Saxon verb (BEOUTAN) TO BE OUT; also, that IF comes from GIF, the imperative of the Anglo-Saxon verb which signifies TO GIVE, etc.

[3]. WHILLALUH.--Ullaloo, Gol, or lamentation over the dead--

Magnoque ululante tumultu.--VIRGIL.

Ululatibus omne
Implevere nemus.--OVID.

A full account of the Irish Gol, or Ullaloo, and of the Caoinan or Irish funeral song, with its first semichorus, second semichorus, full chorus of sighs and groans, together with the Irish words and music, may be found in the fourth volume of the TRANSACTIONS OF THE ROYAL IRISH ACADEMY. For the advantage of LAZY readers, who would rather read a page than walk a yard, and from compassion, not to say sympathy, with their infirmity, the Editor transcribes the following passages:--

‘The Irish have been always remarkable for their funeral lamentations; and this peculiarity has been noticed by almost every traveller who visited them; and it seems derived from their Celtic ancestors, the primaeval inhabitants of this isle. . . .

‘It has been affirmed of the Irish, that to cry was more natural to them than to any other nation, and at length the Irish cry became proverbial. . . . .

‘Cambrensis in the twelfth century says, the Irish then musically expressed their griefs; that is, they applied the musical art, in which they excelled all others, to the orderly celebration of funeral obsequies, by dividing the mourners into two bodies, each alternately singing their part, and the whole at times joining in full chorus. . . . The body of the deceased, dressed in grave clothes, and ornamented with flowers, was placed on a bier, or some elevated spot. The relations and keepers (SINGING MOURNERS) ranged themselves in two divisions, one at the head, and the other at the feet of the corpse. The bards and croteries had before prepared the funeral Caoinan. The chief bard of the head chorus began by singing the first stanza, in a low, doleful tone, which was softly accompanied by the harp: at the conclusion, the foot semichorus began the lamentation, or Ullaloo, from the final note of the preceding stanza, in which they were answered by the head semichorus; then both united in one general chorus. The chorus of the first stanza being ended, the chief bard of the foot semichorus began the second Gol or lamentation, in which he was answered by that of the head; and then, as before, both united in the general full chorus. Thus alternately were the song and choruses performed during the night. The genealogy, rank, possessions, the virtues and vices of the dead were rehearsed, and a number of interrogations were addressed to the deceased; as, Why did he die? If married, whether his wife was faithful to him, his sons dutiful, or good hunters or warriors? If a woman, whether her daughters were fair or chaste? If a young man, whether he had been crossed in love; or if the blue-eyed maids of Erin treated him with scorn?’

We are told, that formerly the feet (the metrical feet) of the Caoinan were much attended to; but on the decline of the Irish bards these feet were gradually neglected, and the Caoinan fell into a sort of slipshod metre amongst women. Each province had different Caoinans, or at least different imitations of the original. There was the Munster cry, the Ulster cry, etc. It became an extempore performance, and every set of keepers varied the melody according to their own fancy.

It is curious to observe how customs and ceremonies degenerate. The present Irish cry, or howl, cannot boast of such melody, nor is the funeral procession conducted with much dignity. The crowd of people who assemble at these funerals sometimes amounts to a thousand, often to four or five hundred. They gather as the bearers of the hearse proceed on their way, and when they pass through any village, or when they come near any houses, they begin to cry--Oh! Oh! Oh! Oh! Oh! Agh! Agh! raising their notes from the first OH! to the last AGH! in a kind of mournful howl. This gives notice to the inhabitants of the village that a FUNERAL IS PASSING and immediately they flock out to follow it. In the province of Munster it is a common thing for the women to follow a funeral, to join in the universal cry with all their might and main for some time, and then to turn and ask--‘Arrah! who is it that’s dead?--who is it we’re crying for?’ Even the poorest people have their own burying-places--that is, spots of ground in the churchyards where they say that their ancestors have been buried ever since the wars of Ireland; and if these burial-places are ten miles from the place where a man dies, his friends and neighbours take care to carry his corpse thither. Always one priest, often five or six priests, attend these funerals; each priest repeats a mass, for which he is paid, sometimes a shilling, sometimes half a crown, sometimes half a guinea, or a guinea, according to their circumstances, or, as they say, according to the ability of the deceased. After the burial of any very poor man, who has left a widow or children, the priest makes what is called a COLLECTION for the widow; he goes round to every person present, and each contributes sixpence or a shilling, or what they please. The reader will find in the note upon the word WAKE, more particulars respecting the conclusion of the Irish funerals.

Certain old women, who cry particularly loud and well are in great request, and, as a man said to the Editor, ‘Every one would wish and be proud to have such at his funeral, or at that of his friends.’ The lower Irish are wonderfully eager to attend the funerals of their friends and relations, and they make their relationships branch out to a great extent. The proof that a poor man has been well beloved during his life is his having a crowded funeral. To attend a neighbour’s funeral is a cheap proof of humanity, but it does not, as some imagine, cost nothing. The time spent in attending funerals may be safely valued at half a million to the Irish nation; the Editor thinks that double that sum would not be too high an estimate. The habits of profligacy and drunkenness which are acquired at WAKES are here put out of the question. When a labourer, a carpenter, or a smith, is not at his work, which frequently happens, ask where he is gone, and ten to one the answer is--‘Oh, faith, please your honour, he couldn’t do a stroke to-day, for he’s gone to THE funeral.’

Even beggars, when they grow old, go about begging FOR THEIR OWN FUNERALS that is, begging for money to buy a coffin, candles, pipes, and tobacco. For the use of the candles, pipes, and tobacco, see WAKE.

Those who value customs in proportion to their antiquity, and nations in proportion to their adherence to ancient customs, will doubtless admire the Irish ULLALOO, and the Irish nation, for persevering in this usage from time immemorial. The Editor, however, has observed some alarming symptoms, which seem to prognosticate the declining taste for the Ullaloo in Ireland. In a comic theatrical entertainment, represented not long since on the Dublin stage, a chorus of old women was introduced, who set up the Irish howl round the relics of a physician, who is supposed to have fallen under the wooden sword of Harlequin. After the old women have continued their Ullaloo for a decent time, with all the necessary accompaniments of wringing their hands, wiping or rubbing their eyes with the corners of their gowns or aprons, etc., one of the mourners suddenly suspends her lamentable cries, and, turning to her neighbour, asks, ‘Arrah now, honey, who is it we’re crying for?’

[4] THE TENANTS WERE SENT AWAY WITHOUT THEIR WHISKY.--It is usual with some landlords to give their inferior tenants a glass of whisky when they pay their rents. Thady calls it THEIR whisky; not that the whisky is actually the property of the tenants, but that it becomes their RIGHT after it has been often given to them. In this general mode of reasoning respecting RIGHTS the lower Irish are not singular, but they are peculiarly quick and tenacious in claiming these rights. ‘Last year your honour gave me some straw for the roof of my house and I EXPECT your honour will be after doing the same this year.’ In this manner gifts are frequently turned into tributes. The high and low are not always dissimilar in their habits. It is said, that the Sublime Ottoman Port is very apt to claim gifts as tributes: thus it is dangerous to send the Grand Seignor a fine horse on his birthday one year, lest on his next birthday he should expect a similar present, and should proceed to demonstrate the reasonableness of his expectations.

[5] HE DEMEANED HIMSELF GREATLY--means, he lowered or disgraced himself much.

[6] DUTY FOWLS, DUTY TURKEYS, AND DUTY GEESE.--In many leases in Ireland, tenants were formerly bound to supply an inordinate quantity of poultry to their landlords. The Editor knew of thirty turkeys being reserved in one lease of a small farm.

[7] ENGLISH TENANTS.--An English tenant does not mean a tenant who is an Englishman, but a tenant who pays his rent the day that it is due. It is a common prejudice in Ireland, amongst the poorer classes of people, to believe that all tenants in England pay their rents on the very day when they become due. An Irishman, when he goes to take a farm, if he wants to prove to his landlord that he is a substantial man, offers to become an ENGLISH TENANT. If a tenant disobliges his landlord by voting against him, or against his opinion, at an election, the tenant is immediately informed by the agent that he must become an ENGLISH TENANT. This threat does not imply that he is to change his language or his country, but that he must pay all the arrear of rent which he owes, and that he must thenceforward pay his rent on that day when it becomes due.

[8] CANTING--Does not mean talking or writing hypocritical nonsense, but selling substantially by auction.

[9] DUTY WORK.--It was formerly common in Ireland to insert clauses in leases, binding tenants to furnish their landlords with labourers and horses for several days in the year. Much petty tyranny and oppression have resulted from this feudal custom. Whenever a poor man disobliged his landlord, the agent sent to him for his duty work; and Thady does not exaggerate when he says, that the tenants were often called from their own work to do that of their landlord. Thus the very means of earning their rent were taken from them: whilst they were getting home their landlord’s harvest, their own was often ruined, and yet their rents were expected to be paid as punctually as if their time had been at their own disposal. This appears the height of absurd injustice.

In Esthonia, amongst the poor Sclavonian race of peasant slaves, they pay tributes to their lords, not under the name of duty work, duty geese, duty turkeys, etc., but under the name of RIGHTEOUSNESSES. The following ballad is a curious specimen of Esthonian poetry:--

This is the cause that the country is ruined,
And the straw of the thatch is eaten away,
The gentry are come to live in the land--
Chimneys between the village,
And the proprietor upon the white floor!
The sheep brings forth a lamb with a white forehead,
This is paid to the lord for a RIGHTEOUSNESS SHEEP.
The sow farrows pigs,
They go to the spit of the lord.
The hen lays eggs,
They go into the lord’s frying-pan.
The cow drops a male calf,
That goes into the lord’s herd as a bull.
The mare foals a horse foal,
That must be for my lord’s nag.
The boor’s wife has sons,
They must go to look after my lord’s poultry.

[10] OUT OF FORTY-NINE SUITS WHICH HE HAD, HE NEVER LOST ONE BUT SEVENTEEN.--Thady’s language in this instance is a specimen of a mode of rhetoric common in Ireland. An astonishing assertion is made in the beginning of a sentence, which ceases to be in the least surprising, when you hear the qualifying explanation that follows. Thus a man who is in the last stage of staggering drunkenness will, if he can articulate, swear to you--‘Upon his conscience now, and may he never stir from the spot alive if he is telling a lie, upon his conscience he has not tasted a drop of anything, good or bad, since morning at-all-at-all, but half a pint of whisky, please your honour.’

[11]. FAIRY MOUNTS--Barrows. It is said that these high mounts were of great service to the natives of Ireland when Ireland was invaded by the Danes. Watch was always kept on them, and upon the approach of an enemy a fire was lighted to give notice to the next watch, and thus the intelligence was quickly communicated through the country. SOME YEARS AGO, the common people believed that these barrows were inhabited by fairies, or, as they called them, by the GOOD PEOPLE. ‘Oh, troth, to the best of my belief, and to the best of my judgment and opinion,’ said an elderly man to the Editor, ‘it was only the old people that had nothing to do, and got together, and were telling stories about them fairies, but to the best of my judgment there’s nothing in it. Only this I heard myself not very many years back from a decent kind of a man, a grazier, that, as he was coming just FAIR AND EASY (QUIETLY) from the fair, with some cattle and sheep, that he had not sold, just at the church of ---at an angle of the road like, he was met by a good-looking man, who asked him where he was going? And he answered, “Oh, far enough, I must be going all night.” “No, that you mustn’t nor won’t (says the man), you’ll sleep with me the night, and you’ll want for nothing, nor your cattle nor sheep neither, nor your BEAST (HORSE); so come along with me.” With that the grazier LIT (ALIGHTED) from his horse, and it was dark night; but presently he finds himself, he does not know in the wide world how, in a fine house, and plenty of everything to eat and drink; nothing at all wanting that he could wish for or think of. And he does not MIND (RECOLLECT or KNOW) how at last he falls asleep; and in the morning he finds himself lying, not in ever a bed or a house at all, but just in the angle of the road where first he met the strange man: there he finds himself lying on his back on the grass, and all his sheep feeding as quiet as ever all round about him, and his horse the same way, and the bridle of the beast over his wrist. And I asked him what he thought of it; and from first to last he could think of nothing, but for certain sure it must have been the fairies that entertained him so well. For there was no house to see anywhere nigh hand, or any building, or barn, or place at all, but only the church and the MOTE (BARROW). There’s another odd thing enough that they tell about this same church, that if any person’s corpse, that had not a right to be buried in that churchyard, went to be burying there in it, no, not all the men, women, or childer in all Ireland could get the corpse anyway into the churchyard; but as they would be trying to go into the churchyard, their feet would seem to be going backwards instead of forwards; ay, continually backwards the whole funeral would seem to go; and they would never set foot with the corpse in the churchyard. Now they say that it is the fairies do all this; but it is my opinion it is all idle talk, and people are after being wiser now.

The country people in Ireland certainly HAD great admiration mixed with reverence, if not dread, of fairies. They believed that beneath these fairy mounts were spacious subterraneous palaces, inhabited by THE GOOD PEOPLE, who must not on any account be disturbed. When the wind raises a little eddy of dust upon the road, the poor people believe that it is raised by the fairies, that it is a sign that they are journeying from one of the fairies’ mounts to another, and they say to the fairies, or to the dust as it passes, ‘God speed ye, gentlemen; God speed ye.’ This averts any evil that THE GOOD PEOPLE might be inclined to do them. There are innumerable stories told of the friendly and unfriendly feats of these busy fairies; some of these tales are ludicrous, and some romantic enough for poetry. It is a pity that poets should lose such convenient, though diminutive machinery. By the bye, Parnell, who showed himself so deeply ‘skilled in faerie lore,’ was an Irishman; and though he has presented his fairies to the world in the ancient English dress of ‘Britain’s isle, and Arthur’s days,’ it is probable that his first acquaintance with them began in his native country.

Some remote origin for the most superstitious or romantic popular illusions or vulgar errors may often be discovered. In Ireland, the old churches and churchyards have been usually fixed upon as the scenes of wonders. Now antiquaries tell us, that near the ancient churches in that kingdom caves of various constructions have from time to time been discovered, which were formerly used as granaries or magazines by the ancient inhabitants, and as places to which they retreated in time of danger. There is (p.84 of the R. I. A. TRANSACTIONS for 1789) a particular account of a number of these artificial caves at the west end of the church of Killossy, in the county of Kildare. Under a rising ground, in a dry sandy soil, these subterraneous dwellings were found: they have pediment roofs, and they communicate with each other by small apertures. In the Brehon laws these are mentioned, and there are fines inflicted by those laws upon persons who steal from the subterraneous granaries. All these things show that there was a real foundation for the stories which were told of the appearance of lights, and of the sounds of voices, near these places. The persons who had property concealed there, very willingly countenanced every wonderful relation that tended to make these places objects of sacred awe or superstitious terror.

[12] WEED ASHES.--By ancient usage in Ireland, all the weeds on a farm belonged to the farmer’s wife, or to the wife of the squire who holds the ground in his own hands. The great demand for alkaline salts in bleaching rendered these ashes no inconsiderable perquisite.

[13] SEALING MONEY.--Formerly it was the custom in Ireland for tenants to give the squire’s lady from two to fifty guineas as a perquisite upon the sealing of their leases. The Editor not very long since knew of a baronet’s lady accepting fifty guineas as sealing money, upon closing a bargain for a considerable farm.

[14] SIR MURTAGH GREW MAD--Sir Murtagh grew angry.

[15] THE WHOLE KITCHEN WAS OUT ON THE STAIRS--means that all the inhabitants of the kitchen came out of the kitchen, and stood upon the stairs. These, and similar expressions, show how much the Irish are disposed to metaphor and amplification.

[16] FINING DOWN THE YEAR’S RENT.--When an Irish gentleman, like Sir Kit Rackrent, has lived beyond his income, and finds himself distressed for ready money, tenants obligingly offer to take his land at a rent far below the value, and to pay him a small sum of money in hand, which they call fining down the yearly rent. The temptation of this ready cash often blinds the landlord to his future interest.

[17] DRIVER.--A man who is employed to drive tenants for rent; that is, to drive the cattle belonging to tenants to pound. The office of driver is by no means a sinecure.

[18] I THOUGHT TO MAKE HIM A PRIEST.--It was customary amongst those of Thady’s rank in Ireland, whenever they could get a little money, to send their sons abroad to St. Omer’s, or to Spain, to be educated as priests. Now they are educated at Maynooth. The Editor has lately known a young lad, who began by being a post-boy, afterwards turn into a carpenter, then quit his plane and work-bench to study his HUMANITIES, as he said, at the college of Maynooth; but after he had gone through his course of Humanities, he determined to be a soldier instead of a priest.

[19] FLAM.--Short for flambeau.

[20] BARRACK-ROOM.--Formerly it was customary, in gentlemen’s houses in Ireland, to fit up one large bedchamber with a number of beds for the reception of occasional visitors. These rooms were called Barrack-rooms.

[21] AN INNOCENT--in Ireland, means a simpleton, an idiot.

[22] THE CURRAGH--is the Newmarket of Ireland.

[23] THE CANT--The auction.

[24]AND SO SHOULD CUT HIM OFF FOR EVER BY LEVYING A FINE, AND SUFFERING A RECOVERY TO DOCK THE ENTAIL.--The English reader may perhaps be surprised at the extent of Thady’s legal knowledge, and at the fluency with which he pours forth law-terms; but almost every poor man in Ireland, be he farmer, weaver, shopkeeper, ox steward, is, besides his other occupations, occasionally a lawyer. The nature of processes, ejectments, custodiams, injunctions, replevins, etc., is perfectly known to them, and the terms as familiar to them as to any attorney. They all love law. It is a kind of lottery, in which every man, staking his own wit or cunning against his neighbour’s property, feels that he has little to lose, and much to gain.

‘I’ll have the law of you, so I will!’ is the saying of an Englishman who expects justice. ‘I’ll have you before his honour,’ is the threat of an Irishman who hopes for partiality. Miserable is the life of a justice of the peace in Ireland the day after a fair, especially if he resides near a small town. The multitude of the KILT (KILT does not mean KILLED, but hurt) and wounded who come before his honour with black eyes or bloody heads is astonishing: but more astonishing is the number of those who, though they are scarcely able by daily labour to procure daily food, will nevertheless, without the least reluctance, waste six or seven hours of the day lounging in the yard or court of a justice of the peace, waiting to make some complaint about--nothing. It is impossible to convince them that TIME IS MONEY. They do not set any value upon their own time, and they think that others estimate theirs at less than nothing. Hence they make no scruple of telling a justice of the peace a story of an hour long about a tester (sixpence); and if he grows impatient, they attribute it to some secret prejudice which he entertains against them.

Their method is to get a story completely by heart, and to tell it, as they call it, OUT OF THE FACE, that is, from the beginning to the end, without interruption.

‘Well, my good friend, I have seen you lounging about these three hours in the yard; what is your business?’

‘Please your honour, it is what I want to speak one word to your honour.’

‘Speak then, but be quick. What is the matter?’

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Castle RackrentChapter V (4)

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