Chapters of Opera
by OpenStories
Original author: Henry Edward Krehbiel
"Chapters of Opera" by Henry Edward Krehbiel is a historical and critical account written in the early 20th century. This work provides an extensive examination of the development of the lyric drama in New York, particularly focusing on the city's operatic history from its first Italian performances in the early 19th century to the momentous events occurring around 1908. Krehbiel shares his personal experiences as a long-time musical critic for The New York Tribune, providing insights into the various artistic and management dynamics that have shaped opera in New York. At the start of the narrative, Krehbiel sets the scene by reflecting on the origins of Italian opera in New York, recounting the challenges and triumphs of early productions, including the debut of Rossini's "Il Barbiere di Siviglia" in 1825. He includes anecdotes about key figures such as Manuel Garcia and Lorenzo da Ponte, as well as detailing the transformations in audience tastes and opera management through accounts of early opera houses and their struggles for acceptance. This opening portion lays a solid foundation for a deeper exploration into the intricacies of operatic life in the city, illustrating the rich cultural tapestry that defines New York's operatic legacy.
Chapters of Opera, by Henry Edward Krehbiel. Republished by OpenStories from Project Gutenberg eBook #5995.
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28 Chapters
- 1.Preface1,752 words
- 2.Introduction: Of Opera in New York4,458 words
- 3.Chapter II: Early Theaters, Managers, and Singers3,756 words
- 4.Chapter III: The First Italian Company4,527 words
- 5.Chapter IV: Houses Built for Opera5,206 words
- 6.Chapter V: Maretzek, His Rivals and Singers3,722 words
- 7.Chapter VI: The New York Academy of Music3,577 words
- 8.Chapter VII: Mapleson and Other Impresarios3,187 words
- 9.Chapter VIII: The Metropolitan Opera House2,298 words
- 10.Chapter IX: First Season at the Metropolitan5,637 words
- 11.Chapter X: Operatic Revolutions3,718 words
- 12.Chapter XI: German Opera at the Metropolitan5,587 words
- 13.Chapter XII: End of Italian Opera at the Academy4,993 words
- 14.Chapter XIII: Wagner Holds the Metropolitan6,767 words
- 15.Chapter XIV: Wagnerian High Tide6,725 words
- 16.Chapter XV: End of the German Period5,063 words
- 17.Chapter XVI: Italian Opera Again at the Metropolitan4,878 words
- 18.Chapter XVII: The Advent of Melba and Calvé7,766 words
- 19.Chapter XVIII: Uprising in Favor of German Opera8,003 words
- 20.Chapter XIX: Beginning of the Grau Period685 words
- 21.Chapter XVII: with an account of the disasters which overtook Abbey,4,978 words
- 22.Chapter XX: New Singers and Operas7,965 words
- 23.Chapter XXI: Heinrich Conried and "parsifal"5,085 words
- 24.Chapter XXII: End of Conried's Administration8,572 words
- 25.Chapter XXIII: Hammerstein and His Opera House2,746 words
- 26.Chapter XXIV: A Brilliant Season at the Manhattan10,059 words
- 27.Appendix: I4,230 words
- 28.Appendix: II1,487 words