Chapter XVI: Part II: (1780-1796), 73-110

Excellence of modelling an ideal for modern work, 268

Juliane Marie style revived, 233

K (incised) as a mark, 175

Kalleberg, G., the designer of fine subjects, 107, 118

Kändler of Meissen and his style, 126

_Kaolin_, definition of, 22

Keith, Sir Robert Murray, British Minister at Copenhagen, 51

Krog, Arnold, Art Director at Royal Copenhagen Factory (from 1885), 210
his artistic impulses, 213
his development of new style in underglaze painting, 214
Traditional ornament discarded, 234
Nature, the source of inspiration, 215
Signatures of, 255

Kronborg, Castle of, painted on a cup, 192

Kroyer, Danish painter, 197

L as a mark (incised), 175
(painted), 195

Landscape subjects painted in underglaze colours, 237

Lead glaze not used at Copenhagen, 340

Lead-poisoning, no cases at Copenhagen, 340

Lehmann, Peter Heinrich Benjamin,107
Signature of, 101

Living schools of decorative art, 345

Lost arts, the technique of genius, 91

Louis XV sends a Sèvres service to Frederik V of Denmark, 38

Ludwigsberg factory, 31

Lunbye, Johan Thomas, Danish painter, 197

Luplau, comes to Copenhagen from Fürstenberg factory, 71, 105
his limitations, 117
Signature of, 101

Lyngbe, L., mark of, 195

M (incised) as a mark, 104

Madsen, Professor Karl, quoted, 105

Majolica, old masters of, 317

Mark not used at Copenhagen (1773-1775), 104

Marks (continental) with royal and patrician cyphers, 28
(Copenhagen) art faience, 330
Early blue-and-white porcelain, 174-6
Fournier period (illustrated), 36
Müller period (1775-1801), 100-4
Peculiarities in position of (blue-and-white porcelain), 171
Renaissance period, used by leading painters and modellers
(from 1885), 255-62
Similarity between early Copenhagen and Fürstenberg, 36
Three blue lines, origin of the, 56
(English) imitation of Oriental, Sèvres, and Meissen, 11, 281

Mason's ironstone china, 310

Meehl, Hans, mark of, 104

Meissen--
Establishment of factory at, 29
Figure subjects of, compared with Copenhagen, 77, 126
Marks copied by English potters, 11, 281
Porcelain, authoritative history of, 29
Secret of, divulged and spread throughout Europe, 30
Workmen and materials carried off by Frederick the Great to Berlin, 32
Workmen at Copenhagen, 59

Mehlhorn, a potter from Saxony, comes to Copenhagen, 36

Meyer, Elias, 109
Panel painted by, 97

Meyer, M., 109

MII (incised) as a mark, 174

ML (incised) as a mark, 174

Modellers and painters, Müller period (1773-1801), list of, 105-10

Modellers' and Painters' Marks (early blue-and-white), 174-6
(Renaissance period), 255-62

Modern ephemeral art movements unheeded at Copenhagen, 248

Modern equipment of Copenhagen factory, 340

Modern Renaissance at Copenhagen--
Crystalline glazes, 289-303
Early days, 201-19
Figure subjects, 263-88
Golden period, 219-54

Moltke, Count, of Bregentved, Fournier porcelain in collection of
(illustrated), 33

Moore, Mr. Bernard, his examples of glazing, 292

Moorish potters, arabesque designs of, 318

Müller, Frantz Heinrich (1773-1801)--
Discontent and misery contemporary with establishment of his
factory, 39, 48
his secret mission to other factories, 52, 84
Portrait of, 41
Range of his subjects and order of their production, 68
Recognition of, in his lifetime, 64
Scurvy treatment of, at factory, 80, 83
Statue of him that was never erected, 64
Successors of (1820-1880), 177-97
Technique of, 63, 64

Müller period, the, culminating point of, 71

Mussel-blue painted, the great service, 172

Mussel-blue painted, underglaze, the suggestive idea of modern
developments, 234

Napoleonic wars, 202

National character of early Copenhagen porcelain, 130
of Japanese ceramic art, 247

National Museum (Stockholm), Copenhagen porcelain at, 38, 69, 115, 119

National sentiment in Müller's designs, 95
in modern Copenhagen porcelain, 235, 246

National style created at Copenhagen, 84

Nature, Danish, reflected in modern Copenhagen porcelain, 252, 253, 339

Nature-study a dominant note at Copenhagen, 150, 339

Nelson, Admiral Lord--
Letters to Lady Hamilton, 187
sends Copenhagen porcelain to Lady Hamilton, 188

Nicolaj, Christian Faxoe, 108

Numerals (1-7), painters' marks on early blue-and-white, 176

Nymphenberg factory, 30

Oeder, the originator of the _Flora Danica_, 149

Old Copenhagen Factory described by contemporary eye-witnesses
(1790), 76-84, 154

Omar Khayyám, quoted, 96

Ondrup (1779-1787), signature of, 102

Oriental prototypes of European porcelain, 215, 237, 281, 309

Originality at Copenhagen factory, its avoidance of ephemeral art
movements, 248
of stereotyped styles, 234

Outburst of activity in 1780, 75, 113

Overglaze decoration, modern revival of old Copenhagen forms, 229

Overglaze painters, Müller period, 105-10

Painters, Müller period (1773-1818), list of, 105-10

Painters' and Modellers' Marks (early blue-and-white), 174-6

Painters, underglaze, early blue-and-white, 106, 110

Pallas, Dr. P. S., the _protégé_ of Catherine II of Russia, 153

Paris Exhibition (1889), success of Copenhagen porcelain at, 220
(1900), 223

_Pâte dure_ porcelain of Meissen and allied schools, 22

_Pâte tendre_ porcelain of Sèvres and allied schools, 22, 24

Peasant life a feature in Copenhagen figures, 273

Peasant types and contemporary character in figure subjects, 130, 273

Peacock, figure of (Copenhagen), compared with Derby porcelain
model, 287

Peculiarities in marks (blue-and-white), 171

Persian pottery, 318, 321

_Petuntse_, definition of, 22

Placques, heraldic commemorative, 230, 243

Poetry and imagination, expression of, in modern Copenhagen work, 246

Poetry of the potter's art, the, 95, 245

Porcelain--
First made in Europe (Böttger), 22, 29
in Denmark, 34
Hard-paste, schools of, 21
Semi-porcelain, a term in English ceramics, 310
Soft-paste, schools of, 21

Portraits--
Frederik, Crown Prince (vase), 49
Juliane Marie, Queen Dowager (vase), 45
Müller, Frantz Heinrich, 41
(cup), 69
Rabener, 92

Pott, chemist at Berlin factory, 31

Potter, Chinese, the poetic terms of the, 245

Preus, Sören, modeller of flowers, 108

Processes at old Copenhagen factory described, 63, 76-80, 91

Rarity of old porcelain--
Copenhagen (Fournier period), 36
Florence (sixteenth century), 23

Renaissance, modern, Copenhagen, 199-262

Retail depot opened at Copenhagen, 60, 113

Revival of overglaze painting, 229

Rhodian pottery, 322

Rhymes and mottoes on Copenhagen porcelain, 99
on Staffordshire pottery, 96

Ringler, a workman at Vienna, carries the secret of hard paste far
and wide, 30

Roscoe and Schorlemmer, _Treatise on Chemistry_, quoted, 31

Rosenborg Castle--
_Flora Danica_ service at, 137-56
Fournier porcelain at (illustrated), 25, 37

Rousseau, Jean Jacques--
his influence on Struensee, 47
his naturalistic theories, 141

Royal factory established at Copenhagen by Frederik V (1760), 35

Royal patronage of potters--
(in general), 28
(in particular) _Copenhagen_:
Christian VII, 104
Frederik V, 35
Juliane Marie and royal family shareholders in Müller's company, 56
Crown Prince Frederik and the _Flora Danica_ service, 140
_Berlin_: Frederick the Great, 32
_Fürstenberg_: Duke of Brunswick, 31
_Meissen_: Frederick Augustus, Elector of Saxony, 29
acquires porcelain in exchange for a regiment of dragoons, 32
_St. Petersburg_: Emperor Paul, 28
Empress Catherine II, 31
Empress Elizabeth Petrowna, 31
_Vienna_: Empress Maria Theresa, 30

St. Cloud, factory (1695-1773), 21, 23

Scandinavian _Diana_ biscuit group in Sèvres porcelain, 224

Schleswig-Holstein, war concerning the duchies of, fatal to Danish
art, 205

Schmidt, Jacob, 102

Schou, Philip, pioneer of Modernity, 205
Makes a European tour, visiting factories of Holland, Belgium,
France, and England, 214
Rebuilds factory at Frederiksberg--his genius, 205
The triumph of his foresight, 213
Copenhagen porcelain raised to a new plane, 216

Schou, Philip, comparison between, and Müller, 210

Schreiber, Lady Charlotte, letter from Francesco Antonibon to, 24

Secret of hard-paste porcelain spreads throughout Europe, 30

Secrets of craftsmen not dependent on scientific accuracy, 67

Semi-porcelain peculiarly English, 310

Sèvres, crystalline glazes at, 301

Sèvres factory, date when hard paste first made at, 24

Sèvres factory, marks of, copied by English potters, 11, 281

Sèvres porcelain, its spirit reflecting northern ideas, 224

Sèvres porcelain, Louis XV
sends present of service to King of Denmark, 38
Service made for Catherine II of Russia, 139

Sèvres styles introduced at Copenhagen, 37

Shakesperean subjects (Copenhagen), 326

Signatures of artists, etc., in Copenhagen porcelain--
Baÿer, 103
Clio, 101
Hald, 102
Holm, 103
Krog, 255
Lehmann, 101
Liisberg, 256
Luplau, 101
Meehl, 104
Ondrup, 102
Schmidt, 103

Skovgaad, Peter Christian, Danish painter, 197

Soft-paste porcelain, definition of, 23
English, 27
When made at Copenhagen, 36

Sören Preus, 108

Söroe, view of, painted on a cup, 195

Spiritual outlook, the, of modern Copenhagen, 252

Staffordshire figures stripped of their pigment, 266

Staffordshire potters' fondness for rhymes, 96

Stockholm, National Museum, specimens of porcelain at, 38, 69, 115, 119
Fournier period, 38
Juliane Marie period, 69, 119

Struensee, John Frederick, his fatal influence at the Court of
Christian VII, 47
his overthrow by Queen Juliane Marie, 48
his execution, 51

Styles which modern Copenhagen wisely avoided, 234

Subject, the apt choice of a fitting, the truest test of the highest
ceramic art, 238

Successors of Müller, 177-97

Supernatural, the, untouched by Copenhagen, 253

T (incised) as a mark, 175

Table of leading painters and modellers, Müller
period (1773-1810), 105-10

Table of Marks, Müller period (1775-1810), 100-4

Table of Marks, old blue-and-white porcelain, 174-6

Tables of Marks, painters and modellers of Renaissance period
from 1885, 255-62

Technique--
Copenhagen art faience, 317, 325
Copenhagen porcelain (modern) imitated by many factories, 229, 247
Copenhagen porcelain (old), processes described, 63, 268
(Müller period) its triumph with primitive methods and impure
materials, 67, 88, 91
English porcelain, 310
Figure subjects, the limitations of the potter obeyed, 267
Modelling and its especial, 266, 267
Modern schools of potters, 229, 247
Underglaze decorated porcelain, 236, 237
Underglaze painter, true ideal in, 214, 234, 242

Thomaschefsky, Carl Fridrich, 110

Thorvaldsen, figures after sculpture of, 196

Three blue lines (Copenhagen mark), origin of, 56

TI (incised) as a mark, 170

_Times_ (1801), quoted, 183

Toby jugs stripped of their pigment, 266

Transmutation glazes, 291, 301

Tschirnhaus, Ehrenfried Walter von, 29

Tuscany, Grand Duke of, patron of Florence factory, 23

Tvede, Claus, modeller, 105

Underglaze painted, early blue-and-white, 157-76

Underglaze painting, new technique created, 214, 234, 242

Underglaze painting succeeds overglaze painting in figure subjects, 268

Unmarked Copenhagen porcelain (1773-1775), 42, 56

Verses on Copenhagen porcelain, 87, 99

Vincennes factory (1740), 23

Voltaire, letter to Catherine II of Russia, 143

W2 (incised) as a mark, 176

Wedgwood exhibition, the, by Messrs. Josiah Wedgwood & Sons, London, 1909
(including service made for Catherine II, Empress of Russia), 140

Wedgwood, his introduction of classicism into Staffordshire, 192, 278
his jasper ware, its classification, 310

Wedgwood service made for Catherine II of Russia, 140

Wedgwood workmen apply in vain at Copenhagen, 122

Wiedewelt, the sculptor, assists Fournier, 36

Wilkins, W. H., _A Queen of Tears_. History of Caroline Matilda,
Queen of Denmark, 47

Winther, Christian, quoted, 251

Worcester, its Oriental prototypes, 215, 237, 281

Workmen, foreign, at Copenhagen, 59, 60, 83, 121, 122

Workmen, foreign. English artisans from Wedgwood's factory apply in
vain at Copenhagen, 122

Zimmermann, Professor Ernst (Meissen porcelain), 29

Zurich factory, 31

_Printed in Great Britain by_
UNWIN BROTHERS, LIMITED, THE GRESHAM PRESS, WOKING AND LONDON

Transcriber's Note:

Unusual and archaic words have been maintained as in the original book. Words that were in bold in the original book are surrounded by "=", such as =bold=.

Instances where the List of Illustrations did not match the contents of the book were corrected:

Corrected entries for Chapter II:
Saucer. Eagle and Lamb 57
Saucer. Water-god 61
Originally:
Saucers. Eagle and Lamb; Water-god 61

Corrected entry for Chapter XI:
Dish with tropical bird (_Christian Joachim_) 307
Originally
Dish with tropical birds (_Christian Joachim_) 307

Instances where the index did not match the contents of the book were corrected. In all cases, the preferred spelling in the body of the book was maintained and the index was changed.

Corrected: Baÿer, J. C., the painter of the _Flora Danica_ service, 105
Originally: Bayer

Corrected (under Foreign Workmen...): Thomaschefsky, 83
Originally: Thomasefsky

Corrected: Frederiksborg Castle, vases at, 125
Originally: Fredericksborg

Corrected: Kändler of Meissen and his style, 126
Originally: Kandler

Corrected: Mehlhorn, a potter from Saxony, comes to Copenhagen, 36
Originally: Melhorn

Corrected: Ondrup (1779-1787), signature of, 102
Originally: Ondrop

Corrected: Schreiber, Lady Charlotte, letter from Francesco Antonibon
to, 24
Originally: Antibon

Corrected: Shakesperean subjects (Copenhagen), 326
Originally: Shakesperian

Corrected: Thomaschefsky, Carl Fridrich, 110
Originally: Freidrich

In researching the letter from Francesco Antonibon to Lady Charlotte Schreiber (and the correct spelling of "Antonibon"), I found that the cited work, "Marks and Monograms on Pottery and Porcelain" by William Chaffers does exist, but does not contain the cited information. A related work by the same author, "Marks and Monograms on European and Oriental Pottery and Porcelain with Historical Notices of Each Manufactory" contains the cited information. The citation has not been changed in the footnote in this ebook (page 24 of the original book).