Chapter VIII: Preface (8)

Unfortunately, the journals and charts of Columbus are lost. But we have the full abstract of the journal of his first voyage, made by Las Casas, we have his letters and dispatches, and we have the map of his discoveries, except those made during his last voyage, drawn by his own pilot and draughtsman, Juan de la Cosa. We are thus able to obtain a sufficient insight into the system on which his exploring voyages were conducted, and into the sequence in which his discoveries followed each other. This is the point of view from which the labors of the Admiral are most interesting to geographers. The deficient means at the disposal of a navigator in the end of the fifteenth century increase the necessity for a long apprenticeship. It is much easier to become a navigator with the aid of modern instruments constructed with extreme accuracy, and with tables of logarithms, nautical almanacs, and admiralty charts. With ruder appliances Columbus and his contemporaries had to trust far more to their own personal skill and watchfulness, and to ways of handling and using such instruments as they possessed, which could only be acquired by constant practice and the experience of a lifetime. _Even then, an insight and ability which few men possess were required to make such a navigator as Columbus._

The first necessity for a pilot who conducts a ship across the ocean, when he is for many days out of sight of land, is the means of checking his dead reckoning by observations of the heavenly bodies. But in the days of Columbus such appliances were very defective, and, at times, altogether useless. There was an astrolabe adapted for use at sea by Martin Behaim, but it was very difficult to get a decent sight with it, and Vasco da Gama actually went on shore and rigged a triangle when he wanted to observe for latitude. If this was necessary, the instrument was useless as a guide across the pathless ocean. Columbus, of course, used it, but he seems to have relied more upon the old quadrant which he had used for long years before Behaim invented his adaption of the astrolabe. It was this instrument, the value of which received such warm testimony from Diogo Gomez, one of Prince Henry's navigators; and it was larger and easier to handle than the astrolabe. But the difficulty, as regards both these instruments,[49] was the necessity for keeping them perpendicular to the horizon when the observation is taken, in one case by means of a ring working freely, and in the other by a plummet line. The instruction of old Martin Cortes was to sit down with your back against the mainmast; but in reality the only man who obtained results of any use from such instruments was he who had been constantly working with them from early boyhood. In those days, far more than now, a good pilot had to be brought up at sea from his youth. Long habit could alone make up, to a partial extent, for defective means.

Columbus regularly observed for latitude when the weather rendered it possible, and he occasionally attempted to find the longitude by observing eclipses of the moon with the aid of tables calculated by old Regiomontanus, whose declination tables also enabled the Admiral to work out his meridian altitudes. But the explorer's main reliance was on the skill and care with which he calculated his dead reckoning, watching every sign offered by sea and sky by day and night, allowing for currents, for leeway, for every cause that could affect the movement of his ship, noting with infinite pains the bearings and the variation of his compass, and constantly recording all phenomena on his card and in his journal. _Columbus was the true father of what we call proper pilotage._

It is most interesting to watch the consequences of this seaman-like and most conscientious care in the results of his voyages of discovery. We have seen with what accuracy he made his landfall at the Azores, on his return from his first and most memorable voyage. The incidents of his second voyage are equally instructive. He had heard from the natives of the eastern end of Española that there were numerous islands to the southeast inhabited by savage tribes of Caribs, and when he sailed from Spain on his second voyage he resolved to ascertain the truth of the report before proceeding to his settlement at Navidad. He shaped such a course as to hit upon Dominica, and within a few weeks he discovered the whole of the Windward Islands, thence to Puerto Rico. On his return his spirit of investigation led him to try the possibility of making a passage in the teeth of the trade-wind. It was a long voyage, and his people were reduced to the last extremity, even threatening to eat the Indians who were on board. One night, to the surprise of all the company, the Admiral gave the order to shorten sail. Next morning, at dawn, Cape St. Vincent was in sight. This is a remarkable proof of the care with which his reckoning must have been kept, and of his consummate skill as a navigator. On his third voyage he decided, for various reasons, to make further discoveries nearer to the equator, the result of his decision being the exploration of the Gulf of Paria, including the coast of Trinidad and of the continent. His speculations, although sometimes fantastic, and originating in a too vivid imagination, were usually shrewd and carefully thought out. Thus they led from one discovery to another; and even when, through want of complete knowledge, there was a flaw in the chain of his reasoning, the results were equally valuable.

A memorable example of an able and acute train of thought, based on observations at sea, was that which led to his last voyage in search of a strait. He had watched the gulf stream constantly flowing in a westerly direction, and he thought that he had ascertained, as the result of careful observation, that the islands in the course of the current had their lengths east and west, owing to erosion on their north and south sides. From this fact he deduced the constancy of the current. His own pilot, Juan de la Cosa, serving under Ojeda and Bastidas, had established the continuity of land from the Gulf of Paria to Darien. The Admiral himself had explored the coast of Cuba, both on the north and south sides, for so great a distance that he concluded it must surely be a promontory connected with the continent. The conclusion was that, as it could not turn to north or south, this current, ever flowing in one direction, must pass through a strait. The argument was perfectly sound except in one point--the continental character of Cuba was an hypothesis, not an ascertained fact.

Still, it was a brilliant chain of reasoning, and it led to a great result, though not to the expected result. Just as the search for the philosopher's stone led to valuable discoveries in chemistry, and as the search for El Dorado revealed the courses of the two largest rivers in South America, so the Admiral's heroic effort to discover a strait in the face of appalling difficulties, in advancing years and failing health, made known the coast of the continent from Honduras to Darien.

All the discoveries made by others, in the lifetime of Columbus, on the coasts of the western continent (except that of Cabral) were directly due to the first voyage of the Admiral, to his marvelous prevision in boldly sailing westward across the sea of darkness, and are to be classed as Columbian discoveries. This was clearly laid down by Las Casas, in a noble passage. "The Admiral was the first to open the gates of that ocean which had been closed for so many thousands of years before," exclaimed the good bishop. "He it was who gave the light by which all others might see how to discover. It can not be denied to the Admiral, except with great injustice, that _as_ he was the first discoverer of those Indies, _so_ he was really of all the mainland; and to him the credit is due. For it was he that put the thread into the hands of the rest by which they found the clew to more distant parts. It was not necessary for this that he should personally visit every part, any more than it is necessary to do so in taking possession of an estate; as the jurists hold." This generous protest by Las Casas should receive the assent of all geographers. The pupils and followers of Columbus, such as Pinzon, Ojeda, Niño, and La Cosa, discovered all the continent from 8 deg. S. of the equator to Darien, thus supplementing their great master's work; while he himself led the way, and showed the light both to the islands and to the continent.

Although none of the charts of Columbus have come down to us, there still exists a map of all discoveries up to the year 1500, drawn by the pilot Juan de la Cosa, who accompanied him in his first and second voyages, and sailed with Ojeda on a separate expedition in 1499, when the coast of the continent was explored from the Gulf of Paria to Cabo de la Vela. Juan de la Cosa drew this famous map of the world (which is preserved at Madrid) at Santa Maria, in the Bay of Cadiz, when he returned from his expedition with Ojeda in 1500. It is drawn in color, on oxhide, and measures 5 feet 9 inches by 3 feet 2 inches. La Cosa shows the islands discovered by Columbus, but it is difficult to understand what he could have been thinking about in placing them north of the tropic of cancer. The continent is delineated from 8 deg. S. of the equator to Cabo de la Vela, which was the extreme point to which discovery had reached in 1500; and over the undiscovered part to the west, which the Admiral himself was destined to bring to the knowledge of the world a few years afterward, Juan de la Cosa painted a vignette of St. Christopher bearing the infant Christ across the ocean. But the most important part of the map is that on which the discoveries of John Cabot are shown, for this is the only map which shows them. It is true that a map, or a copy of a map, of 1542, by Sebastian Cabot, was discovered of late years, and is now at Paris, and that it indicates the "Prima Vista," the first land seen by Cabot on his voyage of 1497; but it shows the later work of Jacques Cartier and other explorers, and does not show what part was due to Cabot. Juan de la Cosa, however, must have received, through the Spanish ambassador in London, the original chart of Cabot, showing his discoveries during his second voyage in 1498, and was enabled thus to include the new coast-line on his great map.

The gigantic labor wore out his body. But his mind was as active as ever. He had planned an attempt to recover the Holy Sepulcher. He had thought out a scheme for an Arctic expedition, including a plan for reaching the north pole, which he deposited in the monastery of Mejorada. It was not to be. When he returned from his last voyage, he came home to die. We gather some idea of the Admiral's personal appearance from the descriptions of Las Casas and Oviedo. He was a man of middle height, with courteous manners and noble bearing. His face was oval, with a pleasing expression; the nose aquiline, the eyes blue, and the complexion fair and inclined to ruddiness. The hair was red, though it became gray soon after he was thirty. Only one authentic portrait of Columbus is known to have been painted. The Italian historian, Paulus Jovius, who was his contemporary, collected a gallery of portraits of worthies of his time at his villa on the Lake of Como. Among them was a portrait of the Admiral. There is an early engraving from it, and very indifferent copies in the Uffizi at Florence, and at Madrid. But until quite recently I do not think that the original was known to exist. It, however, never left the family, and when the last Giovio died it was inherited by her grandson, the Nobile de Orché, who is the present possessor. We have the head of a venerable man, with thin gray hair, the forehead high, the eyes pensive and rather melancholy. It was thus that he doubtless appeared during the period that he was in Spain, after his return in chains, or during the last year of his life.

In his latter years we see Columbus, although as full as ever of his great mission, thinking more and more of the transmission of his rights and his property intact to his children. He had always loved his home, and his amiable and affectionate disposition made many and lasting friendships in all ranks of life, from Queen Isabella and Archbishop Deza to the humblest _grumete_. We find his shipmates serving with him over and over again. Terreros, the Admiral's steward, and Salcedo, his servant, were with him in his first voyage and in his last. His faithful captains, Mendez and Fieschi, risked life and limb for him, and attended him on his deathbed. Columbus was also blessed with two loving and devoted brothers. In one of his letters to his son Diego, he said, "Never have I found better friends, on my right hand and on my left, than my brothers." Bartholomew, especially, was his trusty and gallant defender and counselor in his darkest hours of difficulty and distress, his nurse in sickness, and his helpful companion in health. The enduring affection of these two brothers, from the cradle to the grave, is most touching. Columbus was happy too in his handsome, promising young sons, who were ever dutiful, and whose welfare was his fondest care; they fulfilled all his hopes. One recovered the Admiral's rights, while the other studied his father's professional work, preserved his memorials, and wrote his life. Columbus never forgot his old home at Genoa, and the most precious treasures of the proud city are the documents which her illustrious son confided to her charge, and the letters in which he expressed his affection for his native town. Columbus was a man to reverence, but he was still more a man to love.

The great discoverer's genius was a gift which is only produced once in an age, and it is that which has given rise to the enthusiastic celebration of the fourth centenary of his achievement. To geographers and sailors the careful study of his life will always be useful and instructive. They will be led to ponder over the deep sense of duty and responsibility which produced his unceasing and untiring watchfulness when at sea, over the long training which could alone produce so consummate a navigator, and over that perseverance and capacity for taking trouble which we should all not only admire but strive to imitate. I can not better conclude this very inadequate attempt to do justice to a great subject than by quoting the words of a geographer, whose loss from among us we still continue to feel--the late Sir Henry Yule. He said of Columbus: "His genius and lofty enthusiasm, his ardent and justified previsions, mark the great Admiral as one of the lights of the human race."

A DISCOVERY GREATER THAN THE LABORS OF HERCULES.

PIETRO MARTIRE DE ANGHIERA (usually called Peter Martyr), an
Italian scholar, statesman, and historian. Born at Arona, on Lake
Maggiore, in 1455; died at Granada, Spain, 1526.

To declare my opinion herein, whatsoever hath heretofore been discovered by the famous travayles of Saturnus and Hercules, with such other whom the antiquitie for their heroical acts honoured as Gods, seemeth but little and obscure if it be compared to the victorious labours of the Spanyards.

--Decad. ii, cap. 4, Lok's Translation.

GENIUS TRAVELED WESTWARD.

WILLIAM MASON, an English poet. Born at Hull, 1725; died in 1797.

Old England's genius turns with scorn away,
Ascends his sacred bark, the sails unfurled,
And steers his state to the wide Western World.

MISSION AND REWARD.

J. N. MATTHEWS, in Chicago _Tribune_, 1892.

Sailing before the silver shafts of morn,
He bore the White Christ over alien seas--
The swart Columbus--into "lands forlorn,"
That lay beyond the dim Hesperides.
Humbly he gathered up the broken chain
Of human knowledge, and, with sails unfurled,
He drew it westward from the coast of Spain,
And linked it firmly to another world.

Tho' blinding tempests drove his ships astray,
And on the decks conspiring Spaniards grew
More mutinous and dangerous, day by day,
Than did the deadly winds that round him blew,
Yet the bluff captain, with his bearded lip,
His lordly purpose, and his high disdain,
Stood like a master with uplifted whip,
And urged his mad sea-horses o'er the main.

Onward and onward thro' the blue profound,
Into the west a thousand leagues or more,
His caravels cut the billows till they ground
Upon the shallows of San Salvador.
Then, robed in scarlet like a rising morn,
He climbed ashore and on the shining sod
He gave to man a continent new-born;
Then, kneeling, gave his gratitude to God.

And his reward? In all the books of fate
There is no page so pitiful as this--
A cruel dungeon, and a monarch's hate,
And penury and calumny were his;
Robbed of his honors in his feeble age,
Despoiled of glory, the old Genoese
Withdrew at length from life's ungrateful stage,
To try the waves of other unknown seas.

EAGER TO SHARE THE REWARD.

Letter written by the Duke of MEDINA CELI to the Grand Cardinal of
Spain, Pedro Gonzalez de Mendoza, dated March 19, 1493.

MOST REVEREND SIR: I am not aware whether your Lordship knows that I had Cristoforo Colon under my roof for a long time when he came from Portugal, and wished to go to the King of France, in order that he might go in search of the Indies with his Majesty's aid and countenance. I myself wished to make the venture, and to dispatch him from my port [Santa Maria], where I had a good equipment of three or four caravels, _since he asked no more from me_; but as I recognized that this was an undertaking for the Queen, our sovereign, I wrote about the matter to her Highness from Rota, and she replied that I should send him to her. Therefore I sent him, and asked her Highness that, since I did not desire to pursue the enterprise but had arranged it for her service, she should direct that compensation be made to me, and that I might have a share in it by having the loading and unloading of the commerce done in the port.

Her Highness received him [Colon], and referred him to Alonso de Quintanilla, who, in turn, _wrote me that he did not consider this affair to be very certain_; but that if it should go through, her Highness would give me a reward and part in it. After having well studied it, she agreed to send him in search of the Indies. Some eight months ago he set out, and now has arrived at Lisbon on his return voyage, and has found all which he sought and very completely; which, as soon as I knew, in order to advise her Highness of such good tidings, I am writing by Inares and sending him to beg that she grant me the privilege of sending out there each year some of my own caravels.

I entreat your Lordship that you may be pleased to assist me in this, and also ask it in my behalf; since on my account, and through my keeping him [Colon] _two years in my house_, and having placed him at her Majesty's service, so great a thing as this has come to pass; and because Inares will inform your Lordship more in detail, I beg you to hearken to him.

COLUMBUS STATUE, CITY OF MEXICO.

The Columbus monument, in the Paseo de la Reforma, in the City of Mexico, was erected at the charges of Don Antonio Escandon, to whose public spirit and enterprise the building of the Vera Cruz & Mexico Railway was due. The monument is the work of the French sculptor Cordier. The base is a large platform of basalt, surrounded by a balustrade of iron, above which are five lanterns. From this base rises a square mass of red marble, ornamented with four _basso-relievos_; the arms of Columbus, surrounded with garlands of laurels; the rebuilding of the monastery of Santa Maria de la Rábida; the discovery of the Island of San Salvador; a fragment of a letter from Columbus to Raphael Sanchez, beneath which is the dedication of the monument by Señor Escandon. Above the _basso-relievos_, surrounding the pedestals, are four life-size figures in bronze; in front and to the right of the statue of Columbus (that stands upon a still higher plane), Padre Juan Perez de la Marchena, prior of the Monastery of Santa Maria de la Rábida, at Huelva, Spain; in front and to the left, Padre Fray Diego de Deza, friar of the Order of Saint Dominic, professor of theology at the Convent of St. Stephen, and afterward archbishop of Seville. He was also confessor of King Ferdinand, to the support of which two men Columbus owed the royal favor; in the rear, to the right, Fray Pedro de Gante; in the rear, to the left, Fray Bartolomé de las Casas--the two missionaries who most earnestly gave their protection to the Indians, and the latter the historian of Columbus. Crowning the whole, upon a pedestal of red marble, is the figure of Columbus, in the act of drawing aside the veil that hides the New World. In conception and in treatment this work is admirable; charming in sentiment, and technically good. The monument stands in a little garden inclosed by iron chains hung upon posts of stone, around which extends a large _glorieta_.

THE TRIBUTE OF JOAQUIN MILLER.

JOAQUIN (CINCINNATUS HEINE) MILLER, "the Poet of the Sierras." Born
in Cincinnati, Ohio, November 10, 1842. From a poem in the New York
_Independent_.

Behind him lay the gray Azores,
Behind the gates of Hercules;
Before him not the ghost of shores,
Before him only shoreless seas.
The good mate said, "Now must we pray,
For lo! the very stars are gone.
Brave Adm'ral, speak; what shall I say?"
"Why say, 'Sail on! sail on! and on!'"

"My men grow mutinous day by day;
My men grow ghastly, wan and weak."
The stout mate thought of home; a spray
Of salt wave washed his swarthy cheek.
"What shall I say, brave Adm'ral, say,
If we sight naught but seas at dawn?"
"Why, you shall say, at break of day,
'Sail on! sail on! sail on! and on!'"

They sailed and sailed, as winds might blow,
Until at last the blanched mate said,
"Why, now not even God would know
Should I and all my men fall dead.
These very winds forget their way,
For God from these dread seas is gone.
Now speak, brave Adm'ral, speak and say--"
He said, "Sail on! sail on! and on!"

They sailed. They sailed. Then spoke the mate,
"This mad sea shows its teeth to-night.
He curls his lip, he lies in wait,
With lifted teeth as if to bite.
Brave Adm'ral, say but one good word;
What shall we do when hope is gone?"
The words leapt as a leaping sword,
"Sail on! sail on! sail on! and on!"

Then, pale and worn, he kept his deck,
And peered through darkness. Ah, that night
Of all dark nights! And then a speck--
A light! A light! A light! A light!
It grew, a starlit flag unfurled,
It grew to be Time's burst of dawn.
He gained a world; he gave that world
Its grandest lesson--"On! and on!"

ADMIRAL OF MOSQUITO LAND.

D. H. MONTGOMERY, author of "The Leading Facts of American
History."

Loud was the outcry against Columbus. The rabble nicknamed him the "Admiral of Mosquito Land." They pointed at him as the man who had promised everything, and ended by discovering nothing but "a wilderness peopled with naked savages."

COLUMBUS AND THE INDIANS.

Gen. THOMAS J. MORGAN, Commissioner of Indian Affairs. In an
article, "Columbus and the Indians," in the New York _Independent_,
June 2, 1892.

Columbus, when he landed, was confronted with an Indian problem, which he handed down to others, and they to us. Four hundred years have rolled by, and it is still unsolved. Who were the strange people who met him at the end of his long and perilous voyage? He guessed at it and missed it by the diameter of the globe. He called them Indians--people of India--and thus registered the fifteenth century attainments in geography and anthropology. How many were there of them? Alas! there was no census bureau here then, and no record has come down to us of any count or enumeration. Would they have lived any longer if they had been counted? Would a census have strengthened them to resist the threatened tide of invaders that the coming of Columbus heralded? If instead of corn they had presented census rolls to their strange visitors, and exhibited maps to show that the continent was already occupied, would that have changed the whole course of history and left us without any Mayflower or Plymouth Rock, Bunker Hill or Appomattox?

INTENSE UNCERTAINTY.

CHARLES MORRIS, an American writer of the present day. In "Half
Hours with American History."

The land was clearly seen about two leagues distant, whereupon they took in sail and waited impatiently for the dawn. The thoughts and feelings of Columbus in this little space of time must have been tumultuous and intense. At length, in spite of every difficulty and danger, he had accomplished his object. The great mystery of the ocean was revealed; his theory, which had been the scoff of sages, was triumphantly established; he secured to himself a glory durable as the world itself.

It is difficult to conceive the feelings of such a man at such a moment, or the conjectures which must have thronged upon his mind as to the land before him, covered with darkness. A thousand speculations must have swarmed upon him, as with his anxious crews he waited for the night to pass away, wondering whether the morning light would reveal a savage wilderness, or dawn upon spicy groves and glittering fanes and gilded cities, and all the splendor of oriental civilization.

THE FIRST TO GREET COLUMBUS.

EMMA HUNTINGTON NASON. A poem in _St. Nicholas_, July, 1892,
founded upon the incident of Columbus' finding a red thorn bush
floating in the water a few days before sighting Watling's Island.

When the feast is spread in our country's name,
When the nations are gathered from far and near,
When East and West send up the same
Glad shout, and call to the lands, "Good cheer!"
When North and South shall give their bloom,
The fairest and best of the century born.
Oh, then for the king of the feast make room!
Make room, we pray, for the scarlet thorn!

Not the golden-rod from the hillsides blest,
Not the pale arbutus from pastures rare,
Nor the waving wheat from the mighty West,
Nor the proud magnolia, tall and fair,
Shall Columbia unto the banquet bring.
They, willing of heart, shall stand and wait,
For the thorn, with his scarlet crown, is king.
Make room for him at the splendid fête!

Do we not remember the olden tale?
And that terrible day of dark despair,
When Columbus, under the lowering sail,
Sent out to the hidden lands his prayer?
And was it not he of the scarlet bough
Who first went forth from the shore to greet
That lone grand soul at the vessel's prow,
Defying fate with his tiny fleet?

Grim treachery threatened, above, below,
And death stood close at the captain's side,
When he saw--Oh, joy!--in the sunset glow,
The thorn-tree's branch o'er the waters glide.
"Land! Land ahead!" was the joyful shout;
The vesper hymn o'er the ocean swept;
The mutinous sailors faced about;
Together they fell on their knees and wept.

At dawn they landed with pennons white;
They kissed the sod of San Salvador;
But dearer than gems on his doublet bright
Were the scarlet berries their leader bore;
Thorny and sharp, like his future crown,
Blood-red, like the wounds in his great heart made,
Yet an emblem true of his proud renown
Whose glorious colors shall never fade.

COLUMBA CHRISTUM-FERENS--WHAT'S IN A NAME?

New Orleans _Morning Star and Catholic Messenger_, August 13, 1892.

The poet says that a rose by any other name would smell as sweet, but there is no doubt that certain names are invested with a peculiar significance. It would appear also that this significance is not always a mere chance coincidence, but is intended, sometimes, to carry the evidence of an overruling prevision. Christopher Columbus was not so named _after_ his achievements, like Scipio Africanus. The name was his from infancy, though human ingenuity could not have conceived one more wonderfully suggestive of his after career.

Columba means a dove. Was there anything dove-like about Columbus? Perhaps not, originally, but his many years of disappointment and humiliation, of poverty and contempt, of failure and hopelessness, were the best school in which to learn patience and sweetness under the guiding hand of such teachers as faith and piety. Was anything wanting to perfect him in the unresisting gentleness of the dove? If so, his guardian angel saw to it when he sent him back in chains from the scenes of his triumph. He then and there, by his meekness, established his indefeasible right to the name _Columbus_--the right of conquest.

And Christopher--_Christum-ferens_--the Christ-bearer? A saint of old was so called because one day he carried the child Christ on his shoulders across a dangerous ford. People called him _Christo-pher_. But what shall we say of the man who carried Christ across the stormy terrors of the unknown sea? Wherever the modern Christopher landed, there he planted the cross; his first act was always one of devout worship. And now that cross and that worship are triumphant from end to end, and from border to border, of that New World. The very fairest flower of untrammeled freedom in the diadem of the Christian church is to-day blooming within the mighty domain which this instrument of Providence wrested from the malign sway of error. Shall not that New World greet him as the Christ-bearer? Indeed, there must have been more than an accidental coincidence when, half a century in advance of events, the priest, in pouring the sacred waters of baptism, proclaimed the presence of one who was to be truly a Christopher--one who should carry Christ on the wings of a dove.

CIRCULAR LETTER OF THE ARCHBISHOP OF NEW ORLEANS ON THE CHRISTOPHER COLUMBUS CELEBRATION.

From the _Morning Star and Catholic Messenger_, New Orleans, August
13, 1892.

REVEREND AND DEAR FATHER: The fourth centenary of the discovery of America by Christopher Columbus is at hand. It is an event of the greatest importance. It added a new continent to the world for civilization and Christianity; it gave our citizens a home of liberty and freedom, a country of plenty and prosperity, a fatherland which has a right to our deepest and best feelings of attachment and affection. Christopher Columbus was a sincere and devout Catholic; his remarkable voyage was made possible by the intercession of a holy monk; and by the patronage and liberality of the pious Queen Isabella, the cross of Christ, the emblem of our holy religion, was planted on America's virgin soil, and the _Te Deum_ and the holy mass were the first religious services held on the same; it is therefore just and proper that this great event and festival should be celebrated in a religious as well as in a civil manner.

Our Holy Father the Pope has appointed the 12th of October, and His Excellency the President of the United States has assigned the 21st of October, as the day of commemoration. The discrepancy of dates is based on the difference of the two calendars. When Columbus discovered this country, the old Julian calendar was in vogue, and the date of discovery was marked the 12th; but Pope Gregory XIII. introduced the Gregorian calendar, according to which the 21st would now be the date. We will avail ourselves of both dates--the first date to be of a religious, the second of a civil, character. We therefore order that on the 12th of October a solemn votive mass (_pro gratiarum actione dicendo Missam votivam de S. S. Trinitate_), in honor of the Blessed Trinity, be sung in all the churches of the diocese, at an hour convenient to the parish, with an exhortation to the people, as thanksgiving to God for all his favors and blessings, and as a supplication to Him for the continuance of the same, and that all the citizens of this vast country may ever dwell in peace and union.

Let the 21st be a public holiday. We desire that the children of our schools assemble in their Sunday clothes at their school-rooms or halls, and that after a few appropriate prayers some exercises be organized to commemorate the great event, and at the same time to fire their young hearts with love of country, and with love for the religion of the cross of Christ, which Columbus planted on the American shore. We further desire that the different Catholic organizations and societies arrange some programme by which the day may be spent in an agreeable and instructive manner.

For our archiepiscopal city we make these special arrangements: On the 12th, at half-past 7 o'clock P. M., the cathedral will be open to the public; the clergy of the city is invited to assemble at 7 o'clock, at the archbishopric, to march in procession to the cathedral, where short sermons of ten minutes each will be preached in five different languages--Spanish, French, English, German, and Italian. The ceremony will close with Benediction of the Blessed Sacrament and the solemn singing of the _Te Deum_. In order to celebrate the civil solemnity of the 21st, we desire that a preliminary meeting be held at St. Alphonsus' Hall, on Monday evening, the 22d of August, at 8 o'clock. The meeting will be composed of the pastors of the city, of two members of each congregation--to be appointed by them--and of the presidents of the various Catholic societies. This body shall arrange the plan how to celebrate the 21st of October.

May God, who has been kind and merciful to our people in the past, continue his favors in the future and lead us unto life everlasting.

The pastors will read this letter to their congregations.

Given from our archiepiscopal residence, Feast of St. Dominic, August the 4th, 1892.

FRANCIS JANSSENS,
_Archbishop of New Orleans_.

By order of His Grace:
J. BOGAERTS, _Vicar-general_.

THE COLUMBUS STATUE IN THE CITY OF NEW YORK

Stands at the Eighth Avenue and Fifty-ninth Street entrance to Central Park, and was erected October 12, 1892, by subscription among the Italian citizens of the United States, Canada, Mexico, and Central America. From a base forty-six feet square springs a beautiful shaft of great height, the severity of outline being broken by alternating lines of figures, in relief, of the prows, or rostra, of the three ships of Columbus, and medallions composed of an anchor and a coil of rope. In July, 1889, Chevalier Charles Barsotti, proprietor of the _Progresso Italo-Americano_, published in New York City, started a subscription to defray the cost, which was liberally added to by the Italian government. On December 10, 1890, a number of models were placed on exhibition at the rooms of the Palace of the Exposition of Arts in Rome, and the commission finally chose that of Prof. Gaetano Russo.

The monument is seventy-five feet high, including the three great blocks, or steps, which form the foundation; and, aside from the historical interest it may have, as a work of art alone its possession might well be envied by any city or nation. The base, of Baveno granite, has two beautiful bas-relief pictures in bronze, representing on one side the moment when Columbus first saw land, and on the other the actual landing of the party on the soil. Two inscriptions, higher up on the monument, one in English and one in Italian, contain the dedication. The column is also of Baveno granite, while the figure of the Genius of Geography and the statue proper of Columbus are of white Carrara marble, the former being ten feet high and the latter fourteen. There is also a bronze eagle, six feet high, on the side opposite the figure of Genius of Geography, holding in its claws the shields of the United States and of Genoa. The rostra and the inscription on the column are in bronze.

This great work was designed by Prof. Gaetano Russo, who was born in Messina, Sicily, fifty-seven years ago. Craving opportunities for study and improvement, he made his way to Rome when a mere lad but ten years old. In this great art center his genius developed early, and his later years have been filled with success. Senator Monteverde of Italy, one of the best sculptors of modern times, says that this is one of the finest monuments made during the last twenty-five years. On accepting the finished monument from the artist, the commission tendered him the following: "The monument of Columbus made by you will keep great in America the name of Italian art. It is very pleasant to convey to the United States--a strong, free, and independent people--the venerated resemblance of the man who made the civilization of America possible."

On the sides of the base, between the massive posts which form the corners, are found the inscriptions in Italian and English, composed by Prof. Ugo Fleres of Rome, and being as follows:

TO
CHRISTOPHER COLUMBUS,
THE ITALIANS RESIDENT IN AMERICA.

SCOFFED AT BEFORE;
DURING THE VOYAGE, MENACED;
AFTER IT, CHAINED;
AS GENEROUS AS OPPRESSED,
TO THE WORLD HE GAVE A WORLD.

JOY AND GLORY
NEVER UTTERED A MORE THRILLING CALL
THAN THAT WHICH RESOUNDED
FROM THE CONQUERED OCEAN
IN SIGHT OF THE FIRST AMERICAN ISLAND,
LAND! LAND!

ON THE XII. OF OCTOBER, MDCCCXCII
THE FOURTH CENTENARY
OF THE DISCOVERY OF AMERICA,
IN IMPERISHABLE REMEMBRANCE.

Near the base of the monument, on the front of the pedestal, is a representation of the Genius of Geography in white Carrara marble. It is a little over eleven feet high, and is represented as a winged angel bending over the globe, which it is intently studying while held beneath the open hand.

On the front and back of the base the corresponding spaces are filled with two magnificent allegorical pictures in bas-relief representing the departure from Spain and the landing in America of Columbus. The latter one is particularly impressive, and the story is most graphically told by the strongly drawn group, of which he is the principal figure, standing in at attitude of prayer upon the soil of the New World he has just discovered. To the left are his sailors drawing the keel of a boat upon the sand, and on the right the Indians peep cautiously out from a thicket of maize at the strange creatures whom they mistake for the messengers of the Great Spirit. Towering over all, at the apex of the column, stands the figure of the First Admiral himself, nobly portrayed in snowiest marble. The figure is fourteen feet in height and represents the bold navigator wearing the dress of the period, the richly embroidered doublet, or waistcoat, thrown back, revealing a kilt that falls in easy folds from a bodice drawn tightly over the broad chest beneath. Not only the attitude of the figure but the expression of the face is commanding, and as you look upon the clearly cut features you seem to feel instinctively the presence of the man of genius and power, which the artist has forcibly chiseled.

The Italian government decided to send the monument here in the royal transport Garigliano. Also, as a token of their good-will to the United States, they ordered their first-class cruiser, Giovanni Bausan, to be in New York in time to take part in the ceremonies attending the unveiling and also the ceremonies by the city and State of New York.

All the work on the foundation was directed gratuitously by the architect V. Del Genoese and Italian laborers. The materials were furnished free by Messrs. Crimmins, Navarro, Smith & Sons, and others.

The executive committee in New York was composed of Chevalier C. Barsotti, president; C. A. Barattoni and E. Spinetti, vice-presidents; G. Starace, treasurer; E. Tealdi and G. N. Malferrari, secretaries; of the presidents of the Italian societies of New York, Brooklyn, Jersey City, and Hoboken; and of sixty-five members chosen from the subscribers as trustees.

THE COLUMBUS MEMORIAL ARCH IN NEW YORK.

Richard M. Hunt, John Lafarge, Augustus St. Gaudens, L. P. di Cesnola, and Robert J. Hoguet of the Sub-Committee on Art of the New York Columbian Celebration, awarded on September 1, 1892, the prizes offered for designs for an arch to be erected at the entrance to Central Park at Fifty-ninth Street and Fifth Avenue.

The committee chose, from the numerous designs submitted, four which were of special excellence. That which was unanimously acknowledged to be the best was submitted with the identification mark, "Columbia," and proved to be the work of Henry B. Hertz of 22 West Forty-third Street. Mr. Hertz will receive a gold medal, and the arch which he has designed will be erected in temporary form for the Columbian celebration in October, 1892, and will be constructed as a permanent monument of marble and bronze to the Genius of Discovery if $350,000 can be secured to build it. The temporary structure is estimated to cost $7,500.

The design which the committee decided should receive the second prize was offered by Franklin Crosby Butler and Paul Emil Dubois of 80 Washington Square, East, and was entitled, "The Santa Maria." A silver medal will be given to the architects. The designs selected for honorable mention were one of Moorish character, submitted by Albert Wahle of 320 East Nineteenth Street, and one entitled "Liberty," by J. C. Beeckman of 160 Fifth Avenue.

Mr. Hertz' design was selected by the committee not alone for its artistic beauty, but because of its peculiar fitness. The main body of the arch is to be built of white marble, and with its fountains, its polished monolithic columns of pigeon-blood marble, its mosaic and gold inlaying, and the bas-relief work and surmounting group of bronze, the committee say it will be a monument to American architecture of which the city will be proud.

From the ground to the top of the bronze caravel in the center of the allegorical group with which the arch will be surmounted the distance will be 160 feet, and the entire width of the arch will be 120 feet. The opening from the ground to the keystone will be eighty feet high and forty feet wide. On the front of each pier will be two columns of pigeon-blood-red marble. Between each pair of columns and at the base of each pier will be large marble fountains, the water playing about figures representing Victory and Immortality. These fountains will be lighted at night with electric lights. The surface of the piers between the columns will be richly decorated in bas-relief with gold and mosaic. Above each fountain will be a panel, one representing Columbus at the court of Spain, and the other the great discoverer at the Convent of Rábida, just before his departure on the voyage which resulted in the discovery of America. In the spaces on either side of the crown of the arch will be colossal reclining figures of Victory in bas-relief.

The highly decorated frieze will be of polished red marble, and surmounting the projecting keystone of the arch will be a bronze representation of an American eagle. On the central panel of the attic will be the inscription: "The United States of America, in Memorial Glorious to Christopher Columbus, Discoverer of America." The ornamentation of the attic consists of representations of Columbus' entrance into Madrid. Crowning all is to be a group in bronze symbolical of Discovery. In this group there will be twelve figures of heroic size, with a gigantic figure representing the Genius of Discovery heralding to the world the achievements of her children.

Mr. Hertz, the designer, is only twenty-one years old, and is a student in the department of architecture of Columbia College.

THE SPANISH FOUNTAIN IN NEW YORK.

The Spanish-American citizens also wish to present a monument to the city in honor of the discovery. It is proposed to have a Columbus fountain, to be located on the Grand Central Park plaza, at Fifth Avenue and Fifty-ninth Street, in the near future. The statuary group of the fountain represents Columbus standing on an immense globe, and on either side of him is one of the Pinzon brothers, who commanded the Pinta and Niña. Land has been discovered, and on the face of Columbus is an expression of prayerful thanksgiving. The brother Pinzon who discovered the land is pointing to it, while the other, with hand shading his eyes, anxiously seeks some sign of the new continent.

It is proposed to cast the statuary group in New York of cannon donated by Spain and Spanish-American countries. The first of the cannon has already arrived, the gift of the republic of Spanish Honduras.

The proposed inscription reads:

_A
COLON
y Los
PINZONES
Los Españoles
E Hispaño-Americanos
De
Nueva York._

To COLUMBUS and the PINZONS, the Spaniards
and Spanish-Americans of New York.

FESTIVAL ALLEGORY FOR THE NEW YORK CELEBRATION OF THE 400TH ANNIVERSARY OF COLUMBUS' DISCOVERY, 1892.

One of the features of the New York celebration of the Columbus Quadro-Centennial is to be the production, October 10th, in the Metropolitan Opera House, of "The Triumph of Columbus," a festival allegory, by S. G. Pratt.

The work is written for orchestra, chorus, and solo voices, and is in six scenes or parts, the first of which is described as being "in the nature of a prologue, wherein a dream of Columbus is pictured. Evil spirits and sirens hover about the sleeping mariner threatening and taunting him. The Spirit of Light appears, the tormentors vanish, and a chorus of angels join the Spirit of Light in a song of 'Hope and Faith.'"