Chapter II: Part 2

COLOR NAME. Plate. Color or hue Number. Tone.
Absinthe Green XXXI 29′′ —
Acajou Red XIII 1′ _i_
Acetin Blue XXXV 49′′ _k_
Ackermann's Green XVIII 35′ _k_
Aconite Violet XXXVII 63′′ —
Ageratum Violet XXXVII 63′′ _b_
Alice Blue XXXIV 45′′ _b_
Alizarine Blue XXI 51′ _m_
Alizarine Pink XIII 1′ _d_
Amaranth Pink XII 69 _d_
Amaranth Purple XII 69 _i_
Amber Brown III 13 _k_
Amber Yellow XVI 21′ _b_
American Green XLI 33′′′ _i_
Amethyst Violet XI 61 —
Amparo Blue IX 51 _b_
Amparo Purple XI 63 _b_
Andover Green XLVII 25′′′′ _i_
Aniline Black L 69′′′′ _m_
Aniline Lilac XXXV 53′′ _d_
Aniline Yellow IV 19 _i_
Anthracene Green VII 39 _m_
Anthracene Purple XLIV 69′′′ _k_
Anthracene Violet XXV 61′ _k_
Antimony Yellow XV 17′ _b_
Antique Brown III 17 _k_
Antique Green VI 35 _m_
*Antwerp Blue VIII 45 _k_
*Apple Green XVII 29′ —
Apricot Buff XIV 11′ _b_
Apricot Orange XIV 11′ —
Apricot Yellow IV 19 _b_
Argus Brown III 13 _m_
Argyle Purple XXXVII 65′′ _b_
Army Brown XL 13′′′ _i_
Artemisia Green XLVII 33′′′′ —
Asphodel Green XLI 29′′′ —
*Aster Purple XII 67 _i_
Auburn II 11 _m_
*Auricula Purple XXVI 69′ _k_
Avellaneous XL 17′′′ _b_
Azurite Blue IX 53 _m_
Barium Yellow XVI 23′ _d_
Baryta Yellow IV 21 _f_
*Bay II 7 _m_
Begonia Rose I 1 _b_
Benzo Brown XLVI 13′′′′ _i_
Benzol Green VII 41 —
*Berlin Blue VIII 47 _m_
Beryl Blue VIII 43 _f_
*Beryl Green XIX 41′ _b_
*Bice Green XVII 29′ _k_
Biscay Green XVII 27′ _i_
Bishop's Purple XXXVII 65′′ —
*Bister XXIX 15′′ _m_
Bittersweet Orange II 9 _b_
Bittersweet Pink II 9 _d_
*Black LIII 73 (1)
Blackish Brown (1) XLV 1′′′′ _m_
Blackish Brown (2) XLV 5′′′′ _m_
Blackish Brown (3) XLV 9′′′′ _m_
Blackish Green-Blue VIII 43 _m_
Blackish Green-Gray LII 35′′′′′ _m_
Blackish Mouse Gray LI 15′′′′′ _m_
Blackish Plumbeous LII 49′′′′′ _k_
Blackish Purple XI 65 _m_
Blackish Red-Purple XII 67 _m_
*Blackish Slate LIII 75 (3)
Blackish Violet X 59 _m_
Blackish Violet-Gray LII 59′′′′′ _m_
Blanc's Blue XX 47′ _k_
Blanc's Violet XXIII 59′ _k_
Blue-Violet X 55 —
Blue-Violet Black XLIX 57′′′′ _m_
Bluish Black XLIX 49′′′′ _m_
Bluish Glaucous XLII 37′′′ _f_
Bluish Gray-Green XLII 41′′′ —
Bluish Lavender XXXVI 57′′ _d_
Bluish Slate-Black XLVIII 45′′′′ _m_
Bluish Violet X 57 —
Bone Brown XL 13′′′ _m_
Bordeaux XII 71 _k_
*Bottle Green XIX 37′ _m_
Bradley's Blue IX 51 —
Bradley's Violet XXIII 59′ —
Brazil Red I 5 _i_
Bremen Blue XX 43′ _b_
*Brick Red XIII 5′ _k_
Bright Chalcedony Yellow XVII 25′ —
Bright Green-Yellow V 27 —
Brownish Drab XLV 9′′′′ —
Brownish Olive XXX 19′′ _m_
Brownish Vinaceous XXXIX 5′′′ _b_
Brussels Brown III 15 _m_
Buckthorn Brown XV 17′ _i_
*Buff-Pink XXVIII 11′′ _d_
*Buff-Yellow IV 19 _d_
Buffy Brown XL 17′′′ _i_
Buffy Citrine XVI 19′ _k_
Buffy Olive XXX 21′′ _k_
Burn Blue XXXIV 47′′ _f_
Burnt Lake XII 71 _m_
*Burnt Sienna II 9 _k_
*Burnt Umber XXVIII 9′′ _m_
Cacao Brown XXVIII 9′′ _i_
Cadet Blue XXI 49′ _i_
Cadet Gray XLII 45′′′ _b_
*Cadmium Orange III 13 —
*Cadmium Yellow III 17 —
Calamine Blue VIII 43 _d_
Calla Green V 25 _m_
Calliste Green VI 31 _i_
Cameo Brown XXVIII 7′′ _k_
Cameo Pink XXVI 71′ _f_
*Campanula Blue XXIV 55* _b_
Capri Blue XX 43′ _i_
Capucine Buff III 13 _f_
Capucine Orange III 13 _d_
Capucine Yellow III 15 _b_
*Carmine I 1 _i_
Carnelian Red XIV 7′ —
Carob Brown XIV 9′ _m_
Carrot Red XIV 7′ _b_
Cartridge Buff XXX 19′′ _f_
Castor Gray LII 35′′′′′ _i_
Cedar Green VI 31 _m_
Celandine Green XLVII 33′′′′ _b_
Cendre Blue VIII 43 _b_
Cendre Green VI 35 _b_
Cerro Green V 27 _m_
*Cerulean Blue VIII 45 —
Chaetura Black XLVI 17′′′′ _m_
Chaetura Drab XLVI 17′′′′ _k_
Chalcedony Yellow XVII 25′ _b_
Chamois XXX 19′′ _b_
Chapman's Blue XXII 49* _i_
Chartreuse Yellow XXXI 25′′ _d_
Chatenay Pink XIII 3′ _f_
Chessylite Blue XX 45′ _k_
*Chestnut II 9 _m_
Chestnut-Brown XIV 11′ _m_
Chicory Blue XXIV 57* _d_
*China Blue XX 45′ _i_
Chinese Violet XXV 65′ _b_
*Chocolate XXVIII 7′′ _m_
*Chromium Green XXXII 31′′ _i_
Chrysolite Green XXXI 27′′ _b_
Chrysoprase Green VII 37 _b_
*Cinereous LII 49′′′′′ _d_
*Cinnamon XXIX 15′′ —
Cinnamon-Brown XV 15′ _k_
Cinnamon-Buff XXIX 17′′ _b_
Cinnamon-Drab XLVI 13′′′′ —
*Cinnamon-Rufous XIV 11′ _i_
Citrine IV 21 _k_
Citrine-Drab XL 21′′′ _i_
Citron Green XXXI 25′′ _b_
*Citron Yellow XVI 23′ _b_
Civette Green XVIII 31′ _k_
*Claret Brown I 5 _m_
*Clay Color XXIX 17′′ —
Clear Cadet Blue XXI 49′ —
Clear Dull Green Yellow XVII 27′ _b_
Clear Fluorite Green XXXII 33′′ _b_
Clear Green-Blue Gray XLVIII 45′′′′ _d_
Clear Payne's Gray XLIX 49′′′′ _b_
Clear Windsor Blue XXXV 49′′ —
Clear Yellow-Green VI 31 _b_
*Clove Brown XL 17′′′ _m_
Cobalt Green XIX 37′ _b_
Colonial Buff XXX 21′′ _d_
Columbia Blue XXXIV 47′′ _b_
Commelina Blue XXI 51′ —
Congo Pink XXVIII 7′′ _b_
Coral Pink XIII 5′ _d_
*Coral Red XIII 5′ —
Corinthian Pink XXVII 3′′ _d_
Corinthian Purple XXXVIII 69′′ _k_
Corinthian Red XXVII 3′′ —
Cornflower Blue XXI 53′ —
Corydalis Green XLI 29′′′ _d_
Cossack Green VI 33 _m_
Cosse Green V 29 _i_
Cotinga Purple XI 63 _k_
Courge Green XVII 25′ _i_
Court Gray XLVII 29′′′′ _f_
*Cream Color XVI 19′ _f_
*Cream-Buff XXX 19′′ _d_
Cress Green XXXI 29′′ _k_
*Cyanine Blue IX 51 _m_
Dahlia Carmine XXVI 71′ _k_
*Dahlia Purple XII 67 _k_
Danube Green XXXII 35′′ _m_
Daphne Pink XXXVIII 69′′ _b_
Daphne Red XXXVIII 69′′ —
Dark American Green XLI 33′′′ _k_
Dark Aniline Blue X 55 _m_
Dark Anthracene Violet XXV 61′ _m_
Dark Bluish Glaucous XLII 37′′′ _b_
Dark Bluish Gray-Green XLII 41′′′ _k_
Dark Bluish Violet X 57 _m_
Dark Cadet Blue XXI 49′ _m_
Dark Chessylite Blue XX 45′ _m_
Dark Cinnabar Green XIX 39′ _k_
Dark Citrine IV 21 _m_
Dark Corinthian Purple XXXVIII 69′′ _m_
Dark Cress Green XXXI 29′′ _m_
Dark Delft Blue XLII 45′′′ _m_
Dark Diva Blue XXI 51′ _k_
Dark Dull Bluish Violet (1) XXIV 57* _k_
Dark Dull Bluish Violet (2) XXXV 51′′ _k_
Dark Dull Bluish Violet (3) XXXVI 57′′ _k_
Dark Dull Violet-Blue XXIV 53* _k_
Dark Dull Violet-Blue XXXV 53′′ _k_
Dark Dull Yellow-Green XXXII 31′′ _m_
Dark Glaucous-Gray XLVIII 37′′′′ _b_
Dark Gobelin Blue XXXIV 43′′ _k_
Dark Grayish Blue-Green XLVIII 37′′′′ _k_
Dark Grayish Blue-Violet XXIV 55* _k_
Dark Grayish Brown XLV 5′′′′ _k_
Dark Grayish Lavender XLIII 57′′′ _b_
Dark Grayish Olive XLVI 21′′′′ _k_
Dark Green XVIII 35′ _m_
Dark Green-Blue Gray XLVIII 45′′′′ —
Dark Green-Blue Slate XLVIII 45′′′′ _k_
Dark Greenish Glaucous XLI 33′′′ _b_
Dark Greenish Olive XXX 23′′ _m_
Dark Gull Gray LIII 75 (6)
Dark Heliotrope Gray L 65′′′′ —
Dark Heliotrope Slate L 65′′′′ _k_
Dark Hyssop Violet XXXVI 59′′ _k_
Dark Indian Red XXVII 3′′ _m_
Dark Ivy Green XLVII 25′′′′ _k_
Dark Lavender XLIV 61′′′ _b_
Dark Livid Brown XXXIX 1′′′ _k_
Dark Livid Purple XXXVII 63′′ _m_
Dark Madder Blue XLIII 53′′′ _k_
Dark Madder Violet XXV 63′ _m_
Dark Maroon Purple XXVI 71′ _m_
Dark Medici Blue XLVIII 41′′′′ _i_
Dark Mineral Red XXVII 1′′ _m_
Dark Mouse Gray LI 15′′′′′ _k_
Dark Naphthalene Violet XXXVII 61′′ _m_
Dark Neutral Gray LIII 73 _k_
Dark Nigrosin Violet XXV 65′ _m_
Dark Olive XL 21′′′ _m_
Dark Olive-Buff XL 21′′′ —
Dark Olive-Gray LI 23′′′′′ _i_
Dark Orient Blue XXXIV 45′′ _k_
Dark Payne's Gray XLIX 49′′′′ _k_
Dark Perilla Purple XXXVII 65′′ _m_
Dark Plumbago Blue XLIII 53′′′ _b_
Dark Plumbago Gray L 61′′′′ —
Dark Plumbago Slate L 61′′′′ _k_
Dark Plumbeous LII 49′′′′′ _i_
Dark Porcelain Green XXXIII 39′′ _k_
Dark Purple-Drab XLV 1′′′′ _i_
Dark Purplish Gray LIII 67′′′′′ _k_
Dark Quaker Drab LI 1′′′′′ _k_
Dark Russian Green XLII 37′′′ _k_
Dark Slate-Purple XLIV 65′′′ _k_
Dark Slate-Violet (1) XLIII 57′′′ _k_
Dark Slate-Violet (2) XLIV 61′′′ _k_
Dark Soft Blue-Violet XXIII 55′ _k_
Dark Soft Bluish Violet XXIII 57′ _k_
Dark Sulphate Green XIX 39′ _i_
Dark Terre Verte XXXIII 41′′ _k_
Dark Tyrian Blue XXXIV 47′′ _k_
Dark Varley's Gray XLIX 57′′′′ _k_
Dark Vinaceous XXVII 1′′ —
Dark Vinaceous-Brown XXXIX 5′′′ _k_
Dark Vinaceous-Drab XLV 5′′′′ _i_
Dark Vinaceous-Gray L 69′′′′ —
Dark Vinaceous-Purple XXXVIII 67′′ _k_
Dark Violet X 59 _k_
Dark Violet-Gray LII 59′′′′′ _k_
Dark Violet-Slate XLIX 53′′′′ _k_
Dark Viridian Green VII 37 _k_
Dark Yellowish Green XVIII 33′ _m_
Dark Yvette Violet XXXVI 55′′ _m_
Dark Zinc Green XIX 37′ _k_
Dauphin's Violet XXIII 59′ _i_
Dawn Gray LII 35′′′′′ _d_
Deep Aniline Lilac XXXV 53′′ _b_
Deep Blue-Violet X 55 _i_
Deep Bluish Glaucous XLII 37′′′ _d_
Deep Bluish Gray-Green XLII 41′′′ _i_
Deep Brownish Drab XLV 9′′′′ _i_
Deep Brownish Vinaceous XXXIX 5′′′ —
Deep Cadet Blue XXI 49′ _k_
Deep Chicory Blue XXIV 57* _b_
*Deep Chrome III 17 _b_
Deep Chrysolite Green XXXI 27′′ —
Deep Colonial Buff XXX 21′′ _b_
Deep Corinthian Red XXVII 3′′ _i_
Deep Delft Blue XLII 45′′′ _k_
Deep Dull Bluish Violet (1) XXIV 57* _i_
Deep Dull Bluish Violet (2) XXXV 51′′ _i_
Deep Dull Bluish Violet (3) XXXVI 57′′ _i_
Deep Dull Lavender XLIV 61′′′ _d_
Deep Dull Violaceous Blue XXII 51* _k_
Deep Dull Violet-Blue XXXV 53′′ _i_
Deep Dull Yellow-Green (1) XXXII 31′′ _k_
Deep Dull Yellow-Green (2) XXXII 33′′ _k_
Deep Dutch Blue XLIII 49′′′ —
Deep Glaucous-Gray XLVIII 37′′′′ _d_
Deep Glaucous-Green XXXIII 39′′ _b_
Deep Grape Green XLI 25′′′ _i_
Deep Grayish Blue-Green XLVIII 37′′′′ _i_
Deep Grayish Lavender XLIII 57′′′ _d_
Deep Grayish Olive XLVI 21′′′′ _i_
Deep Green-Blue Gray XLVIII 45′′′′ _b_
Deep Greenish Glaucous XLI 33′′′ _d_
Deep Gull Gray LIII 75 (7)
Deep Heliotrope Gray L 65′′′′ _b_
Deep Hellebore Red XXXVIII 71′′ _i_
Deep Hyssop Violet XXXVI 59′′ _i_
Deep Lavender XXXVI 59′′ _d_
Deep Lavender-Blue XXI 53′ _b_
Deep Lichen Green XXXIII 37′′ _d_
Deep Livid Brown XXXIX 1′′′ _i_
Deep Livid Purple XXXVII 63′′ _k_
Deep Madder Blue XLIII 53′′′ _i_
Deep Malachite Green XXXII 35′′ —
Deep Medici Blue XLVIII 41′′′′ —
Deep Mouse Gray LI 15′′′′′ _i_
Deep Neutral Gray LIII 73 _i_
Deep Olive XL 21′′′ _k_
Deep Olive-Buff XL 21′′′ _b_
Deep Olive-Gray LI 23′′′′′ —
Deep Orient Blue XXXIV 45′′ _i_
Deep Payne's Gray XLIX 49′′′′ _i_
Deep Plumbago Blue XLIII 53′′′ _d_
Deep Plumbago Gray L 61′′′′ _b_
Deep Plumbeous LII 49′′′′′ —
Deep Purplish Gray LIII 67′′′′′ _i_
Deep Purplish Vinaceous XLIV 69′′′ —
Deep Quaker Drab LI 1′′′′′ _i_
Deep Rose-Pink XII 71 _d_
Deep Seafoam Green XXXI 27′′ _d_
Deep Slate-Blue XLIII 49′′′ _k_
Deep Slate-Green XLVII 33′′′′ _k_
Deep Slate-Olive XLVII 29′′′′ _k_
Deep Slate-Violet XLIV 61′′′ _i_
Deep Slaty Brown L 69′′′′ _k_
Deep Soft Blue-Violet XXIII 55′ _i_
Deep Soft Bluish Violet XXIII 57′ _i_
Deep Turtle Green XXXII 31′′ —
Deep Varley's Gray XLIX 57′′′′ _i_
Deep Vinaceous XXVII 1′′ _b_
Deep Vinaceous-Gray L 69′′′′ _b_
Deep Vinaceous-Lavender XLIV 65′′′ _d_
Deep Violet-Gray LII 59′′′′′ _i_
Deep Violet-Plumbeous XLIX 53′′′′ —
Deep Wedgewood Blue XXI 51′ _d_
Delft Blue XLII 45′′′ _i_
Diamin-Azo Blue XXXV 51′′ _m_
Diamine Brown XIII 3′ _m_
Diamine Green VII 37 _m_
Diva Blue XXI 51′ _i_
*Drab XLVI 17′′′′ —
*Drab-Gray XLVI 17′′′′ _d_
*Dragon's-blood Red XIII 5′ _i_
Dresden Brown XV 17′ _k_
Duck Green XIX 39′ _m_
Dull Blackish Green XLI 33′′′ _m_
Dull Blue-Green Black XLVIII 41′′′′ _m_
Dull Blue-Violet (1) XXIV 55* —
Dull Blue-Violet (2) XXXVI 55′′ _i_
Dull Bluish Violet (1) XXIV 57* —
Dull Bluish Violet (2) XXXV 51′′ —
Dull Bluish Violet (3) XXXVI 57′′ —
Dull Citrine XVI 21′ _k_
Dull Dark Purple XXVI 67′ _k_
Dull Dusky Purple XXVI 67′ _m_
Dull Green-Yellow XVII 27′ —
Dull Greenish Black (1) XLVII 29′′′′ _m_
Dull Greenish Black (2) XLVII 33′′′′ _m_
Dull Indian Purple XLIV 69′′′ _i_
Dull Lavender XLIV 61′′′ _f_
Dull Magenta Purple XXVI 67′ _i_
Dull Opaline Green XIX 37′ _f_
Dull Purplish Black L 65′′′′ _m_
Dull Violaceous Blue XXII 51* —
Dull Violet-Black (1) XLIV 61′′′ _m_
Dull Violet-Black (2) XLIX 53′′′′ _m_
Dull Violet-Black (3) L 61′′′′ _m_
Dull Violet-Blue XXIV 53* —
Dull Violet-Blue XXXV 53′′ —
Dusky Auricula Purple XXVI 69′ _m_
Dusky Blue XXII 49* _m_
Dusky Blue-Green XXXIII 39′′ _m_
Dusky Blue-Violet (1) XXIII 57′ _m_
Dusky Blue-Violet (2) XXIV 55* _m_
Dusky Bluish Green XXXIII 41′′ _m_
Dusky Brown XLV 1′′′′ _k_
Dusky Drab XLV 9′′′′ _k_
Dusky Dull Bluish Green XLII 41′′′ _m_
Dusky Dull Green XLII 37′′′ _m_
Dusky Dull Violet (1) XXXVI 57′′ _m_
Dusky Dull Violet (2) XXXVI 59′′ _m_
Dusky Dull Violet-Blue XXXV 53′′ _m_
Dusky Green XXXIII 37′′ _m_
Dusky Green-Blue (1) XX 43′ _m_
Dusky Green-Blue (2) XXXIV 43′′ _m_
Dusky Green-Gray LII 35′′′′′ _k_
Dusky Greenish Blue XX 47′ _m_
Dusky Neutral Gray LIII 73 _m_
Dusky Olive-Green XLI 25′′′ _m_
Dusky Orient Blue XXXIV 45′′ _m_
Dusky Purplish Gray LIII 67′′′′′ _m_
Dusky Slate-Blue XLIII 49′′′ _m_
Dusky Slate-Violet XLIII 57′′′ _m_
Dusky Violet XXIII 59′ _m_
Dusky Violet-Blue (1) XXIII 55′ _m_
Dusky Violet-Blue (2) XLIII 53′′′ _m_
Dusky Yellowish Green XLI 29′′′ _m_
Dutch Blue XLIII 49′′′ _b_
*Ecru-Drab XLVI 13′′′′ _d_
Ecru-Olive XXX 21′′ _i_
Elm Green XVII 27′ _m_
*Emerald Green VI 35 —
Empire Green XXXII 33′′ _m_
Empire Yellow IV 21 _b_
Endive Blue XLIII 49′′′ _d_
English Red II 7 _i_
Eosine Pink I 1 _d_
Etain Blue XX 43′ _f_
Ethyl Green VII 41 _i_
Eton Blue XXII 49* _k_
Etruscan Red XXVII 5′′ —
Eugenia Red XIII 1′ —
Eupatorium Purple XXXVIII 67′′ —
*Fawn Color XL 13′′′ —
*Ferruginous XIV 9′ _i_
*Flame Scarlet II 9 —
*Flax-flower Blue XXI 51′ _b_
*Flesh Color XIV 7′ _d_
Flesh Ocher XIV 9′ _b_
Flesh Pink XIII 5′ _f_
Fluorite Green XXXII 33′′ —
Fluorite Violet XI 61 _m_
Forest Green XVII 29′ _m_
Forget-me-not Blue XXII 51* _b_
*French Gray LII 49′′′′′ _f_
*French Green XXXII 35′′ _i_
Fuscous XLVI 13′′′′ _k_
Fuscous-Black XLVI 13′′′′ _m_
Garnet Brown I 3 _k_
Gendarme Blue XXII 47* _k_
Gentian Blue XXI 53′ _i_
*Geranium Pink I 3 _d_
Glass Green XXXI 29′′ _d_
Glaucous XLI 29′′′ _f_
*Glaucous-Blue XXXIV 43′′ _b_
Glaucous-Gray XLVIII 37′′′′ _f_
*Glaucous-Green XXXIII 39′′ _d_
Gnaphalium Green XLVII 29′′′′ _d_
Gobelin Blue XXXIV 43′′ _i_
Grape Green XLI 25′′′ —
*Grass Green VI 33 _k_
Grayish Blue-Green XLVIII 37′′′′ —
Grayish Blue-Violet (1) XXIV 55* _i_
Grayish Blue-Violet (2) XXXV 51′′ _b_
Grayish Lavender XLIII 57′′′ _f_
Grayish Olive XLVI 21′′′′ —
Grayish Violaceous Blue XXII 51* _i_
Grayish Violet-Blue XXIV 53* _i_
Green-Blue Slate XLVIII 45′′′′ _i_
Green-Yellow V 27 _b_
Greenish Glaucous XLI 33′′′ _f_
Greenish Glaucous-Blue XLII 41′′′ _b_
Greenish Slate-Black XLVIII 37′′′′ _m_
Greenish Yellow V 25 —
Grenadine II 7 _b_
Grenadine Pink II 7 _d_
Grenadine Red II 7 —
Guinea Green VII 39 _i_
Gull Gray LIII 75 (8)
Haematite Red XXVII 5′′ _m_
Haematoxylin Violet XXV 61′ _i_
*Hair Brown XLVI 17′′′′ _i_
Hathi Gray LII 35′′′′′ _b_
Hay's Blue IX 53 _k_
Hay's Brown XXXIX 9′′′ _k_
Hay's Green XVIII 33′ _k_
Hay's Lilac XXXVII 63′′ _d_
Hay's Maroon XIII 1′ _m_
Hay's Russet XIV 7′ _k_
*Hazel XIV 11′ _k_
Heliotrope-Gray L 65′′′′ _d_
Heliotrope-Slate L 65′′′′ _i_
Hellebore Green XVII 25′ _m_
Hellebore Red XXXVIII 71′′ —
Helvetia Blue IX 51 _k_
Hermosa Pink I 1 _f_
Hessian Brown XIII 5′ _m_
Honey Yellow XXX 19′′ —
Hortense Blue XXII 47* _m_
Hortense Violet XI 61 _b_
*Hyacinth Blue X 55 _k_
Hyacinth Violet XI 61 _i_
Hydrangea Pink XXVII 5′′ _f_
Hydrangea Red XXVII 1′′ _i_
Hyssop Violet XXXVI 59′′ —
Indian Lake XXVI 71′ _i_
*Indian Purple XXXVIII 67′′ _m_
Indian Red XXVII 3′′ _k_
*Indigo Blue XXXIV 47′′ _m_
Indulin Blue XXII 51* _m_
Invisible Green XIX 41′ _m_
Iron Gray LI 23′′′′′ _k_
*Isabella Color XXX 19′′ _i_
Italian Blue VIII 43 —
Ivory Yellow XXX 21′′ _f_
Ivy Green XXXI 25′′ _m_
Jade Green XXXI 27′′ _k_
Japan Rose XXVIII 9′′ _b_
Jasper Green XXXIII 37′′ _i_
Jasper Pink XIII 3′ _d_
Jasper Red XIII 3′ —
Javel Green V 27 _i_
Jay Blue XXII 47* _i_
Jouvence Blue XX 43′ _k_
Kaiser Brown XIV 9′ _k_
Kildare Green XXXI 29′′ _b_
Killarney Green XVIII 35′ _i_
King's Blue XXII 47* _b_
Kronberg's Green XXXI 25′′ _k_
La France Pink I 3 _f_
Laelia Pink XXXVIII 67′′ _d_
*Lavender XXXVI 59′′ _f_
Lavender-Blue XXI 53′ _d_
*Lavender-Gray XLIII 49′′′ _f_
Lavender-Violet XXV 61′ _b_
Leaf Green XLI 29′′′ _k_
Leitch's Blue VIII 47 _i_
Lemon Chrome IV 21 —
*Lemon Yellow IV 23 —
Lettuce Green V 29 _k_
Lichen Green XXXIII 37′′ _f_
Light Alice Blue XXXIV 45′′ _d_
Light Amparo Blue IX 51 _d_
Light Amparo Purple XI 63 _d_
Light Bice Green XVII 29′ _i_
Light Blue-Green VII 39 _d_
Light Blue-Violet X 55 _b_
Light Bluish Violet X 57 _b_
Light Brownish Drab XLV 9′′′′ _b_
Light Brownish Olive XXX 19′′ _k_
Light Brownish Vinaceous XXXIX 5′′′ _d_
Light Buff XV 17′ _f_
Light Cadet Blue XXI 49′ _b_
Light Cadmium IV 19 —
Light Campanula Blue XXIV 55* _d_
Light Celandine Green XLVII 33′′′′ _d_
Light Cendre Green VI 35 _d_
Light Cerulean Blue VIII 45 _b_
Light Chalcedony Yellow XVII 25′ _d_
Light Chicory Blue XXIV 57* _f_
Light Cinnamon-Drab XLVI 13′′′′ _b_
Light Columbia Blue XXXIV 47′′ _d_
Light Congo Pink XXVIII 7′′ _d_
Light Coral Red XIII 5′ _b_
Light Corinthian Red XXVII 3′′ _b_
Light Cress Green XXXI 29′′ _i_
Light Danube Green XXXII 35′′ _k_
Light Drab XLVI 17′′′′ _b_
Light Dull Bluish Violet XXXVI 57′′ _b_
Light Dull Glaucous-Blue XLII 41′′′ _d_
Light Dull Green-Yellow XVII 27′ _d_
Light Elm Green XVII 27′ _k_
Light Fluorite Green XXXII 33′′ _d_
Light Forget-me-not Blue XXII 51* _d_
Light Glaucous-Blue XXXIV 43′′ _d_
Light Grape Green XLI 25′′′ _b_
Light Grayish Blue-Violet XXXV 51′′ _d_
Light Grayish Olive XLVI 21′′′′ _b_
Light Grayish Vinaceous XXXIX 9′′′ _d_
Light Grayish Violet-Blue XXIV 53* _b_
Light Green-Yellow V 27 _d_
Light Greenish Yellow V 25 _b_
Light Gull Gray LIII 75 (9)
Light Heliotrope-Gray L 65′′′′ _f_
Light Hellebore Green XVII 25′ _k_
Light Hortense Violet XI 61 _d_
Light Hyssop Violet XXXVI 59′′ _b_
Light Jasper Red XIII 3′ _b_
Light King's Blue XXII 47* _d_
Light Lavender-Blue XXI 53′ _f_
Light Lavender-Violet XXV 61′ _d_
Light Lobelia Violet XXXVII 61′′ _d_
Light Lumiere Green XVII 29′ _d_
Light Mallow Purple XII 67 _d_
Light Mauve XXV 63′ _d_
Light Medici Blue XLVIII 41′′′′ _d_
Light Methyl Blue VIII 47 _b_
Light Mineral Gray XLVII 25′′′′ _f_
Light Mouse Gray LI 15′′′′′ _b_
Light Neropalin Blue XXII 49* _d_
Light Neutral Gray LIII 73 _b_
Light Niagara Green XXXIII 41′′ _d_
Light Ochraceous-Buff XV 15′ _d_
Light Ochraceous-Salmon XV 13′ _d_
Light Olive-Gray LI 23′′′′′ _d_
Light Orange-Yellow III 17 _d_
Light Oriental Green XVIII 33′ _b_
Light Paris Green XVIII 35′ _d_
Light Payne's Gray XLIX 49′′′′ _d_
Light Perilla Purple XXXVII 65′′ _i_
Light Phlox Purple XI 65 _d_
Light Pinkish Cinnamon XXIX 15′′ _d_
Light Pinkish Lilac XXXVII 65′′ _f_
Light Plumbago Gray L 61′′′′ _f_
Light Porcelain Green XXXIII 39′′ —
Light Purple-Drab XLV 1′′′′ _b_
Light Purplish Gray LIII 67′′′′′ _b_
Light Purplish Vinaceous XXXIX 1′′′ _d_
Light Quaker Drab LI 1′′′′′ _b_
Light Rosolane Purple XXVI 69′ _b_
Light Russet-Vinaceous XXXIX 9′′′ _b_
Light Salmon-Orange II 11 _d_
Light Seal Brown XXXIX 9′′′ _m_
Light Sky Blue XX 47′ _f_
Light Soft Blue-Violet XXIII 55′ _b_
Light Squill Blue XX 45′ _d_
Light Sulphate Green XIX 39′ _b_
Light Terre Verte XXXIII 41′′ —
Light Turtle Green XXXII 31′′ _d_
Light Tyrian Blue XXXIV 47′′ —
Light Varley's Gray XLIX 57′′′′ _b_
Light Vinaceous-Cinnamon XXIX 13′′ _d_
Light Vinaceous-Drab XLV 5′′′′ _b_
Light Vinaceous-Fawn XL 13′′′ _d_
Light Vinaceous-Gray L 69′′′′ _f_
Light Vinaceous-Lilac XLIV 69′′′ _d_
Light Vinaceous-Purple XLIV 65′′′ _b_
Light Violet X 59 _b_
Light Violet-Blue IX 53 _b_
Light Violet-Gray LII 59′′′′′ _b_
Light Violet-Plumbeous XLIX 53′′′′ _d_
Light Viridine Green VI 33 _f_
Light Viridine Yellow V 29 _d_
Light Windsor Blue XXXV 49′′ _b_
Light Wistaria Blue XXIII 57′ _d_
Light Wistaria Violet XXIII 59′ _d_
Light Yellow-Green VI 31 _d_
Light Yellowish Olive XXX 23′′ _i_
*Lilac XXV 65′ _d_
*Lilac-Gray LII 59′′′′′ _f_
Lily Green XLVII 33′′′′ _i_
Lime Green XXXI 25′′ —
Lincoln Green XLI 25′′′ _k_
Liseran Purple XXVI 67′ _b_
Litho Purple XXV 63′ _i_
*Liver Brown XIV 7′ _m_
Livid Brown XXXIX 1′′′ —
Livid Pink XXVII 3′′ _f_
Livid Purple XXXVII 63′′ _i_
Livid Violet XXXVII 61′′ _i_
Lobelia Violet XXXVII 61′′ _b_
Lumiere Blue XX 43′ _d_
Lumiere Green XVII 29′ _b_
Lyons Blue IX 51 _i_
Madder Blue XLIII 53′′′ —
*Madder Brown XIII 3′ _k_
Madder Violet XXV 63′ _k_
*Magenta XXVI 67′ —
Mahogany Red II 7 _k_
*Maize Yellow IV 19 _f_
*Malachite Green XXXII 35′′ _b_
Mallow Pink XII 67 _f_
Mallow Purple XII 67 _b_
Manganese Violet XXV 63′ —
Marguerite Yellow XXX 23′′ _f_
*Marine Blue VIII 45 _m_
*Maroon I 3 _m_
*Mars Brown XV 13′ _m_
Mars Orange II 9 _i_
Mars Violet XXXVIII 71′′ _m_
Mars Yellow III 15 _i_
Martius Yellow IV 23 _f_
Massicot Yellow XVI 21′ _f_
Mathews' Blue XX 45′ —
Mathews' Purple XXV 65′ —
*Mauve XXV 63′ _b_
Mauvette XXV 65′ _f_
Mazarine Blue IX 49 _d_
Meadow Green VI 35 _k_
Medal Bronze IV 19 _m_
Medici Blue XLVIII 41′′′′ _b_
Methyl Blue VIII 47 —
Methyl Green XIX 41′ —
Microcline Green XIX 39′ _f_
Mignonette Green XXXI 25′′ _i_
Mikado Brown XXIX 13′′ _i_
Mikado Orange III 13 _b_
Mineral Gray XLVII 25′′′′ _d_
Mineral Green XVIII 31′ —
Mineral Red XXVII 1′′ _k_
Montpellier Green XXXIII 37′′ —
Morocco Red I 5 _k_
Motmot Blue XX 43′ —
Motmot Green XVIII 35′ —
*Mouse Gray LI 15′′′′′ —
Mulberry Purple XI 61 _k_
*Mummy Brown XV 17′ _m_
Mustard Yellow XVI 19′ _b_
*Myrtle Green VII 41 _m_
Mytho Green XLI 29′′′ _b_
Naphthalene Violet XXXVII 61′′ _k_
Naphthalene Yellow XVI 23′ _f_
*Naples Yellow XVI 19′ _d_
Natal Brown XL 13′′′ _k_
Navy Blue XXI 53′ _m_
Neropalin Blue XXII 49* _b_
Neutral Gray LIII 73 —
Neutral Red XXXVIII 71′′ _k_
Neuvider Green VII 37 _d_
Neva Green V 29 —
Niagara Green XXXIII 41′′ _b_
Nickel Green XXXIII 37′′ _k_
Night Green VI 33 —
Nigrosin Blue XXXV 49′′ _m_
Nigrosin Violet XXV 65′ _k_
*Nile Blue XIX 41′ _d_
Nopal Red I 3 _i_
Ocher Red XXVII 5′′ _i_
*Ochraceous-Buff XV 15′ _b_
Ochraceous-Orange XV 15′ —
Ochraceous-Salmon XV 13′ _b_
Ochraceous-Tawny XV 15′ _i_
*Oil Green V 27 _k_
Oil Yellow V 25 _i_
Old Gold XVI 19′ _i_
Old Rose XIII 1′ _b_
Olivaceous Black (1) XLVI 21′′′′ _m_
Olivaceous Black (2) XLVII 25′′′′ _m_
Olivaceous Black (3) LI 23′′′′′ _m_
*Olive XXX 21′′ _m_
Olive Lake XVI 21′ _i_
Olive-Brown XL 17′′′ _k_
*Olive-Buff XL 21′′′ _d_
Olive-Citrine XVI 21′ _m_
*Olive-Gray LI 23′′′′′ _b_
*Olive-Green IV 23 _m_
Olive-Ocher XXX 21′′ —
*Olive-Yellow XXX 23′′ —
Olivine XXXII 35′′ _d_
Olympic Blue XX 47′ —
Onion-skin Pink XXVIII 11′′ _b_
Ontario Violet XXXVI 55′′ _b_
Opaline Green VII 37 _f_
*Orange III 15 —
*Orange Chrome II 11 —
*Orange-Buff III 15 _d_
Orange-Cinnamon XXIX 13′′ —
Orange-Citrine IV 19 _k_
Orange-Pink II 11 _f_
*Orange-Rufous II 11 _i_
Orange-Vinaceous XXVII 5′′ _b_
Orient Blue XXXIV 45′′ —
Orient Pink II 9 _f_
Oriental Green XVIII 33′ —
Oural Green XVIII 35′ _f_
Ox-blood Red I 1 _k_
Oxide Blue VIII 45 _i_
Pale Amaranth Pink XII 69 _f_
Pale Amparo Blue IX 51 _f_
Pale Amparo Purple XI 63 _f_
Pale Aniline Lilac XXXV 53′′ _f_
*Pale Blue (Ethyl Blue) VIII 45 _f_
Pale Blue-Green VII 39 _f_
Pale Blue-Violet X 55 _d_
Pale Bluish Lavender XXXVI 57′′ _f_
Pale Bluish Violet X 57 _d_
Pale Brownish Drab XLV 9′′′′ _d_
Pale Brownish Vinaceous XXXIX 5′′′ _f_
Pale Cadet Blue XXI 49′ _d_
Pale Campanula Blue XXIV 55* _f_
Pale Cendre Green VI 35 _f_
Pale Cerulean Blue VIII 45 _d_
Pale Chalcedony Yellow XVII 25′ _f_
Pale Cinnamon-Pink XXIX 13′′ _f_
Pale Congo Pink XXVIII 7′′ _f_
Pale Drab-Gray XLVI 17′′′′ _f_
Pale Dull Glaucous-Blue XLII 41′′′ _f_
Pale Dull Green-Yellow XVII 27′ _f_
Pale Ecru-Drab XLVI 13′′′′ _f_
Pale Flesh Color XIV 7′ _f_
Pale Fluorite Green XXXII 33′′ _f_
Pale Forget-me-not Blue XXII 51* _f_
Pale Glass Green XXXI 29′′ _f_
Pale Glaucous-Blue XXXIV 43′′ _f_
Pale Glaucous-Green XXXIII 39′′ _f_
Pale Grayish Blue XXI 49′ _f_
Pale Grayish Blue-Violet XXXV 51′′ _f_
Pale Grayish Vinaceous XXXIX 9′′′ _f_
Pale Grayish Violet-Blue XXIV 53* _d_
Pale Green-Blue Gray XLVIII 45′′′′ _f_
Pale Green-Yellow V 27 _f_
Pale Greenish Yellow V 25 _d_
Pale Gull Gray LIII 75 (10)
Pale Hortense Violet XI 61 _f_
Pale King's Blue XXII 47* _f_
Pale Laelia Pink XXXVIII 67′′ _f_
Pale Lavender-Violet XXV 61′ _f_
Pale Lemon Yellow IV 23 _b_
Pale Lilac XXXVII 63′′ _f_
Pale Lobelia Violet XXXVII 61′′ _f_
Pale Lumiere Green XVII 29′ _f_
Pale Mauve XXV 63′ _f_
Pale Mazarine Blue IX 49 _f_
Pale Medici Blue XLVIII 41′′′′ _f_
Pale Methyl Blue VIII 47 _d_
Pale Mouse Gray LI 15′′′′′ _d_
Pale Neropalin Blue XXII 49* _f_
Pale Neutral Gray LIII 73 _d_
Pale Niagara Green XXXIII 41′′ _f_
Pale Nile Blue XIX 41′ _f_
Pale Ochraceous-Buff XV 15′ _f_
Pale Ochraceous-Salmon XV 13′ _f_
Pale Olive-Buff XL 21′′′ _f_
Pale Olive-Gray LI 23′′′′′ _f_
Pale Olivine XXXII 35′′ _f_
Pale Orange-Yellow III 17 _f_
Pale Payne's Gray XLIX 49′′′′ _f_
Pale Persian Lilac XXXVIII 69′′ _f_
Pale Pinkish Buff XXIX 17′′ _f_
Pale Pinkish Cinnamon XXIX 15′′ _f_
Pale Purple-Drab XLV 1′′′′ _d_
Pale Purplish Gray LIII 67′′′′′ _d_
Pale Purplish Vinaceous XXXIX 1′′′ _f_
Pale Quaker Drab LI 1′′′′′ _d_
Pale Rhodonite Pink XXXVIII 71′′ _f_
Pale Rose-Purple XXVI 67′ _f_
Pale Rosolane Purple XXVI 69′ _d_
Pale Russian Blue XLII 45′′′ _f_
Pale Salmon Color XIV 9′ _f_
Pale Smoke Gray XLVI 21′′′′ _f_
Pale Soft Blue-Violet XXIII 55′ _d_
Pale Sulphate Green XIX 39′ _d_
Pale Tiber Green XVIII 33′ _f_
Pale Turquoise Green VII 41 _f_
Pale Turtle Green XXXII 31′′ _f_
Pale Varley's Gray XLIX 57′′′′ _d_
Pale Verbena Violet XXXVI 55′′ _f_
Pale Veronese Green XVIII 31′ _f_
Pale Vinaceous XXVII 1′′ _f_
Pale Vinaceous-Drab XLV 5′′′′ _d_
Pale Vinaceous-Fawn XL 13′′′ _f_
Pale Vinaceous-Lilac XLIV 69′′′ _f_
Pale Vinaceous-Pink XXVIII 9′′ _f_
Pale Violet X 59 _d_
Pale Violet-Blue IX 53 _d_
Pale Violet-Gray LII 59′′′′′ _d_
Pale Violet-Plumbeous XLIX 53′′′′ _f_
Pale Viridine Yellow V 29 _f_
Pale Windsor Blue XXXV 49′′ _d_
Pale Wistaria Blue XXIII 57′ _f_
Pale Wistaria Violet XXIII 59′ _f_
Pale Yellow-Green VI 31 _f_
Pale Yellow-Orange III 15 _f_
Pallid Blue-Violet X 55 _f_
Pallid Bluish Violet X 57 _f_
Pallid Brownish Drab XLV 9′′′′ _f_
Pallid Grayish Violet-Blue XXIV 53* _f_
Pallid Methyl Blue VIII 47 _f_
Pallid Mouse Gray LI 15′′′′′ _f_
Pallid Neutral Gray LIII 73 _f_
Pallid Purple-Drab XLV 1′′′′ _f_
Pallid Purplish Gray LIII 67′′′′′ _f_
Pallid Quaker Drab LI 1′′′′′ _f_
Pallid Soft Blue-Violet XXIII 55′ _f_
Pallid Vinaceous-Drab XLV 5′′′′ _f_
Pallid Violet X 59 _f_
Pallid Violet-Blue IX 53 _f_
*Pansy Purple XII 69 _k_
Pansy Violet XI 63 _i_
*Paris Blue VIII 47 _k_
*Paris Green XVIII 35′ _b_
*Parrot Green VI 31 _k_
Parula Blue XLII 45′′′ —
Patent Blue VIII 43 _k_
Payne's Gray XLIX 49′′′′ —
*Pea Green XLVII 29′′′′ _b_
Peach Red I 5 _b_
Peacock Blue VIII 43 _i_
Peacock Green VI 35 _i_
*Pearl Blue XXXV 49′′ _f_
*Pearl Gray LII 35′′′′′ _f_
Pecan Brown XXVIII 11′′ _i_
Perilla Purple XXXVII 65′′ _k_
Persian Blue XX 45′ _f_
Persian Lilac XXXVIII 69′′ _d_
Petunia Violet XXV 65′ _i_
Phenyl Blue IX 53 —
Phlox Pink XI 65 _f_
*Phlox Purple XI 65 _b_
Picnic Yellow IV 23 _d_
Pinard Yellow IV 21 _d_
*Pinkish Buff XXIX 17′′ _d_
Pinkish Cinnamon XXIX 15′′ _b_
*Pinkish Vinaceous XXVII 5′′ _d_
Pistachio Green XLI 33′′′ —
Pleroma Violet XXV 61′ —
*Plum Purple XXIV 57* _m_
Plumbago Blue XLIII 53′′′ _f_
Plumbago Gray L 61′′′′ _d_
Plumbago Slate L 61′′′′ _i_
*Plumbeous LII 49′′′′′ _b_
Plumbeous-Black LII 49′′′′′ _m_
Pois Green XLI 29′′′ _i_
*Pomegranate Purple XII 71 _i_
Pompeian Red XIII 3′ _i_
Porcelain Blue XXXIV 43′′ —
Porcelain Green XXXIII 39′′ _i_
*Primrose Yellow XXX 23′′ _d_
Primuline Yellow XVI 19′ —
*Prout's Brown XV 15′ _m_
*Prune Purple XI 63 _m_
Prussian Blue IX 49 _m_
Prussian Green XIX 41′ _k_
Prussian Red XXVII 5′′ _k_
Puritan Gray XLVII 33′′′′ _f_
Purple (true) XI 65 —
Purple-Drab XLV 1′′′′ —
Purplish Gray LIII 67′′′′′ —
Purplish Lilac XXXVII 65′′ _d_
Purplish Vinaceous XXXIX 1′′′ _b_
Pyrite Yellow IV 23 _i_
Quaker Drab LI 1′′′′′ —
Rainette Green XXXI 27′′ _i_
Raisin Black XLIV 65′′′ _m_
Raisin Purple XI 65 _k_
Ramier Blue XLIII 57′′′ —
*Raw Sienna III 17 _i_
*Raw Umber III 17 _m_
Reed Yellow XXX 23′′ _b_
Rejane Green XXXIII 37′′ _b_
Rhodamine Purple XII 67 —
Rhodonite Pink XXXVIII 71′′ _d_
Rinnemann's Green XVIII 31′ _i_
Rivage Green XVIII 31′ _b_
Rocellin Purple XXXVIII 71′′ _b_
Roman Green XVI 23′ _m_
Rood's Blue IX 49 _k_
Rood's Brown XXVIII 11′′ _k_
Rood's Lavender XLIX 57′′′′ _f_
Rood's Violet XI 65 _i_
Rose Color XII 71 _b_
Rose Doree I 3 _b_
*Rose Pink XII 71 _f_
*Rose Red XII 71 —
*Rose-Purple XXVI 67′ _d_
Roslyn Blue X 57 _k_
Rosolane Pink XXVI 69′ _f_
Rosolane Purple XXVI 69′ —
*Royal Purple X 59 _i_
*Rufous XIV 9′ —
*Russet XV 13′ _k_
Russet-Vinaceous XXXIX 9′′′ —
Russian Blue XLII 45′′′ _d_
Russian Green XLII 37′′′ _i_
Saccardo's Olive XVI 19′ _m_
Saccardo's Slate XLVIII 41′′′′ _k_
Saccardo's Umber XXIX 17′′ _k_
Saccardo's Violet XXXVII 61′′ —
Safrano Pink II 7 _f_
*Sage Green XLVII 29′′′′ —
Sailor Blue XXI 53′ _k_
*Salmon Color XIV 9′ _d_
*Salmon-Buff XIV 11′ _d_
Salmon-Orange II 11 _b_
Salvia Blue IX 49 _b_
Sanford's Brown II 11 _k_
Sayal Brown XXIX 15′′ _i_
*Scarlet I 5 —
Scarlet-Red I 3 —
Scheele's Green VI 33 _i_
Schoenfeld's Purple XXVI 69′ _i_
*Sea Green XIX 41′ _i_
Seafoam Green XXXI 27′′ _f_
Seafoam Yellow XXXI 25′′ _f_
*Seal Brown XXXIX 5′′′ _m_
Seashell Pink XIV 11′ _f_
*Sepia XXIX 17′′ _m_
Serpentine Green XVI 23′ _k_
Shamrock Green XXXII 33′′ _i_
Shell Pink XXVIII 11′′ _f_
Shrimp Pink I 5 _f_
Skobeloff Green VII 39 —
Sky Blue XX 47′ _d_
Sky Gray XXXIV 45′′ _f_
*Slate Color LIII 75 (4)
*Slate-Black LIII 75 (2)
Slate-Blue XLIII 49′′′ _i_
*Slate-Gray LIII 75 (5)
Slate-Olive XLVII 29′′′′ _i_
Slate-Purple XLIV 65′′′ _i_
Slate-Violet (1) XLIII 57′′′ _i_
Slate-Violet (2) XLIV 61′′′ —
*Smalt Blue IX 53 _i_
*Smoke Gray XLVI 21′′′′ _d_
Snuff Brown XXIX 15′′ _k_
Soft Blue-Violet XXIII 55′ —
Soft Bluish Violet XXIII 57′ —
Sooty Black LI 1′′′′′ _m_
Sorghum Brown XXXIX 9′′′ _i_
Sorrento Green VII 41 _k_
Spectrum Blue IX 49 —
Spectrum Red I 1 —
Spectrum Violet X 59 —
Spinach Green V 29 _m_
Spinel Pink XXVI 71′ _b_
Spinel Red XXVI 71′ —
Squill Blue XX 45′ _b_
Stone Green XLII 37′′′ —
Storm Gray LII 35′′′′′ —
*Straw Yellow XVI 21′ _d_
Strawberry Pink I 5 _d_
Strontian Yellow XVI 23′ —
Sudan Brown III 15 _k_
Sulphate Green XIX 39′ —
Sulphine Yellow IV 21 _i_
*Sulphur Yellow V 25 _f_
Taupe Brown XLIV 69′′′ _m_
*Tawny XV 13′ _i_
*Tawny-Olive XXIX 17′′ _i_
Tea Green XLVII 25′′′′ _b_
Terra Cotta XXVIII 7′′ —
*Terre Verte XXXIII 41′′ _i_
Testaceous XXVIII 9′′ —
Thulite Pink XXVI 71′ _d_
Tiber Green XVIII 33′ _d_
Tilleul Buff XL 17′′′ _f_
Tourmaline Pink XXXVIII 67′′ _b_
Turquoise Green VII 41 _d_
Turtle Green XXXII 31′′ _b_
Tyrian Blue XXXIV 47′′ _i_
Tyrian Pink XII 69 _b_
Tyrian Rose XII 69 —
Tyrolite Green VII 39 _b_
Ultramarine Ash XXII 49* —
*Ultramarine Blue IX 49 _i_
Urania Blue XXIV 53* _m_
Vanderpoel's Blue XX 47′ _i_
Vanderpoel's Green VI 33 _b_
Vanderpoel's Violet XXXVI 55′′ —
*Vandyke Brown XXVIII 11′′ _m_
Vandyke Red XIII 1′ _k_
Variscite Green XIX 37′ _d_
Varley's Gray XLIX 57′′′′ —
Varley's Green XVIII 31′ _m_
Venetian Blue XXII 47* —
Venetian Pink XIII 1′ _f_
Venice Green VII 41 _b_
Verbena Violet XXXVI 55′′ _d_
*Verdigris Green XIX 37′ —
Vernonia Purple XXXVIII 69′′ _i_
Verona Brown XXIX 13′′ _k_
Veronese Green XVIII 31′ _d_
Vetiver Green XLVII 25′′′′ —
Victoria Lake I 1 _m_
*Vinaceous XXVII 1′′ _d_
Vinaceous-Brown XXXIX 5′′′ _i_
*Vinaceous-Buff XL 17′′′ _d_
*Vinaceous-Cinnamon XXIX 13′′ _b_
Vinaceous-Drab XLV 5′′′′ —
Vinaceous-Fawn XL 13′′′ _b_
Vinaceous-Gray L 69′′′′ _d_
Vinaceous-Lavender XLIV 65′′′ _f_
Vinaceous-Lilac XLIV 69′′′ _b_
*Vinaceous-Pink XXVIII 9′′ _d_
Vinaceous-Purple (1) XXXVIII 67′′ _i_
Vinaceous-Purple (2) XLIV 65′′′ —
*Vinaceous-Rufous XIV 7′ _i_
Vinaceous-Russet XXVIII 7′′ _i_
Vinaceous-Slate L 69′′′′ _i_
Vinaceous-Tawny XXVIII 11′′ —
Violet Carmine XII 69 _m_
Violet Ultramarine X 57 _i_
Violet-Gray LII 59′′′′′ —
Violet-Plumbeous XLIX 53′′′′ _b_
Violet-Purple XI 63 —
Violet-Slate XLIX 53′′′′ _i_
*Viridian Green VII 37 _i_
Viridine Green VI 33 _d_
Viridine Yellow V 29 _b_
Vivid Green VII 37 —
Wall Green VII 39 _k_
*Walnut Brown XXVIII 9′′ _k_
Warbler Green IV 23 _k_
Warm Blackish Brown XXXIX 1′′′ _m_
Warm Buff XV 17′ _d_
Warm Sepia XXIX 13′′ _m_
Water Green XLI 25′′′ _d_
*Wax Yellow XVI 21′ —
Wedgewood Blue XXI 51′ _f_
White LIII 73 (10)
Windsor Blue XXXV 49′′ _i_
Winter Green XVIII 33′ _i_
Wistaria Blue XXIII 57′ _b_
Wistaria Violet XXIII 59′ _b_
*Wood Brown XL 17′′′ —
Xanthine Orange III 13 _i_
Yale Blue XX 47′ _b_
Yellow Ocher XV 17′ —
Yellow-Green VI 31 —
Yellowish Citrine XVI 23′ _i_
Yellowish Glaucous XLI 25′′′ _f_
Yellowish Oil Green V 25 _k_
Yellowish Olive XXX 23′′ _k_
Yew Green XXXI 27′′ _m_
Yvette Violet XXXVI 55′′ _k_
Zinc Green XIX 37′ _i_
Zinc Orange XV 13′ —

THE FOLLOWING COLORS REPRESENTED IN THE OLD "NOMENCLATURE OF COLORS" (1886) CANNOT BE MATCHED BY COLORS IN THE PRESENT WORK. THEY ARE INTERMEDIATES, EITHER AS TO HUE OR TONE (SOMETIMES BOTH), AND WOULD FALL IN UNCOLORED SPACES, AS INDICATED BY THE NUMERALS AND LETTERS APPENDED TO EACH:—

_Azure Blue_ = 48 _a_ (see Plates VIII and IX).
_Broccoli Brown:_ Between 17′′′ _k_ and 17′′′′ _i_ (see Plates XL and
XLVI).
_Buff_ = 18′′ _d_ (see Plates III and IV).
_Burnt Carmine_ = 71 _i_ (Plate XII).
_Canary Yellow:_ Between 23 _b_ and 21′ _b_ (see Plates IV and XVI).
_Chinese Orange_ = 12 _h_ (see Plates II and III).
_Chrome Yellow_ = 20 _a_ (Plate IV).
_Cobalt Blue_ = 48 slightly dull (see Plates VIII and IX).
_Crimson_ = 1 _j_ (Plate I).
_French Blue_ = 52 _h_ (Plate IX).
_Gallstone Yellow_ = 19′ _h_ (Plate XVI).
_Gamboge Yellow_ = 20, slightly dull, or 21, slightly dull (Plate IV).
_Geranium Red_ = 3 _a_ (Plate I).
_Heliotrope Purple:_ Between 65′′′ _b_ and 65′′′′ _b_ (see Plates XLIV
and L).
_Indian Yellow_ = 18 _h_ or 18 slightly dull (Plate III). This color
and Saffron Yellow are practically identical in many copies of the
old "Nomenclature."
_Lake Red_ = 72 _h_ (Plate XII).
_Maroon Purple_ = 72′ _i_ (Plate XXVI).
_Ochraceous_ = 16′ _h_ (Plate XV).
_Ochraceous-Rufous_ = 12′ _h_ (see Plates XIV and XV).
_Ochre Yellow_ = 18′ (see Plates XV and XVI).
_Orange-Ochraceous_ = 16 _h_ (Plate III).
_Orange Vermilion_ = 4, dull (Plate I).
_Orpiment Orange_ = 11 _h_ (Plate II).
_Peach-blossom Pink_ = 1 _e_ (Plate I).
_Poppy Red:_ between 3 and 5 _h_ (Plate I).
_Saffron Yellow_ = 18 (see Plates III and IV).
_Saturn Red_ = 11 _a_ (Plate II).
_Scarlet Vermilion_ = 4, dull (Plate I).
_Sevres Blue_ = 46 _h_ (Plate VIII).
_Solferino_ = 67 _h_ (Plate XII).
_Tawny-Ochraceous_ = 14′ _h_ (Plate XV).
_Turquoise Blue_ = 44 _b_ (Plate XX).
_Verditer Blue:_ Between 43′ and 43′′ _b_ (see Plates XX and XXXIV).
_Vermilion:_ Between 3 and 3′ (see Plates I and XIII).
_Violet_ = 61 _h_ (Plate XI).
_Wine Purple_ = 70 _h_ (Plate XXVI).

A FEW OF THE MODERN BOOKS ON THE SUBJECT OF COLOR WHICH THE AUTHOR OF THIS WORK HAS FOUND MOST USEFUL

_Bradley, Milton_, author of "Color in the Schoolroom" and "Color in the Kindergarden."—Elementary Color. With an Introduction by Henry Lafavour, Ph. D., Professor of Physics, Williams College. Milton Bradley and Co., Springfield, Mass. [1895]. Small 8vo., pp. [i]-iv, [1]-128; colored frontispiece ("miniature color charts made from the Bradley educational colored papers," showing 126 unnamed colors) and numerous figures in text.

The present writer frankly and gratefully acknowledges that he has learned more, and learned it more easily, from this little book, which is a model of conciseness and perspicuity, than from careful study of more elaborate and authoritative works on the subject. It is therefore most heartily recommended to the student as a preliminary, at least, to the study of more technical works on color.

_Bradley, Milton._—The Evolution of a Practical System of Color Education based on Spectrum Standards. Milton Bradley Co., Springfield, Mass. Pamphlet, 8vo., pp. 8.

_Bradley, Milton._—A Few Practical Suggestions relating to Color Standards and the Present Status of Elementary Color Instruction in the United States. Milton Bradley Co., Springfield, Mass. Pamphlet, small 8vo., pp. 16.

_Bradley, Milton._—Some Criticisms of Popular Color Definitions, and Suggestions for a Better Color Nomenclature. Milton Bradley Co., Springfield, Mass., 1898. Pamphlet, 12mo., pp. 15.

_Bradley, Milton._—The Bradley Color Scheme, with Suggestions to Teachers. Milton Bradley Co., Springfield, Mass. Pamphlet, 12mo., pp. 45.

_Church, A. H., F. R. S._, etc., Professor of Chemistry in the Royal Academy of Arts in London.—The Chemistry of Paints and Painting. Third edition, revised and enlarged. London: Seeley and Co. Small 8vo., pp. [i-vii] viii-xx, 1-355. An invaluable work which should be consulted by every painter.

_Hurst, George H., F. C. S._, etc.—Colour: A Handbook of the Theory of Colour. With ten coloured plates and seventy-two illustrations. London: Scott, Greenwood & Co., 1900., 8vo., 160 pp.

_Rood, Ogden N._—Students' Text-book of Color; or Modern Chromatics, with applications to Art and Industry. New York: D. Appleton and Company, 1903. Small 8vo., pp. [i-v] vi-viii, [9] 10-329; 1 colored plate (frontispiece) and 130 original illustrations.

(One of the best technical works on the physics of color.)

_Vanderpoel, Emily Noyes._—Color Problems. A Practical Manual for the Lay Student of Color. With one hundred and seventeen colored plates. Longmans, Green and Co., New York, London and Bombay. 1903. Small 8vo., pp., [i-vi] vii-xv, [1-2] 3-137.

The colored plates of this excellent work illustrate the physics and psychology of color, color harmonies, and kindred subjects, but have no relation to color nomenclature.

_Jorgensen, Charles Julius._—The Mastery of Color. A simple and perfect color system, based upon the spectral colors, for educational and practical use in the Arts and Crafts. Published by the Author. Milwaukee, 1906. 8vo., 2 vols., one of text, the other of 22 loose colored plates contained in double box.

An exceedingly useful work for artists and decorators, but not adapted to the needs of science. The technical execution of the plates is exquisite and the colors very fine.

FOOTNOTES

[1] A | Nomenclature of Colors | for Naturalists, | and | Compendium of Useful Knowledge | for Ornithologists. | By | Robert Ridgway, | Curator, Department of Birds, United States National Museum. | With ten colored plates and seven plates | of outline illustrations. | Boston: | Little, Brown, and Company. | 1886. | (12mo., pp. 129, pls. 17.)

The subject of color and color nomenclature discussed on pages 15-58. Plates i-x, inclusive, represent 186 named colors, hand-painted (stencilled).

[2] Titles of several books on the subject which are especially recommended to the lay student of chromatology are given at the end of this text.

[3] See _Science_, June 9, 1893, and _Nature_, Vol. LII, No. 1347, Aug. 22, 1895, pp. 390-392.

[4] According to Aubert more than 1000 hues are distinguishable in the spectrum, though among them all the hues between violet and red are wanting.

[5] That is to say, the practical limit for pictorial representation of the colors in their various modifications.

[6] Milton Bradley: Elementary Color, p. 18.

[7] See colored figure on frontispiece.

[8] See the colored figure on the frontispiece of this work, which clearly illustrates this method of color measurement. Larger disks of spectrum red, green, and violet are interlocked and adjusted so that they present, respectively, 32, 42, and 26 per cent. of the circumference; superimposed on these is a single smaller disk of neutral gray, and on this two still smaller disks of black and white, the former occupying 79, the latter 21, per cent. of the area. The result of this combination of colors, when the disks are rapidly revolved, is that the entire surface becomes a uniform neutral gray precisely like the middle disk, which blends so completely with the color inside and outside its limits that no trace of division can be detected. Hence, neutral gray equals a combination of red 32, green 42, and violet 26 per cent., and also equals a combination of black 79 and white 21 per cent. As further illustrating the point, it may be mentioned that not only does the above-mentioned combination of the three primary colors equal neutral gray but so also does the combination of any color ("secondary" or "tertiary" as well as primary) with its complementary, though the darkness or lightness of the gray varies somewhat, as the following table shows:

Spectrum Color. Complementary Color. Equivalent Gray.

Name. Per Cent. Per Cent. Composition. Black. White.

Red 44 56 Blue 41 + Green 59. 72.5 27.5
Orange 28.5 71.5 Blue 51.5 + Green 48.5. 69 31
Yellow 33 67 Blue 60.5 + Violet 39.5. 64 36
Green 51 49 Red 57.5 + Violet 42.5. 73 27
Blue 64 36 Yellow 82 + Orange 18. 62 37
Violet 62.5 37.5 Yellow 69 + Green 31. 61.5 38.5

[9] The number is doubled so that every other one represents an intermediate hue not shown in color.

[10] Owing to the circumstance that spectrum orange does not, at least when mixed with gray, fairly represent a medium hue between red and orange, being much nearer the former, a hue much near to yellow (yellow-orange, No. 15) has been selected.

[11] For satisfactory color-wheel work it is necessary to discard practically all the so-called artists' colors, as being much too dull to even approximately represent the colors of the spectrum, and to substitute carefully selected aniline or coal-tar dyes, of which, fortunately, there is a very large number of remarkable purity of hue. Indeed, the work of most color-physicists is vitiated by their use of such crude colors as vermilion, carmine, scarlet-lake, chrome yellow, emerald green, Prussian blue, etc. (For a list of dyes and pigments used in preparing the Maxwell disks representing the thirty-six colors of the chromatic scale, see pages 26, 27.)

[12] In fixing the exact position or wave-length of the spectrum colors considerable latitude is allowable, the element of "personal equation"—that is, difference in the conception of different persons as to just where the reddest red, greenest green, etc., are located, accounting for the considerable disagreement among chromatologists as to the wave-lengths. The following table, showing the average, mean, and extreme wave-length of each of the spectrum colors as given by nine or more authorities together with those of the present work (as determined by Dr. P. G. Nutting, Associate Physicist of the U. S. Bureau of Standards) is of interest in this connection:

Average Extremes Mean
This work. of 9-12 of 9-12 of 9-12
authorities. authorities. authorities.

Red 644 6770 6440-7028 6734 (10)
Orange 598 ± 2 6074 5892-6300 6096 (9)
Yellow 577 ± 1 5786 5640-5850 5745 (10)
Green 520 ± 10 5235 5050-5335 5193 (11)
Blue 473 ± 3 4738 4520-4861 4680 (12)
Violet 410 4176 4050-4330 4190 (10)

From this table it will be seen that the red of this work is appreciably more orange than that of others, the orange slightly more yellowish, and the violet a little less bluish than the average; but the author is assured by Dr. Nutting that these standards are exceptionally accurate.

[13] The percentages are given in tables on pages 23 and 25.

[14] That is to say, theoretically. Unfortunately it seems to be beyond the colorists' skill to reproduce true shades of the pure colors, all showing a more or less decided admixture of gray, resulting in a series of broken or dull shades. (See pages 23 and 24.)

[15] Although only 1115 different colors are actually shown on the plates the system is really equivalent to the presentation of considerably more than 4000 distinguishable and designatable colors.

[16] The Theory of Color (American edition, 1876), p. 99.

[17] In the present work the possibility of variation between different copies is wholly eliminated by a very different process of reproduction. Each color, for the entire edition, is painted uniformly on large sheets of paper from a single mixture of pigments, these sheets being then cut into the small squares which represent the colors on the plates.

[18] See Rood: Modern Chromatics, pages 50-52.

[19] Some criticisms of Popular Color Definitions and Suggestions for a better Color Nomenclature. Milton Bradley Co., Springfield, Mass. (Small pamphlet of 15 pages).

[20] Milton Bradley: Elementary Color, p. 25.

[21] Exception has been taken in a recent work ("A Color Notation," by A. H. Munsell) to the use of the term tone in this connection, on the ground that its proper use belongs to music, and the term _value_ is substituted. The same line of reasoning would, however, certainly require the discarding of _chromatic scale_ as a term of music nomenclature, since its derivation is clearly from color (chroma). Furthermore, the word "value" is even more elastic in its application than tone, and, all things considered, the present writer, at least, fails to see that any improvement is made by the proposed change.

[22] The term _chromatic scale_ has unfortunately been appropriated for a very different use (in music); nevertheless it is strictly correct in the present sense while in the other it is not, though firmly established by long usage. The term _spectrum scale_ is not adequate, as a substitute, because the spectrum series of colors is incomplete through absence of the hues connecting violet with red, which are necessary to show the full scale of pure colors and hues.

[23] The distinctions of color or hue diminishing in proportion to the increased admixture of gray, each alternate color or hue, with its scale (vertical) of tones, is omitted from the third and fourth series; while in the fifth the color differentiation is so greatly reduced that only the six spectrum colors (dulled by admixture of 95.5 per cent. of neutral gray), together with purple (the intermediate between violet and red) are given; a yellow orange hue being substituted for spectrum orange because it is more exactly intermediate in hue between red and yellow.

[24] J. J. Müller found that a mixture of the orange and violet rays of the spectrum produced a whitish red (Rood, "Modern Chromatics," p. 129). The author of the present work, without being at the time aware of this, produced an absolutely pure red (but of reduced intensity) by mixture of either orange and violet (orange 63.5, violet 36.5 per cent. = red 85 + white 15 per cent.), or from orange and the violet-red which is complementary to green (violet-red 51, orange 49 per cent.), the latter equaling red 89 + white 11 per cent; the mixtures being made on a color-wheel with Maxwell disks representing the pure colors of the present work. The red resulting from either of these mixtures on the color-wheel is far purer than the blue resulting from mixture of green and violet, and incomparably more so than the yellow resulting from mixture of either red and green or orange and green. Consequently, if the same results would come from mixing orange and violet light, it is difficult to understand how red can be a primary color _according to the accepted definition_.

[25] Rood: Modern Chromatics, p. 34.

With the single exception of Vanderpoel (Color Problems, p. 28, plates 3, 4, where yellow is given first in order of luminosity) all authorities on color-physics that I have been able to consult very singularly ignore yellow entirely in their treatment of the subject of luminosity.

[26] All quotations here are from Milton Bradley's "Elementary Color," except where otherwise noted.

[27] As determined by Dr. P. G. Nutting, Associate Physicist, U. S. Bureau of Standards.

[28] See Rood, Modern Chromatics, pages 34, 35.

[29] The aniline or coal-tar dyes named are all of the manufacture of Dr. G. Grübler and Co., Leipzig, Germany, unless otherwise stated. (See Preface, page ii.)

CAUTION!!!

DO NOT EXPOSE THESE PLATES TO THE LIGHT FOR A LONGER TIME THAN IS NECESSARY.

The pigments used in the preparation of these Plates are the most durable known, those which have been proven unstable having been, as far as possible, discarded. The latter include carmine and other cochineal lakes, colors of vegetable origin (as gamboge, violet carmine, indigo, etc.), and most of the aniline or coal tar dyes, though among the last are a considerable number which are really more permanent than several colors habitually used by artists. Certain colors in this work could not, however, possibly be reproduced except by the employment of pigments which are more or less sensitive to _prolonged exposure_ to light, and hence this caution not to expose the plates unnecessarily.

(See _Church_: "The Chemistry of Paints and Painting," third edition, pages 257-263.)

_Plate I_

1 RED 3 O-R. 5 OO-R.

_f_ Hermosa Pink La France Pink Shrimp Pink _d_ Eosine Pink *Geranium Pink Strawberry Pink _b_ Begonia Rose Rose Doree Peach Red Spectrum Red Scarlet-Red *Scarlet _i_ *Carmine Nopal Red Brazil Red _k_ Ox-blood Red Garnet Brown Morocco Red _m_ Victoria Lake *Maroon *Claret Brown

_Plate II_

7 R-O. 9 OR-O. 11 ORANGE

_f_ Safrano Pink Orient Pink Orange-Pink _d_ Grenadine Pink Bittersweet Pink Light Salmon-Orange _b_ Grenadine Bittersweet Orange Salmon-Orange Grenadine Red *Flame Scarlet *Orange Chrome _i_ English Red Mars Orange *Orange-Rufous _k_ Mahogany Red *Burnt Sienna Sanford's Brown _m_ *Bay *Chestnut Auburn

_Plate III_

13 OY-O. 15 Y-O. 17 O-Y.

_f_ Capucine Buff Pale Yellow-Orange Pale Orange-Yellow _d_ Capucine Orange *Orange-Buff Light Orange-Yellow _b_ Mikado Orange Capucine Yellow *Deep Chrome *Cadmium Orange *Orange *Cadmium Yellow _i_ Xanthine Orange Mars Yellow *Raw Sienna _k_ Amber Brown Sudan Brown Antique Brown _m_ Argus Brown Brussels Brown *Raw Umber

_Plate IV_

19 YO-Y. 21 O-YY. 23 YELLOW

_f_ *Maize Yellow Baryta Yellow Martius Yellow _d_ *Buff-Yellow Pinard Yellow Picnic Yellow _b_ Apricot Yellow Empire Yellow Pale Lemon Yellow Light Cadmium Lemon Chrome *Lemon Yellow _i_ Aniline Yellow Sulphine Yellow Pyrite Yellow _k_ Orange-Citrine Citrine Warbler Green _m_ Medal Bronze Dark Citrine *Olive-Green

_Plate V_

25 YG-Y. 27 G-Y. 29 GG-Y.

_f_ *Sulphur Yellow Pale Green-Yellow Pale Viridine Yellow _d_ Pale Greenish Yellow Light Green-Yellow Light Viridine Yellow _b_ Light Greenish Yellow Green-Yellow Viridine Yellow Greenish Yellow Bright Green-Yellow Neva Green _i_ Oil Yellow Javel Green Cosse Green _k_ Yellowish Oil Green *Oil Green Lettuce Green _m_ Calla Green Cerro Green Spinach Green

_Plate VI_

31 Y-G. 33 GY-G. 35 GREEN

_f_ Pale Yellow-Green Light Viridine Green Pale Cendre Green _d_ Light Yellow-Green Viridine Green Light Cendre Green _b_ Clear Yellow-Green Vanderpoel's Green Cendre Green Yellow-Green Night Green *Emerald Green _i_ Calliste Green Scheele's Green Peacock Green _k_ *Parrot Green *Grass Green Meadow Green _m_ Cedar Green Cossack Green Antique Green

_Plate VII_

37 GB-G. 39 B-G. 41 BB-G.

_f_ Opaline Green Pale Blue-Green Pale Turquoise Green _d_ Neuvider Green Light Blue-Green Turquoise Green _b_ Chrysoprase Green Tyrolite Green Venice Green Vivid Green Skobeloff Green Benzol Green _i_ *Viridian Green Guinea Green Ethyl Green _k_ Dark Viridian Green Wall Green Sorrento Green _m_ Diamine Green Anthracene Green *Myrtle Green

_Plate VIII_

43 G-B. 45 BG-B. 47 G-BB.

_f_ Beryl Blue *Pale Blue (Ethyl Blue) Pallid Methyl Blue _d_ Calamine Blue Pale Cerulean Blue Pale Methyl Blue _b_ Cendre Blue Light Cerulean Blue Light Methyl Blue Italian Blue *Cerulean Blue Methyl Blue _i_ Peacock Blue Oxide Blue Leitch's Blue _k_ Patent Blue *Antwerp Blue *Paris Blue _m_ Blackish Green-Blue *Marine Blue *Berlin Blue

_Plate IX_

49 BLUE 51 BV-B. 53 V-B.

_f_ Pale Mazarine Blue Pale Amparo Blue Pallid Violet-Blue _d_ Mazarine Blue Light Amparo Blue Pale Violet-Blue _b_ Salvia Blue Amparo Blue Light Violet-Blue Spectrum Blue Bradley's Blue Phenyl Blue _i_ *Ultramarine Blue Lyons Blue *Smalt Blue _k_ Rood's Blue Helvetia Blue Hay's Blue _m_ Prussian Blue *Cyanine Blue Azurite Blue

_Plate X_

55 B-V. 57 VB-V. 59 VIOLET