Chapter CLVIII: Letter VI (13)

The readers who had shaken their heads over the unsuccessful story of "Morton's Hope" were startled by the appearance of this manly and scholarly essay. This young man, it seemed, had been studying,--studying with careful accuracy, with broad purpose. He could paint a character with the ruddy life-blood coloring it as warmly as it glows in the cheeks of one of Van der Helst's burgomasters. He could sweep the horizon in a wide general outlook, and manage his perspective and his lights and shadows so as to place and accent his special subject with its due relief and just relations. It was a sketch, or rather a study for a larger picture, but it betrayed the hand of a master. The feeling of many was that expressed in the words of Mr. Longfellow in his review of the "Twice-Told Tales" of the unknown young writer, Nathaniel Hawthorne: "When a new star rises in the heavens, people gaze after it for a season with the naked eye, and with such telescopes as they may find. . . . This star is but newly risen; and erelong the observation of numerous star-gazers, perched up on arm-chairs and editor's tables, will inform the world of its magnitude and its place in the heaven of"--not poetry in this instance, but that serene and unclouded region of the firmament where shine unchanging the names of Herodotus and Thucydides. Those who had always believed in their brilliant schoolmate and friend at last felt themselves justified in their faith. The artist that sent this unframed picture to be hung in a corner of the literary gallery was equal to larger tasks. There was but one voice in the circle that surrounded the young essayist. He must redeem his pledge, he can and will redeem it, if he will only follow the bent of his genius and grapple with the heroic labor of writing a great history.

And this was the achievement he was already meditating.

In the mean time he was studying history for its facts and principles, and fiction for its scenery and portraits. In "The North American Review" for July, 1847, is a long and characteristic article on Balzac, of whom he was an admirer, but with no blind worship. The readers of this great story-teller, who was so long in obtaining recognition, who "made twenty assaults upon fame and had forty books killed under him" before he achieved success, will find his genius fully appreciated and fairly weighed in this discriminating essay. A few brief extracts will show its quality.

"Balzac is an artist, and only an artist. In his tranquil,
unimpassioned, remorseless diagnosis of morbid phenomena, in his
cool method of treating the morbid anatomy of the heart, in his
curiously accurate dissection of the passions, in the patient and
painful attention with which, stethoscope in hand, finger on pulse,
eye everywhere, you see him watching every symptom, alive to every
sound and every breath, and in the scientific accuracy with which he
portrays the phenomena which have been the subject of his
investigation,--in all this calm and conscientious study of nature
he often reminds us of Goethe. Balzac, however, is only an artist
. . . He is neither moral nor immoral, but a calm and profound
observer of human society and human passions, and a minute, patient,
and powerful delineator of scenes and characters in the world before
his eyes. His readers must moralize for themselves. . . . It
is, perhaps, his defective style more than anything else which will
prevent his becoming a classic, for style above all other qualities
seems to embalm for posterity. As for his philosophy, his
principles, moral, political, or social, we repeat that he seems to
have none whatever. He looks for the picturesque and the striking.
He studies sentiments and sensations from an artistic point of view.
He is a physiognomist, a physiologist, a bit of an anatomist, a bit
of a mesmerist, a bit of a geologist, a Flemish painter, an
upholsterer, a micrological, misanthropical, sceptical philosopher;
but he is no moralist, and certainly no reformer."

Another article contributed by Mr. Motley to "The North American Review" is to be found in the number for October, 1849. It is nominally a review of Talvi's (Mrs. Robinson's) "Geschichte der Colonisation von New England," but in reality an essay on the Polity of the Puritans,--an historical disquisition on the principles of self-government evolved in New England, broad in its views, eloquent in its language. Its spirit is thoroughly American, and its estimate of the Puritan character is not narrowed by the nearsighted liberalism which sees the past in the pitiless light of the present,--which looks around at high noon and finds fault with early dawn for its long and dark shadows. Here is a sentence or two from the article:--

"With all the faults of the system devised by the Puritans, it was a
practical system. With all their foibles, with all their teasing,
tyrannical, and arbitrary notions, the Pilgrims were lovers of
liberty as well as sticklers for authority. . . . Nowhere can a
better description of liberty be found than that given by Winthrop,
in his defence of himself before the General Court on a charge of
arbitrary conduct. 'Nor would I have you mistake your own liberty,'
he says. 'There is a freedom of doing what we list, without regard
to law or justice; this liberty is indeed inconsistent with
authority; but civil, moral, and federal liberty consists in every
man's enjoying his property and having the benefit of the laws of
his country; which is very consistent with a due subjection to the
civil magistrate.' . . .

"We enjoy an inestimable advantage in America. One can be a
republican, a democrat, without being a radical. A radical, one who
would uproot, is a man whose trade is dangerous to society. Here is
but little to uproot. The trade cannot flourish. All classes are
conservative by necessity, for none can wish to change the structure
of our polity. . .

"The country without a past cannot be intoxicated by visions of the
past of other lands. Upon this absence of the past it seems to us
that much of the security of our institutions depends. Nothing
interferes with the development of what is now felt to be the true
principle of government, the will of the people legitimately
expressed. To establish that great truth, nothing was to be torn
down, nothing to be uprooted. It grew up in New England out of the
seed unconsciously planted by the first Pilgrims, was not crushed
out by the weight of a thousand years of error spread over the whole
continent, and the Revolution was proclaimed and recognized."

VIII.

1847-1849. AEt. 33-35.

JOSEPH LEWIS STACKPOLE, THE FRIEND OF MOTLEY. HIS SUDDEN DEATH.--MOTLEY IN THE MASSACHUSETTS HOUSE OF REPRESENTATIVES.--SECOND NOVEL, "MERRY-MOUNT, A ROMANCE OF THE MASSACHUSETTS COLONY."

The intimate friendships of early manhood are not very often kept up among our people. The eager pursuit of fortune, position, office, separates young friends, and the indoor home life imprisons them in the domestic circle so generally that it is quite exceptional to find two grown men who are like brothers,--or rather unlike most brothers, in being constantly found together. An exceptional instance of such a more than fraternal relation was seen in the friendship of Mr. Motley and Mr. Joseph Lewis Stackpole. Mr. William Amory, who knew them both well, has kindly furnished me with some recollections, which I cannot improve by changing his own language.

"Their intimacy began in Europe, and they returned to this country
in 1835. In 1837 they married sisters, and this cemented their
intimacy, which continued to Stackpole's death in 1847. The
contrast in the temperament of the two friends--the one sensitive
and irritable, and the other always cool and good-natured--only
increased their mutual attachment to each other, and Motley's
dependence upon Stackpole. Never were two friends more constantly
together or more affectionately fond of each other. As Stackpole
was about eight years older than Motley, and much less impulsive and
more discreet, his death was to his friend irreparable, and at the
time an overwhelming blow."

Mr. Stackpole was a man of great intelligence, of remarkable personal attractions, and amiable character. His death was a loss to Motley even greater than he knew, for he needed just such a friend, older, calmer, more experienced in the ways of the world, and above all capable of thoroughly understanding him and exercising a wholesome influence over his excitable nature without the seeming of a Mentor preaching to a Telemachus. Mr. Stackpole was killed by a railroad accident on the 20th of July, 1847.

In the same letter Mr. Amory refers to a very different experience in Mr. Motley's life,--his one year of service as a member of the Massachusetts House of Representatives, 1849.

"In respect to the one term during which he was a member of the
Massachusetts House of Representatives, I can recall only one thing,
to which he often and laughingly alluded. Motley, as the Chairman
of the Committee on Education, made, as he thought, a most masterly
report. It was very elaborate, and, as he supposed, unanswerable;
but Boutwell, then a young man from some country town [Groton,
Mass.], rose, and as Motley always said, demolished the report, so
that he was unable to defend it against the attack. You can imagine
his disgust, after the pains he had taken to render it unassailable,
to find himself, as he expressed it, 'on his own dunghill,'
ignominiously beaten. While the result exalted his opinion of the
speech-making faculty of a Representative of a common school
education, it at the same time cured him of any ambition for
political promotion in Massachusetts."

To my letter of inquiry about this matter, Hon. George S. Boutwell courteously returned the following answer:--

BOSTON, October 14, 1878.

MY DEAR SIR,--As my memory serves me, Mr. Motley was a member of the
Massachusetts House of Representatives in the year 1847 1849. It
may be well to consult the manual for that year. I recollect the
controversy over the report from the Committee on Education.

His failure was not due to his want of faculty or to the vigor of
his opponents.

In truth he espoused the weak side of the question and the unpopular
one also. His proposition was to endow the colleges at the expense
of the fund for the support of the common schools. Failure was
inevitable. Neither Webster nor Choate could have carried the bill.

Very truly,
GEO. S. BOUTWELL.

No one could be more ready and willing to recognize his own failures than Motley. He was as honest and manly, perhaps I may say as sympathetic with the feeling of those about him, on this occasion, as was Charles Lamb, who, sitting with his sister in the front of the pit, on the night when his farce was damned at its first representation, gave way to the common feeling, and hissed and hooted lustily with the others around him. It was what might be expected from his honest and truthful nature, sometimes too severe in judging itself.

The commendation bestowed upon Motley's historical essays in "The North American Review" must have gone far towards compensating him for the ill success of his earlier venture. It pointed clearly towards the field in which he was to gather his laurels. And it was in the year following the publication of the first essay, or about that time (1846), that he began collecting materials for a history of Holland. Whether to tell the story of men that have lived and of events that have happened, or to create the characters and invent the incidents of an imaginary tale be the higher task, we need not stop to discuss. But the young author was just now like the great actor in Sir Joshua's picture, between the allurements of Thalia and Melpomene, still doubtful whether he was to be a romancer or a historian.

The tale of which the title is given at the beginning of this section had been written several years before the date of its publication. It is a great advance in certain respects over the first novel, but wants the peculiar interest which belonged to that as a partially autobiographical memoir. The story is no longer disjointed and impossible. It is carefully studied in regard to its main facts. It has less to remind us of "Vivian Grey" and "Pelham," and more that recalls "Woodstock" and "Kenilworth." The personages were many of them historical, though idealized; the occurrences were many of them such as the record authenticated; the localities were drawn largely from nature. The story betrays marks of haste or carelessness in some portions, though others are elaborately studied. His preface shows that the reception of his first book had made him timid and sensitive about the fate of the second, and explains and excuses what might be found fault with, to disarm the criticism he had some reason to fear.

That old watch-dog of our American literature, "The North American Review," always ready with lambent phrases in stately "Articles" for native talent of a certain pretension, and wagging its appendix of "Critical Notices" kindly at the advent of humbler merit, treated "Merry-Mount" with the distinction implied in a review of nearly twenty pages. This was a great contrast to the brief and slighting notice of "Morton's Hope." The reviewer thinks the author's descriptive power wholly exceeds his conception of character and invention of circumstances.

"He dwells, perhaps, too long and fondly upon his imagination of the
landscape as it was before the stillness of the forest had been
broken by the axe of the settler; but the picture is so finely
drawn, with so much beauty of language and purity of sentiment, that
we cannot blame him for lingering upon the scene. . . . The
story is not managed with much skill, but it has variety enough of
incident and character, and is told with so much liveliness that few
will be inclined to lay it down before reaching the conclusion. .
. . The writer certainly needs practice in elaborating the details
of a consistent and interesting novel; but in many respects he is
well qualified for the task, and we shall be glad to meet him again
on the half-historical ground he has chosen. His present work,
certainly, is not a fair specimen of what he is able to accomplish,
and its failure, or partial success, ought only to inspirit him for
further effort."

The "half-historical ground" he had chosen had already led him to the entrance into the broader domain of history. The "further effort" for which he was to be inspirited had already begun. He had been for some time, as was before mentioned, collecting materials for the work which was to cast all his former attempts into the kindly shadow of oblivion, save when from time to time the light of his brilliant after success is thrown upon them to illustrate the path by which it was at length attained.

IX.

1850. AEt. 36. PLAN OF A HISTORY.--LETTERS.

The reputation of Mr. Prescott was now coextensive with the realm of scholarship. The histories of the reign of Ferdinand and Isabella and of the conquest of Mexico had met with a reception which might well tempt the ambition of a young writer to emulate it, but which was not likely to be awarded to any second candidate who should enter the field in rivalry with the great and universally popular historian. But this was the field on which Mr. Motley was to venture.

After he had chosen the subject of the history he contemplated, he found that Mr. Prescott was occupied with a kindred one, so that there might be too near a coincidence between them. I must borrow from Mr. Ticknor's beautiful life of Prescott the words which introduce a letter of Motley's to Mr. William Amory, who has kindly allowed me also to make use of it.

"The moment, therefore, that he [Mr. Motley] was aware of this
condition of things, and the consequent possibility that there might
be an untoward interference in their plans, he took the same frank
and honorable course with Mr. Prescott that Mr. Prescott had taken
in relation to Mr. Irving, when he found that they had both been
contemplating a 'History of the Conquest of Mexico.' The result was
the same. Mr. Prescott, instead of treating the matter as an
interference, earnestly encouraged Mr. Motley to go on, and placed
at his disposition such of the books in his library as could be most
useful to him. How amply and promptly he did it, Mr. Motley's own
account will best show. It is in a letter dated at Rome, 26th
February, 1859, the day he heard of Mr. Prescott's death, and was
addressed to his intimate friend, Mr. William Amory, of Boston, Mr.
Prescott's much-loved brother-in-law."

"It seems to me but as yesterday," Mr. Motley writes, "though it
must be now twelve years ago, that I was talking with our
ever-lamented friend Stackpole about my intention of writing a history
upon a subject to which I have since that time been devoting myself.
I had then made already some general studies in reference to it,
without being in the least aware that Prescott had the intention of
writing the 'History of Philip the Second.' Stackpole had heard the
fact, and that large preparations had already been made for the
work, although 'Peru' had not yet been published. I felt naturally
much disappointed. I was conscious of the immense disadvantage to
myself of making my appearance, probably at the same time, before
the public, with a work not at all similar in plan to 'Philip the
Second,' but which must of necessity traverse a portion of the same
ground.

"My first thought was inevitably, as it were, only of myself.
It seemed to me that I had nothing to do but to abandon at once a
cherished dream, and probably to renounce authorship. For I had not
first made up my mind to write a history, and then cast about to
take up a subject. My subject had taken me up, drawn me on, and
absorbed me into itself. It was necessary for me, it seemed, to
write the book I had been thinking much of, even if it were destined
to fall dead from the press, and I had no inclination or interest to
write any other. When I had made up my mind accordingly, it then
occurred to me that Prescott might not be pleased that I should come
forward upon his ground. It is true that no announcement of his
intentions had been made, and that he had not, I believe, even
commenced his preliminary studies for Philip. At the same time I
thought it would be disloyal on my part not to go to him at once,
confer with him on the subject, and if I should find a shadow of
dissatisfaction on his mind at my proposition, to abandon my plan
altogether.

"I had only the slightest acquaintance with him at that time. I was
comparatively a young man, and certainly not entitled on any ground
to more than the common courtesy which Prescott never could refuse
to any one. But he received me with such a frank and ready and
liberal sympathy, and such an open-hearted, guileless expansiveness,
that I felt a personal affection for him from that hour. I remember
the interview as if it had taken place yesterday. It was in his
father's house, in his own library, looking on the garden-house and
garden,--honored father and illustrious son,--alas! all numbered
with the things that were! He assured me that he had not the
slightest objection whatever to my plan, that he wished me every
success, and that, if there were any books in his library bearing on
my subject that I liked to use, they were entirely at my service.
After I had expressed my gratitude for his kindness and cordiality,
by which I had been in a very few moments set completely at ease,
--so far as my fears of his disapprobation went,--I also very
naturally stated my opinion that the danger was entirely mine, and
that it was rather wilful of me thus to risk such a collision at my
first venture, the probable consequence of which was utter
shipwreck. I recollect how kindly and warmly he combated this
opinion, assuring me that no two books, as he said, ever injured
each other, and encouraging me in the warmest and most earnest
manner to proceed on the course I had marked out for myself.

"Had the result of that interview been different,--had he distinctly
stated, or even vaguely hinted, that it would be as well if I should
select some other topic, or had he only sprinkled me with the cold
water of conventional and commonplace encouragement,--I should have
gone from him with a chill upon my mind, and, no doubt, have laid
down the pen at once; for, as I have already said, it was not that I
cared about writing a history, but that I felt an inevitable impulse
to write one particular history.

"You know how kindly he always spoke of and to me; and the generous
manner in which, without the slightest hint from me, and entirely
unexpected by me, he attracted the eyes of his hosts of readers to
my forthcoming work, by so handsomely alluding to it in the Preface
to his own, must be almost as fresh in your memory as it is in mine.

"And although it seems easy enough for a man of world-wide
reputation thus to extend the right hand of fellowship to an unknown
and struggling aspirant, yet I fear that the history of literature
will show that such instances of disinterested kindness are as rare
as they are noble."

It was not from any feeling that Mr. Motley was a young writer from whose rivalry he had nothing to apprehend. Mr. Amory says that Prescott expressed himself very decidedly to the effect that an author who had written such descriptive passages as were to be found in Mr. Motley's published writings was not to be undervalued as a competitor by any one. The reader who will turn to the description of Charles River in the eighth chapter of the second volume of "Merry-Mount," or of the autumnal woods in the sixteenth chapter of the same volume, will see good reason for Mr. Prescott's appreciation of the force of the rival whose advent he so heartily and generously welcomed.

X.

1851-1856. AEt. 37-42. HISTORICAL STUDIES IN EUROPE.-LETTER FROM BRUSSELS.

After working for several years on his projected "History of the Dutch Republic," he found that, in order to do justice to his subject, he must have recourse to the authorities to be found only in the libraries and state archives of Europe. In the year 1851 he left America with his family, to begin his task over again, throwing aside all that he had already done, and following up his new course of investigations at Berlin, Dresden, the Hague, and Brussels during several succeeding years. I do not know that I can give a better idea of his mode of life during this busy period, his occupations, his state of mind, his objects of interest outside of his special work, than by making the following extracts from a long letter to myself, dated Brussels, 20th November, 1853.

After some personal matters he continued:--

"I don't really know what to say to you. I am in a town which, for
aught I know, may be very gay. I don't know a living soul in it.
We have not a single acquaintance in the place, and we glory in the
fact. There is something rather sublime in thus floating on a
single spar in the wide sea of a populous, busy, fuming, fussy world
like this. At any rate it is consonant to both our tastes. You may
suppose, however, that I find it rather difficult to amuse my
friends out of the incidents of so isolated an existence. Our daily
career is very regular and monotonous. Our life is as stagnant as a
Dutch canal. Not that I complain of it,--on the contrary, the canal
may be richly freighted with merchandise and be a short cut to the
ocean of abundant and perpetual knowledge; but, at the same time,
few points rise above the level of so regular a life, to be worthy
of your notice. You must, therefore, allow me to meander along the
meadows of commonplace. Don't expect anything of the impetuous and
boiling style. We go it weak here. I don't know whether you were
ever in Brussels. It is a striking, picturesque town, built up a
steep promontory, the old part at the bottom, very dingy and mouldy,
the new part at the top, very showy and elegant. Nothing can be
more exquisite in its way than the grande place in the very heart of
the city, surrounded with those toppling, zigzag, ten-storied
buildings bedizened all over with ornaments and emblems so peculiar
to the Netherlands, with the brocaded Hotel de Ville on one side,
with its impossible spire rising some three hundred and seventy feet
into the air and embroidered to the top with the delicacy of needle-
work, sugarwork, spider-work, or what you will. I haunt this place
because it is my scene, my theatre. Here were enacted so many deep
tragedies, so many stately dramas, and even so many farces, which
have been familiar to me so long that I have got to imagine myself
invested with a kind of property in the place, and look at it as if
it were merely the theatre with the coulisses, machinery, drapery,
etc., for representing scenes which have long since vanished, and
which no more enter the minds of the men and women who are actually
moving across its pavements than if they had occurred in the moon.
When I say that I knew no soul in Brussels I am perhaps wrong. With
the present generation I am not familiar. 'En revanche,' the dead
men of the place are my intimate friends. I am at home in any
cemetery. With the fellows of the sixteenth century I am on the
most familiar terms. Any ghost that ever flits by night across the
moonlight square is at once hailed by me as a man and a brother. I
call him by his Christian name at once. When you come out of this
place, however, which, as I said, is in the heart of the town,--the
antique gem in the modern setting,--you may go either up or down.
If you go down, you will find yourself in the very nastiest
complications of lanes and culs-de-sac possible, a dark entanglement
of gin-shops, beer-houses, and hovels, through which charming valley
dribbles the Senne (whence, I suppose, is derived Senna), the most
nauseous little river in the world, which receives all the
outpourings of all the drains and houses, and is then converted into
beer for the inhabitants, all the many breweries being directly upon
its edge. If you go up the hill instead of down, you come to an
arrangement of squares, palaces, and gardens as trim and fashionable
as you will find in Europe. Thus you see that our Cybele sits with
her head crowned with very stately towers and her feet in a tub of
very dirty water.

"My habits here for the present year are very regular. I came here,
having, as I thought, finished my work, or rather the first Part
(something like three or four volumes, 8vo), but I find so much
original matter here, and so many emendations to make, that I am
ready to despair. However, there is nothing for it but to
penelopize, pull to pieces, and stitch away again. Whatever may be
the result of my labor, nobody can say that I have not worked like
a brute beast,--but I don't care for the result. The labor is in
itself its own reward and all I want. I go day after day to the
archives here (as I went all summer at the Hague), studying the old
letters and documents of the fifteenth century. Here I remain among
my fellow-worms, feeding on these musty mulberry-leaves, out of
which we are afterwards to spin our silk. How can you expect
anything interesting from such a human cocoon? It is, however, not
without its amusement in a mouldy sort of way, this reading of dead
letters. It is something to read the real, bona fide signs-manual
of such fellows as William of Orange, Count Egmont, Alexander
Farnese, Philip II., Cardinal Granvelle, and the rest of them. It
gives a 'realizing sense,' as the Americans have it. . . . There
are not many public resources of amusement in this place,--if we
wanted them,--which we don't. I miss the Dresden Gallery very much,
and it makes me sad to think that I shall never look at the face of
the Sistine Madonna again,--that picture beyond all pictures in the
world, in which the artist certainly did get to heaven and painted a
face which was never seen on earth--so pathetic, so gentle, so
passionless, so prophetic. . . . There are a few good Rubenses
here,--but the great wealth of that master is in Antwerp. The great
picture of the Descent from the Cross is free again, after having
been ten years in the repairing room. It has come out in very good
condition. What a picture? It seems to me as if I had really stood
at the cross and seen Mary weeping on John's shoulder, and Magdalen
receiving the dead body of the Saviour in her arms. Never was the
grand tragedy represented in so profound and dramatic a manner. For
it is not only in his color in which this man so easily surpasses
all the world, but in his life-like, flesh-and-blood action,--the
tragic power of his composition. And is it not appalling to think
of the 'large constitution of this man,' when you reflect on the
acres of canvas which he has covered? How inspiriting to see with
what muscular, masculine vigor this splendid Fleming rushed in and
plucked up drowning Art by the locks when it was sinking in the
trashy sea of such creatures as the Luca Giordanos and Pietro
Cortonas and the like. Well might Guido exclaim, 'The fellow mixes
blood with his colors! . . . How providentially did the man come
in and invoke living, breathing, moving men and women out of his
canvas! Sometimes he is ranting and exaggerated, as are all men of
great genius who wrestle with Nature so boldly. No doubt his
heroines are more expansively endowed than would be thought genteel
in our country, where cryptogams are so much in fashion,
nevertheless there is always something very tremendous about him,
and very often much that is sublime, pathetic, and moving. I defy
any one of the average amount of imagination and sentiment to stand
long before the Descent from the Cross without being moved more
nearly to tears than he would care to acknowledge. As for color,
his effects are as sure as those of the sun rising in a tropical
landscape. There is something quite genial in the cheerful sense of
his own omnipotence which always inspired him. There are a few fine
pictures of his here, and I go in sometimes of a raw, foggy morning
merely to warm myself in the blaze of their beauty."

I have been more willing to give room to this description of Rubens's pictures and the effect they produced upon Motley, because there is a certain affinity between those sumptuous and glowing works of art and the prose pictures of the historian who so admired them. He was himself a colorist in language, and called up the image of a great personage or a splendid pageant of the past with the same affluence, the same rich vitality, that floods and warms the vast areas of canvas over which the full-fed genius of Rubens disported itself in the luxury of imaginative creation.

XI.

1856-1857. AEt. 42-43.

PUBLICATION OF HIS FIRST HISTORICAL WORK, "RISE OF THE DUTCH REPUBLIC." --ITS RECEPTION.--CRITICAL NOTICES.

The labor of ten years was at last finished. Carrying his formidable manuscript with him,--and how formidable the manuscript which melts down into three solid octavo volumes is, only writers and publishers know,--he knocked at the gate of that terrible fortress from which Lintot and Curll and Tonson looked down on the authors of an older generation. So large a work as the "History of the Rise of the Dutch Republic," offered for the press by an author as yet unknown to the British public, could hardly expect a warm welcome from the great dealers in literature as merchandise. Mr. Murray civilly declined the manuscript which was offered to him, and it was published at its author's expense by Mr. John Chapman. The time came when the positions of the first-named celebrated publisher and the unknown writer were reversed. Mr. Murray wrote to Mr. Motley asking to be allowed to publish his second great work, the "History of the United Netherlands," expressing at the same time his regret at what he candidly called his mistake in the first instance, and thus they were at length brought into business connection as well as the most agreeable and friendly relations. An American edition was published by the Harpers at the same time as the London one.

If the new work of the unknown author found it difficult to obtain a publisher, it was no sooner given to the public than it found an approving, an admiring, an enthusiastic world of readers, and a noble welcome at the colder hands of the critics.

"The Westminster Review" for April, 1856, had for its leading article a paper by Mr. Froude, in which the critic awarded the highest praise to the work of the new historian. As one of the earliest as well as one of the most important recognitions of the work, I quote some of its judgments.

"A history as complete as industry and genius can make it now lies
before us of the first twenty years of the Revolt of the United
Provinces; of the period in which those provinces finally conquered
their independence and established the Republic of Holland. It has
been the result of many years of silent, thoughtful, unobtrusive
labor, and unless we are strangely mistaken, unless we are ourselves
altogether unfit for this office of criticising which we have here
undertaken, the book is one which will take its place among the
finest histories in this or in any language. . . . All the
essentials of a great writer Mr. Motley eminently possesses. His
mind is broad, his industry unwearied. In power of dramatic
description no modern historian, except perhaps Mr. Carlyle,
surpasses him, and in analysis of character he is elaborate and
distinct. His principles are those of honest love for all which is
good and admirable in human character wherever he finds it, while he
unaffectedly hates oppression, and despises selfishness with all his
heart."

After giving a slight analytical sketch of the series of events related in the history, Mr. Froude objects to only one of the historian's estimates, that, namely, of the course of Queen Elizabeth.

"It is ungracious, however," he says, "even to find so slight a
fault with these admirable volumes. Mr. Motley has written without
haste, with the leisurely composure of a master. . . . We now
take our leave of Mr. Motley, desiring him only to accept our hearty
thanks for these volumes, which we trust will soon take their place
in every English library. Our quotations will have sufficed to show
the ability of the writer. Of the scope and general character of
his work we have given but a languid conception. The true merit of
a great book must be learned from the book itself. Our part has
been rather to select varied specimens of style and power. Of Mr.
Motley's antecedents we know nothing. If he has previously appeared
before the public, his reputation has not crossed the Atlantic. It
will not be so now. We believe that we may promise him as warm a
welcome among ourselves as he will receive even in America; that his
place will be at once conceded to him among the first historians in
our common language."

The faithful and unwearied Mr. Allibone has swept the whole field of contemporary criticism, and shown how wide and universal was the welcome accorded to the hitherto unknown author. An article headed "Prescott and Motley," attributed to M. Guizot, which must have been translated, I suppose, from his own language, judging by its freedom from French idioms, is to be found in "The Edinburgh Review" for January, 1857. The praise, not unmingled with criticisms, which that great historian bestowed upon Motley is less significant than the fact that he superintended a translation of the "Rise of the Dutch Republic," and himself wrote the Introduction to it.

A general chorus of approbation followed or accompanied these leading voices. The reception of the work in Great Britain was a triumph. On the Continent, in addition to the tribute paid to it by M. Guizot, it was translated into Dutch, into German, and into Russian. At home his reception was not less hearty. "The North American Review," which had set its foot on the semi-autobiographical medley which he called "Morton's Hope," which had granted a decent space and a tepid recognition to his "semi-historical" romance, in which he had already given the reading public a taste of his quality as a narrator of real events and a delineator of real personages,--this old and awe-inspiring New England and more than New England representative of the Fates, found room for a long and most laudatory article, in which the son of one of our most distinguished historians did the honors of the venerable literary periodical to the new-comer, for whom the folding-doors of all the critical headquarters were flying open as if of themselves. Mr. Allibone has recorded the opinions of some of our best scholars as expressed to him.

Dr. Lieber wrote a letter to Mr. Allibone in the strongest terms of praise. I quote one passage which in the light of after events borrows a cruel significance:--

"Congress and Parliament decree thanks for military exploits,
--rarely for diplomatic achievements. If they ever voted their thanks
for books,--and what deeds have influenced the course of human
events more than some books?--Motley ought to have the thanks of our
Congress; but I doubt not that he has already the thanks of every
American who has read the work. It will leave its distinct mark
upon the American mind."

Mr. Everett writes:--

"Mr. Motley's 'History of the Dutch Republic' is in my judgment a
work of the highest merit. Unwearying research for years in the
libraries of Europe, patience and judgment in arranging and
digesting his materials, a fine historical tact, much skill in
characterization, the perspective of narration, as it may be called,
and a vigorous style unite to make it a very capital work, and place
the name of Motley by the side of those of our great historical
trio,--Bancroft, Irving, and Prescott."

Mr. Irving, Mr. Bancroft, Mr. Sumner, Mr. Hillard, united their voices in the same strain of commendation. Mr. Prescott, whose estimate of the new history is of peculiar value for obvious reasons, writes to Mr. Allibone thus:--

"The opinion of any individual seems superfluous in respect to a
work on the merits of which the public both at home and abroad have
pronounced so unanimous a verdict. As Motley's path crosses my own
historic field, I may be thought to possess some advantage over most
critics in my familiarity with the ground.

"However this may be, I can honestly bear my testimony to the extent
of his researches and to the accuracy with which he has given the
results of them to the public. Far from making his book a mere
register of events, he has penetrated deep below the surface and
explored the cause of these events. He has carefully studied the
physiognomy of the times and given finished portraits of the great
men who conducted the march of the revolution. Every page is
instinct with the love of freedom and with that personal knowledge
of the working of free institutions which could alone enable him to
do justice to his subject. We may congratulate ourselves that it
was reserved for one of our countrymen to tell the story-better than
it had yet been told--of this memorable revolution, which in so many
of its features bears a striking resemblance to our own."

The public welcomed the work as cordially as the critics. Fifteen thousand copies had already been sold in London in 1857. In America it was equally popular. Its author saw his name enrolled by common consent among those of the great writers of his time. Europe accepted him, his country was proud to claim him, scholarship set its jealously guarded seal upon the result of his labors, the reading world, which had not cared greatly for his stories, hung in delight over a narrative more exciting than romances; and the lonely student, who had almost forgotten the look of living men in the solitude of archives haunted by dead memories, found himself suddenly in the full blaze of a great reputation.

XII.

1856-1857. AEt. 42-43. VISIT TO AMERICA.--RESIDENCE IN BOYLSTON PLACE.

He visited this country in 1856, and spent the winter of 1856-57 in Boston, living with his family in a house in Boylston Place. At this time I had the pleasure of meeting him often, and of seeing the changes which maturity, success, the opening of a great literary and social career, had wrought in his character and bearing. He was in every way greatly improved; the interesting, impulsive youth had ripened into a noble manhood. Dealing with great themes, his own mind had gained their dignity. Accustomed to the company of dead statesmen and heroes, his own ideas had risen to a higher standard. The flattery of society had added a new grace to his natural modesty. He was now a citizen of the world by his reputation; the past was his province, in which he was recognized as a master; the idol's pedestal was ready for him, but he betrayed no desire to show himself upon it.

XIII.

1858-1860. AEt. 44-46. RETURN TO ENGLAND.--SOCIAL RELATIONS.--LADY HARCOURT'S LETTER.

During the years spent in Europe in writing his first history, from 1851 to 1856, Mr. Motley had lived a life of great retirement and simplicity, devoting himself to his work and to the education of his children, to which last object he was always ready to give the most careful supervision. He was as yet unknown beyond the circle of his friends, and he did not seek society. In this quiet way he had passed the two years of residence in Dresden, the year divided between Brussels and the Hague, and a very tranquil year spent at Vevay on the Lake of Geneva. His health at this time was tolerably good, except for nervous headaches, which frequently recurred and were of great severity. His visit to England with his manuscript in search of a publisher has already been mentioned.

In 1858 he revisited England. His fame as a successful author was there before him, and he naturally became the object of many attentions. He now made many acquaintances who afterwards became his kind and valued friends. Among those mentioned by his daughter, Lady Harcourt, are Lord Lyndhurst, Lord Carlisle, Lady William Russell, Lord and Lady Palmerston, Dean Milman, with many others. The following winter was passed in Rome, among many English and American friends.

"In the course of the next summer," his daughter writes to me, "we
all went to England, and for the next two years, marked chiefly by
the success of the 'United Netherlands,' our social life was most
agreeable and most interesting. He was in the fulness of his health
and powers; his works had made him known in intellectual society,
and I think his presence, on the other hand, increased their
effects. As no one knows better than you do, his belief in his own
country and in its institutions at their best was so passionate and
intense that it was a part of his nature, yet his refined and
fastidious tastes were deeply gratified by the influences of his
life in England, and the spontaneous kindness which he received
added much to his happiness. At that time Lord Palmerston was Prime
Minister; the weekly receptions at Cambridge House were the centre
of all that was brilliant in the political and social world, while
Lansdowne House, Holland House, and others were open to the
'sommites' in all branches of literature, science, rank, and
politics. . . . It was the last year of Lord Macaulay's life,
and as a few out of many names which I recall come Dean Milman, Mr.
Froude (whose review of the 'Dutch Republic' in the 'Westminster'
was one of the first warm recognitions it ever received), the Duke
and Duchess of Argyll, Sir William Stirling Maxwell, then Mr.
Stirling of Keir, the Sheridan family in its different brilliant
members, Lord Wensleydale, and many more."

There was no society to which Motley would not have added grace and attraction by his presence, and to say that he was a welcome guest in the best houses of England is only saying that these houses are always open to those whose abilities, characters, achievements, are commended to the circles that have the best choice by the personal gifts which are nature's passport everywhere.

XIV.

1859. AEt. 45.

LETTER TO MR. FRANCIS H. UNDERWOOD.--PLAN OF MR. MOTLEY'S HISTORICAL WORKS.--SECOND GREAT WORK, "HISTORY OF THE UNITED NETHERLANDS."

I am enabled by the kindness of Mr. Francis H. Underwood to avail myself of a letter addressed to him by Mr. Motley in the year before the publication of this second work, which gives us an insight into his mode of working and the plan he proposed to follow. It begins with an allusion which recalls a literary event interesting to many of his American friends.

ROME, March 4, 1859.

F. H. UNDERWOOD, ESQ.

My dear Sir,--. . . I am delighted to hear of the great success
of "The Atlantic Monthly." In this remote region I have not the
chance of reading it as often as I should like, but from the
specimens which I have seen I am quite sure it deserves its wide
circulation. A serial publication, the contents of which are purely
original and of such remarkable merit, is a novelty in our country,
and I am delighted to find that it has already taken so prominent a
position before the reading world. . .

The whole work [his history], of which the three volumes already
published form a part, will be called "The Eighty Years' War for
Liberty."

Epoch I. is the Rise of the Dutch Republic.

Epoch II. Independence Achieved. From the Death of William the
Silent till the Twelve Years' Truce. 1584-1609.

Epoch III. Independence Recognized. From the Twelve Years' Truce
to the Peace of Westphalia. 1609-1648.

My subject is a very vast one, for the struggle of the United
Provinces with Spain was one in which all the leading states of
Europe were more or less involved. After the death of William the
Silent, the history assumes world-wide proportions. Thus the volume
which I am just about terminating . . . is almost as much English
history as Dutch. The Earl of Leicester, very soon after the death
of Orange, was appointed governor of the provinces, and the alliance
between the two countries almost amounted to a political union. I
shall try to get the whole of the Leicester administration,
terminating with the grand drama of the Invincible Armada, into one
volume; but I doubt, my materials are so enormous. I have been
personally very hard at work, nearly two years, ransacking the
British State Paper Office, the British Museum, and the Holland
archives, and I have had two copyists constantly engaged in London,
and two others at the Hague. Besides this, I passed the whole of
last winter at Brussels, where, by special favor of the Belgian
Government, I was allowed to read what no one else has ever been
permitted to see,--the great mass of copies taken by that government
from the Simancas archives, a translated epitome of which has been
published by Gachard. This correspondence reaches to the death of
Philip II., and is of immense extent and importance. Had I not
obtained leave to read the invaluable and, for my purpose,
indispensable documents at Brussels, I should have gone to Spain,
for they will not be published these twenty years, and then only in
a translated and excessively abbreviated and unsatisfactory form.
I have read the whole of this correspondence, and made very copious
notes of it. In truth, I devoted three months of last winter to
that purpose alone.

The materials I have collected from the English archives are also
extremely important and curious. I have hundreds of interesting
letters never published or to be published, by Queen Elizabeth,
Burghley, Walsingham, Sidney, Drake, Willoughby, Leicester, and
others. For the whole of that portion of my subject in which
Holland and England were combined into one whole, to resist Spain in
its attempt to obtain the universal empire, I have very abundant
collections. For the history of the United Provinces is not at all
a provincial history. It is the history of European liberty.
Without the struggle of Holland and England against Spain, all
Europe might have been Catholic and Spanish. It was Holland that
saved England in the sixteenth century, and, by so doing, secured
the triumph of the Reformation, and placed the independence of the
various states of Europe upon a sure foundation. Of course, the
materials collected by me at the Hague are of great importance. As
a single specimen, I will state that I found in the archives there
an immense and confused mass of papers, which turned out to be the
autograph letters of Olden Barneveld during the last few years of
his life; during, in short, the whole of that most important period
which preceded his execution. These letters are in such an
intolerable handwriting that no one has ever attempted to read them.
I could read them only imperfectly myself, and it would have taken
me a very long time to have acquired the power to do so; but my
copyist and reader there is the most patient and indefatigable
person alive, and he has quite mastered the handwriting, and he
writes me that they are a mine of historical wealth for me. I shall
have complete copies before I get to that period, one of signal
interest, and which has never been described. I mention these
matters that you may see that my work, whatever its other value may
be, is built upon the only foundation fit for history,--original
contemporary documents. These are all unpublished. Of course, I
use the contemporary historians and pamphleteers,--Dutch, Spanish,
French, Italian, German, and English,--but the most valuable of my
sources are manuscript ones. I have said the little which I have
said in order to vindicate the largeness of the subject. The
kingdom of Holland is a small power now, but the Eighty Years' War,
which secured the civil and religious independence of the Dutch
Commonwealth and of Europe, was the great event of that whole age.

The whole work will therefore cover a most remarkable epoch in human
history, from the abdication of Charles Fifth to the Peace of
Westphalia, at which last point the political and geographical
arrangements of Europe were established on a permanent basis,--in
the main undisturbed until the French Revolution. . . .

I will mention that I received yesterday a letter from the
distinguished M. Guizot, informing me that the first volume of the
French translation, edited by him, with an introduction, has just
been published. The publication was hastened in consequence of the
appearance of a rival translation at Brussels. The German
translation is very elegantly and expensively printed in handsome
octavos; and the Dutch translation, under the editorship of the
archivist general of Holland, Bakhuyzen v. d. Brink, is enriched
with copious notes and comments by that distinguished scholar.

There are also three different piratical reprints of the original
work at Amsterdam, Leipzig, and London. I must add that I had
nothing to do with the translation in any case. In fact, with the
exception of M. Guizot, no one ever obtained permission of me to
publish translations, and I never knew of the existence of them
until I read of it in the journals. . . . I forgot to say that
among the collections already thoroughly examined by me is that
portion of the Simancas archives still retained in the Imperial
archives of France. I spent a considerable time in Paris for the
purpose of reading these documents. There are many letters of
Philip II. there, with apostilles by his own hand. . . . I
would add that I am going to pass this summer at Venice for the
purpose of reading and procuring copies from the very rich archives
of that Republic, of the correspondence of their envoys in Madrid,
London, and Brussels during the epoch of which I am treating.