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Chapter I: Foreword

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So many fantastic tales have come to us of students' life abroad, of their temptations, trials, finances, successes and failures, that I have attempted to give here the true story of the preparation for an operatic career, and its fruition. My road leads from New York to Paris, to Germany and thence to London, and back to the Metropolitan Opera House. My operatic experiences in Germany are inalienably associated with the lives of the people, particularly with the German officer class, viewed publicly and privately; in fact in the town where I was first engaged, Metz, I found they were as vital a part of the Opera house life as the singers themselves. Their arrogance tainted the town life as well, and here I first became acquainted with the pitiful attempt at swagger and brilliancy which often covered a state of grinding poverty, or the thwarted natural domestic instincts which were ruthlessly sacrificed to the "uniform"--the all-desirable entree to society, for which no price was too high to pay. I hope this book will be of interest not only to those whose goal is the operatic or concert stage, but to those to whom "human documents" appeal. It is a story of real people, real obstacles overcome, and contains much intimate talk of back-stage life in opera houses.

CONTENTS

CHAPTER PAGE

I THE WAY IT ALL HAPPENED 13

II A STRUGGLE AND A SOLUTION 21

III PARIS AT LAST 30

IV PENSION PERSONALITIES 39

V OPERATIC FRANCE VERSUS OPERATIC GERMANY 50

VI PREPARING ROLES IN BERLIN 59

VII MY FIRST OPERATIC CONTRACT SIGNED 67

VIII MY ONE LONE IMPROPOSITION 76

IX THE MAKINGS OF A SMALL MUNICIPAL OPERA HOUSE 85

X MY DEBUT AND BREAKING INTO HARNESS 100

XI SOME STAGE DELIGHTS 110

XII MISPLACED MOISTURE AND THE STORY OF A COURT-LADY 123

XIII HUMAN PASSIONS AND SMALLPOX 139

XIV DISCOURAGEMENTS THAT LED TO A COURT THEATRE 153

XV SALARIES AND A TENOR'S GENIUS 164

XVI THE ART OF MARIE MUELLE 172

XVII THE NON-MILITARY SIDE OF A GERMAN OFFICER'S LIFE 184

XVIII GEESE AND GUESTS 199

XIX RUSSIANS, COMMON AND PREFERRED 206

XX THE GRANDMOTHERS' BALLET 220

XXI STAGE FASHIONS AND THE GLORY OF COLOUR 230

XXII ROYAL HUMOUR 242

XXIII COVENT GARDEN AND--AMERICA 257

LIST OF ILLUSTRATIONS

Kathleen Howard _Frontispiece_

I Carmen as I Used to Dress It 76

II Carmen as I Now Dress It 84

I Amneris as I Used to Dress It 126

II Amneris as I Now Dress It 134

I Dalila as I Used to Dress It 172

II Dalila as I Now Dress It 180

Caruso's Caricature of Kathleen Howard 260

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Confessions of an Opera SingerChapter I: Foreword

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