Chapter I: Foreword
So many fantastic tales have come to us of students' life abroad, of their temptations, trials, finances, successes and failures, that I have attempted to give here the true story of the preparation for an operatic career, and its fruition. My road leads from New York to Paris, to Germany and thence to London, and back to the Metropolitan Opera House. My operatic experiences in Germany are inalienably associated with the lives of the people, particularly with the German officer class, viewed publicly and privately; in fact in the town where I was first engaged, Metz, I found they were as vital a part of the Opera house life as the singers themselves. Their arrogance tainted the town life as well, and here I first became acquainted with the pitiful attempt at swagger and brilliancy which often covered a state of grinding poverty, or the thwarted natural domestic instincts which were ruthlessly sacrificed to the "uniform"--the all-desirable entree to society, for which no price was too high to pay. I hope this book will be of interest not only to those whose goal is the operatic or concert stage, but to those to whom "human documents" appeal. It is a story of real people, real obstacles overcome, and contains much intimate talk of back-stage life in opera houses.
CONTENTS
CHAPTER PAGE
I THE WAY IT ALL HAPPENED 13
II A STRUGGLE AND A SOLUTION 21
III PARIS AT LAST 30
IV PENSION PERSONALITIES 39
V OPERATIC FRANCE VERSUS OPERATIC GERMANY 50
VI PREPARING ROLES IN BERLIN 59
VII MY FIRST OPERATIC CONTRACT SIGNED 67
VIII MY ONE LONE IMPROPOSITION 76
IX THE MAKINGS OF A SMALL MUNICIPAL OPERA HOUSE 85
X MY DEBUT AND BREAKING INTO HARNESS 100
XI SOME STAGE DELIGHTS 110
XII MISPLACED MOISTURE AND THE STORY OF A COURT-LADY 123
XIII HUMAN PASSIONS AND SMALLPOX 139
XIV DISCOURAGEMENTS THAT LED TO A COURT THEATRE 153
XV SALARIES AND A TENOR'S GENIUS 164
XVI THE ART OF MARIE MUELLE 172
XVII THE NON-MILITARY SIDE OF A GERMAN OFFICER'S LIFE 184
XVIII GEESE AND GUESTS 199
XIX RUSSIANS, COMMON AND PREFERRED 206
XX THE GRANDMOTHERS' BALLET 220
XXI STAGE FASHIONS AND THE GLORY OF COLOUR 230
XXII ROYAL HUMOUR 242
XXIII COVENT GARDEN AND--AMERICA 257
LIST OF ILLUSTRATIONS
Kathleen Howard _Frontispiece_
I Carmen as I Used to Dress It 76
II Carmen as I Now Dress It 84
I Amneris as I Used to Dress It 126
II Amneris as I Now Dress It 134
I Dalila as I Used to Dress It 172
II Dalila as I Now Dress It 180
Caruso's Caricature of Kathleen Howard 260
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Confessions of an Opera SingerChapter I: Foreword
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