Chapter VI: Along the Landward Walls
IN the third chapter, occupied with the story of the making of Constantinople, some account has been given of the portion of the landward walls erected in the earlier half of the fifth century, when the city was enlarged under Theodosius II., viz, the portion extending from the Sea of Marmora, on the south, to the ruins of the Palace of the Porphyrogenitus (Tekfour Serai) on the north. That seemed the most appropriate place to speak of the origin and character of fortifications which were built as much for the growth and convenience of the city in its civic relations, as for its security as the citadel of the Empire. To that chapter the reader who desires to recall the information given on the subject, is referred. Here, after a brief account of the additions made to the Theodosian walls, in subsequent times, we shall consider the historical importance of the landward walls as a whole, and glance at some of the scenes enacted before them.
The post-Theodosian portions of the walls that guarded Constantinople on the side of the land extend from the courtyard of the Palace of the Porphyrogenitus to the shore of the Golden Horn at Aivan Serai. They replaced an older line of fortifications which ran, at a short distance to the rear, between the same points, and were constructed to strengthen the weak places which time revealed in this part of the city's armour. First in the order of position, though not in the order of time, comes the wall erected by Manuel Comnenus (1142-1180), for the greater security of the Palace of Blachernæ, his favourite residence, which stood within the old bulwarks, just mentioned. It terminates at the foot of the steep hill on which the quarter of Egri Kapou is situated. With its nine noble towers it presents a striking likeness to the fortifications of a feudal baronial castle, and its solid masonry defied the Turkish cannon in 1453. Then follow walls, the original date of whose construction cannot be precisely determined, as they evidently underwent frequent repairs and alterations. Here is found the Tower of Isaac Angelus, and, in the body of the wall to the north of the tower, are three stories of large chambers, very much ruined, which some authorities regard as the cells of the State Prison of Anemas. More probably, they were either barracks or store-rooms attached to the imperial residence, and at the same time buttresses for the support of the terraced hill on which the palace was built. Beyond this chambered wall there is a double line of fortifications. The inner wall was erected in 627, under Heraclius, after the siege of the city by the Avars, to protect the quarter of Blachernæ and its celebrated Church of S. Mary of Blachernæ more effectively in the future than when assailed by that enemy.
The outer wall was built as an additional defence in 813, by Leo the Armenian (813-820), in view of an expected attack upon the city by the Bulgarians under Crum.
The territory outside the landward walls has indeed a charm of its own, in its quiet rural aspect, and in the glimpses it affords of distant blue water seen through dark groves of cypresses. But it cannot pretend to the splendid natural scenery which confronts the shores of the Sea of Marmora or of the Golden Horn, and makes the beauty of Constantinople famous throughout the world. This, however, is not altogether a disadvantage, for it allows the visitor to view without distraction the imposing line of bulwarks ranged across the promontory from sea to sea, and to appreciate calmly all their significance. On the other sides of the city, the fortifications which guarded the Queen of Cities are comparatively unimportant, and are easily lost sight of in the beauty of their surroundings. Here the walls and towers are everything. Here they attained their greatest strength; here they rendered their greatest service; here, like troops bearing the wounds and scars of a great campaign, they force the beholder to realise the immense debt which the civilised world owes to Constantinople for the strength, the valour, and the sacrifices devoted through long centuries to the defence of the highest life of mankind against terrible foes.
Part of the old fortifications, now in ruins, stretching from the Marmora to the Golden Horn.]
Nor does the scenery which the walls themselves present need to borrow attractions from any other source to render it the most picturesque and impressive spectacle of the kind in the world. The alternate courses of grey stone and red bricks in the structure of the fortifications; the long lines of wall ranged in ranks, and rising tier above tier to support one another in the terrible struggles they were called to maintain; the multitude of towers, marshalled to guard the city and Empire, great and small, of every shape, square, round, polygons looking in six, seven, or eight directions, some intact after all the storms of centuries, others bare, broken, fissured from head to foot, yet holding together; inscriptions recalling wars, earthquakes, names of men who have made history; towers crowned with ivy; trees interspersed between the walls or standing upon the summit, like banners; crenellated parapets affording glimpses of the blue sky behind, as though, in Oriental phrase, the ramparts rose to the very heavens; all this stretching for mile upon mile, from sea to sea, presents a scene of extraordinary beauty and grandeur, not less attractive because of the heroism and achievements of which it has been the theatre.
This is not the place for an extended history of the services which these walls, and the Empire of which they were the citadel, rendered as the shield of European civilisation. Enough to remember that the dread of them dissuaded Attila and his Huns from delivering an attack upon the city, although he approached as near to Constantinople as Athyras, now Buyuk Tchekmedjé, some twelve miles distant. Doubtless they often restrained the wrath also of other barbarous hordes. In vain did the Avars, in 627, beat against these walls between Top Kapou (Gate of S. Romanus) and the Gate of Adrianople (Charisius). In vain did the Arabs invest these bulwarks from the spring to the autumn of four successive years (673-677). As unsuccessful was the second siege of the city by the same foe for twelve months (717-718). These fortifications defied the Bulgarians both under Crum in 813 and under Symeon in 924. In 1203 they repelled the valour of the knights and barons engaged in the Fourth Crusade. They mocked the assaults of Sultan Murad, in 1422. And when they succumbed, at length, to the artillery of Sultan Mehemet in 1453, it was because their defenders were few and divided, and their assailants were armed with weapons before which ramparts of stone, alike in the West and in the East, crumbled to pieces, and old systems of society were swept away.
The battles fought directly before the walls of New Rome do not, indeed, give us the complete story of her warfare "per benefitio de la Christiantade et per honor del mundo." On eight occasions, at least, the armies of the East Roman Empire were drawn up on the plain outside the Golden Gate to celebrate victories won on distant battlefields, and to enter the triumphal Gate of the capital with prisoners, standards, and spoils captured on hostile territory. To the shouts "Glory to God, who has restored to us our sovereign crowned with victory! Glory to God who has magnified you Emperor of the Romans! Glory to Thee All-Holy Trinity, for we behold our Emperor victorious! Welcome Victor! most valiant sovereign!" the triumphal car of Heraclius drove into the city, after his splendid campaign of seven years against the Persians; the campaign which brought the long struggle between Europe and Persia since 492 B.C. to an end. The same shouts rent the air, when Constantine Copronymus returned from the defeat of the Bulgarians, and twice again, when Basil II., by two murderous wars with that people, earned the title, the Slayer of Bulgarians, Bulgaroktonos. Theophilus, on two occasions, and Basil I. passed through the Golden Gate as victors over the Saracens. And Zimisces received the same honour for beating back the Russians under Swiatoslaf. These were great days in the history of the city, nay, of mankind, for they stayed the waves of barbarism that threatened to overwhelm the civilised world. But after all, it is when the enemy stands arrayed before the very capital of the Empire, and delivers assault after assault upon the citadel which guarded its fate and the destiny of Europe, that the struggle waged between civilisation and barbarism during the history of New Rome is fully recognised to have been, indeed, a struggle for life, and that we learn to appreciate what we owe to the Warden of the Gates to the Western World. To these walls may be applied the words in which Mr. Gladstone appraised the value of the services rendered by the Christian populations of the Balkan Peninsula, in a similar connection. "They are like a shelving beach that restrained the ocean. That beach, it is true, is beaten by the waves; it is laid desolate; it produces nothing; it becomes perhaps nothing save a mass of shingle, of rock, of almost useless sea-weed. But it is a fence behind which the cultivated earth can spread and escape the incoming tide.... It was that resistance which left Europe to claim the enjoyment of her own religion, and to develop her institutions and her laws."
Although inferior as military works to the other portions of the landward walls, great historical interest is associated with the fortifications between the Wall of Manuel and the Golden Horn, for they guarded the Palace of Blachernæ, the favourite residence of the Byzantine Court from the time of Alexius Comnenus (1081-1118) until the fall of the Empire. As already intimated, the palace stood on the terrace buttressed by the Tower of Isaac Angelus and the chambered wall to the north of the tower, where the Mosque of Aivas Effendi is now found. The terrace was almost level with the parapet-walk of the fortifications, commanding fine views of the Golden Horn, and of the hills at the head of the harbour; and there the most splendid Court of the Middle Ages long displayed its wealth and pomp. What with the Crusades, and what with the relations, hostile and friendly, between the Italian Republics and the Government of Constantinople during the period of the Palæologi, it was in that palace that Western and Eastern Europe came into closest contact for good or for evil. On the hills and in the valleys seen from the western windows of the palace, the armies of the First Crusade encamped. To that residence came Peter the Hermit, Godfrey of Bouillon, Robert of Normandy, Bohemond, Tancred, "the mirror of knighthood," Count Robert of Paris, to wonder at the marvels of Byzantine Art, and to attempt the co-operation of the East and the West, in the great political and religious undertaking of the times. On the hill immediately in front of the walls the soldiers of the Fourth Crusade pitched their tents, and thence Baldwin of Flanders and Hainaut, Henry his brother, Louis of Blois and Chartres, and Hugo of Saint Paul, led four divisions of the army against the wall erected by Leo the Armenian. The wall was held by Varangian troops, the imperial body-guard, recruited from England, Denmark, Norway, and Russia. "The assailants," to quote the words of Ville-Hardouin, a witness of the combat, and the historian of the Crusade, "placed two scaling-ladders against an outer wall near the sea; the wall was furnished with Englishmen and Danes, and the attack was strong, and good, and hard. And by sheer force some knights and two sergeants mounted the ladders, and became masters of the wall. Fully fifteen reached the wall, and they fought hand to hand with axes and swords. And the men within returned to the charge and drove them (the assailants) out, right rudely, even taking two of them prisoners. And those of our men who were captured were led to the Emperor Alexis, and he was very highly delighted. So ended the attack by the French. And there was a considerable number of men wounded and of maimed; and the barons were very angry about it."
The recovery of Constantinople from the Latins in 1261 did not diminish Italian influence over the life of the city. On the contrary, from that time to the close of Byzantine history that influence, modified indeed by the rival force of Ottoman power, grew stronger and stronger. Commercial interests, political necessities, schemes of ecclesiastical union, literary sympathies, possibilities of aggrandisement at the expense of an Empire hastening to ruin, made Italy, especially Genoa and Venice, take a most active part in the affairs of New Rome. A Western atmosphere, so to speak, then enveloped Constantinople, very much like that which surrounds the City of the Sultans to-day.
But the portion of the walls about which the greatest and most pathetic interest gathers is where Sultan Mehemet delivered his fatal blow upon the Byzantine Empire, and won the title of "the Conqueror." It is the portion which stretches from Top Kapoussi (Gate of S. Romanus) to Edirné Kapoussi (Gate of Charisius), across the ravine through which the little stream of the Lycus, on its way to the Sea of Marmora, enters the city. Owing to the depression of the ground and the impossibility of constructing a deep moat there, this was the weakest point in the Theodosian fortifications, and here the bravest of the defenders, under Giustiniani of Genoa and the Emperor Constantine, manned the walls to oppose the best troops under the command of the Sultan. Against this part of the walls the enemy pointed his heaviest cannon, and here the contest raged for more than seven weeks. Both the besieged and the besiegers fought with the determination and the valour worthy of the issues at stake. When the Turkish artillery broke down the Outer Wall, Giustiniani and his Genoese and Greek comrades held their ground, and replaced the fallen ramparts by a stockade built of stones, barrels full of earth, beams, branches of trees--of anything within reach that would hold together. Against that barricade wave after wave of Turkish troops dashed and beat furiously and long. There were moments when the defenders seemed to have gained the day. But like gleams of sunshine that pierce storm clouds, they only served to make the impending catastrophe more tragic. Giustiniani was wounded and left the field. A band of bold Turks entered the city through the postern of the Kerkoporta, thoughtlessly left open, and, mounting the walls, planted their banners upon the parapet. Anon, the cry "The city is taken" burst upon the air and reverberated from tower to tower. A panic seized the besieged. The Sultan, grasping his opportunity, roused his janissaries to a supreme effort, and hurled them against the battered and half-deserted barricade. The Emperor Constantine did everything in his power to rally his followers and repel the terrible onset. It was hopeless. He then sought and found a soldier's death, rather than survive the fall of his Empire. "All was lost save honour." And over his dead body the tide of conquest poured into the city.
Thus ended the history of more than a thousand years. Then Asia dealt its worst blow upon Europe. Then the last vestige of the State, ruled first by Rome from the seven hills beside the Tiber, and afterwards by New Rome enthroned on the seven hills beside the Bosporus, disappeared. Then the Crescent gained its greatest triumph over the Cross. Not many spots in the world have been the scene of such momentous events as took place in the little valley of the Lycus on the 29th of May, 1453. There an Empire died, and a long and great epoch closed.
Many a charming vista may be seen through the cypress trees in the cemetery at Eyoub.]
It is very natural, when thoughtful men tread the road which skirts these ancient fortifications, that the mind should be profoundly impressed by the vanity of earthly might and greatness. On the one hand, the way is strewn with the wreck and ruin of ramparts once deemed impregnable:
O'er each mouldering tower,
Dim with the mist of years, grey flits the shade of power.
On the other hand, stretch great silent cemeteries, beneath whose dark cypresses lies the dust of a dead multitude more than can be numbered. As one has expressed the feeling awakened by this spectacle of wreckage and mortality, "It is walking through the valley of the Shadow of Death." And yet, seeing there must be an end to all things, is it not wiser and more just to dwell rather upon the glory that crowns these bulwarks for their long defence of the civilised life of the world?
For a full account of the Turkish Conquest, see E. Pears'
_The Destruction of the Greek Empire_.
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Constantinople, painted by Warwick Goble, described by Alexander Van MillingenChapter VI: Along the Landward Walls
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