Continental stagecraft
by OpenStories
Original author: Kenneth Macgowan
"Continental Stagecraft" by Kenneth Macgowan is a treatise on theatrical techniques and observations, written in the early 20th century. The work documents the author's experiences and insights gained from extensive travels through the theaters of continental Europe, focusing primarily on France, Germany, and Austria. It delves into the evolution of stagecraft, the impact of realism and expressionism on theater, and the principles that govern modern theatrical productions. The opening of "Continental Stagecraft" sets the stage for an exploration of the dynamic landscape of European theater in the 1920s. After a brief preface, the author introduces his journey through various theaters, emphasizing how the trip across several countries provided a wealth of knowledge and inspiration. As he confronts the tension between realism and expressionism, Macgowan opens a dialogue about how contemporary theater can transcend traditional representational techniques. He hints at the significance of outer reality versus inner truth, presenting a nuanced view of the direction theater is taking and the need for a new theatrical language that resonates beyond mere realism.
Continental stagecraft, by Kenneth Macgowan. Republished by OpenStories from Project Gutenberg eBook #72655.
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18 Chapters
- 1.Front Matter2,023 words
- 2.Chapter I: Beyond Realism3,569 words
- 3.Chapter II: The Living Stage2,257 words
- 4.Chapter III: The Path of the Play2,991 words
- 5.Chapter IV: Black Curtains3,397 words
- 6.Chapter V: The Twilight of the Machines3,385 words
- 7.Chapter VI: Light as Setting3,139 words
- 8.Chapter VII: The German Actor2,383 words
- 9.Chapter VIII: New Acting for Old3,652 words
- 10.Chapter IX: The Reinhardt Tradition3,039 words
- 11.Chapter X: The Artist as Director3,240 words
- 12.Chapter XI: A New Adventure in Direction3,592 words
- 13.Chapter XII: Masse-Mensch—mob-Man3,203 words
- 14.Chapter XIII: “the Theater of the Five Thousand”3,415 words
- 15.Chapter XIV: The Theater of the Three Hundred3,199 words
- 16.Chapter XV: The Redoutensaal—a Playhouse of Permanence3,498 words
- 17.Chapter XVI: The Cirque Medrano3,679 words
- 18.Chapter XVII: The Old Spirit—the New Theater4,490 words