Skip to content

Chapter III: Part 3

Text size

The tones of Corinne's voice, full of sensibility and emotion, giving, effect to the Italian language, so pompous and so sonorous, produced upon Oswald an impression entirely novel. The English prosody is uniform and veiled, its natural beauties are all of a sombre cast; its colouring has been formed by clouds, and its modulation by the roaring of the sea; but when Italian words, brilliant as an Italian festival, resonant like those instruments of victory, which have been compared to scarlet among colours; when these words, bearing the stamp of that joy which a fine climate spreads through every heart, are pronounced in a moving voice, their lustre softened, their strength concentrated, the soul is affected in a manner as acute as unforeseen. The intention of nature seems baffled, her benefits of no use, her offers rejected, and the expression of pain, in the midst of so many enjoyments, astonishes and affects us more deeply than the grief which is sung in those northern languages which it seems to inspire.

FOOTNOTE:

[5] We must expect from this censure upon the Italian mode of declamation, the celebrated Monti, who recites verses as well as he composes them. It is really one of the greatest dramatic pleasures that can be experienced, to hear him recite the Episode of Ugolin, of Francesca da Rimini, the Death of Clorinda, &c.

Chapter iv.

The Senator took the crown of myrtle and laurel which he was to place on the head of Corinne. She removed the shawl which graced her forehead, and all her ebon hair fell in ringlets about her shoulders. She advanced with her head bare, and her look animated by a sentiment of pleasure and gratitude which she sought not to conceal. She a second time bent her knee, to receive the crown; but she displayed less agitation and tremor than at first; she had just spoken; she had just filled her mind with the most noble thoughts, and enthusiasm conquered diffidence. She was no longer a timid woman, but an inspired priestess who joyfully consecrated herself to the worship of genius.

As soon as the crown was placed on the head of Corinne all the instruments were heard in those triumphant airs which fill the soul with the most sublime emotion. The sound of kettle-drums, and the flourish of trumpets, inspired Corinne with new feelings--her eyes were filled with tears--she sat down a moment, and covered her face with her handkerchief. Oswald, most sensibly affected, quitted the crowd, and advanced to speak to her, but was withheld by an invincible embarrassment. Corinne looked at him for some time, taking care nevertheless, that he should not observe the attention she paid him; but when the Prince Castel-Forte came to take her hand, in order to conduct her to the car, she yielded to his politeness with an absent mind; and, while she permitted him to hand her along, turned her head several times, under various pretexts, to take another view of Oswald.

He followed her, and at the moment when she descended the steps accompanied by her train, she made a retrograde movement, in order to behold him once more, when her crown fell off. Oswald hastened to pick it up; and in restoring it to her, said in Italian, that an humble mortal like himself might venture to place at the feet of a goddess that crown which he dared not presume to place on her head[6]. Corinne thanked Lord Nelville in English, with that pure national accent--that pure insular accent, which has scarcely ever been successfully imitated on the continent. What was the astonishment of Oswald in hearing her! He remained at first immovably fixed to the spot where he was, and feeling confused he leaned against one of the lions of basalt at the foot of the stairway descending from the Capitol. Corinne viewed him again, forcibly struck with the emotion he betrayed; but she was dragged away towards the car, and the whole crowd disappeared long before Oswald had recovered his strength and his presence of mind.

Corinne, till then, had enchanted him as the most charming of foreigners--as one of the wonders of that country he had come to visit; but her English accent recalled every recollection of his native country, and in a manner naturalised all the charms of Corinne. Was she English? Had she passed several years of her life in England? He was lost in conjecture; but it was impossible that study alone could have taught her to speak thus--Corinne and Lord Nelville must have lived in the same country. Who knows whether their families were not intimate? Perhaps even, he had seen her in his infancy! We often have in our hearts, we know not what kind of innate image of that which we love, which may persuade us that we recognise it in an object we behold for the first time.

Oswald had cherished many prejudices against the Italians; he believed them passionate, but changeable, and incapable of any deep and lasting affection. Already the language of Corinne at the Capitol had inspired him with a different idea. What would be his fortune, then, if he could at once revive the recollections of his native country, and receive by imagination a new existence,--live again for the future without forgetting the past!

In the midst of his reveries, Oswald found himself upon the bridge of St Angelo, which leads to the castle of the same name, or rather to the tomb of Adrian, which has been converted into a fortress. The silence of the place, the pale waves of the Tiber, the moon-beams which shed their mild radiance upon the statues placed on the bridge, and gave to those statues the appearance of white spectres steadfastly regarding the current of the waters, and the flight of time which no longer concerned them; all these objects led him back to his habitual ideas. He put his hand upon his breast, and felt the portrait of his father which he always carried there; he untied it, contemplated the features, and the momentary happiness which he had just experienced, as well as the cause of that happiness, only recalled, with too severe a remembrance, the sentiment which had already rendered him so guilty towards his father: This reflection renewed his remorse.

"Eternal recollection of my life!" cried he: "Friend so offended, yet so generous! Could I have believed that any pleasurable sensation would so soon have found access to my heart? It is not thou, best and most indulgent of men,--it is not thou who reproachest me with them--it was thy wish that I should be happy, and, in spite of my errors, that is still thy desire: but at least, may I not misconceive thy voice, if thou speak to me from heaven, as I have misconceived it upon earth!"

FOOTNOTE:

[6] Lord Nelville seems to have alluded to this beautiful distich of Propertius:

"Ut caput in Magnis ubi non est ponere signis,
Ponitur hîc imos ante corona pedes."

Book iii.

CORINNE

Chapter i.

The Count d'Erfeuil was present at the ceremony of the Capitol: He came the next day to Lord Nelville, and said to him, "My dear Oswald, shall I take you this evening to see Corinne?" "How!" interrupted Oswald; "are you acquainted with her, then?" "No," replied the Count d'Erfeuil; "but so celebrated a lady is always flattered when people express a desire to see her; and I have written to her this morning to request permission to visit her in the evening accompanied by you." "I could have wished," replied Oswald blushing, "that you had not named me in this manner without my consent." "Do not be angry with me," replied the Count d'Erfeuil, "for having spared you some tiresome formalities: Instead of going to an ambassador, who would have taken you to a cardinal, who would have conducted you to a lady, who would have introduced you to Corinne, I present you--you present me, and we shall both of us be very well received I have no doubt."

"I am less confident on that subject than you," replied Lord Nelville, "and certainly not without reason. I am afraid that this forward request may have displeased Corinne." "Not at all, I assure you," said the Count d'Erfeuil; "she has too much good sense for that; and her answer is extremely polite." "How! she has answered you," replied Lord Nelville; "and what has she said to you, my dear Count?" "Ah, my dear Count?" said M. d'Erfeuil, laughing, "you change your note then, since you know that Corinne has answered me; however, _I love you, and all is pardoned_. I will confess to you then, modestly, that in my note I had spoken of myself more than of you, and that, in her answer she seems to have named you first, but I am never jealous of my friends." "Indeed," replied Lord Nelville, "I do not think that either you or I have any reason to flatter ourselves with being agreeable to Corinne; and as to me, all that I desire is sometimes to enjoy the society of so extraordinary a lady: so adieu till this evening, since you have arranged it so." "You will accompany me then?" said the Count d'Erfeuil. "Well, yes, I will," answered Lord Nelville with visible embarrassment. "Why then," continued the Count, "find fault with what I have done? You finish as I have begun, but however, I must allow you the honour of being more reserved than I, provided you lose nothing by it. Corinne is certainly a charming lady, she is graceful and witty; I could not comprehend what she said very well, because she spoke Italian; but I would venture to lay a wager, from only seeing her, that she knows French very well: however, we shall judge of that in the evening. She leads a very singular life; she is rich, young, and independent; yet no one can tell, to a certainty, whether she has lovers or not. It appears certain, notwithstanding, that, at present she gives a preference to no one; indeed," added he, "it may be the case that she has not been able to find in this country a man worthy of her: that would not astonish me at all."

The Count held this kind of discourse some time longer without being interrupted by Lord Nelville. He said nothing that was discourteous; but he always wounded the delicate feelings of Oswald by speaking with too much boldness or too much levity upon what interested him. There is a certain tact that even wit and knowledge of the world will not teach; so that, without being wanting in the most perfect politeness, we may often wound the heart.

Lord Nelville was very much agitated the whole day in thinking of the visit he was to make in the evening; but he drove away from him as much as he could the reflections which disturbed him, and endeavoured to persuade himself that he might find pleasure in a sentiment, without permitting it to decide the fate of his life. False security! for the soul receives no pleasure from anything which it deems transient.

Oswald and the Count arrived at Corinne's house, which was situated in the _Quartiere di Trastevere_, a little beyond the castle of St Angelo.

The view of the Tiber gave an additional embellishment to this house, which was ornamented, internally, with the most perfect elegance. The saloon was decorated with copies, in plaster, of the best statues in Italy--Niobe, Laocoon, Venus de Medicis, and the Dying Gladiator. In the apartment where Corinne received company were instruments of music, books, and furniture not more remarkable for its simplicity than for its convenience, being merely arranged so as to render the conversation easy, and to draw the circle more closely together. Corinne had not yet made her appearance when Oswald arrived; while waiting for her he walked about the apartment with much eager curiosity, remarking in every particular a happy medley of all that is most agreeable in the English, French and Italian nations; the love of literature, the taste for society, and a passion for the fine arts.

Corinne at length appeared; her costume was still picturesque without being over-studied. Her hair was ornamented with antique cameos and she wore a necklace of coral: her politeness was noble and easy: in beholding her in the familiar circle of her friends, you might discover in her the goddess of the Capitol, notwithstanding she was perfectly simple and natural in everything. She first saluted the Count d'Erfeuil, her eyes fixed upon Oswald; and then, as if she repented this piece of falsehood, she advanced towards the latter--and it might be remarked that in addressing him by the title of Lord Nelville, that name seemed to produce a singular effect upon her, and twice she repeated it with a faltering voice, as if it recalled some affecting remembrances.

At length, in the most graceful manner, she thanked Lord Nelville, in Italian, for his obliging behaviour on the preceding day in picking up her crown. Oswald answered by expressing the admiration with which she inspired him, and gently complained of her not speaking to him upon this occasion in English: "Am I more an alien to you to-day," added he, "than I was yesterday?" "No certainly," replied Corinne; "but when people have, like me, for several years, been in the habit of speaking two or three different languages, they are apt to employ that which will best convey the sentiments they wish to express." "Surely," said Oswald, "English is your natural language, that which you speak to your friends, that--" "I am an Italian," interrupted Corinne--"pardon me, my lord, but I think I discover in you that national pride which often characterises your countrymen. In this country we are more modest; we are neither pleased with ourselves like the French, nor proud of ourselves like the English: we only ask a little indulgence of foreigners, and as we have long ceased to be considered a nation, we are guilty of sometimes being wanting, as individuals, in that dignity which is not allowed us as a people. But when you are acquainted with the Italians, you will see that they possess in their character, some traces of ancient greatness, some rare traces which, though now effaced, may appear again in happier times. I will speak English to you sometimes, but not always: Italian is dear to me; for I have endured much," added she, "to reside in Italy."

The Count d'Erfeuil politely reproached Corinne with having entirely forgotten him, by expressing herself in languages he did not understand. "Lovely Corinne," said he to her, "pray talk French; indeed you are worthy of such an accomplishment." Corinne smiled at this compliment, and began to speak French, with great purity and much facility, but with an English accent. Lord Nelville and the Count d'Erfeuil were equally astonished, but the Count, who believed he might say anything, provided it was done with grace, and who imagined that impoliteness consisted in the form, and not the substance, asked directly of Corinne, the reason of this singularity. She was at first a little discomposed at this sudden interrogation; but recovering her presence of mind, she said to the Count--"Apparently, Sir, I have learnt French of an Englishman?" He renewed his questions smilingly, but with much earnestness. Corinne more and more embarrassed, said to him at last, "For these four years past, Sir, since I have settled at Rome, none of my friends, none of those who, I am sure, are most interested on my account have questioned me concerning my destiny; they easily perceived that it was painful to me to speak on the subject."

Those words put an end to the questions of the Count; but Corinne was afraid she had offended him, and as he appeared to be very intimately connected with Lord Nelville, she feared still more, without asking herself the reason of such fear, that he might speak disadvantageously of her to his friend; and therefore she set about taking much pains to please him.

The Prince Castel-Forte arrived at this moment, with several Romans, friends of his and of Corinne. They were men of an amiable mind and lively disposition, very prepossessing in their appearance, and so easily animated by the conversation of others that it was a great pleasure to converse with them, so exquisitely did they appear to feel every thing that was worthy of being felt. The indolence of the Italians prevents them from displaying in company, or often in any way whatever, all the wit they possess. The greater part of them do not even cultivate in retirement, the intellectual faculties that nature has given them; but they enjoy with transport, that which comes to them without trouble.

Corinne possessed a very gay turn of wit; she perceived the ridiculous with the keen sense of a French woman, and coloured it with the imagination of an Italian; but in every instance it was mingled with goodness of heart; nothing was ever seen in her, either premeditated or hostile; for, in every thing, it is coldness that offends--and imagination on the contrary, is always accompanied with good-nature.

Oswald discovered a grace in Corinne which was entirely new to him. One great and terrible circumstance of his life was connected with the remembrance of a very amiable and intelligent French woman; but Corinne resembled her in nothing--her conversation was a mixture of every kind of intellectual endowment, enthusiasm for the fine arts, and knowledge of the world; refinement of ideas, and depth of sentiment; in short, all the charms of a vivacious and rapid mind were observable in her, without her thoughts ever being on that account incomplete, or her reflections superficial. Oswald was at once surprised and charmed, uneasy and transported; he was unable to comprehend how one person alone could combine all the qualifications of Corinne. He asked himself whether the union of all these qualities was the effect of an inconsistent or a superior character; whether it was by the force of universal feeling, or because she forgot every thing successively, that she passed thus, almost in the same instant, from melancholy to gaiety, from profundity to grace--from conversation the most astonishing, by the knowledge and the ideas it displayed, to the coquetry of a woman who seeks to please, and desires to captivate; but there was, even in that coquetry, such perfect nobleness that it imposed as much respect as the most severe reserve.

The Prince Castel-Forte was very much taken up with Corinne, and the sentiments of all his party were manifested towards her by attention and the most delicate and assiduous respect; and the habitual worship with which they surrounded her, made every day of her life a sort of festival. Corinne felt herself happy in being thus beloved; but it was that sort of happiness which we feel in living in a mild climate, hearing nothing but harmonious sounds, and receiving, in short, nothing but agreeable impressions. The serious and profound passion of love was not painted on her countenance, where every emotion of her soul was expressed by a most bright and mobile physiognomy. Oswald beheld her in silence; his presence animated Corinne, and inspired her with the desire of pleasing. However, she sometimes checked herself in those moments when her conversation was the most brilliant, astonished at the calm exterior of Oswald, not knowing whether he approved her or blamed her secretly, or whether his English ideas would permit him to applaud this display of talents in a woman.

Oswald was too much captivated by the charms of Corinne, to call to mind his old opinions upon that obscurity which became women; but he was inquiring of himself, whether it were possible to be beloved by her; whether any man could expect to concentrate in himself so many rays of light. In fact, he was at the same time dazzled and disturbed; and although, at his departure, she invited him, very politely, to come and see her again, he suffered a whole day to pass without availing himself of the invitation, experiencing a sort of terror from the sentiment by which he felt himself impelled.

Sometimes he compared this sentiment with the fatal error of the first moments of his youth, but immediately banished such a comparison from his mind--for then it was a perfidious art that had overcome him; but who could doubt the truth of Corinne? Was that peculiar charm she possessed the effect of magic, or of poetical inspiration? Was she an Armida, or a Sappho? Was there any hope of captivating so lofty and brilliant a genius! It was impossible to decide; but at least it was easily seen, that not society, but heaven itself, could have formed this extraordinary being, and that her mind could no more be imitated, than her character feigned. "Oh, my father!" said Oswald, "if you had known Corinne what would you have thought of her?"

Chapter ii.

The Count d'Erfeuil came in the morning, according to custom, to see Lord Nelville, and reproaching him for not having been to see Corinne the day before, said, "Had you come, you would have been very happy." "Why so?" replied Oswald. "Because yesterday I discovered, to a certainty, that you have greatly interested her." "Still this levity," interrupted Lord Nelville; "know that I neither can nor will endure it." "Do you call levity," said the Count, "the promptitude of my observation? Am I less in the right, because more quickly so? You were made to live in the happy time of the Patriarchs, when the age of man was five centuries; but mind, I give you notice that four of them at least are lopped off in our days." "Be it so," answered Oswald, "and what discovery have you made by these rapid observations?"--"That Corinne loves you. Yesterday, when I arrived at her house, she received me very kindly, to be sure; but her eyes were fixed on the door, to see whether you followed me. She tried for a moment to talk of something else; but as she is a lady of a very ingenuous and natural disposition, she asked me, quite frankly, why you had not come with me? I blamed you very much; I said that you were a very odd, gloomy sort of creature; but you will excuse my relating all that I said over and above in your praise."

"'He is very sad,' said Corinne; 'he must certainly have lost some one very dear to him. Whom is he in mourning for?' 'His father, Madam,' said I; 'though it is more than a year since he lost him; and as the law of nature obliges us all to survive our parents, I imagine there is some other secret cause for so long and deep a melancholy.' 'Oh!' replied Corinne, 'I am very far from thinking that griefs, similar in appearance, are felt alike by all men. I am very much tempted to believe that the father of your friend, and your friend himself, are exceptions from the general rule.' Her voice was very tender, my dear Oswald, when she said these words." "Are these," replied Oswald, "your proofs of that interest you spoke of?" "In truth," replied the Count d'Erfeuil, "these are quite enough, according to my way of thinking, to convince a man that he is beloved by a lady; but since you wish for better, you shall have them; I have reserved the strongest for the last. Prince Castel-Forte arrived, and related your adventure at Ancona, without knowing that he was speaking of you: he related it with much fire and imagination, as well as I could judge from the two lessons of Italian I have taken; but there are so many French words in the foreign languages, that we comprehend them, almost all, without even knowing them. Besides, the countenance of Corinne would have explained to me what I did not understand. One might read in it so visibly the agitation of her heart! She did not breathe, for fear of losing a single word; and when she asked if he knew the name of this generous and intrepid Englishman, such was her anxiety, that it was easy to judge how much she dreaded to hear pronounced any other name than yours.

"Prince Castel-Forte said he did not know the gentleman's name; and Corinne, turning quickly towards me, cried, 'Is it not true, Sir, that it was Lord Nelville?' 'Yes, Madam,' answered I, 'it was he, himself;' and Corinne then melted in tears. She had not wept during the story; what was there then more affecting in the name of the hero than in the recital itself?" "She wept!" cried Nelville, "Ah!--why was I not there?" Then, checking himself all of a sudden, he cast down his eyes, and his manly countenance was expressive of the most delicate timidity: he hastened to resume the conversation, for fear that the Count might disturb his secret joy by observing it. "If the adventure of Ancona deserves to be related," said Oswald, "'tis to you, also, my dear Count, that the honour of it belongs." "It is true," answered d'Erfeuil, laughing, "that they mentioned an amiable Frenchman, who was along with you, my lord; but no one save myself paid attention to this parenthesis in the narration. The lovely Corinne prefers you; she believes you, without doubt, the more faithful of the two: perhaps she may be mistaken; you may even cause her more grief than I should; but women are fond of pain, provided it is a little romantic; so you will suit her."

Lord Nelville suffered from every word of the Count, but what could he say to him? He never argued; he never listened attentively enough to change his opinion; his words, once uttered, gave him no farther concern, and the best way was to forget them, if possible, as soon as he himself did.

Chapter iii.

Oswald arrived in the evening at Corinne's, with a sentiment entirely new; he thought that he was expected. What enchantment there is in that first gleam of intercourse with the object of our love!--before remembrance enters into partnership with hope--before words have expressed our sentiments,--before eloquence has painted what we feel, there is in these first moments, something so indefinite, a mystery of the imagination, more fleeting than happiness, it must be owned, but also more celestial.

Oswald, on entering the apartment of Corinne, felt more timid than ever. He saw that she was alone, and that circumstance almost gave him pain: he could have wished to see her longer in the midst of society; he could have wished to be convinced, in some manner, of her preference, instead of finding himself all of a sudden engaged in a conversation which might make Corinne cool towards him, if, as was certain, he should appear embarrassed, and cold in consequence of that embarrassment.

Whether Corinne perceived this disposition of Oswald, or whether it was that a similar disposition produced in her a desire to animate the conversation in order to remove restraint, she asked his Lordship whether he had seen any of the monuments of Rome. "No," answered Oswald. "What did you do with yourself yesterday, then?" replied Corinne smiling. "I passed the whole day at home," said Oswald. "Since I have been at Rome, Madam, my time has been divided between solitude and you." Corinne wished to introduce the subject of his behaviour at Ancona; she began by these words: "Yesterday I learnt--" then she stopped and said, "I will speak to you of that when the company comes." There was a dignity in the manners of Lord Nelville that intimidated Corinne; and, besides, she feared, lest in reminding him of his noble conduct, she should betray too much emotion; conceiving that emotion would be less when they were no longer alone. Oswald was deeply touched with the reserve of Corinne, and the frankness with which she testified, without thinking, the motives of that reserve; but the more he was affected the less was he able to express what he felt.

He arose all of a sudden, and advanced towards the window; then he felt that Corinne would be unable to explain the meaning of this movement, and more disconcerted than ever, he returned to his place without saying anything. There was in the conversation of Corinne more confidence than in that of Oswald; nevertheless, she partook of the embarrassment which he exhibited; and in her absence of mind, seeking to recover her countenance, she placed her fingers upon the harp which was standing by her side, and struck some chords, without connection or design. These harmonious sounds, by increasing the emotion of Oswald, seemed to inspire him with more boldness. He could now look at Corinne, and who but must have been struck, in beholding her, with that divine inspiration which was painted in her eyes! Encouraged at the same moment by that mild expression which veiled the majesty of her looks, he would then perhaps have spoken, but was prevented by the entrance of Prince Castel-Forte.

It was not without pain that he beheld Nelville _tête-à-tête_ with Corinne, but he was accustomed to dissimulate his feelings. This habit, which is often found in the Italians united with great vehemence of sensation, was in him rather the result of indolence and of natural gentleness. He was content not to be the first object of Corinne's affections; he was no longer young; he possessed great intelligence, considerable taste for the arts, an imagination sufficiently animated to diversify life without disturbing it, and such a desire to pass all his evenings with Corinne, that if she were to be married he would conjure her husband to let him come every day, to see her as usual, and upon this condition he would not have been very unhappy at seeing her united to another. The grief of the heart is not found in Italy complicated with the sufferings of vanity, so that we find there, men either passionate enough to stab their rival through jealousy, or men modest enough to take willingly the second rank in the favour of a lady whose conversation is agreeable to them; but rarely will be found any who for fear of being thought despised, would refuse to preserve any sort of connection which they found pleasing. The empire of society over self-esteem is almost null in this country.

The Count d'Erfeuil and the company that met every evening at Corinne's house being assembled, the conversation turned upon the talent for improvisation which their heroine had so gloriously displayed at the Capitol, and they went so far as to ask her own opinion of it. "It is something so rare," said Prince Castel-Forte, "to find any one at once susceptible of enthusiasm and of analysis, gifted as an artist and capable of observing herself, that we must intreat her to reveal to us the secrets of her genius." "The talent for improvisation," replied Corinne, "is not more extraordinary in the languages of the south, than the eloquence of the tribune, or the brilliant vivacity of conversation in other tongues. I will even say that, unfortunately it is with us more easy to make verses _impromptu_ than to speak well in prose. The language of poetry is so different from that of prose, that from the first verses the attention is commanded by the expressions themselves, which, if I may so express it, place the poet at a distance from his auditors. It is not only to the softness of the Italian language, but much more to its strong and pronounced vibration of sonorous syllables, that we must attribute the empire of poetry amongst us. There is a kind of musical charm in Italian, by which the bare sound of words, almost independently of the ideas, produces pleasure; besides, these words have almost all something picturesque in them; they paint what they express. You feel that it is in the midst of the arts, and under an auspicious sky that this melodious, and highly-coloured language has been formed. It is therefore more easy in Italy than any where else, to seduce with words, without profundity of thought or novelty of imagery. Poetry, like all the fine arts, captivates the senses, as much as the intellect. I dare venture to say, however, that I have never improvised without feeling myself animated by some real emotion, some idea which I believed new, therefore I hope that I have trusted less than others to our bewitching language. It is possible, if I may say so, to prelude at random, and convey a lively pleasure by the charm of rhythm and of harmony alone."

"You believe then," interrupted one of the friends of Corinne, "that the talent for improvisation injures our literature; I thought so once myself, but hearing you, madam, has made me entirely alter that opinion." "I have said," replied Corinne, "that there resulted from this facility, this literary abundance, a quantity of inferior poetry; but I am as pleased with this fecundity, which exists in Italy, as I am with seeing our fields covered with a thousand superfluous products. This liberality of nature makes me proud. I am particularly pleased with the improvisations of the lower classes of the people; it discovers their imagination to us, which is concealed everywhere else, and is only developed amongst us. They give a poetical character to the lowest orders of society, and spare us the contempt which we cannot help feeling for every thing that is vulgar. When our Sicilians, conveying travellers in their vessels, so delicately and politely felicitate them in their pleasing dialect, and wish them in verse a sweet and long adieu, one would say the pure breeze of heaven and of the sea produces the same effect upon the imagination of men as the wind on the Æolian harp, and that poetry, like the chords of that instrument, is the echo of nature. One thing makes me attach an additional value to our talent for improvisation, and that is, that it would be almost impossible in a society disposed to mockery. It requires the good humour of the south, or rather of those countries where people love to amuse themselves without taking pleasure in criticising that which affords them amusement, to encourage poets to venture on so perilous an enterprise. One jeering smile would be sufficient to destroy that presence of mind necessary for a sudden and uninterrupted composition: your audience must become animated with you, and inspire you with their applause."

"But madam," said Oswald at last, who till then had kept silence without having for a moment ceased to behold Corinne, "to which of your poetical talents do you yourself give the preference? To the work of inflection, or of momentary inspiration?" "My lord," answered Corinne, with a look that expressed the highest interest and the most delicate sentiment of respectful consideration, "it is you that I would wish to make the judge of that; but if you ask me to examine my own thoughts upon this subject, I would say that improvisation is to me as an animated conversation. I do not confine myself to any particular subject, I yield entirely to the impression produced on me by the attention of my hearers, and it is to my friends, in this instance, that I owe the greatest part of my talent. Sometimes the impassioned interest with which I am inspired by a conversation in which we have spoken of some great and noble question that relates to the moral existence of man, his destiny, his end, his duties and his affections; sometimes this interest elevates me above my strength, makes me discover in nature, in my own heart, bold truths, expressions full of life, that solitary reflection would not have given birth to. I then believe myself acted upon by a supernatural enthusiasm, and feel that what is speaking within me is greater than myself. Often I quit the rhythm of poetry to express my thoughts in prose; sometimes I quote the finest verses of the different languages I am acquainted with. These divine verses, with which my soul is penetrated, have become my own. Sometimes also I finish upon my lyre by chords, by simple and national airs, the sentiments and thoughts which have escaped me in speaking. In a word, I feel myself a poet, not only when a happy choice of rhymes and harmonious syllables, or a happy combination of images dazzles my auditors, but when my soul is elevated to the highest degree and looks down with contempt upon every thing that is selfish and base: in short, when a noble action appears most easy to me, it is then that my poetry is in its greatest perfection. I am a poet when I admire, when I despise, when I hate, not from personal feeling, not on my own account, but for the dignity of human nature and the glory of the world."

Corinne then perceiving how the conversation had carried her away, blushed a little, and turning towards Lord Nelville said to him, "you see, my lord, I cannot touch upon any of those subjects that affect me without experiencing that sort of shock which is the source of ideal beauty in the arts, of religion in solitary minds, of generosity in heroes, and of disinterestedness among men. Pardon me, my lord, although such a woman resemble but little those whom your nation approves." "Who could resemble you?" replied Lord Nelville; "can we make laws for one who is without her like?"

The Count d'Erfeuil was absolutely enchanted, notwithstanding he had not understood all that Corinne had said; but her gestures, the sound of her voice, and her pronunciation, charmed him.--It was the first time that any grace which was not French had produced an effect upon him. But indeed the great celebrity of Corinne at Rome put him a little in the way of what he should think of her, and in his admiration of this extraordinary lady he did not drop the good custom of letting himself be guided by the opinion of others.

He quitted Corinne's house along with Lord Nelville, and said to him on their way home, "allow, my dear Oswald, that I may lay claim to some merit for not having paid my court to so charming a lady." "But," observed Nelville, "it seems, according to general opinion, that she is not easy to please in that respect." "It is said so," replied the Count, "but I can hardly believe it. A single woman of independent means who leads nearly the life of an artist ought not to be so difficult to captivate." Lord Nelville was wounded by this reflection. The Count, whether he did not perceive it, or whether he wished to pursue the train of his own ideas, continued thus:

"I do not mean to say, however, that if I entertained much faith in a lady's virtue, I might not as readily believe in that of Corinne as in that of any other. She has certainly a thousand times more expression in her look, and vivacity in her arguments than would be necessary in your country, or even in ours, to excite suspicion of the rigidness of a lady's virtue; but she is a person of so superior a mind, such profound knowledge, and such fine tact, that the ordinary rules by which we judge a woman cannot apply to her. In fact, would you believe it, notwithstanding the openness of her disposition, and the freedom of her conversation, she really imposes reserve upon me. It was my wish, yesterday, with all due respect to her predilection for you, to say a few words, at random, upon my own account: they were words that take their chance; if they are heard, well and good; if not, well and good still; and do you know Corinne gave me such cold looks that I was quite disconcerted. It is, however, singular that one should feel any timidity in the company of an Italian, a poet, an artist, every thing, in short, that ought to produce quite a contrary effect." "Her name is unknown," observed Nelville, "but her manners would make one believe that her birth is illustrious." "Ah! it is in romances," said the Count, "that we see the finest part of a character concealed, but in real life people are more disposed to exhibit all that is most honourable in their life, and even a little more than all." "Yes," interrupted Oswald, "in some societies where people think of nothing but the effect they can produce upon one another; but in one whose existence is internal there may be mysteries in circumstances, as there are secrets in thought, and he only who would espouse Corinne might be able to know them." "Espouse Corinne!" interrupted the Count, bursting out laughing, "truly that idea never occurred to me! Take my advice, my dear Nelville, if you wish to do foolish things let them be such as will admit of reparation; but as for marriage, you must always consider propriety. I appear frivolous in your eyes, nevertheless I wager that in the conduct of life I shall be more reasonable than you." "I believe so too," answered Lord Nelville, and said not another word.

In effect, he might have told the Count d'Erfeuil that there is often a great deal of egotism in frivolity, and that such egotism can never betray people into those errors of sentiment in which we always sacrifice our own personal considerations to those of others! Frivolous characters are very likely to acquire address in the pursuit of their own interests; for in all that is called the political science of private, as well as of public life, people succeed oftener by those qualities which they have not than by those which they possess. Absence of enthusiasm, absence of opinion, absence of sensibility, a little understanding, combined with this negative treasure, and social life, that is to say, fortune and rank, may be acquired or supported well enough. The pleasantries of the Count however pained Lord Nelville; he blamed them, but nevertheless they continually occupied his thoughts.

Book iv.

ROME.

Chapter i.

A fortnight passed away, during which Lord Nelville dedicated himself entirely to the society of Corinne. He quitted his lodgings but to go and visit her--he saw nothing--he sought nothing but her; and, without ever mentioning his passion, he made her sensible of it at every moment of the day. She was accustomed to the lively and flattering homage of the Italians; but Oswald's dignity of manners, his apparent coldness, and the sensibility which he betrayed in spite of himself, produced a more powerful effect upon her imagination.--Never did he relate a generous action, never did he speak of a misfortune, without his eyes being filled with tears; but he always endeavoured to conceal his emotion. He inspired Corinne with a sentiment of respect such as she had not felt for a long time before. No wit, however sparkling, could dazzle her; but she was deeply interested by elevation and dignity of character. Lord Nelville joined to these qualities, a nobleness in his expressions, an elegance in the least actions of his life, which formed a striking contrast to the negligence and familiarity of the greater part of the Roman nobility.

Though the tastes of Oswald were in some respects different from those of Corinne, they mutually understood each other in a most wonderful manner. Nelville conjectured the impressions of Corinne with perfect sagacity, and Corinne discovered, in the slightest alteration of Nelville's countenance, what passed in his mind. Accustomed to the stormy demonstrations of passion that characterise the Italians, this timid but proud attachment, this passion, incessantly proved, but never avowed, spread a new charm over her existence: she felt as if encircled with a calmer and purer atmosphere, and every instant of the day inspired her with a sentiment of happiness which she loved to enjoy without accounting for it.

One morning Prince Castel-Forte visited her--he appeared sorrowful--she asked him the cause of his sorrow. "This Scotsman," said he to her, "is about to deprive us of your affections; and who knows even, whether he will not rob us of you entirely?" Corinne was silent for some moments, and then answered, "I assure you he has not even once told me that he loved me." "You are, notwithstanding, convinced of it," answered Prince Castel-Forte; "his conduct is sufficiently eloquent, and even his silence is a powerful means of interesting you.--What can language express that you have not heard? What kind of praise is there that has not been offered you? What species of homage is there that you are not accustomed to receive? But there is something concealed in the character of Lord Nelville which will never allow you to know him entirely as you know us. There is no person in the world whose character is more easy than yours to become acquainted with; but it is precisely because you shew yourself without disguise that mystery and reserve have a pleasing ascendancy over you. That which is unknown, be it what it may, influences you more strongly than all the sentiments which are manifested to you." Corinne smiled; "You believe then, my dear Prince," said she, "that my heart is ungrateful, and my imagination capricious. Methinks however that Lord Nelville possesses and displays qualities sufficiently remarkable to render it impossible that I can flatter myself with having discovered them." "He is, I agree," answered Prince Castel-Forte, "proud, generous and intelligent; with much sensibility too, and particularly melancholy; but I am very much deceived, or there is not the least sympathy of taste between you. You do not perceive it while he is under the charm of your presence, but your empire over him would not hold if he were absent from you. Obstacles would fatigue him; his soul has contracted by the grief which he has experienced, a kind of discouragement, which must destroy the energy of his resolutions; and you know, besides, how much the English in general are enslaved to the manners and habits of their country."

At these words Corinne was silent and sighed. Painful reflections on the first events of her life were retraced in her mind; but in the evening she saw Oswald again, more her slave than ever; and all that remained in her mind of the conversation of Prince Castel-Forte was the desire of fixing Lord Nelville in Italy by making him enamoured of the beauties of every kind with which that country abounds. It was with this intention that she wrote to him the following letter. The freedom of the life which is led in Rome excused this proceeding, and Corinne in particular, though she might be reproached with too much openness and enthusiasm, knew how to preserve dignity with independence, and modesty with vivacity.

_Corinne to Lord Nelville_.
_Dec. 15th, 1794._

"I do not know, my lord, whether you will think me too confident in myself, or whether you will do justice to the motives which may excuse that confidence. Yesterday I heard you say that you had not yet seen Rome, that you were neither acquainted with the masterpieces of our fine arts, nor those ancient ruins which teach us history by imagination and sentiment, and I have conceived the idea of presuming to offer myself as your guide in this journey through a course of centuries.

"Without doubt, Rome could easily present a great number of scholars whose profound erudition might be much more useful to you, but if I can succeed in inspiring you with a love for this retreat, towards which I have always felt myself so imperiously attracted, your own studies will finish the rude draft which I shall have begun.

"Many foreigners come to Rome as they would go to London or to Paris, to seek the dissipation of a great city; and if they dared confess they were bored at Rome, I believe the greater part would confess it; but it is equally true that here may be found a charm that never tires. Will you pardon me, my lord, a wish that this charm were known to you.

"It is true that here you must forget all the political interests in the world, but when these interests are not united to sacred sentiments and duties they chill the heart. Here too you must renounce what would be called the pleasures of society, but these pleasures almost invariably wither up the imagination. In Rome you may enjoy an existence at once solitary and animated, which freely develops all that Heaven has implanted in us. I repeat it, my lord; pardon this love of my country, which begets a desire to make it beloved by such a man as you; and do not judge, with the severity of an Englishman, those testimonies of good-will which an Italian hopes she may give you without sinking either in her own estimation or in yours.

CORRINE."

In vain would Oswald have endeavoured to conceal the exquisite pleasure he received from this letter; he caught a glimpse of a confused future of enjoyment and happiness: imagination, love, enthusiasm, all that is divine in the soul of man, appeared to him united with the project of seeing Rome with Corinne. For, this time he did not reflect; this time he set out the very instant to visit Corinne, and by the way he contemplated the sky, he enjoyed the charm of the weather, life sat lightly on him. His griefs and his fears were lost in the clouds of hope; his heart, so long oppressed by sadness, palpitated and leaped with joy; he feared, it is true, that so happy a disposition of mind might not last; but the very idea that it was fleeting gave to this fever of enjoyment more force and activity.

"What, are you come already?" said Corinne, seeing Lord Nelville enter; "Ah, thanks!" and she stretched forth her hand. Oswald seized it, and imprinted his lips on it with the warmest tenderness; nor did he suffer now that timidity which often mingled itself with his most agreeable impressions, and caused him sometimes to endure, in the company of those he loved best, the most bitter and painful feelings. The intimacy had commenced between Oswald and Corinne since they had parted; it was the letter of Corinne which had established it: they were satisfied with each other, and mutually felt the most tender gratitude.

"This morning then," said Corinne, "I will shew you the Pantheon and St Peter's: I had, indeed, some hope," added she smiling, "that you would accept my offer to make the tour of Rome with you, so my horses are ready. I have expected you; you have arrived; 'tis very well, let us set out." "Astonishing woman!" said Oswald; "Who then, art thou? Whence hast thou derived so many opposite charms, which it would seem ought to exclude each other;--sensibility, gaiety, profound reflection, external grace, freedom, and modesty? Art thou an illusion? art thou some supernatural blessing, destined to make happy the life of him who is fortunate enough to meet with thee?" "Ah!" replied Corinne, "if I have it in my power to do you any service you must not think I will ever give up the merit of it." "Take care," said Oswald, seizing Corinne's hand with emotion; "take care what service it is you are about to render me. For these two years the iron hand of affliction has closed up my heart; if your sweet presence has afforded me relief; if, while with you, I breathe again, what will become of me when once more abandoned to my destiny?--What will become of me?" "Let us leave to time and to chance," interrupted Corinne, "to decide whether this impression of a day, which I have produced upon you, will be longer than a day in its duration. If there be a mutual sympathy between our souls, our mutual affection will not be transient. Be that as it may, let us go and admire together all that can elevate our mind and our sentiments; we shall thus taste some moments of happiness."

In finishing these words Corinne went down stairs, and Nelville followed her, astonished at her answer. It seemed to him that she admitted the possibility of a half sentiment,--a momentary attraction. In short, he thought he perceived something like levity in the manner in which she had expressed herself, and he was hurt at it.

Comments

Log in to leave a comment.

Corinne; Or, Italy. Volume 1 (of 2)Chapter III: Part 3

0%37 min left in chapter