Chapter VIII: Part 8

I am always loth to write to you about business, and have done so only when I expected you to help me, which unfortunately was the case often enough. This time, however, I want to give you a short synopsis of the state of my Paris expedition. At the beginning of the winter a M. Leopold Amat, Chef or Directeur des Fetes Musicales de Wiesbaden, wrote to me from Paris, and set forth the results of his voluntary exertions for "Tannhauser" (at Wiesbaden with Tichatschek and in the French press). He asked me to authorise him to take the necessary steps for the performance of "Tannhauser" at the Grand Opera. I informed him that my only and indispensable CONDITION would be that an exact translation of the opera, without omission or alteration, should be given. Soon afterwards a M. de Charnal, a young litterateur without reputation, applied to me, asking me for permission to publish a good translation in verse of the poem of "Tannhauser," in one of the first Revues de Paris. That permission I granted him, on condition that the publication in the review should not imply any further copyright. I am now expecting the pianoforte arrangements of my operas, in order to secure my rights, which will be of importance, whether I want my operas to be performed or whether I want to prevent their performance. The management of the Grand Opera has made no move, but M. Carvalho, of the Theatre Lyrique, seems to be lying in wait for me. In case I should do anything with him, I am determined, as I said before, to leave "Rienzi" to his tender mercies, first because that work causes no anxiety to my heart, and may be transmogrified a little for all I care; second, because the subject and the music are certainly less strange to the Paris public than are my other works. What do you think of it? To me the whole thing would be purely an affair d'argent, and as such it would no doubt turn out well.

Here you have plenty of business, but I must add one thing more. I have lately laid your poor Vienna cousin under contribution. As my manager at Vienna sent me no money, I asked Haslinger, on the strength of your friendship, to enforce my demands, and as he (being prevented by illness, as I afterwards heard) did not reply, I hunted up the address of your cousin (from 1856), and again invoking your sacred name, asked him to prod on Haslinger. That had the desired effect, and to both I owe it that my manager will probably discharge his debt before long. You see, it is always "Franz Liszt," even if he knows nothing about it.

Here you have a very long letter from me. Next time the good Child shall have one equally long; I am deeply in her debt. The practical Princess also shall have a regular professor's letter from me. For today I send a thousand thanks and greetings to you all from the bottom of my heart. Be assured of my most faithful veneration.

Long live Altenburg!

Farewell, you dear unique one.

Your

R. W.

HOTEL DU LOUVRE, No. 364.

256.

January 30th, 1858.

You have struck up a regular friendship with Calderon in Paris, dearest Richard; a la bonne heure, he is one of the right sort in whose society one may forget many blackguards and blackguardisms. Unfortunately I know him only very superficially, and have not yet succeeded in making him part of myself. Grillparzer used to tell me wonderful things about him, and if you remain much longer in this element I shall have to read some of his things after you. Let me know on occasion which are the pieces I ought to begin with. His two chief elements, CATHOLICISM and HONOUR, are both dear to my heart. Do you think something musical might be made of this? I once read the translation by Cardinal Diepenbrock of a wonderful sacred drama, in which heaven, and air, and earth, with all their powers, are set in motion. I forget the title at this moment, but shall find out.

Perhaps you may tell me, some day, how to mould and handle this subject-matter for musical purposes.

I shall have to postpone "Rienzi" till May. We shall invite Tichatschek for it. All that IS POSSIBLE will be done, but I am annoyed that the result will again be very small. Fischer of Dresden writes me a very sad letter about the frustration of his hope of producing "Reinzi" there in the course of the winter. He and Tichatschek and many others are cordially devoted to you, and we shall certainly not fail to do our duty as far as in us lies.

"Lohengrin" will be given here very shortly; I have already had a few rehearsals, because Ortrud, the Herald, and the King will be in new hands. I cannot tell you how deeply the work moves me every time. The last time we performed it I felt proud of my century, because it possessed such a man as you show yourself to be in this work. With "Lohengrin," the old opera world comes to a close; the spirit moves upon the face of the waters, and there is light.

As to your chances in Paris I have not much to say. It is true that "Rienzi" is amongst your works the most congenial to the Parisians. But whether they will take you up in earnest, and whether in that case you will be able to count upon the sympathy of the manager, the artists, and the press, appears very questionable to me. Nevertheless you have done well to go to Paris yourself. Go on reading Calderon industriously; it will help you to bear the state of things there, which are in glaring contradiction with your genius and your nature.

Keep me au courant of your Paris adventures, and if I can be of any service to you, I need hardly say that you may freely dispose of

Your faithful

FRANCISCUS.

257. DEAREST FRANZ,

People take care to give me plenty of diversion. From the enclosed letter, which please seal before you forward it to the person in question, you will see that in addition to other troubles I have been robbed. The thief is near you at Jena, where he has had to go for a short time on military duty. You will, I hope, find no difficulty in finding a person attached or semi- attached to the police, who could deal with E. W., late waiter at the hotel here, in the manner indicated by the letter. I think it will be best to frighten the fellow into restoring the money. If we were simply to put him in prison he would deny the charge in order to save himself, and it is always difficult to prove a money robbery in legal form.

Show me your practical wisdom as a police agent. But it must be done very quickly, as the fellow will stay at Jena or Weimar for a little time only. As I start the day after tomorrow, and shall therefore not be in Paris when he comes back, it would be difficult to lay hold of him here. So much for today. I hope I shall find time to write you a rational letter from Paris. A thousand thanks for your faithful love.

Your

R. W.

The money, if recovered, should be sent to Zurich.

258.

If it were given to me, dearest friend, to give you comfort and strength, I should joyfully make any sacrifice. From Dresden nothing much can be expected as yet, but I shall make another attempt soon. At Carlsruhe they are well inclined towards you, and the day before yesterday I had a long conversation about your sad position with the Grand Duchess of Baden, who, like the Grand Duke, seems to take a lively interest in you. Do not neglect your "Tristan." For the first performance I should advise you to choose either Carlsruhe or Prague. Weymar would of course follow at once; for the moment, however, I think it more advisable that another stage should take the initiative, and have spoken in that sense to Thome in Prague. In any case I shall not fail to attend the first performance, and you will oblige me by sending me the score as soon as you have finished it. I intend to lay the work before the Grand Duke, and to ask him earnestly that he may get you from Dresden the permission of conducting the opera here. May God grant that this step will, at last, lead to a favourable result.

"Rienzi" cannot be given here this season. Frau von Milde is expecting her confinement, and has not been singing these two months, besides which, we are at present unable to fill some other parts properly, and must wait till the end of the year, when several new engagements come into force. I had, as you know, proposed "Rienzi" as gala opera for February 16th; but a light opera was preferred, and, as such, your tribune of the people would scarcely pass.

You are probably in direct correspondence with Eckert concerning the performance of "Lohengrin" at Vienna. He informed me that the work would be given this autumn. The principal parts will be splendidly cast: Ander (Lohengrin), Meyer (Elsa), and Csillagh (Ortrud), and if Eckert throws his heart into the thing, a great success is beyond all doubt.

Of my performances at Prague, Vienna, and Pesth, you have probably heard from others. Although I have no reason to complain, I am very glad that they are over, and that I may stop at home again; for I must candidly confess that the wear and tear connected with similar occasions is very unpleasant to me, and becomes almost unbearable if it lasts more than a few weeks.

Do not desert "Tristan"; he is to lead you back soon, and VICTORIOUSLY, to Siegfried.

Your

FRANZ

May 7th, 1858.

259.

I send you today a WONDERFUL FELLOW, dearest Richard; receive him kindly.

Tausig is to work your Erard thoroughly, and to play all manner of things to you. Introduce him to our mutual friends at Zurich-- Herwegh, Wille, Semper, Moleschott, Kochly--and take good care of him.

Your

F. LISZT.

WEYMAR, May 18th, 1858.

260.

ZURICH, July 2nd, 1858.

At last, dearest Franz, I have once more got so far as to be able to carry out my long-delayed intention of writing to you.

I have to thank you very much for your last letter, to which I thought, upon the whole, silence was the best answer. I hope you understood me rightly. I am generally too talkative, and chat about many things which it would be better to keep to myself. This would be more advantageous to others also, for he who refuses to understand a silent friend will find a talking one troublesome.

Cordial thanks also to the good Princess for her letter.

Of "Tristan" I have sketched the second act; whether I have succeeded I shall see when I come to work it out. It was amusing to me to see you treat this peculiar affair as a matter of literary business in your letter. I explained to the Princess some time ago that the belief of the Prague manager, that I was writing this opera for a first performance at his theatre, was a pure misunderstanding. I could not help smiling at your believing in the assertion of this odd man sufficiently to speak to me seriously of the matter, and to offer me your amiable assistance. You must, of course, have been puzzled at my having the score engraved in this early stage of the proceedings. But there is a very simple reason for it. I had, as you know, no money, and, as "Rienzi" came to nothing, I saw no other way except "doing business" with the Hartels. For that purpose I chose "Tristan", then scarcely begun, because I had nothing else. They offered to pay me half the honorarium of 200 louis d'or, i.e., 100 louis d'or on receipt of the score of the first act, so I hurried to get it done head over heels. This was the reason of my business- like haste in finishing this poor work. Altogether, the fate of my works, including "Tristan", has become a matter of great indifference to me; as to how, where, and when, I care little, as long as I may be present.

The Grand Duke has probably given you my greetings, for which he asked me in a very amiable manner. I did not think it proper to charge him with such a message. H. R. H. wanted to know whether, in case I were permitted to return to Germany, I should go to Weimar, or whether I should prefer another "engagement," and I explained to him that the only advantage I expected from my amnesty was, to be able to visit Germany periodically, and that for that purpose I had chosen your house, because it was your house, as my pied-a-terre. That house, fortunately, being at Weimar, the only danger would be that you might refuse to receive me, and his wish of having me at Weimar would entirely depend upon your friendship, which, therefore, he should try to perpetuate. With that he was quite satisfied.

You have given me great pleasure with little Tausig. When he came into my room, one fine morning, bringing your letter, I shook you cordially by the hand. He is a terrible youth. I am astonished, alternately, by his highly developed intellect and his wild ways. He will become something extraordinary, if he becomes anything at all. When I see him smoking frightfully strong cigars, and drinking no end of tea, while as yet there is not the slightest hope of a beard, I am frightened like the hen, when she sees the young ducklings, whom she has hatched by mistake, take to the water. What will become of him I cannot foresee, but whisky and rum he will not get from me. I should, without hesitation, have taken him into my house, if we had not mutually molested each other by pianoforte playing. So I have found him a room in a little hole close to me, where he is to sleep and work, doing his other daily business at my house. He does, however, no credit to my table, which, in spite of my grasswidowerhood, is fairly well provided. He sits down to table every day stating that he has no appetite at all, which pleases me all the less, because, the reason is, the cheese and the sweets he has eaten. In this manner he tortures me continually, and devours my biscuits, which my wife doles out grudgingly even to me. He hates walking, and yet declares that he would like to come with me when I propose to leave him at home. After the first half hour he lags behind, as if he had walked four hours. My childless marriage is thus suddenly blessed with an interesting phenomenon, and I take in, in rapid doses, the quintessence of paternal cares and troubles. All this has done me a great deal of good; it was a splendid diversion, for which, as I said before, I have to thank you. You knew what I wanted. Of course the youth pleases me immensely in other ways, and, although he acts like a naughty boy, he talks like an old man of pronounced character. Whatever subject I may broach with him, he is sure to follow me with clearness of mind and remarkable receptivity. At the same time it touches and moves me, when this boy shows such deep, tender feeling, such large sympathy, that he captivates me irresistibly. As a musician he is enormously gifted, and his furious pianoforte playing makes me tremble. I must always think of you and of the strange influence which you exercise over so many, and often considerably gifted, young men. I cannot but call you happy, and genuinely admire your harmonious being and existence.

My wife will return in a fortnight, after having finished her cure, which will have lasted three months. My anxiety about her was terrible, and for two months I had to expect the news of her death from day to day. Her health was ruined, especially by the immoderate use of opium, taken nominally as a remedy for sleeplessness. Latterly the cure she uses has proved highly beneficial; the great weakness and want of appetite have disappeared, and the recovery of the chief functions (she used to perspire continually), and a certain abatement of her incessant excitement, have become noticeable. The great enlargement of her heart will be bearable to her only if she keeps perfectly calm and avoids all excitement to her dying day. A thing of this kind can never be got rid of entirely. Thus I have to undertake new duties, over which I must try to forget my own sufferings. Well, and how about you? Will you come to my assistance again this year? Your kind heart promises me to do so every year, but, during the nine years of my exile, I have succeeded only twice in tearing you away from your great dense world. Although you have promised me your visit for this year, you will find it natural if I am not too certain of seeing my wish fulfilled. I must add several marks of interrogation and of prayer.

Cordial thanks to the dear, heavenly Child for her last letter; I hope my silence was eloquent.

A thousand greetings and cordial responses to you three dear ones! I also wish to be remembered to F. Muller, who sent me a beautiful letter of congratulation on my birthday. I shall write to him soon, without fail.

Farewell, dear Franz. You can imagine how often I am with you, especially when Tausig is sitting at the piano. Between us, all is one. Farewell, and continue to love me.

Your

R. W.

261.

DEAREST RICHARD,

When I saw the Grand Duke last night for the first time after his return, he told me much about the visit you paid him at Lucerne. I do not know what impression your acquaintance with him has left on you, as we have had no news from you for such a long time, but from what I have heard, and what has already happened, I conclude with tolerable certainty that we shall see you here for the first performance of "Tristan", AT THE LATEST. May God grant that it will be sooner; and I need not tell you that nothing I can do will be left undone.

Dingelstedt will shortly write to you about "Rienzi", which is to be performed next season, in December or January. Last winter we were unable to get on with the work for reasons which, as they exist no longer, are not sufficiently important to be discussed.

Let me soon hear from you.

Your

F. L.

July 3rd, 1858.

I enclose a letter to Tausig, which you will be kind enough to hand to him.

How is he getting on at Zurich, and what do you think of him?

262.

ZURICH, July 8th, 1858.

This affair of T. and X., dearest Franz, has become very significant to me. It has shown me most clearly and definitely that even amongst the best of friends a certain mode of action may be perverted beyond recognition into its very opposite; and I look with horror upon the cares of this world, where everything is ruled by confusion and error to the verge of madness. It was absolutely terrible to me to read your charges against T. What I felt is difficult to describe; it was like a longing for death. About this young T. I recently wrote to you in a very unconventional manner. Two things make me overlook all his shortcomings, and attach me to him to such a degree that I feel inclined to place much confidence in him. One of them is his boundless love for you, the absolute abandonment of his impertinence as soon as you are mentioned, his most tender and deep reverence for you; the other, the beautiful warmth and genuine friendship which he shows at every moment for X. In the present case also he defended the latter in a really touching manner, and speaks of him always with enthusiastic praise of his heart and his intellect. Were it not for these two traits I should not know what to think of this young man, who speaks of God and the world in the most ruthless manner. Curiously enough, your reproach hit him in this particular point, and when he showed me your letter there was a peculiar desperate question in his glance. With such experiences the boy will become quickly, almost too quickly, mature.

My words will show you how deeply this matter has affected me; it is one of the thousand things which, when they occur to me, estrange me more and more from this world.

Farewell, and write to me again soon.

Always cordially your

R. W.

263.

I cannot understand in what manner I have caused YOU grief, but I feel the painful rebound of your wounded heart. My admonition to T. proceeded from a pure cause. X. himself knew nothing of it, and T. would have done well if he had kept silence towards you. "Insinuations" and "diplomacy" are surely out of the question. I greatly dislike mixing myself up with other people's affairs, and if I have done so this time, it was certainly not because I was led to it by others (I give you my word, that not a word has been said or written about the whole matter), but merely because it had been imposed upon me as a kind of duty to act as guardian to T., and it appeared only too probable that his conduct had not been very correct. The young Titan sometimes gives way to an absence of mind and a state of overexcitement, against which those who wish him well should warn him. His exceptional talent and his genial and prepossessing manner generally incline me towards being overindulgent with him, and I do not deny my genuine love and partiality for this remarkable specimen of a "Liszt of the future," as T. has been called at Vienna. But for that very reason I expect him to be a good and steady fellow in all respects.

Be thanked for the kindly friendship and care you bestow upon him. I hope he will not only profit by them, but honour them. The rare happiness of living near you, and of being distinguished by you, should form and mature him as an artist and as a man.

Ever thine,

F. L.

July 18th, 1858.

264.

DEAREST RICHARD,

Before the 18th inst. I cannot get away from here; the centenary celebration of Jena University will take place on the 15th, 16th, and 17th, and I have promised to take part in it. Apart from this, I expect in a few days a visit, which is of importance to me.

It was my intention to see you at the beginning of September, but I will gladly undertake the journey a few weeks sooner. You on your part must delay your journey by a fortnight, and write to me by return whether I shall find you at Zurich on the 20th instant. I should, of course, not make this journey unless I could be certain of being a few days with you. Trips of pleasure or recreation are not my affair any longer, and I could not consent to one. On the other hand, I shall be genuinely pleased to see you again.

Your

F. LISZT.

August 6th, 1858.

265.

GENEVA, August 20th, 1858.

DEAREST FRANZ,

Kindly make inquiries whether I might stay a short time at Venice which does not belong to the German confederacy without being claimed, extradited and otherwise molested. The vise of my passport I got from the Austrian minister without any difficulty. I daresay the Saxon minister would have given me his vise too (in order to get hold of me).

If there is any danger, kindly let the Grand Duke intercede for me, so that I may stay at Venice without being bothered.

I should be very thankful to him, for that quiet, interesting city tempts me greatly. I shall delay my departure till I hear from you; in any case I must wait till the heat is over.

Farewell, and be thanked for all your friendship.

Your

R. W.

MAISON FAZY, 30 ETAGE.

266.

GENEVA, August, 24th, 1858.

DEAREST FRANZ,

Best thanks for your reply. It somewhat startled me, and I made inquiries through a friend in Berne of the Austrian minister there. I enclose his answer, from which you will see that for the present I have nothing to fear at Venice. Whether they will allow me to stay there for any length of time is a different question which is of great importance to me. I feel the necessity of living in strict seclusion for some considerable period, in order to devote myself entirely to my work. The country will not, in the long run, do for this, and in an indifferent town I might, at last, be reduced to making acquaintance with commonplace people-- the worst of all evils. One of the interesting, large cities of Italy is exactly what I want. In such surroundings one can most easily keep to oneself, for every walk presents objects of an important kind, and satisfies the want of men and things. But in large towns the noise of carriages is absolutely unbearable to me; it drives me wild. Venice is notoriously the quietest, i.e., most noiseless city in the world, which has decided me in its favour. Apart from this Dr. W. and K.R. have given me the most attractive accounts of life in Venice; the latter will spend the winter there. Finally, Venice is more convenient for my frequent communications with Germany than any other Italian town would be; by way of Vienna my letters, etc., will reach the centre of Germany in no time. In short, I am obstinately fixed on Venice, and do not want to think of any other choice, because it is not travelling about, but settling down as soon as possible that I care for.

Listen, therefore. Kindly ask the Grand Duke in my name, for the special favour of securing for me, by his intercession in Vienna, an undisturbed sojourn in Venice. This is indispensable for my future, for such a permission would permanently open to me Venice and Austrian Italy generally. Let therefore the Grand Duke show himself my well-inclined protector, and do all in his power to comply with my wish.

It will further be necessary that your friend should graciously take the necessary steps as soon as possible. If, in the meantime, I should get into difficulties, I should at once claim his protection.

Therefore, please, please go to court at once! Help me and do what I wish.

From Venice I shall write again; till then continue to love me.

Your

R. W.

VENICE, poste restante.--Depeche telegraphique.

BERNE, Le 24 Aout, Tuesday, 1858.

To RICHARD WAGNER,

Geneva,

Maison Fazy.

Austrian minister thinks you have nothing to fear if your passport has the Austrian vise. He can guarantee nothing, but is morally certain that you will not be molested.

Telegraphic inquiry of the Gouverneur of Venice, he thinks imprudent because exciting attention and necessitating inquiry at Vienna. Answer would take too long. Dangerous refugees are notified to the embassy to prevent vise of their passports, which is not the case with you. Minister thinks your journey quite safe, but cannot personally give you any further information.

Bon voyage, dear friend.

FROELICH.

267.

DEAREST RICHARD,

Bad news again! All the inquiries I have made agree on the point that your stay in Venice will by no means be secure. The Grand Duke, to whom I communicated the contents of your last letter, has commissioned me simply to advise you against the journey, and to recommend to you (as I have already done) Genoa or Sardinia. From Dresden I hear that there is at present no hope of your amnesty, and that the statements to that effect in several newspapers have not been confirmed. Nevertheless, I hope that some "measure" in your favour, I mean the permission of staying for a time at one place or another in Germany, will be taken, through means of the Grand Duke of Baden or the Grand Duke of Weymar. The performance of "Tristan", at Carlsruhe or elsewhere, will offer the best opportunity, and as soon as you have finished the work, I beg of you to neglect nothing which may facilitate your return to Germany, although at first only for a few months for the special purpose of conducting "Tristan" in person. As far as I know your situation, or rather your connections and relations, I think you will have, in the first instance, to apply to the Grand Duke of Baden; the young Prince is much in your favour, as is also the Grand Duchess. With our Prince I have, of course, discussed the matter frequently and at great length. I have, it is true, not been able to get a positive promise from him, but I think it very probable that when the time comes for "Tristan" he will not fail to give you a proof of the interest in you which he has frequently expressed, and, as you know, has shown by several letters and intercessions in your favour.

I wish, dearest Richard, I could give you pleasanter and more desirable news, but certain things cannot be changed or broken through all at once. From Austria you cannot expect much for the recovery of your personal liberty. It would be half a miracle if anything of the kind should happen. Even the performance of your operas at Vienna is an example of exceptional toleration, considering the customs of the country. To demand more would appear to me illusory. Your POLITICAL expectations in Austria are as small as are your ARTISTIC expectations in Paris and Italy. Performances of your works in the French or Italian language must for the present be looked upon as pia desideria, or else as newspaper canards.

I am sometimes surprised (forgive my candour) that you fail to perceive that if a performance of "Tannhduser" were given at Paris or Milan, it would take place in very unfavourable circumstances. (I do not speak of London, where a good GERMAN opera troupe might have a chance.) For several years to come the only true soil for your works is Germany; that soil they will occupy more and more firmly, and in advance of all other productions. Do not allow yourself to be led away by vague talking, and preserve your justifiable pride................. .................................

I start to-night with the Princess and her daughter for the Tyrolese mountains. Address your next letter, "Hotel de Baviere", Munich, whence it will be forwarded to me. I cannot say, for the present, where we shall make a longer stay. About September 20th we shall once more pass through Munich, and shall be back here on October 1st at the latest.

When you can spare a quiet hour, let me know why you did not care to stay a few days longer at Zurich, where I intended to visit you on the 20th inst. at the latest. Several business matters (mostly in connection with the Grand Duke), and the University celebration at Jena, on August 15th (where I had undertaken to conduct some of my compositions), made it impossible for me to leave here sooner.

However that may be, I remain invariably your faithful and loving

F. LISZT.

WEYMAR, August 26th, 1858.

268.

VENICE, September 12th, 1858.

DEAR FRANZ,

I have just received your letter, dated 26th ult., which had lain at Geneva all that time. I see from it that you are very near me, and I hope I need only tell you that I am here in order to be able to expect your visit. Descend the Tyrolese mountains on this side, and you are with me. I should like much to reply by word of mouth to all you tell me, including your most curious ideas as to my designs on Italy.

Let me see you soon. A thousand greetings from

Your

R. W.

CANAL GRANDE, PALAZZO GIUSTINIANI,

CAMPIELLO SQUILLINI, No. 3228, VENICE.

269.

VENICE, September 27th, 1858.

PALAZZO GIUSTINIANI,

CAMPIELLO SQUILLINI, 3228.

DEAREST FRANZ,

Your letter of 23rd ult. was forwarded to me from Geneva very late, and I saw from it that you were near me,--"in the Tyrolese mountains," you said,--and this raised the hope in me that I should see you and speak to you soon. I must doubt, however, whether my letter to that effect, addressed to you "Hotel de Baviere", Munich, reached you in time, because I have neither seen nor heard anything of you. I feel that my desire of personal communication with you will not be realised, and I therefore write to you as to certain points, in connection with which I owe you an explanation.

Altogether this cannot amount to much; you had to attend to University celebrations, etc., which, pardon me for saying so, appeared extremely trivial to me. I did not press you any more, but I must confess that when at last I received the news of your intended arrival on the 20th, it did not impress me very much.

Of my desire of selecting Venice for my place of abode, I gave you a full account in my last letter from Geneva, in which I also informed you of the satisfactory news I had had from the Austrian minister at Berne. I am in quest of repose and absolute retirement, such as only a larger town can offer to me. My attitude towards my surroundings must be an absolutely negative one; in that manner alone can I gain leisure and the proper mood for my work.

Your warnings and admonitions not to rely on the performance of my operas in Italy I pass over. Whatever can have given you the curious and mistaken notion that my journey to Italy had this ambitious, artistic purpose, I fail to see. I have selected an Italian town because I hate Paris, and because here in Venice I am certain to be removed from any possible contact with artistic publicity. This was not the case even at Zurich, which for that reason had long since become disagreeable to me. That newspaper writers explain my sojourn in Venice as a political manoeuvre in order gradually to open Germany to me, is quite in accordance with the spirit and intellect of such people. I hope you will soon divest yourself of the idea that anything similar was in my mind. As an Austrian city, Venice exists for me only in so far as it does not belong to the German Confederacy, and as I may consequently live there in security. This has proved to be true. Unfortunately I could not prevent my landlord from trumpeting about my stay here, which in consequence was made public sooner than I desired. The police which, once more, asked for my passport, has, however, returned it to me with the remark that there is nothing against my undisturbed stay at Venice. Whether this was the result of the intercession of the Grand Duke, for which I had asked, I cannot tell.

You will be pleased to hear that Venice has not disappointed my expectations. The melancholy silence of the Grand Canal, on the banks of which I live in a stately palace with large rooms, is sympathetic to me. Amusement and an agreeable diversion of the mind is afforded by a daily walk in the square of St. Mark, a trip in a gondola to the islands, walks there, etc. It will be the turn of the art treasures later on. The entirely new and interesting character of the surroundings is very pleasant to me. I am waiting for my grand piano, and hope to resume my work without interruption next month. My only thought is of completing "Tristan", nothing else.

Farewell; accept my corrections in the benevolent spirit of a true friend. Pardon the seriousness which pervades me, and all my opinions and judgments. Let me hear something kind from you, and, before all, answer this letter soon.

Always and ever thine

R. W.

270.

SALZBURG, October 9th, 1858.

The news about you, contained in the papers during last month, was so different and so contradictory that I did not know where to write to you. At last your arrival at Vienna was announced, and when this premature statement was contradicted, some one wrote to me that you had gone to Florence or Paris. By your last letter, which reached me on the day of my departure from Munich, I see that for the present you intend to remain in Venice, and that the Government does not object to your stay there. I wish with my whole heart that you may find rest at Venice, and be able to settle comfortably, and to resume and complete your works. Fiat pax in virtute tua is a prayer in the service of the Mass, which I repeat to you from the bottom of my heart. The information which I received as to the security of your stay at Venice was not of a kind to make me think your domicile there, even for a short time, an advisable thing. Even now I entertain some doubts, which, however, I hope will prove futile. It is a great pity that we cannot live together, and I long unspeakably for the day when this will be possible. Lately, again, I spoke to the Grand Duke about your situation, and conjured him to set everything in motion in order to open your return to Germany. He promised that he would do so. The remarks in my last letter in reference to the performances of your works in the French or Italian language you seem to have misunderstood. By several things which you had previously written to me, and by your last journey to Paris, this possibility was suggested to me for discussion, and my only intention was, of course, to explain my view of the matter to you, without in the least wishing to prejudice you. The Queen of England had told you that an Italian performance of your works would be desirable; of Roger's "Tannhauser" we had spoken several times, and you had also come to an understanding with Ollivier as to the droits d'auteur. My expectations of all this are small, and I cannot agree with others of your friends as to the opportuneness and desirability of performances in a foreign language; indeed I should think it more advisable not to attach any importance to them for the present, and to make no attempt in that direction. But you must not charge me with having evolved the whole matter from my imagination. In the worst case, my view would simply be an erroneous one, but you should not misunderstand or disapprove of my intention of saving you unnecessary trouble. You have struck your roots entirely in German soil; you are, and remain, the glory and splendour of German art. While theatrical affairs abroad are in their present condition, while Meyerbeer and Verdi reign supreme, while theatrical managers, singers, conductors, newspapers, and the public are under their immediate influence, there is no need for you to mix yourself up with this muddle.

Another point in your letter, dearest Richard, has almost hurt me, although I can well understand that you think the official impediments which prevented my journey to Zurich trivial, and that you fail to give due importance to the University Jubilee of Jena, and to the many considerations which I have to observe, were it only in order to be occasionally useful to you in small matters. In a calmer mood you will easily understand that I cannot and dare not leave Weymar at every moment, and you will surely feel that the delay of my journey to Zurich was caused by no kind of TRIVIALITY. When I wrote to you that I should be with you on August 20th, I made no doubt that even in case of your earlier departure from Zurich you would appoint another place, Lucerne or Geneva, for a meeting. As you failed to do so, I came to a conclusion which I am only too happy to abandon on your word.

Enough of this, dearest Richard: we shall remain what we are-- inseparable, true friends, and such another pair will not be found soon.

During the first half of September I roamed about the Tyrolese mountains with the Princess and her daughter, and we stayed a few days quite alone in the Otz-valley. Driven away by bad weather, we returned to Munich, quietly witnessed the festivities, and saw our friend Kaulbach every day. Lachner told me that he had had some correspondence with you about an early performance of Rienzi. "Tannhauser" I heard again at Munich, but "Lohengrin" had to be postponed owing to the sudden indisposition of Herr Lindemann. Since I heard some passages of it from you, I know more of it than all the performances can teach me.

In order to carry out our original plan, and assert our rights even against the bad weather, we have come to Salzburg, and shall be back at Weymar in about a week. Probably I shall find there the proofs of my "Dante" symphony, which I shall send to you at once, as the true child of my sufferings.

When shall I have the joy of reading "Tristan?" The Hartels informed me that the pianoforte score was in print. Have you quite settled as to where the first performance is to take place? According to all accounts the Carlsruhe people reckon upon it for certain. May God grant that "Tristan" will put an end to your exile. This is my hope.

"Rienzi" with Tichatschek is to be given at Weymar in the course of the winter. Previous to that I shall go to Dresden, where I have promised Rietschel to pay my OLD debt to Weber, and to make ONE exception by playing several of Weber's pianoforte compositions at a concert for the benefit of the Weber monument, the model of which Rietschel has executed with incomparable mastery. On that occasion I shall ask for a performance of "Rienzi" at the theatre, in accordance with which I shall arrange that of Weymar, so far as our means will allow us. If I had a little more money I should have preferred to pay the balance which is still due on the subscription for the Weber monument in hard cash, instead of playing to the people a few hackneyed pieces. Weber must forgive a poor devil like me that I can do nothing better for him. You wrote to me about this matter many years ago, and now that the model of the monument is ready, it is a point of honour to make an end of the matter and commence casting it in metal. Write to me at Weymar how you like the city of the Lagunes. I presume that C. R. is with you. Remember me to him kindly, and tell him that I sincerely approve of his sonatas published by Hartel.

With invariable friendship, I remain cordially and sincerely

Your

F. LISZT.

271.

VENICE, October 19th, 1858.

Be thanked, dear friendly friend; your beautiful friendship is the only thing that still impresses me; you give it me purely, fully.

As regards my fate, I look forward with patience to calm, clear, quietly active years. My work has become dearer to me than ever. I have resumed it lately; it flows from my spirit like a gentle stream.

In all my relations to the suffering world one thing guides and determines me--pity. When I give myself up to it unconditionally, all my personal suffering ceases.

I have at last got my Erard. It stands in the large echoing hall which serves me as a study. There "Tristan" is to be finished this winter. The first act, dearest friend, is quite complete; ask the Hartels to give you the proof-sheets of the full score, which is already engraved. In the completion of the second act, which I have only slightly sketched, I am continually interrupted by visits. I have just begun working at it again; it will be very beautiful, and is to be finished and printed by the end of this year at the latest. By March the last act will follow, and if all goes well I shall witness the first performance about Easter. You are aware that, through Eduard Devrient's intercession, the Grand Duke of Baden has acquired a right in this work. If he can arrange to get me permission to go to Carlsruhe for the performance, it will take place there. But of this hope also I do not make a vital question; I can wait.

Venice continues to be most sympathetic to me; my choice was guided by instinct, and has turned out well. This kind of retirement is most pleasant to me. I see just enough to occupy my fancy agreeably; nothing disturbs me. That, looking upon this peaceful scene, I also was allowed to look upon you, and that you appeared to me in so beautiful and blissful a light as you did in your last letter, has crowned my happiness.

Be thanked my dear, noble, unique friend! Shall I say more? You know all that these words imply.

Greet the Princess and the good Child; they are to be annoyed by nothing in the world, and they are to love me as much as they can.

I hope that these lines will affect you as sympathetically as yours have made me happy.

Farewell, and be always assured of my responsive love.

Your

RICHARD W.

It would be a good omen if this letter were to reach you on your birthday.

272.

VENICE, October 23rd, 1858.

After I had settled with R. on the 21st that we were to congratulate you jointly on your birthday, he came to me on the 22nd and told me that he had just sent you a telegram. By way of revenge I ordered a dinner with oysters and champagne in the Square of St. Mark, to which a military band played the overture of "Rienzi" most excellently. We drank your health and clinked our glasses, and had a most pleasant evening.

Of this I send you documentary evidence by this letter.

Your

R. W.

273.

VENICE, October 26th, 1858.

DEAREST FRANZ,

I have just had a letter from Munich telling me that they have given up "Rienzi" owing to religious scruples. I want money, much money, in order to get honestly through my difficult position, and am looking out everywhere for a little business. I have just offered my "Lohengrin" to the Cassel management. If you can help me there, do so.

I should not like myself to write to Coburg, where I have been neglected in a surprising manner. Do you know of a channel through means of which you could bring it about that they should buy "Lohengrin" and the "Dutchman" as well? Think of this and help me in the old way.

A thousand greetings from your

R. W.

274.

DEAREST RICHARD,

R.'s telegram of October 21st was received with joyful acclamation, and your letter, which arrived on the same evening, was the most welcome birthday present on account of the calm, conciliatory mood which I felt in it. May you soon resume your work joyfully! I hope you are getting on with "Tristan", of which as yet I do not know a single note. In accordance with your last letter, I have asked the Hartels to lend me the score for a few days when the engraver does not want it any longer.

Your hints as to the performances of "Lohengrin", "The Flying Dutchman", and "Rienzi" in Cassel, Gotha, and other cities will not be neglected, and I need not assure you again that I shall do all in my power. First of all you will receive a letter concerning "Rienzi" from my chief and friend Dingelstedt. The opera is to be given here in January. Be kind enough to reply to Dingelstedt's letter with some POLITENESS, and do not be annoyed at my making this remark. I wish very much to incline Dingelstedt a little more favourably towards the performance of your works and to co-operate with him in perfect sympathy. That co-operation is of importance to me not only as regards "Tristan", which will meet with no difficulty, and, as I hope and longingly wish, will open your return to Germany, but chiefly with a view to the performance of the "Nibelungen," which is our ultimate goal. The honorarium of 25 louis d'or which our theatrical exchequer can offer you is very small, but I advise you to accept it, and take it upon myself to get you a small douceur from the Grand Duke's privy purse later on.

I should like to have Tichatschek for the first two performances of "Rienzi", although that would increase the expense considerably. But I have a great liking for him, and wish to get him some distinction from the Grand Duke on that occasion.

Last Sunday we gave "Komala" by Sobolewski. I do not know whether you have seen a small pamphlet "Opera, not Drama," which he published last year as an introduction to his opera. The following beautiful comparison occurs in it: "The words are the hard, transparent pieces of incense, the melody is the beautiful scent which emerges from the thick clouds of smoke, when the incense has been lit." In many other things I cannot agree with him, especially not as regards the marks of punctuation, by means of which he tries to distinguish himself from you, when at the end of the pamphlet he exclaims: "Wagner says, OPERA NOT,--DRAMA; I say OPERA, NOT DRAMA." His "Komala" is better than his comma, and his practice much better than his theory. There is much in it that would please you, and has undoubtedly been originated by "Lohengrin." Sobolewski wrote "Komala" at first in three acts, and had it done in that form at Bremen. Afterwards, in honour of operatic theory, and probably persuaded by the critics who thirst for contrasts and operatic tunes, he added two acts more, in which he introduced vocal pieces de salon, reminding one of the Queen in the "Huguenots", and the inevitable drinking chorus. By his desire I preserved the five acts at the first performance, but at the second I omitted the two additional ones without any consideration, or rather, for very good considerations, and shall even take the liberty of altering his finale, which has been fashioned after your finale of the second act of "Tannhauser" ("nach Rom"), and after the last act of "Iphigenia in Aulis." In that manner the work will appear in its only true form, and may keep its place as a fine musical cloud-and-mist picture in perfect accord with Ossian's poem. For your private benefit I send you a few motives from "Komala", which I copied for you.

About the middle of November we shall perform here a comic opera, "The Barber of Baghdad," founded on a tale from the "Arabian Nights," words and music by Cornelius. The music is full of wit and humour, and moves with remarkable self-possession in the aristrocratic region of art. I expect a very good result. "Rienzi" will be taken in hand immediately afterwards.

Excuse me for having delayed writing to you so long. I am up to the ears in all manner of business and correspondence, and have not had a free hour since my return. Please do not retaliate, and let me have good news of you soon.

Your

F. LISZT.

November 5th, 1858.

Kindly give the enclosed few lines to Ritter. The additions to the "Dante" symphony and to the Gran Mass will be ready before Christmas, and I shall send you both together.

275.

VENICE, November 21st, 1858.

MY DEAR FRANZ,