Chapter IV: Part 4

"'But I've none to obey,' said the young bear; an' before he could turn, a ball came whizzing over a dingle an' ripped into his ham. The old bear had scented danger an' was already out o' the way. The cub made off limping, an' none too quickly. They followed him all day, an' when night came he was the most weary an' bedraggled bear in the woods. But he stopped the blood an' went away on a dry track in the morning. He came to a patch o' huckleberries that day and began to help himself. Then quick an' hard he got a cuff on the head that tore off an ear and knocked him into the bushes. When he rose there stood the old bear. "'Ah, me young cub,' said he, 'ye'll have a master now.'

"'An' no more need o' him,' said the young bear, shaking his bloody head.

"'Nay, ye will prosper,' said the old bear. 'There are two ways o' learning,--by hearsay an' by knocks. Much ye may learn by knocks, but they are painful. There be two things every one has to learn,--respect for himself; respect for others. Ye'll know, hereafter, in the land o' men a bear has to keep his nose up an' his ears open--because men hurt. Ye'll know better, also, than to feed on the ground of another bear--because he hurts. Now, were I a cub an' had none to obey, I'd obey meself. Ye know what's right, do it; ye know what's wrong, do it not.'

"'One thing is sure,' said the young bear, as he limped away; 'if I live, there'll not be a bear in the woods that'll take any better care of himself.'

"Now the old bear knew what he was talking about. He was, I maintain, a wise an' remarkable bear. We learn to obey others, so that by an' by we may know how to obey ourselves. The great master of each man is himself. By words or by knocks ye will learn what is right, and ye must do it. Dear children, ye must soon be yer own masters. There be many cruel folk in the world, but ye have only one to fear--yerself. Ah! ye shall find him a hard man, for, if he be much offended, he will make ye drink o' the cup o' fire. Learn to obey yerselves, an' God help ye."

Thereafter, many began to look into their own hearts for that fearful master, and some discovered him.

XVI

A Rustic Museum

That first week Sidney Trove went to board at the home of "the two old maids," a stone house on Jericho Road, with a front door rusting on idle hinges and blinds ever drawn. It was a hundred feet or more from the highway, and in summer there were flowers along the path from its little gate and vines climbing to the upper windows. In winter its garden was buried deep under the snow. One family--the Vaughns--came once in awhile to see "the two old maids." Few others ever saw them save from afar. A dressmaker came once a year and made gowns for them, that were carefully hung in closets but never worn. To many of their neighbours they were as dead as if they had been long in their graves. Tales of their economy, of their odd habits, of their past, went over hill and dale to far places. They had never boarded the teacher and were put in a panic when the trustee came to speak of it.

"He's a grand young man," said he; "good company--and you'll enjoy it."

They looked soberly at each other. According to tradition, one was fifty-four the other fifty-five years of age. An exclamation broke from the lips of one. It sounded like the letter _y_ whispered quickly.

"Y!" the other answered.

"It might make a match," said Mr. Blount, the trustee, smiling.

"Y! Samuel Blount!" said the younger one, coming near and smiting him playfully on the elbow. "You stop!"

Miss Letitia began laughing silently. They never laughed aloud.

"If he didn't murder us," said Miss S'mantha, doubtfully.

"Nonsense," said the trustee; "I'll answer for him."

"Can't tell what men'll do," she persisted weakly. "When I was in Albany with Alma Haskins, a man came 'long an' tried t' pass the time o' day with us. We jes' looked t'other way an' didn't preten' t' hear him. It's awful t' think what might 'a' happened."

She wiped invisible tears with an embroidered handkerchief. The dear lady had spent a good part of her life thinking of that narrow escape.

"If he wa'n't too partic'lar," said Miss Letitia, who had been laughing at this maiden fear of her sister.

"If he would mind his business, we--we might take him for one week," said Miss S'mantha. She glanced inquiringly at her sister.

Letitia and S'mantha Tower, "the two old maids," had but one near relative--Ezra Tower, a brother of the same neighbourhood.

There were two kinds of people in Faraway,--those that Ezra Tower spoke to and those he didn't. The latter were of the majority. As a forswearer of communication he was unrivalled. His imagination was a very slaughter-house, in which all who crossed him were slain. If they were passing, he looked the other way and never even saw them again. Since the probate of his father's will both sisters were of the number never spoken to. He was a thin, tall, sullen, dry, and dusty man. Dressed for church of a Sunday, he looked as if he had been stored a year in some neglected cellar. His broadcloth had a dingy aspect, his hair and beard and eyebrows the hue of a cobweb. He had a voice slow and rusty, a look arid and unfruitful. Indeed, it seemed as if the fires of hate and envy had burned him out.

The two old maids, feeling the disgrace of it and fearing more, ceased to visit their neighbours or even to pass their own gate. Poor Miss S'mantha fell into the deadly mire of hypochondria. She often thought herself very ill and sent abroad for every medicine advertised in the county paper. She had ever a faint look and a thin, sickly voice. She had the man-fear,--a deep distrust of men,--never ceasing to be on her guard. In girlhood, she had been to Albany, Its splendour and the reckless conduct of one Alma Haskins, companion of her travels, had been ever since a day-long perennial topic of her conversation. Miss Letitia was more amiable. She had a playful, cheery heart in her, a mincing and precise manner, and a sweet voice. What with the cleaning, dusting, and preserving, they were ever busy. A fly, driven hither and thither, fell of exhaustion if not disabled with a broom. They were two weeks getting ready for the teacher. When, at last, he came that afternoon, supper was ready and they were nearly worn out.

"Here he is!" one whispered suddenly from a window. Then, with a last poke at her hair, Miss Letitia admitted the teacher. They spoke their greeting in a half whisper and stood near, waiting timidly for his coat and cap.

"No, thank you," said he, taking them to a nail. "I can do my own hanging, as the man said when he committed suicide."

Miss S'mantha looked suspicious and walked to the other side of the stove. Impressed by the silence of the room, much exaggerated by the ticking of the clock, Sidney Trove sat a moment looking around him. Daylight had begun to grow dim. The table, with its cover of white linen, was a thing to give one joy. A ruby tower of jelly, a snowy summit of frosted cake, a red pond of preserved berries, a mound of chicken pie, and a corduroy marsh of mince, steaming volcanoes of new biscuit, and a great heap of apple fritters, lay in a setting of blue china. They stood a moment by the stove,--the two sisters,--both trembling in this unusual publicity. Miss Letitia had her hand upon the teapot.

"Our tea is ready," said she, presently, advancing to the table. She spoke in a low, gentle tone.

"This is grand!" said he, sitting down with them. "I tell you, we'll have fun before I leave here."

They looked up at him and then at each other, Letitia laughing silently, S'mantha suspicious. For many years fun had been a thing far from their thought.

"Play checkers?" he inquired.

"Afraid we couldn't," said Miss Letitia, answering for both.

"Old Sledge?"

She shook her head, smiling.

"I don't wish to lead you into recklessness," the teacher remarked, "but I'm sure you wouldn't mind being happy."

Miss S'mantha had a startled look.

"In--in a--proper way," he added. "Let's be joyful. Perhaps we could play 'I spy.'"

"Y!" they both exclaimed, laughing silently.

"Never ate chicken pie like that," he added in all sincerity. "If I were a poet, I'd indite an ode 'written after eating some of the excellent chicken pie of the Misses Tower.' I'm going to have some like it on my farm."

In reaching to help himself he touched the teapot, withdrawing his hand quickly.

"Burn ye?" said Miss S'mantha.

"Yes; but I like it!" said he, a bit embarrassed. "I often go and--and put my hand on a hot teapot if I'm having too much fun."

They looked up at him, puzzled.

"Ever slide down hill?" he inquired, looking from one to the other, after a bit of silence.

"Oh, not since we were little!" said Miss Letitia, holding her biscuit daintily, after taking a bite none too big for a bird to manage.

"Good fun!" said be. "Whisk you back to childhood in a jiffy. Folks ought to slide down hill more'n they do. It isn't a good idea to be always climbing."

"'Fraid we couldn't stan' it," said Miss S'mantha, tentatively. Under all her man-fear and suspicion lay a furtive recklessness.

"Y, no!" the other whispered, laughing silently.

The pervading silence of that house came flooding in between sentences. For a moment Trove could hear only the gurgle of pouring tea and the faint rattle of china softly handled. When he felt as if the silence were drowning him, he began again:--

"Life is nothing but a school. I'm a teacher, and I deal in rules. If you want to kill misery, load your gun with pleasure."

"Do you know of anything for indigestion?" said Miss S'mantha, charging her sickly voice with a firmness calculated to discourage any undue familiarity.

"Just the thing--a sure cure!" said he, emphatically.

"Come high?" she inquired.

"No, it's cheap and plenty."

"Where do you send?"

"Oh!" said he; "you will have to go after it."

"What is it called ?"

"Fun," said the teacher, quickly; "and the place to find it is out of doors. It grows everywhere on my farm. I'd rather have a pair of skates than all the medicine this side of China."

She set down her teacup and looked up at him. She was beginning to think him a fairly safe and well-behaved man, although she would have been more comfortable if he had been shut in a cage.

"If I had a pair o' skates," said she, faintly, with a look of inquiry at her sister, "I dunno but I'd try 'em."

Miss Letitia began to laugh silently.

"I'd begin with overshoes," said the teacher, "A pair of overshoes and a walk on the crust every morning before breakfast; increase the dose gradually."

The two old maids were now more at ease with their guest. His kindly manner and plentiful good spirits had begun to warm and cheer them. Miss S'mantha even cherished a secret resolve to slide if the chance came.

After tea Sidney Trove, against their protest, began to help with the dishes. Miss S'mantha prudently managed to keep the stove between him and her. A fire and candles were burning in the parlour. He asked permission, however, to stay where he could talk with them. Tunk Hosely, the man of all work, came in for his supper. He was an odd character. Some, with a finger on their foreheads, confided the opinion that he was "a little off." All agreed he was no fool--in a tone that left it open to argument. He had a small figure and a big squint. His perpetual squint and bristly, short beard were a great injustice to him. They gave him a look severer than he deserved. A limp and leaning shoulder complete the inventory of external traits. Having eaten, he set a candle in the old barn lantern.

"Wal, mister," said he, when all was ready, "come out an' look at my hoss."

The teacher went with him out under a sky bright with stars to the chill and gloomy stable.

"Look at me," said Tunk, holding up the lantern as he turned about. "Gosh all fish-hooks! I'm a wreck."

"What's the matter?" Sidney Trove inquired.

"All sunk in--right here," Tunk answered impressively, his hand to his chest.

"How did it happen?"

"Kicked by a boss; that's how it happened," was the significant answer. "Lord! I'm all shucked over t' one side--can't ye see it?"

"A list t' sta'b'rd--that's what they call it, I believe," said the teacher.

"See how I limp," Tunk went on, striding to show his pace. "Ain't it awful!"

"How did that happen?"

"Sprung my ex!" he answered, turning quickly with a significant look. "Thrown from a sulky in a hoss race an' sprung my ex. Lord! can't ye see it?"

The teacher nodded, not knowing quite how to take him.

"Had my knee unsot, too," he went on, lifting his knee as he turned the light upon it. "Jes' put yer finger there," said he, indicating a slight protuberance. "Lord! it's big as a bog spavin."

He had planned to provoke a query, and it came.

"How did you get it?"

"Kicked ag'in," said Tunk, sadly. "Heavens! I've had my share o' bangin'. Can't conquer a skittish hoss without sufferin' some--not allwus. Now, here's a boss," he added, as they walked to a stall. "He ain't much t' look at, but--"

He paused a moment as he neared the horse--a white and ancient palfrey. He stood thoughtfully on "cocked ankles," every leg in a bandage, tail and mane braided,

"Get ap, Prince," Tunk shouted, as he gave him a slap. Prince moved aside, betraying evidence of age and infirmity.

"But--" Tunk repeated with emphasis.

"Ugly?" the teacher queried.

"Ugly!" said Tunk, as if the word were all too feeble for the fact in hand. "Reg'lar hell on wheels!--that's what he is. Look out! don't git too nigh him. He ain't no conscience--that hoss ain't."

"Is he fast?"

"Greased lightnin'!" said Tunk, shaking his head. "Won twenty-seven races."

"You're a good deal of a horseman, I take it." said the teacher.

"Wal, some," said he, expectorating thoughtfully. "But I don't have no chance here. What d'ye 'spect of a man livin,' with them ol' maids ?"

He seemed to have more contempt than his words would carry.

"Every night they lock me upstairs," he continued with a look of injury; "they ain't fit fer nobody t' live with. Ain't got no hoss but that dummed ol' plug."

He had forgotten his enthusiasm of the preceding moment. His intellect was a museum of freaks. Therein, Vanity was the prodigious fat man, Memory the dwarf, and Veracity the living skeleton. When Vanity rose to show himself, the others left the stage.

Tunk's face had become suddenly thoughtful and morose. In truth, he was an arrant and amusing humbug. It has been said that children are all given to lying in some degree, but seeing the folly of it in good time, if, indeed, they are not convinced of its wickedness, train tongue and feeling into the way of truth. The respect for truth that is the beginning of wisdom had not come to Tunk. He continued to lie with the cheerful inconsistency of a child. The' hero of his youth had been a certain driver of trotting horses, who had a limp and a leaning shoulder. In Tunk, the limp and the leaning shoulder were an attainment that had come of no sudden wrench. Such is the power of example, he admired, then imitated, and at last acquired them. One cannot help thinking what graces of character and person a like persistency would have brought to him. But Tunk had equipped himself with horsey heroism, adorning it to his own fancy. He had never been kicked, he had never driven a race or been hurled from a sulky at full speed. Prince, that ancient palfrey, was the most harmless of all creatures, and would long since have been put out of misery but for the tender consideration of his owners. And Tunk--well, they used to say of him, that if he had been truthful, he couldn't have been alive.

"Sometime," Trove thought, "his folly may bring confusion upon wise heads."

XVII

An Event in the Rustic Museum

Sidney Trove sat talking a while with Miss Letitia. Miss S'mantha, unable longer to bear the unusual strain of danger and publicity, went away to bed soon after supper. Tunk Hosely came in with a candle about nine.

"Wal, mister," said he, "you ready t' go t' bed?"

"I am," said Trove, and followed him to the cold hospitality of the spare room, a place of peril but beautifully clean. There was a neat rag carpet on the floor, immaculate tidies on the bureau and wash table, and a spotless quilt of patchwork on the bed. But, like the dungeon of mediaeval times, it was a place for sighs and reflection, not for rest. Half an inch of frost on every window-pane glistened in the dim light of the candle.

"As soon as they unlock my door, I'll come an' let ye out in the mornin'," Tunk whispered.

"Are they going to lock me in?"

"Wouldn't wonder," said Tunk, soberly.

"What can ye 'spect from a couple o' dummed ol' maids like them?"

There was a note of long suffering in his half-whispered tone,

"Good night, mister," said he, with a look of dejection. "Orter have a nightcap, er ye'll git hoar-frost on yer hair."

Trove was all a-shiver in the time it took him to undress, and his breath came out of him in spreading shafts of steam. Sheets of flannel and not less than half a dozen quilts and comfortables made a cover, under which the heat of his own blood warmed his body. He became uncomfortably aware of the presence of his head and face, however. He could hear stealthy movements beyond the door, and knew they were barricading it with furniture. Long before daylight a hurried removal of the barricade awoke him. Then he heard a rap at the door, and the excited voice of Tunk.

"Say, mister! come here quick," it called.

Sidney Trove leaped out of bed and into his trousers. He hurried through the dark parlour, feeling his way around a clump of chairs and stumbling over a sofa. The two old maids were at the kitchen door, both dressed, one holding a lighted candle. Tunk Hosely stood by the door, buttoning suspenders with one hand and holding a musket in the other. They were shivering and pale. The room was now cold.

"Hear that!" Tunk whispered, turning to the teacher.

They all listened, hearing a low, weird cry outside the door.

"Soun's t' me like a raccoon," Miss S'mantha whispered thoughtfully.

"Or a lamb," said Miss Letitia.

"Er a painter," Tunk ventured, his ear turning to catch the sound.

"Let's open the door," said Sidney Trove, advancing.

"Not me," said Tunk, firmly, raising his gun.

Trove had not time to act before they heard a cry for help on the doorstep. It was the voice of a young girl. He opened the door, and there stood Mary Leblanc--a scholar of Linley School and the daughter of a poor Frenchman. She came in lugging a baby wrapped in a big shawl, and both crying.

"Oh, Miss Tower," said she; "pa has come out o' the woods drunk an' has threatened to kill the baby. Ma wants to know if you'll keep it here to-night."

The two old maids wrung their hands with astonishment and only said "y!"

"Of course we'll keep it," said Trove, as he took the baby,

"I must hurry back," said the girl, now turning with a look of relief.

Tunk shied off and began to build a fire; Miss S'mantha sat down weeping, the girl ran away in the darkness, and Trove put the baby in Miss Letitia's arms.

"I'll run over to Leblanc's cabin," said he, getting his cap and coat. "They're having trouble over there."

He left them and hurried off on his way to the little cabin.

Loud cries of the baby rang in that abode of silence. It began to kick and squirm with determined energy. Poor Miss Letitia had the very look of panic in her face. She clung to the fierce little creature, not knowing what to do. Miss S'mantha lay back in a fit of hysterics. Tunk advanced bravely, with brows knit, and stood looking down at the baby.

"Lord! this is awful!" said he. Then a thought struck him. "I'll git some milk," he shouted, running into the buttery.

The baby thrust the cup away, and it fell noisily, the milk streaming over a new rag carpet.

"It's sick; I'm sure it's sick," said Miss Letitia, her voice trembling. "S'mantha, can't you do something?"

Miss S'mantha calmed herself a little and drew near.

"Jes' like a wil'cat," said Tunk, thoughtfully. "Powerful, too," he added, with an effort to control one of the kicking legs.

"What shall we do?" said Miss Letitia.

"My sister had a baby once," said Tunk, approaching it doubtfully but with a studious look.

He made a few passes with his hand in front of the baby's face. Then he gave it a little poke in the ribs, tentatively. The effect was like adding insult to injury.

"If 'twas mine," said Tunk, "which I'm glad it ain't--I'd rub a little o' that hoss liniment on his stummick,"

The two old maids took the baby into their bedroom. It was an hour later when Trove came back. Tunk sat alone by the kitchen fire. There was yet a loud wail in the bedroom.

"What's the news?" said Tunk, who met him at the door.

"Drunk, that's all," said Trove. "I took this bottle, sling-shot, and bar of iron away from him. The woman thought I had better bring them with me and put them out of his way."

He laid them on the floor in a corner.

"I got him into bed," he continued, "and then hid the axe and came away. I guess they're all right now. When I left he had begun to snore."

"Wal,--we ain't all right," said Tunk, pointing to the room. "If you can conquer that thing, you'll do well. Poor Miss Teeshy!" he added, shaking his head.

"What's the matter with her?" Trove inquired.

"Kicked in the stummick 'til she dunno where she is," said Tunk, gloomily.

He pulled off his boots.

"If she don't go lame t'morrer, I'll miss my guess," he added. "She looks a good deal like Deacon Haskins after he had milked the brindle cow."

He leaned back, one foot upon the stove-hearth. Shrill cries rang in the old house.

"'Druther 'twould hev been a painter," said Tunk, sighing.

"Why so?"

"More used to 'em," said Tunk, sadly.

They listened a while longer without speaking.

"Ye can't drive it, ner coax it, ner scare it away, ner do nuthin' to it," said Tunk, presently.

He rose and picked up the things Trove had brought with him. "I'll take these to the barn," said he; "they'd have a fit--if they was t' see 'em. What be they?"

"I do not know what they are," said Trove.

"Wal!" said Tunk. "They're queer folks--them Frenchmen. This looks like an iron bar broke in two in the middle."

He got his lantern, picked up the bottle, the sling-shot, and the iron, and went away to the barn.

Trove went to the bedroom door and rapped, and was admitted. He went to work with the baby, and soon, to his joy, it lay asleep on the bed. Then he left the room on tiptoe, and a bit weary.

"A very full day!" he said to himself.

"Teacher, counsellor, martyr, constable, nurse--I wonder what next!"

And as he went to his room, he heard Miss S'mantha say to her sister, "I'm thankful it's not a boy, anyway."

XVIII

A Day of Difficulties

All were in their seats and the teacher had called a class. Carlt Homer came in.

"You're ten minutes late," said the teacher.

"I have fifteen cows to milk," the boy answered.

"Where do you live?"

"'Bout a mile from here, on the Beach Plains."

"What time do you begin milking?"

"'Bout seven o'clock."

"I'll go to-morrow morning and help you," said the teacher. "We must be on time--that's a necessary law of the school."

At a quarter before seven in the morning, Sidney Trove presented himself at the Homers'. He had come to help with the milking, but found there were only five cows to milk.

"Too bad your father lost so many cows--all in a day," said he. "It's a great pity. Did you lose anything?"

"No, sir."

"Have you felt to see?"

The boy put his hand in his pocket.

"Not there--it's an inside pocket, way inside o' you. It's where you keep your honour and pride."

"Wal," said the boy, his tears starting, "I'm 'fraid I have."

"Enough said--good morning," the teacher answered as he went away.

One morning a few days later the teacher opened his school with more remarks.

"The other day," said he, "I spoke of a thing it was very necessary for us to learn. What was it?"

"To obey," said a youngster.

"Obey what?" the teacher inquired.

"Law," somebody ventured.

"Correct; we're studying law--every one of us--the laws of grammar, of arithmetic, of reading, and so on. We are learning to obey them. Now I am going to ask you what is the greatest law in the world?"

There was a moment of silence. Then the teacher wrote these words in large letters on the blackboard; "Thou shalt not lie."

"There is the law of laws," said the teacher, solemnly. "Better never have been born than not learn to obey it. If you always tell the truth, you needn't worry about any other law. Words are like money--some are genuine, some are counterfeit. If a man had a bag of counterfeit money and kept passing it, in a little while nobody would take his money. I knew a man who said he killed four bears at one shot. There's some that see too much when they're looking over their own gun-barrels. Don't be one of that kind. Don't ever kill too many bears at a shot."

After that, in the Linley district, a man who lied was said to be killing too many bears at a shot.

Good thoughts spread with slow but sure contagion. There were some who understood the teacher. His words went home and far with them, even to their graves, and how much farther who can say? They went over the hills, indeed, to other neighbourhoods, and here they are, still travelling, and going now, it may be, to the remotest corners of the earth. The big boys talked about this matter of lying and declared the teacher was right.

"There's Tunk Hosely," said Sam Price. "Nobody'd take his word for nuthin'."

"'Less he was t' say he was a fool out an' out," another boy suggested.

"Dunno as I'd b'lieve him then," said Sam. "Fer I'd begin t' think he knew suthin'."

A little girl came in, crying, one day.

"What is the trouble?" said the teacher, tenderly, as he leaned over and put his arm around her.

"My father is sick," said the child, sobbing.

"Very sick?" the teacher inquired.

For a moment she could not answer, but stood shaken with sobs.

"The doctor says he can't live," said she, brokenly.

A solemn stillness fell in the little schoolroom. The teacher lifted the child and held her close to his broad breast a moment.

"Be brave, little girl," said he, patting her head gently. "Doctors don't always know. He may be better to-morrow."

He took the child to her seat, and sat beside her and whispered a moment, his mouth close to her ear. And what he said, none knew, save the girl herself, who ceased to cry in a moment but never ceased to remember it.

A long time he sat, with his arm around her, questioning the classes. He seemed to have taken his place between her and the dark shadow.

Joe Beach had been making poor headway in arithmetic.

"I'll come over this evening, and we'll see what's the trouble. It's all very easy," the teacher said.

He worked three hours with the young man that evening, and filled him with high ambition after hauling him out of his difficulty.

But of all difficulties the teacher had to deal with, Polly Vaughn was the greatest. She was nearly perfect in all her studies, but a little mischievous and very dear to him. "Pretty;" that is one thing all said of her there in Faraway, and they said also with a bitter twang that she loved to lie abed and read novels. To Sidney Trove the word "pretty" was inadequate. As to lying abed and reading novels, he was free to say that he believed in it.

"We get very indignant about slavery in the south," he used to say; "but how about slavery on the northern farms? I know people who rise at cock-crow and strain their sinews in heavy toil the livelong day, and spend the Sabbath trembling in the lonely shadow of the Valley of Death. I know a man who whipped his boy till he bled because he ran away to go fishing. It's all slavery, pure and simple."

"In the sweat of thy face shalt thou eat bread till thou return unto the ground," said Ezra Tower.

"If God said it, he made slaves of us all," said young Trove. "When I look around here and see people wasted to the bone with sweat and toil, too weary often to eat the bread they have earned, when I see their children dying of consumption from excess of labour and pork fat, I forget the slaves of man and think only of these wretched slaves of God."

But Polly was not of them the teacher pitied. She was a bit discontented; but surely she was cheerful and well fed. God gave her beauty, and the widow saw it, and put her own strength between the curse and the child. Folly had her task every day, but Polly had her way, also, in too many things, and became a bit selfish, as might have been expected. But there was something very sweet and fine about Polly. They were plain clothes she wore, but nobody save herself and mother gave them any thought. Who, seeing her big, laughing eyes, her finely modelled face, with cheeks pink and dimpled, her shapely, white teeth, her mass of dark hair, crowning a form tall and straight as an arrow, could see anything but the merry-hearted Polly?

"Miss Vaughn, you will please remain a few moments after school," said the teacher one day near four o'clock. Twice she had been caught whispering that day, with the young girl who sat behind her. Trove had looked down, stroking his little mustache thoughtfully, and made no remark. The girl had gone to work, then, her cheeks red with embarrassment.

"I wish you'd do me a favour, Miss Polly," said the teacher, when they were alone.

She blushed deeply, and sat looking down as she fussed with her handkerchief. She was a bit frightened by the serious air of that big young man.

"It isn't much," he went on. "I'd like you to help me teach a little. To-morrow morning I shall make a map on the blackboard, and while I am doing it I'd like you to conduct the school. When you have finished with the primer class I'll be ready to take hold again."

She had a puzzled look.

"I thought you were going to punish me," she answered, smiling.

"For what?" he inquired.

"Whispering," said she.

"Oh, yes! But you have read Walter Scott, and you know ladies are to be honoured, not punished. I shouldn't know how to do such a thing. When you've become a teacher you'll see I'm right about whispering. May I walk home with you?"

Polly had then a very serious look. She turned away, biting her lip, in a brief struggle for self-mastery.

"If you care to," she whispered.

They walked away in silence.

"Do you dance?" she inquired presently.

"No, save attendance on your pleasure," said he. "Will you teach me?"

"Is there anything I can teach you?" She looked up at him playfully.

"Wisdom," said he, quickly, "and how to preserve blueberries, and make biscuit like those you gave us when I came to tea. As to dancing, well--I fear 'I am not shaped for sportive tricks.'"

"If you'll stay this evening," said she, "we'll have some more of my blueberries and biscuit, and then, if you care to, we'll try dancing."

"You'll give me a lesson?" he asked eagerly.

"If you'd care to have me."

"Agreed; but first let us have the blueberries and biscuit," said he, heartily, as they entered the door. "Hello, Mrs. Vaughn, I came over to help you eat supper. I have it all planned. Paul is to set the table, I'm to peel the potatoes and fry the pork, Polly is to make the biscuit and gravy and put the kettle on. You are to sit by and look pleasant."

"I insist on making the tea," said Mrs. Vaughn, with amusement.

"Shall we let her make the tea?" he asked, looking thoughtfully at Polly.

"Perhaps we'd better," said she, laughing.

"All right; we'll let her make the tea--we don't have to drink it."

"You," said the widow, "are like Governor Wright, who said to Mrs. Perkins, 'Madam, I will praise your tea, but hang me if I'll drink it.'"

"I'm going to teach the primer class in the morning," said Polly, as she filled the tea-kettle.

"Look out, young man," said Mrs. Vaughn, turning to the teacher. "In a short time she'll be thinking she can teach you."

"I get my first lesson to-night," said the young man. "She's to teach me dancing."

"And you've no fear for your soul?"

"I've more fear for my body," said he, glancing down upon his long figure. "I've never lifted my feet save for the purpose of transportation. I'd like to learn how to dance because Deacon Tower thinks it wicked and I've learned that happiness and sin mean the same thing in his vocabulary."

"I fear you're a downward and backsliding youth," said the widow.

"You know what Ezra Tower said of Ebenezer Fisher, that he was 'one o' them mush-heads that didn't believe in hell'? Are you one o' that kind?" Proclaimers of liberal thought were at work there in the north.

"Since I met Deacon Tower I'm sure it's useful and necessary. He's got to have some place for his enemies. If it were not for hell, the deacon would be miserable here and, maybe, happy hereafter."

"It's a great hope and comfort to him," said the widow, smiling.

"Well, God save us all!" said Trove, who had now a liking for both the phrase and philosophy of Darrel. They had taken chairs at the table.

"Tom," said he, "we'll pause a moment, while you give us the fourth rule of syntax."

"Correct," said he, heartily, as the last word was spoken. "Now let us be happy."

"Paul," said the teacher, as he finished eating, "what is the greatest of all laws?"

"Thou shalt not lie," said the boy, promptly.

"Correct," said Trove; "and in the full knowledge of the law, I declare that no better blueberries and biscuit ever passed my lips."

Supper over, Polly disappeared, and young Mr. Trove helped with the dishes. Soon Polly came back, glowing in her best gown and slippers.

"Why, of all things! What a foolish child!" said her mother. For answer Polly waltzed up and down the room, singing gayly.

She stopped before the glass and began to fuss with her ribbons. The teacher went to her side.

"May I have the honour, Miss Vaughn," Said he, bowing politely. "Is that the way to do?"

"You might say, 'Will you be my pardner,'" said she, mimicking the broad dialect of the region.

"I'll sacrifice my dignity, but not my language," said he. "Let us dance and be merry, for to-morrow we teach."

"If you'll watch my feet, you'll see how I do it," said she; and lifting her skirt above her dainty ankles, glided across the floor on tiptoe, as lightly as a fawn at play. But Sidney Trove was not a graceful creature. The muscles on his lithe form, developed in the school of work or in feats of strength at which he had met no equal, were untrained in all graceful trickery. He loved dancing and music and everything that increased the beauty and delight of life, but they filled him with a deep regret of his ignorance.

"Hard work," said he, breathing heavily, "and I don't believe I'm having as much fun as you are."

The small company of spectators had been laughing with amusement.

"Reminds me of a story," said the teacher. "'What are all the animals crying about?' said one elephant to another. 'Why, don't you know?--it's about the reindeer,' said the other elephant; 'he's dead. Never saw anything so sad in my life. He skipped so, and made a noise like that, and then he died.' The elephant jumped up and down, trying the light skip of the reindeer and gave a great roar for the bleat of the dying animal, 'What,' said the first elephant, 'did he skip so, and cry that way?' And he tried it. 'No, not that way but this way,' said the other; and he went through it again. By this time every animal in the show had begun to roar with laughter. 'What on earth are you doing?' said the rhinoceros. 'It's the way the reindeer died,' said one of the elephants.

"'Never saw anything so funny,' said the rhinoceros; 'if the poor thing died that way, it's a pity he couldn't repeat the act.'

"'This is terrible,' said the zebra, straining at his halter. 'The reindeer is dead, and the elephants have gone crazy.'"

"Sidney Trove," said the teacher, as he was walking away that evening, "you'll have to look out for yourself. You're a teacher and you ought to be a man--you must be a man or I'll have nothing more to do with you."

XIX

Amusement and Learning

There was much doing that winter in the Linley district. They were a month getting ready for the school "exhibition." Every home in the valley and up Cedar Hill rang with loud declamations. The impassioned utterances of James Otis, Daniel Webster, and Patrick Henry were heard in house, and field, and stable. Every evening women were busy making costumes for a play, while the young rehearsed their parts. Polly Vaughn, editor of a paper to be read that evening, searched the countryside for literary talent. She found a young married woman, who had spent a year in the State Normal School, and who put her learning at the service of Polly, in a composition treating the subject of intemperance. Miss Betsey Leech sent in what she called "a piece" entitled "Home." Polly, herself, wrote an editorial on "Our Teacher," and there was hemming and hawing when she read it, declaring they all had learned much, even to love him. Her mother helped her with the alphabetical rhymes, each a couplet of sentimental history, as, for example:--

"A is for Alson, a jolly young man,
He'll marry Miss Betsey, they say, if he can."

They trimmed the little schoolhouse with evergreen and erected a small stage, where the teacher's desk had been. Sheets were hung, for curtains, on a ten-foot rod.

A while after dark one could hear a sound of sleigh-bells in the distance. Away on drifted pike and crossroad the bells began to fling their music. It seemed to come in rippling streams of sound through the still air, each with its own voice. In half an hour countless echoes filled the space between them, and all were as one chorus, wherein, as it came near, one could distinguish song and laughter.

Young people from afar came in cutters and by the sleigh load; those who lived near, afoot with lanterns. They were a merry company, crowding the schoolhouse, laughing and whispering as they waited for the first exhibit. Trove called them to order and made a few remarks.

"Remember," said he, "this is not our exhibition. It is only a sort of preparation for one we have planned. In about twenty years the Linley School is to give an exhibition worth seeing. It will be, I believe, an exhibition of happiness, ability, and success on the great stage of the world. Then I hope to have on the programme speeches in Congress, in the pulpit, and at the bar. You shall see in that play, if I mistake not, homes full of love and honour, men and women of fair fame. It may be you shall see, then, some whose names are known and honoured of all men."

Each performer quaked with fear, and both sympathy and approval were in the applause. Miss Polly Vaughn was a rare picture of rustic beauty, her cheeks as red as her ribbons, her voice low and sweet. Trove came out in the audience for a look at her as she read. Ringing salvos of laughter greeted the play and stirred the sleigh-bells on the startled horses beyond the door. The programme over, somebody called for Squire Town, a local pettifogger, who flung his soul and body into every cause. He often sored his knuckles on the court table and racked his frame with the violence of his rhetoric. He had a stock of impassioned remarks ready for all occasions.

He rose, walked to the centre of the stage, looked sternly at the people, and addressed them as "Fellow Citizens." He belaboured the small table; he rose on tiptoe and fell upon his heels; often he seemed to fling his words with a rapid jerk of his right arm as one hurls a pebble. It was all in praise of his "young friend," the teacher, and the high talent of Linley School.

The exhibition ended with this rare exhibit of eloquence. Trove announced the organization of a singing-school for Monday evening of the next week, and then suppressed emotion burst into noise. The Linley school-house had become as a fount of merry sound in the still night; then the loud chorus of the bells, diminishing as they went away, and breaking into streams of music and dying faint in the far woodland.

One Nelson Cartright--a jack of all trades they called him--was the singing-master. He was noted far and wide for song and penmanship. Every year his intricate flourishes in black and white were on exhibition at the county fair.

"Wal, sir," men used to say thoughtfully, "ye wouldn't think he knew beans. Why, he's got a fist bigger'n a ham. But I tell ye, let him take a pen, sir, and he'll draw a deer so nat'ral, sir, ye'd swear he could jump over a six-rail fence. Why, it is wonderful!"

Every winter he taught the arts of song and penmanship in the four districts from Jericho to Cedar Hill. He sang a roaring bass and beat the time with dignity and precision. For weeks he drilled the class on a bit of lyric melody, of which a passage is here given:--

"One, two, three, ready, sing," he would say, his ruler cutting the air, and all began:--

Listen to the bird, and the maid, and the bumblebee,
Tra, la la la la, tra, la la la la,
Joyfully we'll sing the gladsome melody,
Tra, la, la, la, la.

The singing-school added little to the knowledge or the cheerfulness of that neighbourhood. It came to an end the last day of the winter term. As usual, Trove went home with Polly. It was a cold night, and as the crowd left them at the corners he put his arm around her.

"School is over," said she, with a sigh, "and I'm sorry."

"For me?" he inquired.

"For myself," she answered, looking down at the snowy path.

There came a little silence crowded with happy thoughts.

"At first, I thought you very dreadful," she went on, looking up at him with a smile. He could see her sweet face in the moonlight and was tempted to kiss it.

"Why?"

"You were so terrible," she answered. "Poor Joe Beach! It seemed as if he would go through the wall."

"Well, something had to happen to him," said the teacher.

"He likes, you now, and every one likes you here. I wish we could have you always for a teacher."

"I'd be willing to be your teacher, always, if I could only teach you what you have taught me."

"Oh, dancing," said she, merrily; "that is nothing. I'll give you all the lessons you like."

"No, I shall not let you teach me that again," said he.

"Why?"

"Because your pretty feet trample on me."

Then came another silence.

"Don't you enjoy it?" she asked, looking off at the stars.

"Too much." said he. "First, I must teach you something--if I can."

He was ready for a query, if it came, but she put him off.

"I intend to be a grand lady," said she, "and, if you do not learn, you'll never be able to dance with me."

"There'll be others to dance with you," said he. "I have so much else to do."

"Oh, you're always thinking about algebra and arithmetic and those dreadful things," said she.

"No, I'm thinking now of something very different."

"Grammar, I suppose," said she, looking down.

"Do you remember the conjugations?"

"Try me," said she.

"Give me the first person singular, passive voice, present tense, of the verb to love."

"I am loved," was her answer, as she looked away.

"And don't you know--I love you," said he, quickly.

"That is the active voice," said she, turning with a smile.

"Polly," said he, "I love you as I could love no other in the world."

He drew her close, and she looked up at him very soberly.

"You love me?" she said in a half whisper.

"With all my heart," he answered. "I hope you will love me sometime."

Their lips came together.

"I do not ask you, now, to say that you love me," said the young man. "You are young and do not know your own heart."

She rose on tiptoe and fondly touched his cheek with her fingers.

"But I do love you," she whispered.

"I thank God you have told me, but I shall ask you for no promise. A year from now, then, dear, I shall ask you to promise that you will be my wife sometime."

"Oh, let me promise now," she whispered.

"Promise only that you will love me if you see none you love better."

They were slowly nearing the door. Suddenly she stopped, looking up at him.

"Are you sure you love me?" she asked.

"Yes," he whispered.

"Sure?"

"As sure as I am that I live."

"And will love me always?"

"Always," he answered.

She drew his head down a little and put her lips to his ear. "Then I shall love you always," she whispered.

Mrs. Vaughn, was waiting for them at the fireside. They sat talking a while.

"You go off to bed, Polly," said the teacher, presently. "I've something to say, and you're not to hear it."

"I'll listen," said she, laughing.

"Then we'll whisper," Trove answered.

"That isn't fair," said she, with a look of injury, as she held the candle. "Besides, you don't allow it yourself."

"Polly ought to go away to school," said he, after Polly had gone above stairs. "She's a bright girl."

"And I so poor I'm always wondering what'll happen to-morrow," said Mrs. Vaughn. "The farm has a mortgage, and it's more than I can do to pay the interest. Some day I'll have to give it up."

"Perhaps I can help you," said the young man, feeling the fur on his cap.

There was an awkward silence.

"Fact is," said the young man, a bit embarrassed, "fact is, I love Polly."

In the silence that followed Trove could hear the tick of his watch.

"Have ye spoken to her?" said the widow, with a serious look.

"I've told her frankly to-night that I love her," said he. "I couldn't help it, she was so sweet and beautiful."

"If you couldn't help it, I don't see how I could," said she. "But Polly's only a child. She's a big girl, I know, but she's only eighteen."

"I haven't asked her for any promise. It wouldn't be fair. She must have a chance to meet other young men, but, sometime, I hope she will be my wife."

"Poor children!" said Mrs. Vaughn, "you don't either of you know what you're doing."

He rose to go.

"I was a little premature," he added, "but you mustn't blame me. Put yourself in my place. If you were a young man and loved a girl as sweet as Polly and were walking home with her on a moonlit night--"

"I presume there'd be more or less love-making," said the widow. "She is a pretty thing and has the way of a woman. We were speaking of you the other day, and she said to me: 'He is ungrateful. You can teach the primer class for him, and be so good that you feel perfectly miserable, and give him lessons in dancing, and put on your best clothes, and make biscuit for him, and then, perhaps, he'll go out and talk with the hired man.' 'Polly,' said I, 'you're getting to be very foolish.' 'Well, it comes so easy,' said she. 'It's my one talent'"

XX

At the Theatre of the Woods

Next day Trove went home. He took with him many a souvenir of his first term, including a scarf that Polly had knit for him, and the curious things he took from the Frenchman Leblanc, and which he retained partly because they were curious and partly because Mrs. Leblanc had been anxious to get rid of them. He soon rejoined his class at Hillsborough, having kept abreast of it in history and mathematics by work after school and over the week's end. He was content to fall behind in the classics, for they were easy, and in them his arrears gave him no terror. Walking for exercise, he laid the plan of his tale and had written some bits of verse. Of an evening he went often to the Sign of the Dial, and there read his lines and got friendly but severe criticism. He came into the shop one evening, his "Horace" under his arm.

"'_Maecenas, atavis, edite regibus_'" Trove chanted, pausing to recall the lines.

The tinker turned quickly. "'_O et presidium et duice decus meum_,'" he quoted, never stopping until he had finished She ode.

"Is there anything you do not know?" Trove inquired.

"Much," said the tinker, "including the depth o' me own folly. A man that displays knowledge hath need o' more."

Indeed, Trove rarely came for a talk with Darrel when he failed to discover something new in him--a further reach of thought and sympathy or some unsuspected treasure of knowledge. The tinker loved a laugh and would often search his memory for some phrase of bard or philosopher apt enough to provoke it. Of his great store of knowledge he made no vainer use.

Trove had been overworking; and about the middle of June they went for a week in the woods together. They walked to Allen's the first day, and, after a brief visit there, went off in the deep woods, camping on a pond in thick-timbered hills. Coming to the lilied shore, they sat down a while to rest. A hawk was sailing high above the still water. Crows began to call in the tree-tops. An eagle sat on a dead pine at the water's edge and seemed to be peering down at his own shadow. Two deer stood in a marsh on the farther shore, looking over at them. Near by were the bones of some animal, and the fresh footprints of a painter. Sounds echoed far in the hush of the unbroken wilderness.