Chapter II: Part 2

From the disappointment and weariness of mind that weighed on the slighted wife, Mrs. Foote sought relief in attending the theatre nightly and acting on the stage. Daily and hourly seeing, hearing, and talking of little else but the stage, as might be expected, a wish to become an actress took possession of the child’s mind at an early age.

When Maria was twelve years of age, her mother was so far lost to all delicacy of feeling, and her father so insensible to the duties of a father, that he suffered his only daughter to act Juliet to the Romeo of his wife.

Plymouth was disgusted, thoroughly disgusted, and whatever claims Mr. Foote had before to the notice of some private friends, they now considered these as forfeited for ever. From this moment a sort of reckless indifference seemed to possess the whole family. Nothing came amiss, so that money could be obtained; and Foote, who had been brought up as a gentleman, and his wife as a lady, took a small inn in Exeter, in 1811, lost his wife’s fortune, became the dupe of rogues, and was ruined.

_From an engraved portrait in the collection of A. M. Broadley, Esq._]

The fame of Maria Foote’s beauty and charm of manner had reached London, and in May, 1814, she made her first appearance at Covent Garden Theatre, and personated Amanthis in “The Child of Nature” with such grace and effect that the manager complimented her with an immediate engagement. Young, beautiful, intelligent, and with natural refinement, she was almost the creature she represented. A liberal salary was assigned to her, and the managers always considered the announcement of her name as certain of obtaining for them a crowded house. That she had no pretensions to a rank higher than that of a second-rate actress must, perhaps, be allowed. “I was never a great actress,” she used to say in later life, “though people thought me fascinating, and that I suppose I was.”

She was always dressed tastefully, looked charming, and was a universal favourite among the lobby loungers. A writer in _The Drama_ for 1825 says: “To those who know nothing of a theatre, it may be new to tell them that an interesting girl is in the jaws of ruin, who enters it as an actress, unless watched and protected by her family and friends. Constantly exposed to the gaze of men--inflaming a hundred heads, and agitating a thousand hearts, if she be as Maria was, fascinating and amiable--surrounded by old wretches as dressers, who are the constant conveyers of letters, sonnets and flattery--dazzled by the thunders of public applause, and softened by the incense of a thousand sighs, breathed audibly from the front of the pit or the stage boxes--associating in the green-room with licensed married strumpets, because she must not be affected! Or supping on the stage, after the curtain is dropped, with titled infamy or grey-headed lechery!--Let the reader fancy an innocent girl, from a country town, plunged at once into the furnace of depravity--let him fancy her father sanctioning her by his indifference or helping her by his example, and then let him say, if she be ultimately seduced and abandoned, whether it ought not to be a wonder she was innocent so long.”

In spite of an education that never cherished the best feelings of a child, Maria had a far sounder understanding than her parents, and an instinctive modesty that withstood the evil with which she was surrounded.

In the summer of 1815, Maria Foote was engaged as a star to perform at Cheltenham, and there attracted the attention of Fitzharding Berkeley, better known as Colonel Berkeley. This gentleman was the son of Frederick Augustus, fifth Earl of Berkeley, by Mary Cole, the beautiful daughter of a butcher at Gloucester, to whom he was married in 1796. The Colonel was born in 1786. The Earl, indeed, affirmed that a private marriage had taken place in 1785; the House of Lords disallowed the proofs, in consequence of which one of the Colonel’s younger brothers, born after 1796, became entitled to the earldom; he, however, always refused to assume the title. Colonel Berkeley was an enthusiastic amateur of the stage, and he offered his services to perform at the benefit of Miss Foote, and she accepted his offer. The house was full to the ceiling, and Maria, of course, felt grateful for the aid thus lent her. After thus ingratiating himself, he seized the opportunity to plead the passion with which she had inspired him. The old Earl, his father, had died in 1810, and the Colonel was endeavouring to establish his claim to the earldom. He pleaded with her, that till his claim was allowed he could not well marry her, as such a marriage, he asserted, would prejudice his suit to recover the forfeited earldom of Berkeley, but he solemnly vowed his intention to make her his wife the moment that he could do so without injuring his cause. By this means he deluded the unfortunate girl into a connexion with him that lasted for five years, and during all that time he made her no allowance beyond the payment of those expenses which he himself had led her to incur, and the presents he made to her did not in all that time amount to £100. In 1821, Maria bore the Colonel a child, and had again expectations of becoming a mother in 1824, and in the June of that year all connexion ceased between them.

In the spring of 1823, Mr. Joseph Hayne, a young man of fortune, commonly known, from the colour of his coat, as “Pea-green” Hayne, saw Maria Foote at Covent Garden Theatre, was struck with her beauty, called at her house in Keppel Street, and invited Mr. Foote to spend some days with him at Kitson Hall in Staffordshire, one of his seats. The invitation was accepted, and there Hayne informed the father that he desired to pay his addresses to his charming daughter. Mr. Foote hurried back to town, and as Maria was expecting her confinement, sent off his wife with her into the country under the feigned name of Forbes, to remain in concealment till after that event.

In the following January, Hayne again called at Keppel Street, and announced to Mrs. Foote that he seriously desired to be united in marriage to her daughter. Mrs. Foote informed him that Maria was engaged to be married to Colonel Berkeley, and that her daughter could not listen to his suit unless the Colonel failed to fulfil his promise. Hayne then said that he was about to go into the country, and asked permission to escort Mrs. and Miss Foote to the opera, and to tender to them his private box. To this the lady consented. As it happened, Colonel Berkeley with a Mr. Manse happened to be in the pit that evening, and the Colonel at once dispatched his friend to the box to request Hayne to speak with him in the pit. When the young buck came to him, Berkeley asked him for an explanation of his conduct with respect to Miss Foote, and desired a meeting on the following day. When they met the Colonel disclosed to Hayne everything relative to his connexion with Maria Foote, and told him that he was the father by her of two children. On hearing this Mr. Hayne at once wrote to the lady to withdraw his proposal of marriage. She, in reply, requested an interview with him in order to explain the circumstances. This took place at Marlborough in the presence of Mrs. Foote. The young man (he was aged only twenty-two) was moved by her sad story, and on his return to town found that his flame had not been quenched by the revelation. So he penned a letter to Maria, stating that his feelings remained unaltered, and begging her to marry him. After some negotiation she agreed to this, and at Hayne’s advice the children were sent to Colonel Berkeley, who had asked for them. Hayne proposed to settle £40,000 on Miss Foote, for himself and her to receive the dividends during their joint lives, and after the death of the survivor of them, to be distributed equally among the children of the marriage, if any; and if, at the death of Mr. Hayne, his wife should survive him, but have no children, then £20,000 was to become the absolute property of the widow. The day for the wedding was fixed to take place on the ensuing 4th September, and “May God strike me dead,” asseverated the young man, “if ever I consent to separate myself from you, dearest Maria.”

A few days later, Mr. Bebb, “Pea-green” Hayne’s solicitor, called in Keppel Street, at Mr. Foote’s house, and left a verbal message to the effect “that Mr. Hayne would never see Miss Foote again.” Great consternation was produced in the family, and the young actress at once wrote to her new lover to entreat an interview and an explanation. The bearer of the letter encountered Hayne in Bond Street, and he returned with the servant in a coach to Keppel Street. Hayne informed Maria that it was not his fault that he had acted in so strange a manner towards her; that it had been his firm intention to fulfil his engagement, but that, on his return home on Sunday, some persons had first plied him with liquor, so as to make him in such a beastly state of intoxication that he knew not what he did; that they afterwards locked him up in a little back room, from which he had only that moment made his escape, which his exhausted appearance would prove, and that when he met the servant with the letter he was on his way to see his dearest Maria. The explanation was received, a reconciliation was effected, and as “Pea-green” was so evidently a weak young man, liable to be swayed this way or that according to whom he was with, it was resolved that a special licence should at once be procured, and that the marriage should take place on the following morning at nine o’clock.

The night passed anxiously enough on the part of Miss Foote, who realized that there was many a slip between the cup and the lip. At length the morning arrived, everything was prepared, the bride’s maid was in attendance, as were also Mr. Gill, the lawyer with the marriage settlement, and Mr. Robins, the trustee; but the bridegroom did not turn up, or send any notice that he was kept away. The parties waited till three o’clock, and then a note was dispatched to him at Long’s Hotel, where he was staying. The servant who took it was ushered into a private room, and was there detained, under one pretext or another, for a considerable time, and was finally informed that Joseph Hayne, Esq., had gone into the country, to his seat at Burdeson Park, Wiltshire. For six days did the young lady wait in anxious expectation of receiving some communication from the defaulting bridegroom. At length, on the sixth day, she wrote to him a distressed and piteous appeal. To this she received an answer: “My dearest Maria, you are perfectly correct when you say that my heart and thoughts are still with you.” Hayne then stated that the world was censorious, that he was divided between love for her and esteem for his friends and dread of their disapproval. The letter then went on to state, “I am resolved to sacrifice friends to affection; I cannot, will not lose you.”

After a short interval, Hayne returned to London and called on Miss Foote, at her father’s residence, and they became perfectly reconciled, and the 28th September was finally fixed for the day of their marriage. This fell on the Tuesday, and Monday was appointed for the execution of the marriage settlement. On Saturday, Hayne, accompanied by Mr. Foote, went to Doctors’ Commons, and there procured the marriage licence, which Hayne himself delivered into the hands of his intended bride, and solicited leave to wait on her the following morning. But instead of calling himself, a gentleman named Manning appeared at the house of the Footes, and brought a letter from Mr. Hayne to the father of Maria, which stated that poor Joseph was so wretched as to be unable himself to call, but that the bearer would explain everything, and finally concluded by breaking off the match.

After this, Miss Foote received another letter from Hayne: “My dearest Maria,--We know each other well; but with all my faults, you have a regard for my honour,--my attachment to you is unabated. I entreat you to grant me an interview in any other place than Keppel Street.”

To this letter the fair Maria replied: “Is this the way of proving your love and regard for me? To my honour and your shame be it spoken, that I am now suffering under a painful illness, brought on entirely by your conduct; but that you are actuated by the advice of bad counsels, I have no doubt. I will, however, once more consent to see you, but it must be in the presence of my family: if I am well enough, on Saturday, at one o’clock, it will be convenient to me to grant you an interview.” In reply “Pea-green” wrote: “Farewell for ever.--Hayne.”

For his breach of promise, Miss Foote brought an action for damages. The Attorney-General was retained on behalf of the plaintiff; and Mr. Scarlett on behalf of the defendant. The case was heard on 21 December, 1824.

It then transpired that Mr. Foote, the father, had been given by Mr. Hayne, to secure his goodwill, the sum of £1150; that Miss Foote had received presents from the defendant to the value of £1000. It was shown that gross deception had been practised on Hayne, at the time of Maria’s expected confinement, to conceal from him her condition, and it had been represented to him that she had been taken into the country as suffering from a pulmonary complaint.

However, after he had learned all the circumstances, and knew that she had been “under the protection” of Colonel Berkeley and had borne him two children, he renewed his offer of marriage. Miss Foote demanded £20,000 damages. The jury, after a brief consultation, agreed to accord her £3000; a large slice of which sum, if not the largest portion of it, was eaten up by the lawyers employed in the case by her.

None came out well in the matter. As the Attorney-General remarked: “He could not trust himself in using language he thought sufficient to express his detestation of Colonel Berkeley’s conduct.” Joseph Hayne appeared as a public fop who did not know his own mind from one day to another.

Mrs. Foote was revealed to be a scheming unprincipled woman, but Mr. Foote came out worst of all. As _The Examiner_ said of him: “There is scarcely a family living, or a family dead, that he has not treated with the dirtiest selfishness, whatever were his obligations--spunging till he was insulted, lying till he was discovered, puffing till he was the butt of the town. The people of Plymouth can relate a thousand instances of this description.”

Maria Foote came out best of all. She, brought up by such detestably mean parents, without protection, exposed to temptation at every turn, was more to be pitied than blamed. This the town felt, and when, on 5 February, 1825, her benefit was given at Covent Garden Theatre, the house was packed. _The Drama, or Theatrical Magazine_, says: “The fullest house of this season, indeed of any season within our experience, assembled this evening. The performance was not the attraction; the overruling anxiety was to be present at the reappearance of Miss Foote. A more intense interest could not have been displayed; it was without parallel in the records of theatrical history. For many weeks past every seat in the boxes--in the dress circle--of the first circle--in the slips--all were engaged, and would have been engaged had the theatre been double its dimensions. Even part of the orchestra was appropriated to the accommodation of visitors with guinea tickets; and an additional _douceur_ was in the course of the evening given even for tolerable sight-room. Not the fraction of a seat was to be had; and before the rising of the curtain the whole interior of the theatre was crowded almost to suffocation. During the first scenes of the performance (_The Belle’s Stratagem_) little else was heard than the din and bustle consequent on the adjustment and regulation of places. At length, at an advanced period of the first act, Miss Foote appeared. The utmost stillness prevailed in the house immediately previous to her expected entrée; she at length appeared, and was received with a burst of loud, continued, and enthusiastic acclamation, such as we never remember to have heard or known to have been equalled at any theatre. All the persons in the pit and, with scarcely an exception, in the boxes and other parts of the house, stood up and welcomed her return to the stage with the most marked and emphatic kindness. The waving of hats, handkerchiefs, was resorted to. There was something, too, in the manner of her appearance, which contributed greatly to enhance, while it seemed to entreat, the indulgent consideration with which the audience were inclined to receive her. She advanced with downcast look and faltering step to the front of the stage, and became affected even to tears. There was a diffidence, a timidity, and a truly distressing embarrassment in her mode of coming forward, which, together with her beauty and the recollection of her sufferings, was calculated to compel pity. It was a scene which did equal honour to the audience, who duly appreciated the distress of her situation, and to the object of their sympathy, who gave such a pathetic attestation of her consciousness of it. Many ladies--and there were many present--could not refrain from tears. Those parts, and there were several throughout the play, capable of being applied to Miss Foote’s peculiar situation, were seized on by the audience, and followed by loud plaudits. At the delivery of the lines

What is your fortune, my pretty maid?
My face is my fortune, sir, she said,

a burst of acclamation was sent forth, almost equal to that which greeted her entrance. The two lines which succeeded were, if possible, still more applicable to recent events, which have occupied so much of the attention of the Bar and of the public.

Then I’ll not marry you, my pretty maid.
There’s nobody asking you, sir, she said.

The good-humoured approval that followed these lines, which was in no degree abated by the arch air with which Miss Foote gave them, cannot be conveyed by verbal description. At the expression of the sentence, ‘This moment is worth a whole existence,’ Miss Foote bowed to the audience in grateful acknowledgment of the reception she had met with. Altogether Miss Foote’s reappearance has been most gratifying. She has been hailed as a favourite of the public, who has been basely lured from virtue, but who is not on that account treated as an alien from its path.”

The total receipts that evening amounted to £900. 16s. At the latter end of 1830, Madame Vestris took the Olympic Theatre, and opened it, on 3 January of the following year, with a drama on the subject of Mary Queen of Scots, in which Miss Foote, who appears for a time to have been in partnership with her, played the heroine. But she soon after quitted the stage, and on 7 April, 1831, was married to the eccentric Charles Stanhope, eighth Earl of Harrington and Viscount Petersham. He was aged fifty-one and she aged thirty-three. They had one daughter; he died in 1851, and she, as Dowager Countess of Harrington, lived until 27 December, 1867.

Mrs. Bancroft, in _On and Off the Stage_ (London, 1888), gives us a pleasant recollection of Maria Foote in her old age as Dowager Countess of Harrington.

“My father had known her slightly when she was in her zenith, and would often speak of her as one of the loveliest and most amiable of women. He would often recall not only the charm she possessed as an accomplished actress, but her good-nature to everybody, high and low, in the theatre.... My mother had never met Lady Harrington, but she soon grew much attached to one who became a true friend to me, and as time went on seemed more and more endeared to me. She must have been very beautiful when young, being still extremely handsome as an old lady. She was as good, too, as she was handsome; and I can never forget her kindness to me. When I was once seriously ill with an attack of bronchitis, Lady Harrington was unwearying in her attention to me, and would, day after day, sit by my bedside reading to me, and would bring with her all the delicacies she could think of. When I had sufficiently recovered my strength, she sent me to the seaside to recruit my health. To record all the kindnesses she bestowed on me and mine would fill up many pages, but my gratitude is indelibly written on my heart. She gave me a portrait of herself, as Maria Darlington in _A Roland for an Oliver_, and by it one can see how lovely she must have been. Among her other gifts was a beautiful old-fashioned diamond and ruby ring, which she told me was given to her by the Earl when he was engaged to be married to her.... Lady Harrington was much attached to (her old butler) Payne, and also to her maid, who, I believe, had been in her service since she was quite young, and often spoke of them as Romeo and Juliet. I recall many a happy visit to Richmond Terrace, and until her last illness I had no better friend than Lady Harrington.

“On the afternoon of Friday, 27 December, 1867, my mind was unaccountably full of thoughts about her. I had been making some purchases in Regent Street, and on my way home in a cab was wondering, as I was driven through the crowd of vehicles, if I should ever see her in her well-known carriage again, with its snuff-coloured ‘Petersham brown’ body, the long brown coats, the silver hat cords of the coachman and footman, the half-crescents of white leather which formed part of the harness across the foreheads of the horses.

“On the following day I received the sorrowful news that Lady Harrington was dead at the time I had thought so much of her, and that I had lost a friendship for which Time can never lessen my gratitude.”

CARABOO

On Thursday evening, 3 April, 1817, the overseer of the parish of Almondsbury, in Gloucestershire, called at Knole Park, the residence of Samuel Worall, Esq., to inform him that a young female had entered a cottage in the village, and had made signs to express her desire to sleep there; but not understanding her language, the good folk of the cottage communicated with the overseer, and he, as perplexed as the cottagers, went for counsel to the magistrate. Mr. Worall ordered that she should be brought to Knole, and presently the overseer returned with a slim damsel, dressed poorly but quaintly, with a sort of turban about her head, not precisely beautiful, but with very intelligent speaking eyes.

Neither Mr. nor Mrs. Worall could make heads or tails of what she said. He had a Greek valet who knew or could recognize most of the languages spoken in the Levant, but he also was at fault; he could not catch a single word of her speech that was familiar to him. By signs she was questioned as to whether she had any papers, and she produced from her pocket a bad sixpence and a few halfpence. Under her arm she carried a small bundle containing some necessaries, and a piece of soap wound up in a bit of linen. Her dress consisted of a black stuff gown with a muslin frill round her neck, a black cotton shawl twisted about her head, and a red and black shawl thrown over her shoulders, leather shoes, and black worsted stockings.

The general impression produced from her person and manners was favourable. Her head was small, her eyes black, hair also black; the forehead was low, nose short, in complexion a brunette. The cheeks were faintly tinged with red. The mouth was rather wide, teeth pearly white, lips large and full, the underlip slightly projecting. The chin small and round. Her height was 5 ft. 2 in. Her hands were clean and small and well cared for. Obviously they had not been accustomed to labour. She wore no ear-rings, but the marks of having worn them remained. Her age appeared to be twenty-five.

After consultation, it was thought advisable to send her to the village inn; and as Mrs. Worall was interested in her, she sent her own maid and the footman to attend the stranger to the public-house, it being late in the evening, and to request the landlady to give her a private room and a comfortable bed.

The young woman seemed to be greatly fatigued and walked with difficulty. When shown the room in which she was to sleep, she prepared to lie down on the mat upon the floor; whereupon the landlady put her own little girl into the bed, so as to explain its purport to her guest. The stranger then undressed and went to bed.

Next morning Mrs. Worall went to the inn at seven o’clock and found her sitting dejectedly by the fire. The clergyman of the parish had brought some books of travel and illustrated geographies to show her, so that she might give some clue as to whence she came. She manifested pleasure at the pictures of China and the Chinese.

_alias MARY BAKER_.]

Mrs. Worall now took her to Knole, where by signs, pointing to herself and uttering the word Caraboo, she explained to her hostess that this was her name. At dinner she declined all animal food, and took nothing to drink but water, showing marked disgust at beer, cyder, and meat.

Next day she was conveyed to Bristol and examined before the mayor and magistrates, but nothing was made out concerning her, and she was consigned to St. Peter’s Hospital for Vagrants.

There she remained till the ensuing Monday--three days--refusing food of every description. On that day Mrs. Worall went into Bristol and visited her at the hospital. The friendless situation of the foreign lady had in the interim become public, and several gentlemen had called upon her, bringing with them foreigners of their acquaintance, in the hope of discovering who she was. Caraboo expressed lively delight at seeing Mrs. Worall again, and that lady, deeply touched, removed her from the hospital to the office of Mr. Worall, in Bristol, where she remained for ten days under the care of the housekeeper.

Daily efforts were made to discover her language and country, but without effect. At last a Portuguese of the name of Manuel Eynesso, who happened to be in Bristol, had an interview, and he professed that he was able to interpret what she said. The tale he revealed was that she was a person of consequence in her own country, and had been decoyed from an island in the East Indies, brought to England against her wishes, and then deserted. He further added that her language was not a pure dialect, but was a mixture of several tongues spoken in Sumatra. On this Mrs. Worall removed Caraboo to Knole, and from 3 April to 6 June her hostess, the whole family, and the domestics treated her with the utmost consideration and regard.

Among the visitors at Knole was a gentleman who had made many voyages in the East Indies, and he took a lively interest in the girl, and conversed with her, partly by word of mouth and partly--when at fault for words--by signs.

It must have been an interesting sight, the travelled gentleman interrogating Caraboo and taking notes of her reply, with an admiring circle around of the family and visitors, wondering at his linguistic acquirements and facility of speech in Oriental tongues. This traveller committed to writing the following particulars obtained from Caraboo.

She was daughter of a person of high rank, of Chinese origin, by a _Mandin_, or Malay woman, who was killed in war between the Boogoos (cannibals) and the Mandins (Malays). Whilst walking in her garden at Javasu attended by three _sammen_ (women), she was seized by pirates commanded by a man named Chee-ming, bound hand and foot, her mouth covered, and carried off. She herself in her struggles wounded two of Chee-ming’s men with her creese; one of these died, the other recovered by the assistance of a _justee_ (surgeon). After eleven days she was sold to the captain of a brig called the _Tappa-Boo_. A month later she arrived at a port, presumably Batavia, remained there two days, and then started for England, which was reached in eleven weeks. In consequence of ill-usage by the crew, she made her escape to shore. She had had a dress of silk embroidered and interwoven with gold, but she had been induced to exchange this with a woman in a cottage whose doors were painted green, but the situation of which she could not describe. The garments she now wore were those she had received from the cottager.

After wandering over the country for six weeks, she had arrived at Almondsbury. She spoke of her mother’s teeth as artificially blackened (i.e. by chewing betelnut); her face and arms were painted, and she wore a jewel in her nose, and a gold chain from it was attached to her left temple. Her father had three more wives, and he was usually borne upon the shoulders of _macratoos_ (common men) in a palanquin.

She described the dress she wore at home. Seven peacock’s feathers adorned the right side of her cap or turban. Upon being furnished with calico, she made herself a dress in the style she had been accustomed to. It was short in the skirt, the sleeves wide and long enough to reach to the ground. A broad embroidered band passed round her waist, and the fringe of the skirt, of the sleeves and the bosom, was embroidered. She wore no stockings, and was furnished with sandals of Roman fashion. She sometimes twisted her hair and rolled it up at the top of her head and fastened it with a skewer.

During the ten weeks she resided at Knole and in Bristol, she was never heard to pronounce a word or syllable that at all resembled a European tongue. Mrs. Worall’s housekeeper, who slept with her, never heard on any occasion any other language, any tone of voice other than those she had employed when she first entered the house.

She was equally constant in her choice of food, and showed great nicety as to her diet. She dressed everything herself, preferring rice to anything else, did not care for bread, rejected meat, and drank only water or tea. She refused a pigeon, which she called a _rampue_, that had been dressed by the cook; but when given a bird that was alive, she pulled off the head, poured the blood into the earth and covered it up, then cooked the bird herself and ate it. This was the only animal food she could be induced to touch, except fish, which she treated in the same manner.

On every Tuesday she fasted rigidly, on which day she contrived to ascend to the roof of the house, frequently at the imminent peril of her life. Ablutions she was particularly fond of; she regularly knelt by the pond in Knole Park and washed her face and hands in it.

After three weeks’ residence at Knole, she was one morning missing. But she returned in the evening with a bundle of clothes, her shoes and hands dirty. Then she fell seriously ill.

On Saturday, 6 June, she again took flight. She had not taken with her a pin or needle or ribbon but what had been given to her. She bent her way to Bath, and on the following Sunday, Mrs. Worall received information of the place to which her protégée had flown. She determined to reclaim her, and started for Bath, which she reached on Sunday afternoon.

Here she found the Princess of Javasu, as she was called, at the pinnacle of her glory, in the drawing-room of a lady of the _haut ton_, one fair lady kneeling at her feet and taking her hand, and another imploring to be allowed the honour of a kiss.

Dr. Wilkinson, of Bath, was completely bewildered when he visited her, and wrote to the _Bath Chronicle_ a glowing account of Caraboo, in full belief that she was all she pretended to be. “Nothing has yet transpired to authorize the slightest suspicion of Caraboo, nor has such ever been entertained except by those whose souls feel not the spirit of benevolence, and wish to convert into ridicule that amiable disposition in others.”

Dr. Wilkinson resolved on going to London to consult the Foreign Office, and to obtain funds for the present relief of the Princess, and her restoration to her native land.

Mrs. Worall left Bath, taking Caraboo with her. But the wide circulation of the story led to her detection.

On the following Monday, a Mrs. Neale called on a Mr. Mortimer, and urged him to go to Knole and tell Mrs. Worall that she knew the girl very well, for she had lodged in her house in the suburbs of Bristol. At the same time a youth arrived from Westbury, a wheelwright’s son, who had met her upon her first expedition to Almondsbury, and remembered seeing her at a public-house by the roadside, where a gentleman, feeling compassion for her weariness, had taken her in and treated her to beefsteak and hot rum and water.

Mrs. Worall was much disconcerted, but wisely said nothing to her guest of what she had heard, and took Caraboo next day in her carriage to Bristol under the plea that she was going to have Mr. Bird, the artist, complete the portrait of the princess on which he was engaged, and desired a final sitting. But instead of driving to Mr. Bird’s studio, the princess was conveyed to the house of Mr. Mortimer, where she was shown into a room by herself, whilst Mrs. Worall had an interview with Mrs. Neale elsewhere. This lady was attended by her daughter, and their story both surprised and confounded the kind magistrate’s wife. After a protracted discussion, she returned to Caraboo, and told her plainly that she was convinced that she was an impostor. When Caraboo heard that Mrs. Neale had denounced her, she burst into tears and her fortitude gave way. She made a few feeble attempts to keep up the deception, but finally made a full confession.

Her name was Mary Baker. She was born at Witheridge in Devonshire in 1791, and had received no education, being of a wild disposition and impatient of study. At the age of eight she was employed spinning wool during the winter, and in summer she drove her father’s horses, weeded the corn, etc. At the age of sixteen her father and mother procured a situation for her at a farmhouse with a Mr. Moon, at Brushford, near Witheridge. She remained there two years as nurse and general help, but left because paid only tenpence a week, and she demanded that her wage should be raised to a shilling, which Mr. Moon refused.

Her father and mother were highly incensed at her leaving, and treated her so ill that she ran away from home and went to Exeter, where she knew no one, but had a written character from her former mistress. She was engaged by a shoemaker named Brooke at the wage of £8 per annum. But she remained in this situation only two months. She spent her wage on fine clothes, especially a white gown, and went home in it. Her father was angry at seeing her dressed in white like a lady, and peremptorily ordered her to take the gown off. She refused and left, returned to Exeter, and went about begging. She wandered to Taunton and thence to Bristol, begging from house to house. From Bristol she made her way to London, where she fell ill with fever, and was taken into St. Giles’s Hospital. There she enlisted the pity and sympathy of a dissenting preacher, who, when she was well enough to leave, recommended her to a Mrs. Matthews, 1 Clapham Road Place, and with her she tarried for three years. Mrs. Matthews was very kind to her, and taught her to read; but she was a strict woman, and of the straitest sect of Calvinists. One day Mary heard that there was to be a Jews’ wedding in the synagogue near by, and she asked leave to be allowed to witness it. Her mistress refused, but Mary was resolved not to be debarred the spectacle, so she persuaded a servant in a neighbouring house to write a letter to Mrs. Matthews, as if from a friend of hers, to say that she was hourly expecting her confinement and was short of domestics: would Mrs. Matthews lend her the aid of Mary Baker for a while? Mrs. Matthews could not refuse the favour and sent Mary out of the house, and Mary went to the synagogue and saw what was to be seen there.

Meanwhile, Mrs. Matthews had sent to inquire how her dear friend was getting through with her troubles, and expressed a hope that Mary had been of assistance in the house. To her unbounded surprise, she learned that the good lady was not in particular trouble just then, and that she really did not comprehend what Mrs. Matthews meant about Mary’s assistance. When Mary returned to the house, having seen the breaking of the goblet and heard some psalm singing, she found that a storm was lowering. Her mistress had sent for the dissenting minister to give it hot and strong to the naughty girl. To escape this harangue Mary ran away, wandered about the streets, and seeing a Magdalen Reformatory, applied at the door for admission. “What! so young and so depraved!” was the exclamation with which she was received. She was admitted and remained in the institution some time, and was confirmed by the Bishop of London. Then it was discovered that she had all along not been qualified for admission, and was expelled.

She then exchanged her female garments for a boy’s suit at a Jew’s pawnshop, and started to walk back to Devonshire, begging her way. On Salisbury Plain she fell in with highwaymen, who offered to take her into their company if she could fire a pistol. A pistol was put into her hand, but when she pulled the trigger and it was discharged, she screamed and threw the weapon down. Thereupon the highwaymen turned her off, as a white-livered poltroon unfit for their service. She made her way back to Witheridge to her father, and then went into service at Crediton to a tanner, but left her place at the end of three months, unable further to endure the tedium. Then she passed through a succession of services, never staying in any situation longer than three months, and found her way back to London. There, according to her account, she married a foreign gentleman at a Roman Catholic chapel, where the priest officiated to tie the knot. She accompanied her husband to Brighton and thence to Dover, where he gave her the slip, and she had not seen him or heard from him since. She returned to London, was eventually confined, and placed her child in the Foundling Institution; then took a situation not far off and visited the child once a week till it died. After a while she again appeared at Witheridge, but her reception was so far from cordial that she left it and associated with gipsies, travelling about with them, telling fortunes.

It was now, according to her account, that the idea entered her head of playing the part of a distinguished stranger from the East, and when she quitted the gipsies, she assumed that part--with what success we have seen.

Mrs. Worall sent into Devon to ascertain what amount of truth was in this story. It turned out that her father was named Willcocks, and was a cobbler at Witheridge, and badly off. He confirmed Mary’s tale as far as he knew it. She had had an illness when young, and had been odd, restless, and flighty ever since; especially in spring and autumn did she become most impatient and uncontrollable. He denied that he had treated her cruelly, but he had taken the stick to her occasionally, as she was specially aggravating by throwing up every situation obtained for her after staying in it for but a short while.

_Drawn and Engraved by N. Branwhite_]

Finally Mrs. Worall got her embarked on board a vessel, the _Robert and Anne_, at Bristol, Captain Richardson, under her mother’s maiden name of Burgess, for the United States, in the hopes that she might be able to find a situation in Philadelphia.

The reason why she was entered in her mother’s name was to prevent her from being overwhelmed by the visits and attentions of the curious. As it was, the Earl of Cork and the Marquess of Salisbury obtained interviews, got the girl to tell her story, speak her lingo, and doubtless did not leave without having put gold into her palm.

She was certainly a remarkable character, with astounding self-possession. Once or twice the housekeeper at Knole would rouse her by some startling cry or call when she was asleep, but even then she never passed out of her assumed character.

At Bath, the lady who had received her into her house proposed that a collection should be made to defray her expenses in returning home to Javasu. Bank-notes were thrown on the table, and some fell off on the floor. Caraboo looked on with stolid indifference. If she picked one up she replaced it on the table without glancing at the note to see how much it was worth; in fact, she acted as if she did not understand that bank-notes were other than valueless scraps of paper.

She was, moreover, insensible to flattery. A young gentleman seated himself by her one day and said, “I think that you are the loveliest creature I ever set eyes on!” She remained quite unmoved, not a flutter of colour was in her cheek.

The Greek valet mistrusted her at first, but after a while was completely won over to believe that she was a genuine Oriental princess. She was entirely free from vicious propensities beyond that of feigning to be what she was not. She never purloined anything; never showed any token of wantonness. Vanity and the love of hoaxing people were her prevailing passions; there was nothing worse behind.

So over the blue sea she passed to the West, and what became of her there, whether there she gulled the Americans into believing her to be an English countess or marchioness, is unknown.

Of one thing we may be pretty certain, that the gentleman who had visited the Far East, and who pretended to understand her language and thereby drew out her history, never again dared to show his face at Knole.

The authority for this story is: “A narrative of a Singular Imposition practiced ... by a young woman of the name of Mary Willcocks _alias_ Baker, ... _alias_ Caraboo, Princess of Javasu.” Published by Gutch, of Bristol, in 1817. This contains two portraits, one by E. Bird, /R.A./, the other a full-length sketch of her in her costume as a princess.

JOHN ARSCOTT, OF TETCOTT

The family of Arscott, of Dunsland, is one of the most ancient in the county. Its certified pedigree goes back to 1300, when they were Arscotts, of Arscott, in the parish of Holsworthy. The elder branch remained at Dunsland, one of the finest houses in North Devon, or rather cluster of houses, for it consists of the early mansion of the reign, at latest, of Henry VII, probably much earlier, of another portion erected in the reign of James I, and of a stately more modern mansion erected in the seventeenth century. Dunsland came into the possession of the Arscotts through marriage with the heiress of Battyn in 1522. In 1634 the heiress of Arscott married William Bickford, and it remained in the Bickford family till 1790, when the heiress conveyed it to her husband, William Holland Coham. In 1827 the heiress of Coham conveyed Arscott and Dunsland to her husband, Captain Harvey Dickenson, of the Madras Army, whose son now owns the estate and resides at Dunsland.

So far the elder branch. The junior branch of Arscott was settled at Tetcott in 1550, where it continued till 1783, when died John Arscott, of Tetcott, the last of that stock, whereupon the Tetcott estate passed to the Molesworths through the descendant of a great-aunt.

Tetcott House--the older--remains, turned into stables and residence for coachmen and grooms. A stately new mansion was erected in the reign of Queen Anne. But when the property passed to the Molesworths this was pulled down, and all its contents dispersed. The family portraits, the carved oak furniture, the china fell to the contractor who demolished the mansion. But the park remains with its noble oak trees, and of this more anon.

John Arscott, of Tetcott, was born in 1718 or 1719; he lived all his life at the family mansion, and was a mighty hunter before the Lord.

On the presentation of Sir W. Molesworth, Bart., the Rev. Paul W. Molesworth was presented to the living of Tetcott, and he, in 1855, succeeded to the baronetcy.

In the register of Tetcott he made the following entry in Latin, which is here given in translation:--

“Of the Rectors who preceded me I know almost nothing. John Holmes, whose name appears first in the list of Rectors, was inducted by ‘Quare impedit’--to use the legal term--in face of the Bishop’s objection. Of this I was assured by the Rev. G. C. Gorham, who about the year 1848, as the Bishop of Exeter--H. Phillpotts--refused to institute him to a benefice on account of his unsoundness on Baptism, attempted to get himself instituted compulsorily in the same manner.

“James Sanxay, whose name comes lower down in the list, was a man of no small classical learning, as is proved by his editing a Lexicon of Aristophanes.

“I have heard it said of him, that on the title page of a book he added after his name the letters--O.T.D., and on being asked what these signified, he replied: ‘I have noticed that most Authors, when publishing their writings, have the greatest objection to their bare name, always add something to it, such as--F.R.S., LL.D., M.A. So to keep up the old custom, I myself have added O.T.D., that is--Of Tetcott, Devon.’”

“The good old Squire! once more along the glen,
Oh, for the scenes of old! the former men!”

_R. S. Hawker_

_From the picture by J. Northcote. R.A._]

[Between the above and what follows a leaf has been cut out of the register. Perhaps other rectors were told of on this missing leaf.]

“Of the ‘Lords’ who have held the manor of Tetcott in an unbroken line, there are not many surviving memories.

“I have heard a story told by the old parishioners of one known as ‘The wicked Arscott,’ so named because he used to keep poor people and beggars from his doors by big dogs. He still, they say, pays the penalty of his cruelty in an old oak near the Church.

“He was succeeded, though I cannot say whether at once or after an interval, by John Arscott, the last of that name in Tetcott, and the most famous. You will find him described with no small literary skill on a following page. He was benevolent to poor children, and a generous and attentive host. He kept open house, as they say, thinking more of love than of money. An eager student of the laws of nature, and at the same time a devoted follower of the chase, whether of stag, or fox, or any other such beast, he was at once the enemy and the patron of dumb animals. He used to keep a toad on the doorsteps of his house with such care, that that hateful and loathsome animal, moved by such unusual kindness, used to come out of its hiding place, when its master called it, and take its food on the table before his astonished guests, until it lost its life through the peck of a tame raven. This fact, I believe, has escaped the notice of every writer on British reptiles. May the toad be reverenced in Tetcott for ever. Not even the rapacious spider was forgotten. For when one had spun its fatal toils in a corner of a pew in the Church, our Knight used to bring a bottle full of flies into the sacred building itself, that he might while away the tediousness of Divine Service by feeding his Church pet. He used to go in an old soiled coat into a wood where the ravens nested, and the birds would come down and settle on his shoulder, looking for the favours of a bountiful hand.

“When he had to go to the neighbouring town of Holsworthy on judicial business, it was his custom to take a bag containing fighting cocks. The present inhabitants would smile at such a proceeding, but a certain simple rudeness is excusable in our forefathers.

“Nor may I be silent about an irreverence which an otherwise upright man used to show in the House of God. He would accost the country people he knew in a friendly manner. If a Clergyman was reading the Bible badly [for it was customary for a Cleric to read the Lessons now and then] when he finished with, ‘Here endeth the second lesson’--our Knight would call out, ‘Thee’st better never begun it.’ He would throw apples at the Priest in the middle of Divine Service.

“Like Ajax and Peleus and other heroes he was not ashamed to woo a handmaid, and married one of his father’s servants. He died without issue, most widely mourned. His estate went to his kinsman, William Molesworth. The poor people, I believe, still cherish the memory of so dear a man, and give his name to their little ones in Baptism, as they might the name of a Saint.

“If in these brief narratives, gathered here and there, I have in any way transgressed the rules of more classical Latin, I beg the kind reader to pardon me. If in any way I have departed from the truth, I have done so unwittingly. God be merciful.

* * * * *

[John Arscott died in 1788.]”

Sir Paul W. Molesworth has dealt with John Arscott more tenderly than that man deserved.

A modern writer[3] thus describes the sort of man that John Arscott was:--

“A familiar figure in the eighteenth century was the country squire, familiar the long wig, long coat, silver buttons, breeches and top-boots, the bluff, red face, the couple of greyhounds and the pointer at heel. When not hunting the fox, the popular sport of the day, he settled the disputes of the parish, or repaired to the nearest ale-house to get drunk in as short a space of time as possible. Usually he only drank ale, but on festive occasions a bowl of strong brandy punch, with toast and nutmeg, added to his already boisterous spirits. On Sundays he donned his best suit, which often descended from father to son through several generations, repaired to the parish church, and entered the family pew, where he slumbered during a great part of the somewhat dismal service. He seldom went further than his own country town, for a journey to London was still full of danger and discomfort.”

Who that has read Fielding and other novelists of the period does not know the figure, full-blooded, coarse to brutality, with a certain amount of kindliness in his disposition, whose talk is of bullocks or horses or dogs, and who, after the ladies had withdrawn, spent the rest of the evening at his hospitable table singing ribald songs and telling obscene stories? I possess, myself, a little book in MS. of the after-dinner stories told by a great-great-uncle, that has to be kept under lock and key, so unfit is it for perusal by clean-minded persons. The songs were from Tom D’Urfey’s _Pills to Purge Melancholy_, or other collections of the sort. I had a collection of them that belonged to an _ancestress_, or rather near kinswoman of an ancestor, engraved on copper plate. I gave the volume to the British Museum. It was not a book to be kept on one’s shelves when there were children in the house.