Chapter X: Appendix: I

WORK LOST OR NOT EXECUTED

_Padua._--For the Santo altar, a figure of God the Father, stone; a Deposition and the remaining bas-reliefs mentioned in the "Anonimo Morelliano;" a St. Sebastian, wood; a Madonna in the church of the Servi.

_Ferrara._--Donatello probably worked there; in 1451 he visited the town as an assessor. Gualandi, iv. 35.

_Modena._--Donatello also visited this town in 1451, and received a first instalment towards the equestrian statue of Borso d'Este. Campori, "Gli artisti Italiani." Modena, 1855, p. 185.

For _Mantua_ he made a large number of works, including columns, capitals, images of the Madonna in stone and terra-cotta, a St. Andrew in tufo, &c.; also the design for a shrine of St. Anselm. See documents in Archivio Storico Lombardo, 1886, p. 666. At _Rome_ a St. John Baptist, "Una testa" in the Minerva Church, and the portrait of Canon Morosini in Santa Maria Maggiore.

At _Siena_ a Goliath, a silver crucifix, gates for the Cathedral, and a marble statue of San Bernardino.

At _Ancona_ and _Orvieto_ statues of St. John the Baptist.

At _Florence_ the following works are lost: the Dovizia, a figure of Plenty, which stood in the Mercato Vecchio; two bronze heads for the Cantoria; the Colossi for the Cathedral; four large stucco Saints in San Lorenzo; a statue with drapery of gilded lead made with Brunellesco. San Rossore for Ogni Santi; a reliquary of Santa Verdiana (Richa, ii. 231); Albizzi tombs. The Cathedral gates were never made. Bocchi, Cinelli, Vasari, and Borghini mention a large number of smaller works now unidentified; plaquettes, Madonnas, crucifixes, heraldic shields, busts and reliefs.