Chapter IX: The Unconscious and Consciousness--Reality 220 (2)

Conceptions which stand in opposition to one another are preferably expressed in dreams by the same element.[2] There seems no "not" in dreams. Opposition between two ideas, the relation of conversion, is represented in dreams in a very remarkable way. It is expressed by the reversal of another part of the dream content just as if by way of appendix. We shall later on deal with another form of expressing disagreement. The common dream sensation of _movement checked_ serves the purpose of representing disagreement of impulses--a _conflict of the will_.

Only one of the logical relationships--that of _similarity, identity, agreement_--is found highly developed in the mechanism of dream formation. Dream work makes use of these cases as a starting-point for condensation, drawing together everything which shows such agreement to a _fresh unity_.

These short, crude observations naturally do not suffice as an estimate of the abundance of the dream's formal means of presenting the logical relationships of the dream thoughts. In this respect, individual dreams are worked up more nicely or more carelessly, our text will have been followed more or less closely, auxiliaries of the dream work will have been taken more or less into consideration. In the latter case they appear obscure, intricate, incoherent. When the dream appears openly absurd, when it contains an obvious paradox in its content, it is so of purpose. Through its apparent disregard of all logical claims, it expresses a part of the intellectual content of the dream ideas. Absurdity in the dream denotes _disagreement, scorn, disdain_ in the dream thoughts. As this explanation is in entire disagreement with the view that the dream owes its origin to dissociated, uncritical cerebral activity, I will emphasize my view by an example:

_"One of my acquaintances, Mr. M----, has been attacked by no less a person than Goethe in an essay with, we all maintain, unwarrantable violence. Mr. M---- has naturally been ruined by this attack. He complains very bitterly of this at a dinner-party, but his respect for Goethe has not diminished through this personal experience. I now attempt to clear up the chronological relations which strike me as improbable. Goethe died in 1832. As his attack upon Mr. M---- must, of course, have taken place before, Mr. M---- must have been then a very young man. It seems to me plausible that he was eighteen. I am not certain, however, what year we are actually in, and the whole calculation falls into obscurity. The attack was, moreover, contained in Goethe's well-known essay on 'Nature.'"_

The absurdity of the dream becomes the more glaring when I state that Mr. M---- is a young business man without any poetical or literary interests. My analysis of the dream will show what method there is in this madness. The dream has derived its material from three sources:

1. Mr. M----, to whom I was introduced at a dinner-party, begged me one day to examine his elder brother, who showed signs of mental trouble. In conversation with the patient, an unpleasant episode occurred. Without the slightest occasion he disclosed one of his brother's _youthful escapades_. I had asked the patient the _year of his birth_ (_year of death_ in dream), and led him to various calculations which might show up his want of memory.

2. A medical journal which displayed my name among others on the cover had published a _ruinous_ review of a book by my friend F---- of Berlin, from the pen of a very _juvenile_ reviewer. I communicated with the editor, who, indeed, expressed his regret, but would not promise any redress. Thereupon I broke off my connection with the paper; in my letter of resignation I expressed the hope that our _personal relations would not suffer from this_. Here is the real source of the dream. The derogatory reception of my friend's work had made a deep impression upon me. In my judgment, it contained a fundamental biological discovery which only now, several years later, commences to find favor among the professors.

3. A little while before, a patient gave me the medical history of her brother, who, exclaiming "_Nature, Nature!_" had gone out of his mind. The doctors considered that the exclamation arose from a study of _Goethe's_ beautiful essay, and indicated that the patient had been overworking. I expressed the opinion that it seemed more _plausible_ to me that the exclamation "Nature!" was to be taken in that sexual meaning known also to the less educated in our country. It seemed to me that this view had something in it, because the unfortunate youth afterwards mutilated his genital organs. The patient was eighteen years old when the attack occurred.

The first person in the dream-thoughts behind the ego was my friend who had been so scandalously treated. _"I now attempted to clear up the chronological relation."_ My friend's book deals with the chronological relations of life, and, amongst other things, correlates _Goethe's_ duration of life with a number of days in many ways important to biology. The ego is, however, represented as a general paralytic (_"I am not certain what year we are actually in"_). The dream exhibits my friend as behaving like a general paralytic, and thus riots in absurdity. But the dream thoughts run ironically. "Of course he is a madman, a fool, and you are the genius who understands all about it. But shouldn't it be the _other way round_?" This inversion obviously took place in the dream when Goethe attacked the young man, which is absurd, whilst any one, however young, can to-day easily attack the great Goethe.

I am prepared to maintain that no dream is inspired by other than egoistic emotions. The ego in the dream does not, indeed, represent only my friend, but stands for myself also. I identify myself with him because the fate of his discovery appears to me typical of the acceptance of _my own_. If I were to publish my own theory, which gives sexuality predominance in the aetiology of psychoneurotic disorders (see the allusion to the eighteen-year-old patient--_"Nature, Nature!"_), the same criticism would be leveled at me, and it would even now meet with the same contempt.

When I follow out the dream thoughts closely, I ever find only _scorn_ and _contempt_ as _correlated with the dream's absurdity_. It is well known that the discovery of a cracked sheep's skull on the Lido in Venice gave Goethe the hint for the so-called vertebral theory of the skull. My friend plumes himself on having as a student raised a hubbub for the resignation of an aged professor who had done good work (including some in this very subject of comparative anatomy), but who, on account of _decrepitude_, had become quite incapable of teaching. The agitation my friend inspired was so successful because in the German Universities an _age limit_ is not demanded for academic work. _Age is no protection against folly._ In the hospital here I had for years the honor to serve under a chief who, long fossilized, was for decades notoriously _feebleminded_, and was yet permitted to continue in his responsible office. A trait, after the manner of the find in the Lido, forces itself upon me here. It was to this man that some youthful colleagues in the hospital adapted the then popular slang of that day: "No Goethe has written that," "No Schiller composed that," etc.

We have not exhausted our valuation of the dream work. In addition to condensation, displacement, and definite arrangement of the psychical matter, we must ascribe to it yet another activity--one which is, indeed, not shared by every dream. I shall not treat this position of the dream work exhaustively; I will only point out that the readiest way to arrive at a conception of it is to take for granted, probably unfairly, that it _only subsequently influences the dream content which has already been built up_. Its mode of action thus consists in so cooerdinating the parts of the dream that these coalesce to a coherent whole, to a dream composition. The dream gets a kind of facade which, it is true, does not conceal the whole of its content. There is a sort of preliminary explanation to be strengthened by interpolations and slight alterations. Such elaboration of the dream content must not be too pronounced; the misconception of the dream thoughts to which it gives rise is merely superficial, and our first piece of work in analyzing a dream is to get rid of these early attempts at interpretation.

The motives for this part of the dream work are easily gauged. This final elaboration of the dream is due to a _regard for intelligibility_--a fact at once betraying the origin of an action which behaves towards the actual dream content just as our normal psychical action behaves towards some proffered perception that is to our liking. The dream content is thus secured under the pretense of certain expectations, is perceptually classified by the supposition of its intelligibility, thereby risking its falsification, whilst, in fact, the most extraordinary misconceptions arise if the dream can be correlated with nothing familiar. Every one is aware that we are unable to look at any series of unfamiliar signs, or to listen to a discussion of unknown words, without at once making perpetual changes through _our regard for intelligibility_, through our falling back upon what is familiar.

We can call those dreams _properly made up_ which are the result of an elaboration in every way analogous to the psychical action of our waking life. In other dreams there is no such action; not even an attempt is made to bring about order and meaning. We regard the dream as "quite mad," because on awaking it is with this last-named part of the dream work, the dream elaboration, that we identify ourselves. So far, however, as our analysis is concerned, the dream, which resembles a medley of disconnected fragments, is of as much value as the one with a smooth and beautifully polished surface. In the former case we are spared, to some extent, the trouble of breaking down the super-elaboration of the dream content.

All the same, it would be an error to see in the dream facade nothing but the misunderstood and somewhat arbitrary elaboration of the dream carried out at the instance of our psychical life. Wishes and phantasies are not infrequently employed in the erection of this facade, which were already fashioned in the dream thoughts; they are akin to those of our waking life--"day-dreams," as they are very properly called. These wishes and phantasies, which analysis discloses in our dreams at night, often present themselves as repetitions and refashionings of the scenes of infancy. Thus the dream facade may show us directly the true core of the dream, distorted through admixture with other matter.

Beyond these four activities there is nothing else to be discovered in the dream work. If we keep closely to the definition that dream work denotes the transference of dream thoughts to dream content, we are compelled to say that the dream work is not creative; it develops no fancies of its own, it judges nothing, decides nothing. It does nothing but prepare the matter for condensation and displacement, and refashions it for dramatization, to which must be added the inconstant last-named mechanism--that of explanatory elaboration. It is true that a good deal is found in the dream content which might be understood as the result of another and more intellectual performance; but analysis shows conclusively every time that these _intellectual operations were already present in the dream thoughts, and have only been taken over by the dream content_. A syllogism in the dream is nothing other than the repetition of a syllogism in the dream thoughts; it seems inoffensive if it has been transferred to the dream without alteration; it becomes absurd if in the dream work it has been transferred to other matter. A calculation in the dream content simply means that there was a calculation in the dream thoughts; whilst this is always correct, the calculation in the dream can furnish the silliest results by the condensation of its factors and the displacement of the same operations to other things. Even speeches which are found in the dream content are not new compositions; they prove to be pieced together out of speeches which have been made or heard or read; the words are faithfully copied, but the occasion of their utterance is quite overlooked, and their meaning is most violently changed.

It is, perhaps, not superfluous to support these assertions by examples:

1. _A seemingly inoffensive, well-made dream of a patient. She was going to market with her cook, who carried the basket. The butcher said to her when she asked him for something: "That is all gone," and wished to give her something else, remarking; "That's very good." She declines, and goes to the greengrocer, who wants to sell her a peculiar vegetable which is bound up in bundles and of a black color. She says: "I don't know that; I won't take it."_

The remark "That is all gone" arose from the treatment. A few days before I said myself to the patient that the earliest reminiscences of childhood _are all gone_ as such, but are replaced by transferences and dreams. Thus I am the butcher.

The second remark, _"I don't know that"_ arose in a very different connection. The day before she had herself called out in rebuke to the cook (who, moreover, also appears in the dream): "_Behave yourself properly_; I don't know _that_"--that is, "I don't know this kind of behavior; I won't have it." The more harmless portion of this speech was arrived at by a displacement of the dream content; in the dream thoughts only the other portion of the speech played a part, because the dream work changed an imaginary situation into utter irrecognizability and complete inoffensiveness (while in a certain sense I behave in an unseemly way to the lady). The situation resulting in this phantasy is, however, nothing but a new edition of one that actually took place.

2. A dream apparently meaningless relates to figures. _"She wants to pay something; her daughter takes three florins sixty-five kreuzers out of her purse; but she says: 'What are you doing? It only cost twenty-one kreuzers.'"_

The dreamer was a stranger who had placed her child at school in Vienna, and who was able to continue under my treatment so long as her daughter remained at Vienna. The day before the dream the directress of the school had recommended her to keep the child another year at school. In this case she would have been able to prolong her treatment by one year. The figures in the dream become important if it be remembered that time is money. One year equals 365 days, or, expressed in kreuzers, 365 kreuzers, which is three florins sixty-five kreuzers. The twenty-one kreuzers correspond with the three weeks which remained from the day of the dream to the end of the school term, and thus to the end of the treatment. It was obviously financial considerations which had moved the lady to refuse the proposal of the directress, and which were answerable for the triviality of the amount in the dream.

3. A lady, young, but already ten years married, heard that a friend of hers, Miss Elise L----, of about the same age, had become engaged. This gave rise to the following dream:

_She was sitting with her husband in the theater; the one side of the stalls was quite empty. Her husband tells her, Elise L---- and her fiance had intended coming, but could only get some cheap seats, three for one florin fifty kreuzers, and these they would not take. In her opinion, that would not have mattered very much._

The origin of the figures from the matter of the dream thoughts and the changes the figures underwent are of interest. Whence came the one florin fifty kreuzers? From a trifling occurrence of the previous day. Her sister-in-law had received 150 florins as a present from her husband, and had quickly got rid of it by buying some ornament. Note that 150 florins is one hundred times one florin fifty kreuzers. For the _three_ concerned with the tickets, the only link is that Elise L---- is exactly three months younger than the dreamer. The scene in the dream is the repetition of a little adventure for which she has often been teased by her husband. She was once in a great hurry to get tickets in time for a piece, and when she came to the theater _one side of the stalls was almost empty_. It was therefore quite unnecessary for her to have been in _such a hurry_. Nor must we overlook the absurdity of the dream that two persons should take three tickets for the theater.

Now for the dream ideas. It was _stupid_ to have married so early; I _need not_ have been _in so great a hurry_. Elise L----'s example shows me that I should have been able to get a husband later; indeed, one a _hundred times better_ if I had but waited. I could have bought _three_ such men with the money (dowry).

[1] "Ich moechte gerne etwas geniessen ohne 'Kosten' zu haben." A a pun upon the word "kosten," which has two meanings--"taste" and "cost." In "Die Traumdeutung," third edition, p. 71 footnote, Professor Freud remarks that "the finest example of dream interpretation left us by the ancients is based upon a pun" (from "The Interpretation of Dreams," by Artemidorus Daldianus). "Moreover, dreams are so intimately bound up with language that Ferenczi truly points out that every tongue has its own language of dreams. A dream is as a rule untranslatable into other languages."--TRANSLATOR.

[2] It is worthy of remark that eminent philologists maintain that the oldest languages used the same word for expressing quite general antitheses. In C. Abel's essay, "Ueber den Gegensinn der Urworter" (1884, the following examples of such words in England are given: "gleam--gloom"; "to lock--loch"; "down--The Downs"; "to step--to stop." In his essay on "The Origin of Language" ("Linguistic Essays," p. 240), Abel says: "When the Englishman says 'without,' is not his judgment based upon the comparative juxtaposition of two opposites, 'with' and 'out'; 'with' itself originally meant 'without,' as may still be seen in 'withdraw.' 'Bid' includes the opposite sense of giving and of proffering." Abel, "The English Verbs of Command," "Linguistic Essays," p. 104; see also Freud, "Ueber den Gegensinn der Urworte"; _Jahrbuch fuer Psychoanalytische und Psychopathologische Forschungen_, Band II., part i., p. 179).--TRANSLATOR.

III

WHY THE DREAM DISGUISES THE DESIRES

In the foregoing exposition we have now learnt something of the dream work; we must regard it as a quite special psychical process, which, so far as we are aware, resembles nothing else. To the dream work has been transferred that bewilderment which its product, the dream, has aroused in us. In truth, the dream work is only the first recognition of a group of psychical processes to which must be referred the origin of hysterical symptoms, the ideas of morbid dread, obsession, and illusion. Condensation, and especially displacement, are never-failing features in these other processes. The regard for appearance remains, on the other hand, peculiar to the dream work. If this explanation brings the dream into line with the formation of psychical disease, it becomes the more important to fathom the essential conditions of processes like dream building. It will be probably a surprise to hear that neither the state of sleep nor illness is among the indispensable conditions. A whole number of phenomena of the everyday life of healthy persons, forgetfulness, slips in speaking and in holding things, together with a certain class of mistakes, are due to a psychical mechanism analogous to that of the dream and the other members of this group.

Displacement is the core of the problem, and the most striking of all the dream performances. A thorough investigation of the subject shows that the essential condition of displacement is purely psychological; it is in the nature of a motive. We get on the track by thrashing out experiences which one cannot avoid in the analysis of dreams. I had to break off the relations of my dream thoughts in the analysis of my dream on p. 8 because I found some experiences which I do not wish strangers to know, and which I could not relate without serious damage to important considerations. I added, it would be no use were I to select another instead of that particular dream; in every dream where the content is obscure or intricate, I should hit upon dream thoughts which call for secrecy. If, however, I continue the analysis for myself, without regard to those others, for whom, indeed, so personal an event as my dream cannot matter, I arrive finally at ideas which surprise me, which I have not known to be mine, which not only appear _foreign_ to me, but which are _unpleasant_, and which I would like to oppose vehemently, whilst the chain of ideas running through the analysis intrudes upon me inexorably. I can only take these circumstances into account by admitting that these thoughts are actually part of my psychical life, possessing a certain psychical intensity or energy. However, by virtue of a particular psychological condition, the _thoughts could not become conscious to me_. I call this particular condition "_Repression_." It is therefore impossible for me not to recognize some casual relationship between the obscurity of the dream content and this state of repression--this _incapacity of consciousness_. Whence I conclude that the cause of the obscurity is _the desire to conceal these thoughts_. Thus I arrive at the conception of the _dream distortion_ as the deed of the dream work, and of _displacement_ serving to disguise this object.

I will test this in my own dream, and ask myself, What is the thought which, quite innocuous in its distorted form, provokes my liveliest opposition in its real form? I remember that the free drive reminded me of the last expensive drive with a member of my family, the interpretation of the dream being: I should for once like to experience affection for which I should not have to pay, and that shortly before the dream I had to make a heavy disbursement for this very person. In this connection, I cannot get away from the thought _that I regret this disbursement_. It is only when I acknowledge this feeling that there is any sense in my wishing in the dream for an affection that should entail no outlay. And yet I can state on my honor that I did not hesitate for a moment when it became necessary to expend that sum. The regret, the counter-current, was unconscious to me. Why it was unconscious is quite another question which would lead us far away from the answer which, though within my knowledge, belongs elsewhere.

If I subject the dream of another person instead of one of my own to analysis, the result is the same; the motives for convincing others is, however, changed. In the dream of a healthy person the only way for me to enable him to accept this repressed idea is the coherence of the dream thoughts. He is at liberty to reject this explanation. But if we are dealing with a person suffering from any neurosis--say from hysteria--the recognition of these repressed ideas is compulsory by reason of their connection with the symptoms of his illness and of the improvement resulting from exchanging the symptoms for the repressed ideas. Take the patient from whom I got the last dream about the three tickets for one florin fifty kreuzers. Analysis shows that she does not think highly of her husband, that she regrets having married him, that she would be glad to change him for some one else. It is true that she maintains that she loves her husband, that her emotional life knows nothing about this depreciation (a hundred times better!), but all her symptoms lead to the same conclusion as this dream. When her repressed memories had rewakened a certain period when she was conscious that she did not love her husband, her symptoms disappeared, and therewith disappeared her resistance to the interpretation of the dream.

This conception of repression once fixed, together with the distortion of the dream in relation to repressed psychical matter, we are in a position to give a general exposition of the principal results which the analysis of dreams supplies. We learnt that the most intelligible and meaningful dreams are unrealized desires; the desires they pictured as realized are known to consciousness, have been held over from the daytime, and are of absorbing interest. The analysis of obscure and intricate dreams discloses something very similar; the dream scene again pictures as realized some desire which regularly proceeds from the dream ideas, but the picture is unrecognizable, and is only cleared up in the analysis. The desire itself is either one repressed, foreign to consciousness, or it is closely bound up with repressed ideas. The formula for these dreams may be thus stated: _They are concealed realizations of repressed desires_. It is interesting to note that they are right who regard the dream as foretelling the future. Although the future which the dream shows us is not that which will occur, but that which we would like to occur. Folk psychology proceeds here according to its wont; it believes what it wishes to believe.

Dreams can be divided into three classes according to their relation towards the realization of desire. Firstly come those which exhibit a _non-repressed, non-concealed desire_; these are dreams of the infantile type, becoming ever rarer among adults. Secondly, dreams which express in _veiled_ form some _repressed desire_; these constitute by far the larger number of our dreams, and they require analysis for their understanding. Thirdly, these dreams where repression exists, but _without_ or with but slight concealment. These dreams are invariably accompanied by a feeling of dread which brings the dream to an end. This feeling of dread here replaces dream displacement; I regarded the dream work as having prevented this in the dream of the second class. It is not very difficult to prove that what is now present as intense dread in the dream was once desire, and is now secondary to the repression.

There are also definite dreams with a painful content, without the presence of any anxiety in the dream. These cannot be reckoned among dreams of dread; they have, however, always been used to prove the unimportance and the psychical futility of dreams. An analysis of such an example will show that it belongs to our second class of dreams--a _perfectly concealed_ realization of repressed desires. Analysis will demonstrate at the same time how excellently adapted is the work of displacement to the concealment of desires.

A girl dreamt that she saw lying dead before her the only surviving child of her sister amid the same surroundings as a few years before she saw the first child lying dead. She was not sensible of any pain, but naturally combatted the view that the scene represented a desire of hers. Nor was that view necessary. Years ago it was at the funeral of the child that she had last seen and spoken to the man she loved. Were the second child to die, she would be sure to meet this man again in her sister's house. She is longing to meet him, but struggles against this feeling. The day of the dream she had taken a ticket for a lecture, which announced the presence of the man she always loved. The dream is simply a dream of impatience common to those which happen before a journey, theater, or simply anticipated pleasures. The longing is concealed by the shifting of the scene to the occasion when any joyous feeling were out of place, and yet where it did once exist. Note, further, that the emotional behavior in the dream is adapted, not to the displaced, but to the real but suppressed dream ideas. The scene anticipates the long-hoped-for meeting; there is here no call for painful emotions.

There has hitherto been no occasion for philosophers to bestir themselves with a psychology of repression. We must be allowed to construct some clear conception as to the origin of dreams as the first steps in this unknown territory. The scheme which we have formulated not only from a study of dreams is, it is true, already somewhat complicated, but we cannot find any simpler one that will suffice. We hold that our psychical apparatus contains two procedures for the construction of thoughts. The second one has the advantage that its products find an open path to consciousness, whilst the activity of the first procedure is unknown to itself, and can only arrive at consciousness through the second one. At the borderland of these two procedures, where the first passes over into the second, a censorship is established which only passes what pleases it, keeping back everything else. That which is rejected by the censorship is, according to our definition, in a state of repression. Under certain conditions, one of which is the sleeping state, the balance of power between the two procedures is so changed that what is repressed can no longer be kept back. In the sleeping state this may possibly occur through the negligence of the censor; what has been hitherto repressed will now succeed in finding its way to consciousness. But as the censorship is never absent, but merely off guard, certain alterations must be conceded so as to placate it. It is a compromise which becomes conscious in this case--a compromise between what one procedure has in view and the demands of the other. _Repression, laxity of the censor, compromise_--this is the foundation for the origin of many another psychological process, just as it is for the dream. In such compromises we can observe the processes of condensation, of displacement, the acceptance of superficial associations, which we have found in the dream work.

It is not for us to deny the demonic element which has played a part in constructing our explanation of dream work. The impression left is that the formation of obscure dreams proceeds as if a person had something to say which must be agreeable for another person upon whom he is dependent to hear. It is by the use of this image that we figure to ourselves the conception of the _dream distortion_ and of the censorship, and ventured to crystallize our impression in a rather crude, but at least definite, psychological theory. Whatever explanation the future may offer of these first and second procedures, we shall expect a confirmation of our correlate that the second procedure commands the entrance to consciousness, and can exclude the first from consciousness.

Once the sleeping state overcome, the censorship resumes complete sway, and is now able to revoke that which was granted in a moment of weakness. That the _forgetting_ of dreams explains this in part, at least, we are convinced by our experience, confirmed again and again. During the relation of a dream, or during analysis of one, it not infrequently happens that some fragment of the dream is suddenly forgotten. This fragment so forgotten invariably contains the best and readiest approach to an understanding of the dream. Probably that is why it sinks into oblivion--_i.e._, into a renewed suppression.

Viewing the dream content as the representation of a realized desire, and referring its vagueness to the changes made by the censor in the repressed matter, it is no longer difficult to grasp the function of dreams. In fundamental contrast with those saws which assume that sleep is disturbed by dreams, we hold the _dream as the guardian of sleep_. So far as children's dreams are concerned, our view should find ready acceptance.

The sleeping state or the psychical change to sleep, whatsoever it be, is brought about by the child being sent to sleep or compelled thereto by fatigue, only assisted by the removal of all stimuli which might open other objects to the psychical apparatus. The means which serve to keep external stimuli distant are known; but what are the means we can employ to depress the internal psychical stimuli which frustrate sleep? Look at a mother getting her child to sleep. The child is full of beseeching; he wants another kiss; he wants to play yet awhile. His requirements are in part met, in part drastically put off till the following day. Clearly these desires and needs, which agitate him, are hindrances to sleep. Every one knows the charming story of the bad boy (Baldwin Groller's) who awoke at night bellowing out, "_I want the rhinoceros_." A really good boy, instead of bellowing, would have _dreamt_ that he was playing with the rhinoceros. Because the dream which realizes his desire is believed during sleep, it removes the desire and makes sleep possible. It cannot be denied that this belief accords with the dream image, because it is arrayed in the psychical appearance of probability; the child is without the capacity which it will acquire later to distinguish hallucinations or phantasies from reality.

The adult has learnt this differentiation; he has also learnt the futility of desire, and by continuous practice manages to postpone his aspirations, until they can be granted in some roundabout method by a change in the external world. For this reason it is rare for him to have his wishes realized during sleep in the short psychical way. It is even possible that this never happens, and that everything which appears to us like a child's dream demands a much more elaborate explanation. Thus it is that for adults--for every sane person without exception--a differentiation of the psychical matter has been fashioned which the child knew not. A psychical procedure has been reached which, informed by the experience of life, exercises with jealous power a dominating and restraining influence upon psychical emotions; by its relation to consciousness, and by its spontaneous mobility, it is endowed with the greatest means of psychical power. A portion of the infantile emotions has been withheld from this procedure as useless to life, and all the thoughts which flow from these are found in the state of repression.

Whilst the procedure in which we recognize our normal ego reposes upon the desire for sleep, it appears compelled by the psycho-physiological conditions of sleep to abandon some of the energy with which it was wont during the day to keep down what was repressed. This neglect is really harmless; however much the emotions of the child's spirit may be stirred, they find the approach to consciousness rendered difficult, and that to movement blocked in consequence of the state of sleep. The danger of their disturbing sleep must, however, be avoided. Moreover, we must admit that even in deep sleep some amount of free attention is exerted as a protection against sense-stimuli which might, perchance, make an awakening seem wiser than the continuance of sleep. Otherwise we could not explain the fact of our being always awakened by stimuli of certain quality. As the old physiologist Burdach pointed out, the mother is awakened by the whimpering of her child, the miller by the cessation of his mill, most people by gently calling out their names. This attention, thus on the alert, makes use of the internal stimuli arising from repressed desires, and fuses them into the dream, which as a compromise satisfies both procedures at the same time. The dream creates a form of psychical release for the wish which is either suppressed or formed by the aid of repression, inasmuch as it presents it as realized. The other procedure is also satisfied, since the continuance of the sleep is assured. Our ego here gladly behaves like a child; it makes the dream pictures believable, saying, as it were, "Quite right, but let me sleep." The contempt which, once awakened, we bear the dream, and which rests upon the absurdity and apparent illogicality of the dream, is probably nothing but the reasoning of our sleeping ego on the feelings about what was repressed; with greater right it should rest upon the incompetency of this disturber of our sleep. In sleep we are now and then aware of this contempt; the dream content transcends the censorship rather too much, we think, "It's only a dream," and sleep on.

It is no objection to this view if there are borderlines for the dream where its function, to preserve sleep from interruption, can no longer be maintained--as in the dreams of impending dread. It is here changed for another function--to suspend the sleep at the proper time. It acts like a conscientious night-watchman, who first does his duty by quelling disturbances so as not to waken the citizen, but equally does his duty quite properly when he awakens the street should the causes of the trouble seem to him serious and himself unable to cope with them alone.

This function of dreams becomes especially well marked when there arises some incentive for the sense perception. That the senses aroused during sleep influence the dream is well known, and can be experimentally verified; it is one of the certain but much overestimated results of the medical investigation of dreams. Hitherto there has been an insoluble riddle connected with this discovery. The stimulus to the sense by which the investigator affects the sleeper is not properly recognized in the dream, but is intermingled with a number of indefinite interpretations, whose determination appears left to psychical free-will. There is, of course, no such psychical free-will. To an external sense-stimulus the sleeper can react in many ways. Either he awakens or he succeeds in sleeping on. In the latter case he can make use of the dream to dismiss the external stimulus, and this, again, in more ways than one. For instance, he can stay the stimulus by dreaming of a scene which is absolutely intolerable to him. This was the means used by one who was troubled by a painful perineal abscess. He dreamt that he was on horseback, and made use of the poultice, which was intended to alleviate his pain, as a saddle, and thus got away from the cause of the trouble. Or, as is more frequently the case, the external stimulus undergoes a new rendering, which leads him to connect it with a repressed desire seeking its realization, and robs him of its reality, and is treated as if it were a part of the psychical matter. Thus, some one dreamt that he had written a comedy which embodied a definite _motif_; it was being performed; the first act was over amid enthusiastic applause; there was great clapping. At this moment the dreamer must have succeeded in prolonging his sleep despite the disturbance, for when he woke he no longer heard the noise; he concluded rightly that some one must have been beating a carpet or bed. The dreams which come with a loud noise just before waking have all attempted to cover the stimulus to waking by some other explanation, and thus to prolong the sleep for a little while.

Whosoever has firmly accepted this _censorship_ as the chief motive for the distortion of dreams will not be surprised to learn as the result of dream interpretation that most of the dreams of adults are traced by analysis to erotic desires. This assertion is not drawn from dreams obviously of a sexual nature, which are known to all dreamers from their own experience, and are the only ones usually described as "sexual dreams." These dreams are ever sufficiently mysterious by reason of the choice of persons who are made the objects of sex, the removal of all the barriers which cry halt to the dreamer's sexual needs in his waking state, the many strange reminders as to details of what are called perversions. But analysis discovers that, in many other dreams in whose manifest content nothing erotic can be found, the work of interpretation shows them up as, in reality, realization of sexual desires; whilst, on the other hand, that much of the thought-making when awake, the thoughts saved us as surplus from the day only, reaches presentation in dreams with the help of repressed erotic desires.

Towards the explanation of this statement, which is no theoretical postulate, it must be remembered that no other class of instincts has required so vast a suppression at the behest of civilization as the sexual, whilst their mastery by the highest psychical processes are in most persons soonest of all relinquished. Since we have learnt to understand _infantile sexuality_, often so vague in its expression, so invariably overlooked and misunderstood, we are justified in saying that nearly every civilized person has retained at some point or other the infantile type of sex life; thus we understand that repressed infantile sex desires furnish the most frequent and most powerful impulses for the formation of dreams.[1]

If the dream, which is the expression of some erotic desire, succeeds in making its manifest content appear innocently asexual, it is only possible in one way. The matter of these sexual presentations cannot be exhibited as such, but must be replaced by allusions, suggestions, and similar indirect means; differing from other cases of indirect presentation, those used in dreams must be deprived of direct understanding. The means of presentation which answer these requirements are commonly termed "symbols." A special interest has been directed towards these, since it has been observed that the dreamers of the same language use the like symbols--indeed, that in certain cases community of symbol is greater than community of speech. Since the dreamers do not themselves know the meaning of the symbols they use, it remains a puzzle whence arises their relationship with what they replace and denote. The fact itself is undoubted, and becomes of importance for the technique of the interpretation of dreams, since by the aid of a knowledge of this symbolism it is possible to understand the meaning of the elements of a dream, or parts of a dream, occasionally even the whole dream itself, without having to question the dreamer as to his own ideas. We thus come near to the popular idea of an interpretation of dreams, and, on the other hand, possess again the technique of the ancients, among whom the interpretation of dreams was identical with their explanation through symbolism.

Though the study of dream symbolism is far removed from finality, we now possess a series of general statements and of particular observations which are quite certain. There are symbols which practically always have the same meaning: Emperor and Empress (King and Queen) always mean the parents; room, a woman[2], and so on. The sexes are represented by a great variety of symbols, many of which would be at first quite incomprehensible had not the clews to the meaning been often obtained through other channels.

There are symbols of universal circulation, found in all dreamers, of one range of speech and culture; there are others of the narrowest individual significance which an individual has built up out of his own material. In the first class those can be differentiated whose claim can be at once recognized by the replacement of sexual things in common speech (those, for instance, arising from agriculture, as reproduction, seed) from others whose sexual references appear to reach back to the earliest times and to the obscurest depths of our image-building. The power of building symbols in both these special forms of symbols has not died out. Recently discovered things, like the airship, are at once brought into universal use as sex symbols.

It would be quite an error to suppose that a profounder knowledge of dream symbolism (the "Language of Dreams") would make us independent of questioning the dreamer regarding his impressions about the dream, and would give us back the whole technique of ancient dream interpreters. Apart from individual symbols and the variations in the use of what is general, one never knows whether an element in the dream is to be understood symbolically or in its proper meaning; the whole content of the dream is certainly not to be interpreted symbolically. The knowledge of dream symbols will only help us in understanding portions of the dream content, and does not render the use of the technical rules previously given at all superfluous. But it must be of the greatest service in interpreting a dream just when the impressions of the dreamer are withheld or are insufficient.

Dream symbolism proves also indispensable for understanding the so-called "typical" dreams and the dreams that "repeat themselves." Dream symbolism leads us far beyond the dream; it does not belong only to dreams, but is likewise dominant in legend, myth, and saga, in wit and in folklore. It compels us to pursue the inner meaning of the dream in these productions. But we must acknowledge that symbolism is not a result of the dream work, but is a peculiarity probably of our unconscious thinking, which furnishes to the dream work the matter for condensation, displacement, and dramatization.

[1] Freud, "Three Contributions to Sexual Theory," translated by A.A. Brill (_Journal of Nervous and Mental Disease_ Publishing Company, New York).

[2] The words from "and" to "channels" in the next sentence is a short summary of the passage in the original. As this book will be read by other than professional people the passage has not been translated, in deference to English opinion.--TRANSLATOR.

IV

DREAM ANALYSIS

Perhaps we shall now begin to suspect that dream interpretation is capable of giving us hints about the structure of our psychic apparatus which we have thus far expected in vain from philosophy. We shall not, however, follow this track, but return to our original problem as soon as we have cleared up the subject of dream-disfigurement. The question has arisen how dreams with disagreeable content can be analyzed as the fulfillment of wishes. We see now that this is possible in case dream-disfigurement has taken place, in case the disagreeable content serves only as a disguise for what is wished. Keeping in mind our assumptions in regard to the two psychic instances, we may now proceed to say: disagreeable dreams, as a matter of fact, contain something which is disagreeable to the second instance, but which at the same time fulfills a wish of the first instance. They are wish dreams in the sense that every dream originates in the first instance, while the second instance acts towards the dream only in repelling, not in a creative manner. If we limit ourselves to a consideration of what the second instance contributes to the dream, we can never understand the dream. If we do so, all the riddles which the authors have found in the dream remain unsolved.

That the dream actually has a secret meaning, which turns out to be the fulfillment of a wish, must be proved afresh for every case by means of an analysis. I therefore select several dreams which have painful contents and attempt an analysis of them. They are partly dreams of hysterical subjects, which require long preliminary statements, and now and then also an examination of the psychic processes which occur in hysteria. I cannot, however, avoid this added difficulty in the exposition.

When I give a psychoneurotic patient analytical treatment, dreams are always, as I have said, the subject of our discussion. It must, therefore, give him all the psychological explanations through whose aid I myself have come to an understanding of his symptoms, and here I undergo an unsparing criticism, which is perhaps not less keen than that I must expect from my colleagues. Contradiction of the thesis that all dreams are the fulfillments of wishes is raised by my patients with perfect regularity. Here are several examples of the dream material which is offered me to refute this position.

"You always tell me that the dream is a wish fulfilled," begins a clever lady patient. "Now I shall tell you a dream in which the content is quite the opposite, in which a wish of mine is _not_ fulfilled. How do you reconcile that with your theory? The dream is as follows:--

_"I want to give a supper, but having nothing at hand except some smoked salmon, I think of going marketing, but I remember that it is Sunday afternoon, when all the shops are closed. I next try to telephone to some caterers, but the telephone is out of order.... Thus I must resign my wish to give a supper."_

I answer, of course, that only the analysis can decide the meaning of this dream, although I admit that at first sight it seems sensible and coherent, and looks like the opposite of a wish-fulfillment. "But what occurrence has given rise to this dream?" I ask. "You know that the stimulus for a dream always lies among the experiences of the preceding day."

_Analysis._--The husband of the patient, an upright and conscientious wholesale butcher, had told her the day before that he is growing too fat, and that he must, therefore, begin treatment for obesity. He was going to get up early, take exercise, keep to a strict diet, and above all accept no more invitations to suppers. She proceeds laughingly to relate how her husband at an inn table had made the acquaintance of an artist, who insisted upon painting his portrait because he, the painter, had never found such an expressive head. But her husband had answered in his rough way, that he was very thankful for the honor, but that he was quite convinced that a portion of the backside of a pretty young girl would please the artist better than his whole face[1]. She said that she was at the time very much in love with her husband, and teased him a good deal. She had also asked him not to send her any caviare. What does that mean?

As a matter of fact, she had wanted for a long time to eat a caviare sandwich every forenoon, but had grudged herself the expense. Of course, she would at once get the caviare from her husband, as soon as she asked him for it. But she had begged him, on the contrary, not to send her the caviare, in order that she might tease him about it longer.

This explanation seems far-fetched to me. Unadmitted motives are in the habit of hiding behind such unsatisfactory explanations. We are reminded of subjects hypnotized by Bernheim, who carried out a posthypnotic order, and who, upon being asked for their motives, instead of answering: "I do not know why I did that," had to invent a reason that was obviously inadequate. Something similar is probably the case with the caviare of my patient. I see that she is compelled to create an unfulfilled wish in life. Her dream also shows the reproduction of the wish as accomplished. But why does she need an unfulfilled wish?

The ideas so far produced are insufficient for the interpretation of the dream. I beg for more. After a short pause, which corresponds to the overcoming of a resistance, she reports further that the day before she had made a visit to a friend, of whom she is really jealous, because her husband is always praising this woman so much. Fortunately, this friend is very lean and thin, and her husband likes well-rounded figures. Now of what did this lean friend speak? Naturally of her wish to become somewhat stouter. She also asked my patient: "When are you going to invite us again? You always have such a good table."

Now the meaning of the dream is clear. I may say to the patient: "It is just as though you had thought at the time of the request: 'Of course, I'll invite you, so you can eat yourself fat at my house and become still more pleasing to my husband. I would rather give no more suppers.' The dream then tells you that you cannot give a supper, thereby fulfilling your wish not to contribute anything to the rounding out of your friend's figure. The resolution of your husband to refuse invitations to supper for the sake of getting thin teaches you that one grows fat on the things served in company." Now only some conversation is necessary to confirm the solution. The smoked salmon in the dream has not yet been traced. "How did the salmon mentioned in the dream occur to you?" "Smoked salmon is the favorite dish of this friend," she answered. I happen to know the lady, and may corroborate this by saying that she grudges herself the salmon just as much as my patient grudges herself the caviare.