Chapter IX (1)

"I am not partial to it myself," said the Rev. Mr. Moore--"this confection of oranges called marmalade. I am told, however, that the English are accustomed to make their breakfast principally of similar saccharine preparations; in time, therefore, we may hope to establish an export trade."

A fresh breeze astern was blowing the _Emperadora_ down the lagoon in a course straight enough to please even Mrs. Carew, if that lady could have been pleased by anything aquatic. She was present, in spite of fears, sitting with the soles of her prunella gaiters pressed tightly against the little yacht's side under the seat (the peculiarity of the attitude being concealed by her long skirt), with the intention, probably, of acting as a species of brake upon too great a speed.

The position was a difficult one. But she kept her balance by means of her umbrella, firmly inserted in a crack of the planking before her, and did not swerve.

The broad sails were set wing and wing; the morning was divinely fair. Down in the south the tall trees looming against the sky seemed like a line of hills; owing to the lowness of the shores, on a level with the water, and the smoothness of the sea stretching eastward beyond Patricio, the comparative effect was the same. Above, the soft sky bending down all round them, touching here the even land and there the even water, conveyed nothing of that sense of vastness, of impersonality, which belongs so often to the American sky further north. This seemed a particular sky belonging to this especial neighborhood, made for it, intimate with it; and the yacht, with those on board did not appear like a floating atom, lost in immensity; on the contrary, it was important, interesting; one could not rid one's self of the idea that its little voyage was watched with friendly curiosity by this bending personal sky, and these near low shores.

The Rev. Mr. Moore had been sent upon this pleasure-party by his wife. Mrs. Penelope Moore was sure that a pleasure-party would do him good; the Reverend Middleton therefore endeavored to think the same, though it was not exactly his idea of pleasure. He was not fond of sailing; there was generally a breeze, and a breeze he did not enjoy. There was, indeed, something in his appearance, when exposed to a fresh wind, which suggested the idea that a portion of it was blowing through him, finding an exit at his shoulder-blades behind; his lank vest somehow had that air; and the sensation (so the spectator thought) could hardly have been an agreeable one to so thin a man, even on the warmest day.

Mrs. Penelope Moore was a brave woman. And she knew that she was brave. Not being able, on account of her delicate health, to take part personally in the social entertainments of Gracias, she sent her husband in her place. And this was her bravery; for he was without doubt the most agreeable as well as the handsomest of men, and anybody with sense could foretell what must follow: given certain conditions, and the results all the world over were the same. Other people might say that quiet little Gracias was safe, Mrs. Penelope Moore knew better. Other people, again, might be blind; but Mrs. Penelope Moore was never blind. She knew that such a man as her Middleton passed, must pass, daily through temptations of the most incandescent nature, all the more dangerous because merged inextricably with his priest's office; but he passed unscathed, he came out always, as she once wrote triumphantly to her mother, "without so much as a singe upon the hem of his uttermost garment." And if, on the other hand, it might have seemed that so little (blessedly) that was inflammable had been included in this good man's composition that he might have passed safely through any amount of incandescence, even all that his wife imagined, here again, then, others were most decidedly mistaken; Mrs. Moore was convinced that her Middleton was of the fieriest temperament. Only he kept it down.

Gracias-a-Dios was certainly quiet enough. But Mistress Penelope, like many good women before her, could believe with ease in a degree of depravity which would have startled the most hardened of actual participants. Having no standards by which to gauge evil, no personal experience of its nature, she was quite at sea about it. As Dr. Kirby once said of her (when vexed by some of her small rulings), "If people don't come to Friday morning service, sir, she thinks it but a small step further that they should have poisoned their fathers and beaten their wives."

On the present occasion this lady set her husband's hat straight upon his amiable forehead, and gave him his butterfly net; then from her Gothic windows (the rectory of St. Philip and St. James' was of the same uncertain Gothic as the church), she watched him down the path and through the gate, across the plaza out of sight, going back to her sofa with the secure thought in her heart, "I can trust him--_anywhere_!"

The party on the yacht was composed of the same persons who had taken part in most of the entertainments given for the northern ladies, save that Manuel and Torres were absent. Torres had not been allowed to "address" Garda, after all, Mrs. Thorne having withheld her permission. The young Cuban was far too punctilious an observer of etiquette to advance further without that permission; he had therefore left society's circle, and secluded himself at home, where, according to Manuel, he was engaged in "consuming his soul."

"His cigars," Winthrop suggested.

Whereupon Manuel, who was not fond of the northerner, warmly took up the cause of the absent Adolfo (though ordinarily he declared himself tired to death of him), and with his superbest air remarked, "It is possible that Mr. Wintup does not understand us."

"Quite possible," Winthrop answered.

Mrs. Thorne had consulted him about the request of Torres. Not formally, not (at least it did not appear so) premeditatedly; she alluded to it one afternoon when he had found her alone at East Angels. Winthrop was very severe upon what he called the young Cuban's "presumption."

"Presumption--yes; that is what I have been inclined to consider it," said Mrs. Thorne, with her little preliminary cough. But she spoke hesitatingly, or rather there seemed to be hesitation in her mind behind her words, for her words themselves were carefully clear.

Winthrop looked at her, and saw, or fancied he saw, a throng of conflicting possibilities, contingencies, and alternatives in the back part of her small bright eyes. "Your daughter is too young to be made the subject of any such request at present," he said, curtly. For it seemed to him a moment when a little masculine brevity and masculine decision were needed in this exclusively feminine atmosphere.

Mrs. Thorne accepted his suggestion. "Yes, Garda _is_ young," she murmured, emerging a little from her hesitations. "Quite too young," she repeated, more emphatically. Winthrop had given her a formula, and formulas are sometimes as valuable as a life-raft.

Torres, therefore, being engaged in the consumption of his soul, and Manuel having haughtily declined the northerner's invitation, the party on the yacht consisted, besides Winthrop, of Mrs. Rutherford and Margaret Harold, Mrs. Carew, Garda, Dr. Kirby, and the Rev. Mr. Moore, Mrs. Thorne having been detained at home by the "pressing domestic engagements" which Winthrop had been certain would lift their heads as soon as the day for the _Emperadora's_ little voyage had been decided upon. Wind and tide were both in their favor; they had a swift run down the Espiritu, and landed on Patricio a number of miles below Gracias, where there was a path which led across to the ocean beach. This path was narrow, and the gallant Dr. Kirby walked in the bushes all the way, suffering the twigs to flagellate his plump person, in order to hold a white umbrella over Mrs. Rutherford, who, arm in arm with her Betty, took up the entire track. Patricio, which had first been a reef, and then an outlying island, was now a long peninsula, joining the main land some forty miles below Gracias in an isthmus of sand; it came northward in a waving line, slender and green, lying like a ribbon in the water, the Espiritu on one side, the ocean on the other. When the ocean beach of the ribbon was reached, Mrs. Rutherford admired the view; she admired it so much that she thought she would sit down and admire it more. Dr. Kirby therefore bestirred himself in arranging the cushions and rugs which Winthrop's men had brought across from the yacht, to form an out-of-door sofa for the ladies; for Betty, of course, decided to remain with Katrina. The Doctor said that he should himself bear them company, leaving the "younger men" to "fume and fluster and explore."

The Rev. Mr. Moore was, in actual years, not far from Dr. Reginald's own age. But the Rev. Mr. Moore was perennially young; slender and light, juvenile in figure, especially when seen from behind, his appearance was not that of an elderly man so much as of a young man in whom the progress of age has been in some way arrested, like the young peaches, withered and wrinkled and yet with the bloom of youth about them still, which have dropped to the ground before their prime. He now stood waiting on the beach, armed with his butterfly net; as his butterfly net was attached to a long green pole, one end of which rested on the ground, he had the air of a sort of marine shepherd with a crook.

The Rev. Mr. Moore always carried this entomological apparatus with him when he went upon pleasure excursions; his wife encouraged him in the amusement, she said it was a distraction for his mind; the butterflies also found it a distraction, they were in the habit of laughing (so some persons declared) all down the coast whenever the parson and his net appeared in sight.

"You are going to explore, aren't you?" said Garda to Margaret Harold; "it's lovely, and we shall not fume or fluster in the least, in spite of the Doctor; we shall only pick up shells. Over these shells we shall exclaim; Mr. Winthrop will find charming ones, and present them to us, and then we shall exclaim more; we shall dote upon the ones he gives us, we shall hoard them away carefully in our handkerchiefs and pockets; and then, to-morrow morning, when the sun comes up, he will shine upon two dear little heaps of them outside our bedroom windows, where, of course, we shall have thrown them as soon as we reached home."

Mr. Moore listened to these remarks with surprise. Upon the various occasions when he had visited Patricio he had always, and with great interest, picked up shells for the ladies present, knowing how much they would value them. He now meditated a little upon the back windows alluded to by Garda; it was a new idea.

"Oh, how _delightful_ it is to go marooning!" said Mrs. Carew, who, beginning to recover from the terrors of the voyage, had found her voice again. Her feet were still somewhat cramped from their use as brakes; she furtively extended them for a moment, and then, unable to resist the comfort of the position, left them extended. Her boots were the old-fashioned thin-soled all-cloth gaiters without heels, laced at the side, dear to the comfort-loving ladies of that day; her ankles came down into their loose interiors without any diminishing curves, as in the case of the elephant.

"Are you going, Margaret?" said Mrs. Rutherford, in her amiably patronizing voice. "Don't you think you will find it rather warm?" Mrs. Rutherford inhabited the serene country of non-effort, she could therefore maintain without trouble the satisfactory position of criticising the actions of others; for whether they succeeded or whether they failed, success or failure equally indicated an attempt, and anything like attempt she was above. "People who _try_" was one of her phrases; she would not have cared to discover America, for undoubtedly Columbus had tried.

"I like this Florida warmth," Margaret had answered. "It's not heat; it's only softness."

"It's lax, I think," suggested Mrs. Rutherford, still amiably.

No one disputed this point. It was lax.

"Doesn't he look like a tree?" murmured Garda to Margaret, indicating by a glance the Rev. Mr. Moore, as he stood at a little distance, gazing at the sea--"a tall slim one, you know, that hasn't many leaves; his arms are like the branches, and his fingers like the twigs; and his voice is so innocent and--and vegetable."

Margaret shook her head.

"You don't like it?" said the girl; "you think I am disrespectful? I am not disrespectful at all, I adore Mr. Moore. But you must acknowledge that he's a mild herby sort of man; he's like lettuce--before it's dressed. All the same, you know, he's an angel."

Dr. Kirby meanwhile was entertaining Betty and Katrina, now seated together on the out-of-door sofa he had made. He was arranging at the same time a seat for himself near them by piling together with careful adjustment the scattered fragments of drift-wood which he had found in the vicinity, in a sort of cairn; his intention was to crown this cairn, when finished, with one of the boat cushions, which he had reserved for the purpose. "No," he said, pursuing his theme and the dovetailing of the drift-wood with energy, "I cannot say that I admire these frivolous new fashions which have crept into literature. The other day, happening to turn over the pages of one of these modern novels, I came upon a scene in which the hero and heroine are supposed to be shaken, tortured by the violence of their emotions, stirred to their utmost depths; and yet the author takes _that_ opportunity to leave them there, leave them in the midst of their agonies--and the reader's as well--to remark that a butterfly flew in through the open window and hovered for a moment over their heads; now he poised here, now he poised there, now he did this, and now that, and so on through a quarter of a page. I ask you--what if he did?" (Here he finished his cairn, and sat down to try it.) "Who cares? Why should the whole action of the tale pause, and at such a critical moment, in order that the flight and movements of an insignificant insect should be minutely chronicled?"

"But the butterfly," said the Rev. Mr. Moore, who had drawn near, "can hardly, I think, be described as an 'insignificant insect.'"

"Have you read these modern novels?" demanded the Doctor, facing him from his cairn.

"Certainly," replied Mr. Moore; "I am familiar with 'Bracebridge Hall,' 'Swallow Barn,' and several other works of fiction of that type." And he stood there looking at the Doctor with the peculiar mild obstinacy which belongs to light-blue eyes, whose under-lids come up high at the outer corners.

"But, Doctor, you are attacking there one of our most cherished modern novelties," said Winthrop, who had now joined them, "namely, the new copartnership between Nature and Literature. Nature is now a very literary personage and a butterfly can mean a great deal."

"Nature has nothing to do with literature, I mean the literature we call polite," Dr. Kirby protested, still fierily (while Mrs. Rutherford admired his ardor). But the clergyman had nodded his head in approval, a butterfly could certainly mean a great deal; he himself had long been of the opinion that they possessed reasoning powers--he had so seldom been able to capture one.

The explorers now left the sofa and cairn, and started down the beach, Garda and Winthrop first, Mr. Moore and Margaret following. It seemed natural to everybody that Winthrop should be with Garda, he had been with her so much; his manner, however, had in it so little of admiration (as admiration was understood in Gracias) that this had occasioned no remark. Manuel (whose admiration had the local hues) cherished resentment against this northerner, but it was not the resentment of jealousy; Manuel, indeed, did not dream that he had occasion for jealousy. He was sure that Mrs. Thorne yearned for him, that her highest aspirations regarding a son-in-law could go no further; but there need be no haste, he must see something of the world first. He had made a beginning (so he flattered himself) by seeing something of it in that charming though rather silent Mrs. Harold. As for Torres, that dark youth could never have conceived the possibility of admitting any one to a serious rivalry with himself--any one, at least, outside of Spain. Who was this Wintup? Only an American; even Manuel was but an American-Spaniard, as any one could see. But Garda was all Duero, Spanish to the finger-tips; Garda understood him. And this in itself was no small matter--to understand a Torres; many persons, even when thrown with them daily, had lived all their lives without accomplishing that. Garda understood herself also; she might delay, have little freaks; but in the end it was impossible that she should be content with anything less than a Torres, if there were one in attendance upon her graceful steps,--as there certainly would be.

For a time the four pedestrians kept together. "See the pelicans on the bar," said Garda. "The wish of my life has been to go out there and chase them with a stick."

"Why should you wish to do that, my child?" said the clergyman. "Surely there are many occupations more interesting, as well as more instructive."

"Shouldn't you love to be a curlew?" said the girl, going to him and putting her arm in his. "The sickle-bill, you know; he hasn't the least realization of the faults of his profile, and that must be such a comfort."

"Profiles," responded Mr. Moore, with a little wave of his hand, "are quite unimportant; what is a profile, in most cases, but the chance outline of a nose? Handsome is as handsome does, Garda; that is the best view to take."

Winthrop listened to this little dialogue with entertainment, evidently the good rector had no more realization of Garda's beauty than he had of the new short length for sermons; his standard in profiles was probably the long thin nose and small straight mouth of his excellent Penelope.

"The Bermudoes lie off in that direction," continued the clergyman, looking over the blue water. Garda had now left him and gone back to Winthrop. "I mean the Barbagoes," he added, correcting himself. He was silent for a moment. "No, no, not Barbagoes; I am thinking, of course, of the Bahamoes." Again he paused, his face began to wear a bewildered expression; slackening his pace a little, he repeated over to himself softly, as if trying them, "Bahamoes--Bergudas; then there is Tor--no, _Tobaga_, isn't it? Certainly I cannot be wrong in thinking one of the groups to be the Dry Tortugoes?" And yet it did not seem quite certain, after all.

"A butterfly, a splendid one," called Garda.

And then the reverend gentleman, forgetting the tangled islands, brandished his net and leaped forward in pursuit.

Garda was now with Margaret; Winthrop walked on beside them, and they went southward at a leisurely pace, down the broad beach. To the ordinary observer Winthrop and Margaret appeared to be on the usual friendly terms; the only lack which could have been detected was the absence between them of little discussions, and references to past discussions, brief allusions where one word is made to do the work of twenty, which are natural when people have formed part of the same family for some time. Margaret and Winthrop talked to each other, and talked familiarly; but this was always when other persons were present. Garda, though she seldom troubled herself to observe closely, had remarked these little signs. "I think you are horrid to Margaret," she had once said to Winthrop with warmth. "And Margaret is far too good and too gentle to you."

"Yes, Mrs. Harold has always a very gentle manner," he had answered, assentingly.

"That is more horrid still! Of course she has. But I wish she hadn't--at least with you; I wish she would be sharp with you--as I am."

"Are you sharp?" Winthrop had asked, smiling indulgently at the contrast between her allegation and the voice in which it was uttered.

Garda, with her hand on Margaret's arm, was now walking onward, humming lightly to herself as she walked. Her humming was vague, as she had no ear for music. It was a complete lack, however; she was not one of those persons who are haunted by tunes half caught, who afflictingly sing a song all through a semi-note flat, and never know it.

Margaret's eyes were following the sands. "What lovely sea-weeds," she said, as little-branching fibres, like crimson frost-work, began to dot the silver here and there.

"Now how feminine that is!" said Winthrop, argumentatively, as he strolled on beside them. "Instead of looking at the ocean, or this grand beach as a whole, what does Mrs. Harold do? She spends her time admiring an infinitesimal pink fragment at her feet. Fragments!--I am tired of the fragmentary taste. In a picture, even the greatest, you fragmentary people are always admiring what you call the side touches; you talk about some little thing that has been put in merely as a decorative feature, or if for a wonder you do select a figure, it is sure to be one of minor importance; the effect of the whole as a whole, the central idea to which the artist has given his best genius and power, this you don't care for, hardly see. It is the same way with a book; it is always some fragment of outside talk or description, some subordinate character, to which you give your praise; never--no matter how fine it is--the leading motive and its development. In an old cathedral, too, you women go putting your pretty noses close to all the little things, the bits of old carving, an old inscription--in short, the details; the effect of the grand mass of the whole, rising against the sky, this you know nothing whatever about."

"I am glad at least that the noses are pretty," interpolated Garda, amid her humming.

"I think I have met a few men also who admire details," observed Margaret.

"A few? Plenty of them. They are the men of the feminine turn of mind. But don't imagine that I don't care for details; details in their proper place may be admirable, exquisite. What I am objecting to is their being pushed into a place which is not theirs by you fragmentary people, who simply shirk (I don't know whether it is from indolence or want of mental grasp) any consideration of a whole."

"Never mind," said Garda to Margaret; "let's be fragmentary. We'll even pick up the sea-weeds if you like (though generally I hate to pick up things); we'll fill your basket, and make Mr. Winthrop carry it."

"No," said Margaret. "On the contrary, let us abhor the sea-weeds; let us give ourselves to the consideration of a whole." And, pausing, she looked over the sea, then up at the sky and down the beach, with a slow musing sweep of the head which became her well.

"You're not enough in earnest," said Garda; "we can see the edge of a smile at the corners of your lips. Wait--I'll do it better." She stepped apart from them, clasped her hands, and turned her eyes towards the sea, where they rested with a soft, absorbed earnestness that was remarkable. "Is this wide enough?" she asked, without change of expression. "Is it free from details--unfragmentary? In short, is it--a Whole?"

"Yes," said Winthrop; "far too much of one! You are as universal as a Universal Geography. Come back to us--in as many details and fragments as you please; only come back."

"By no means; I have still the beach to do, and the sky." And slowly she turned the same wide, absorbed gaze from the sea to the white shore.

The beach was worth looking at; broad, smooth, gleaming, it stretched southward as far as eye could follow it; even there it did not end, it became a silver haze which mixed softly with the sea. On the land side it was bounded by the sand-cliff which formed the edge of Patricio; this little cliff, though but twelve or fourteen feet in height, was perpendicular; it cut off, therefore, the view of the flat ground above as completely as though it had been five hundred. Great pink-mouthed shells dotted the beach's white floor; at its edge myriads of minute disks of rose and pearl lay heaped amid little stones, smooth and white, all of them wet and glistening. Heaps of bleached drift-wood lay where high tides had left them. Little beach-birds ran along at the water's edge with their peculiar gait--many pauses, intermixed with half a dozen light fleet steps as though running away--the gait, if ever there was one, of invitation to pursue. There were no ships on the sea; the tracks of vessels bound for Cuba, the Windward and Leeward islands, lay out of sight from this low strand. And gentle as the water was, and soft the air, the silence and the absence of all signs of human life made it a very wild scene; wild but not savage, the soft wildness of an uninhabited southern shore. For no one lived on Patricio, save where, opposite East Angels, the old Ruiz house stood on its lapsed land--lapsed from the better tilling of the century before.

The Rev. Mr. Moore had come gambolling back, striking actively hither and thither with his net, still pursuing the same butterfly. The butterfly--at his leisure--flew inland; and then Mr. Moore gave up the chase, and joined Mrs. Harold calmly, seeming not in the least out of breath, his face, indeed, so serious that she received the impression that while his legs might have been gambolling, his thoughts had perhaps been employed with his next Sunday's sermon; he had had an introspective, mildly controversial air as he leaped.

Garcia and Winthrop walked on in advance. The beach waved in and out in long scallops, and when they had entered the second they found themselves alone, the point behind intervening between them and their companions.

"What a dreadfully lonely place this beach is, after all!" said Garda, pausing and looking southward with a half-appreciative, half-disturbed little shudder.

"Not lonely; primeval," answered Winthrop. "Don't you like it? I am sure you do; take time to think."

"Oh, I don't want any time. Yes, I like it in one way, in one way it's beautiful. One could be perfectly lazy here forever, and I should like that. As for the loneliness, I suppose we should not mind it after a while--so long as we could be together."

Before Winthrop could reply to this, "Suppose we race," she went on, looking at him with sudden animation. And she began to sway herself slightly to and fro as she walked, as though keeping time to music.

"I think you mean suppose we dance," he answered. She had soon deserted the mood that chimed in with his own; still, he had not misjudged her, she had it in her to comprehend the charm of an existence which should be primitive, far from the world, that simple free life towards which the thoughts of imaginative men turn sometimes with such inexpressible longing, but to whose attractions feminine minds in general are said to be closed. The men of imagination seldom carry, are seldom able to carry, their aspirations to a practical reality; that makes no difference in their appreciation of the woman who can comprehend the beauty of the dream. Here was a girl who, under the proper influences, would be able to take up such a life and enjoy it; the vast majority of educated women, no matter what influences they should be subjected to, would never be able to do this in the least; they would long for--silk lamp-shades and rugs.

"Racing or dancing," Garda had replied, "_you_ would never win a prize in either; you are far too slow."

"And you too indolent," he rejoined.

He had scarcely spoken the words when she was off. Down the beach she sped, and with such unexpected swiftness that he stood gazing instead of following; the line of her flight was as straight as that of an arrow. He was surprised; he had not thought that she would take the trouble to run, he had not thought her fond of any kind of exertion. But this did not seem like exertion, she ran as easily as a slim lad runs; her figure looked very light and slender, outlined against the beach and sky. As he still stood watching her, she reached the end of the scallop, passed round its point, and disappeared.

He looked back, there was no one in sight; if he had a mind to revive his school-boy feats, he could do so without being observed. It was a beautiful day; but running might make it warmer. At thirty-five one does not run for the pure pleasure of it, as at sixteen; if one is not an acrobat, it seems a useless waste of energy. Garda was probably waiting for him beyond the next point, even her desire to surprise him would not take her farther than that; he walked onward at a good pace, but he did not run; he reached the point, turned it, and entered the next scallop. She was not there.

It was not a very long scallop, she had crossed it, probably, while he was crossing the last; he went on and entered the next. Again she was not there. But this scallop was a mile long, she had certainly not had time to cross it; where, then, could she be? There was nothing moving on the white beach, the perpendicular sand-cliff afforded no footing; he walked on, thinking that there must be some niche which he could not see from where he stood. But though he went farther than she could possibly have gone in the time she had had, he found nothing, and retraced his steps, puzzled; the firm white sand showed no trace of her little feet, even his own heavier tread was barely visible.

Not far from the entrance of the scallop across which he was now returning, there was a pile of drift-wood higher than the other chance heaps, its base having been more solidly formed by portions of an old wreck which had been washed ashore there. Upon this foundation of water-logged timbers, branches and nondescript fragments, the flotsam and jetsam of a Southern ocean, had been flung by high tides, and had caught there one upon the other, until now the jagged summit was on a level with the top of the sand cliff, though an open space, several feet in width, lay between. Could it be that Garda had climbed up this insecure heap, and then sprung across to the firm ground of Patricio beyond? It seemed impossible; and yet, unless she had an enchanted chariot to come at her call, she must have done so, for there was no other way by which she could have escaped. Winthrop now essayed to follow her. But it was not without difficulty that he succeeded in reaching the top; for it was not so much a question of strength (of which he had an abundance) as of lightness; it was not so much a question of a good hold, as of no hold at all; the very place, he said to himself, for feminine climbing, which is generally hap-hazard clutches diversified by screams. At length, not without much fear of bringing the whole pile toppling down upon himself, he reached the summit, and from an insecure foothold looked across to the firm land. Patricio at this point was covered, at a short distance back from the edge, by a grove of wild-myrtle trees. There was no path, but the grove was not dense, Garda could have passed through it anywhere; there was no sign of her visible, but he could not see far. He sprang across, and went inland through the myrtles, his course defined in a measure by the thick chaparral which bordered the grove on each side. Suddenly he heard the sound of voices, he pushed on, and came to a little open space, thickly dotted with large bright flowers. On the farther side of this space an easel had been set up, and a young man was at work sketching; behind this young man, looking over his shoulder, stood Garda.

As Winthrop came out from the myrtles, "How long you have been!" she said. Then, "Come and see this sketch," she went on immediately, her eyes returning to the picture. "I've never seen anything so pretty in my life."

As Winthrop, after a moment's survey of the scene, came towards her over the flowers, "Oh," she said, "I forget that you don't know each other. Mr. Winthrop, Mr. Lucian Spenser, civil engineer, from Washington, the District of Columbia. Mr. Spenser, Mr. Evert Winthrop--he is nothing in particular now, I believe--from the city of New York."

"It's an occupation in itself, isn't it? to be from New York," said the artist, going on with his sketching, after the little motion, half nod, half wave of the hand, with which he had acknowledged Garda's introduction. Winthrop in the mean while had neither spoken nor bowed; he had only, as slightly as possible, raised his hat.

"Why do you stop there?" said Garda. She came to him, took his arm, and led him behind the easel. "The picture--the picture's the thing to look at!"

The sketch--it was in water-colors--represented the little arena, which was in itself a brilliant picture, done by Nature's hand. It was an open oval space about fifteen feet in diameter, entirely bare of trees or bushes, and covered with low green, through which rose lightly slender leafless stalks, each holding up, several inches above the herbage, a single large bright-faced flower; the flowers did not touch each other, they were innumerable spots of gold and bright lavender, which did not blend; on three sides the thick dark chaparral, on the fourth the dark myrtles, enclosed this gayly decked nook, and seemed to have kept it safely from all the world until now. The artist was making a very good sketch, good, that is, in the manner of the new foreign school.

"Isn't it beautiful--wonderful?" insisted Garda.

"Very clever," Winthrop answered.

The artist laughed. "You hate the manner," he said. "Many people do; I think I hate it a little myself, now and then." And he began to sing softly to himself as he worked:

"'Oh, de sun shines bright in my ole Kentucky home,
'Tis summah, de darkies are gay--'"

"'Twas his singing, you know, that attracted my attention," said Garda to Winthrop, under cover of the song. She did not seem to be explaining so much as repeating a narrative that pleased herself. "I had climbed up here to hide myself from you, when I heard singing; I followed the sound, and--here he was!"

"You have met him before, of course?" was Winthrop's reply.

"Never in the world--that is the beauty of it; it's so delightful to meet people you have never met before. And then to find him here in the woods, where I didn't expect to see anybody, save perhaps you, later, coming slowly along. And isn't it nice, too, that we shall have a new person to add to our excursions, and parties! For they were getting to be a little dull,--don't you think so? always the same people. He is a cousin of Mr. Moore's," she added, "or rather his mother was; he has just been telling me about it." She did not bring out this last fact as though it were the most important. Important?--the only important point was that she should be pleased. She had kept Winthrop's arm during this time; now she relinquished it, and turned back to the easel.

"'De corn-tops ripe, an' de meddars all abloom,
In my ole Kentucky home far away,'"

sang the stranger; and this time he let out his voice, and sang aloud. It was a very good voice. But Winthrop did not admire it.

"The others have probably no idea what has become of us," he said to Garda; "shall we go and look for them?"

"Yes," answered Garda; "of course they must be wondering. You go; I will wait here; go and bring Mr. Moore to see his cousin."

"It will be quite easy for Mr.---- for this gentleman--"

"Spenser," said the artist, good-humoredly, as he painted on.

"--to see Mr. Moore at any time in Gracias," continued Winthrop, without accepting the name. For the life of him he could not put full confidence in this impromptu relationship which Garda had discovered, any more than he could in this, as one might say, impromptu man, whom she had also unearthed, miles from any inhabited point, on a wild shore. If the stranger were indeed a cousin of the Rev. Mr. Moore's, why had he not made himself known to him before this? He must have come through Gracias; Gracias was not so large a place that there could have been any difficulty in finding the rector of St. Philip and St. James'; nor was it so busy a place that one could have been pressed for time there.

"The truth is," answered Spenser, after he had completed a bit of work which seemed much to his mind--"the truth is," he repeated, looking at it critically, with his head on one side, "that I have, so far at least, rather shirked my good cousin; I am ashamed to say it, but it is true. You see, I only faintly remember him; but he will very clearly remember me, he will have reminiscences; he will be sure to tell me that he knew me when I was a dear little baby! Now I maintain that no man can really welcome that statement, it betokens recollections into which he cannot possibly enter; all he can do is to smirk inanely, and say that he fears he must have been a bad little boy."

"I know Mr. Moore will say it," said Garda, gleefully; "I know he will! Do go and call him," she said to Winthrop; "he will walk down to Jupiter Inlet if you don't stop him."

But Winthrop stood his ground; Mr. Moore's cousin or not Mr. Moore's cousin, he did not intend to leave Garda Thorne alone again with this chance, this particularly chance acquaintance. True, this was a very remote place, to which city rules did not apply; but the very seclusion had been like a wall, probably the girl had never made a chance acquaintance in all her life before.

"I will go myself, then," said Garda, seeing that he did not move. She did not seem annoyed, she was, in truth, very seldom ill-tempered. On the present occasion Winthrop might have been better pleased if she had showed some little signs of irritation; for she was simply not thinking of him at all, she was thinking only of Mr. Moore's cousin.

She crossed the flower-decked space quickly, and entered the myrtle grove; Winthrop followed her. When they reached the verge, "There they are," she said, looking southward.

"I don't know how I am to get you down," said Winthrop. "You could jump across from the drift-wood, but you cannot jump back upon it; it's not steady."

"I don't want to go down," said Garda. "They must come up." And she called, in a long note, "Mar--garet!" "Mar--garet!"

Mrs. Harold heard her and turned.

"There! I've called her Margaret to her face!" exclaimed the girl.

"To her back, you mean."

"I never did it before. But I was sure to do it some time; we always call her Margaret when we talk about her, mamma and I; and we talk about her by the hour."

"Mr. Moore and I together can perhaps get you down," said Winthrop, trying the edge of the sand-cliff to see if a niche could be trodden out.

"How odd you are--when I tell you I'm not going down! The others are to come up. Mr. Moore will be enchanted to see his cousin; I am sure _I_ was--though he isn't mine."

Winthrop asked himself whether he should take this opportunity to give this beautiful Florida girl a first lesson in worldly wisdom. Then he reflected that what he had admired the most in her had been her frank naturalness, the freedom with which she had followed her impulses, without pausing to think whither they might lead her. So far, her impulses had all been child-like, charming. As regarded this present one, though it was child-like also, he would have liked, with it, a little more discrimination; but discrimination is eminently a trait developed by time, and time, of course, had not yet had a chance to do much for Edgarda Thorne.

He decided to leave her to herself, and to return for the moment to his old position (from which he had rather departed of late), the position of looking on, without comment, to see what she would do or say next. What she did was simple enough. She directed, with much merriment, the efforts of the Rev. Mr. Moore, as in response to her request he climbed up the jagged pile of drift-wood first, in order to show Mrs. Harold the best footholds, his butterfly pole much in his way, but not relinquished; for had not that butterfly flown inland? When he was safely landed on Patricio, Margaret Harold followed him. Winthrop, in spite of the difficulties of descent, wished to come down and assist her; but this she would not allow, and assistance, indeed, was plainly worse than useless in such a place. Nor did she betray any need of it; she climbed with an ease which showed a light foot and accurate balance, and was soon standing by Garda's side.

When they reached the little flower cove it immediately became apparent that the mother of this singing, painting stranger had really been (she had been dead many years) a cousin of Middleton Moore's, Winthrop himself, unless he was prepared to believe in an amount of plotting for which there seemed no sufficient motive, being forced to acknowledge the truth of the story. The conversation between the clergyman and Spenser went on with much animation. Mr. Moore was greatly interested, he was even excited; and they talked of many things. At last he said, with feeling, "I remember you _so_ well, Lucian, as a baby; I was in the same house with you once for a whole week when you were just able to walk alone."

"Ah, yes! I am afraid I was rather a bad little boy," Spenser answered.

"You _were_ rather--rather animated," the clergyman admitted, mildly.

Garda, who, as usual, had her arm in Margaret's, leaned her head on Margaret's shoulder and gave way to soft laughter.

Middleton Moore talked, enjoying his adventure greatly. But though he talked, he did not question, he was too complete a southerner for that; he leaned on his butterfly pole, and regarded Lucian with the utmost friendliness, not thinking, apparently, of the fact that he had come upon this interesting young relative quite by chance, and that this same young relative must have passed through Gracias (if indeed he were not staying there) without paying him a visit, though he knew that his cousin was rector of St. Philip and St. James'; he had confessed as much. Lucian, who had left his easel, now moved towards it again, and stood scanning his work with the painter's suddenly absorbed gaze--as though he had forgotten, for the moment, everything else in the world but that; then he sat down, as if unable to resist it, and began to add a touch or two, while (with his disengaged faculties) he was good enough to give to his cousin, of his own accord, a brief account of himself in the present, as well as the past. It seemed that he was by profession a civil engineer (as he had already told Garda), and that the party of which he was chief were engaged in surveying for a proposed railway, which would reach Gracias-a-Dios (he thought) in about seventy-five years. However, that was nothing to him; there was undoubtedly a company (they had got an English lord in it), and he, Lucian, was willing to survey for them, if it amused them to have surveying done; that part of the scheme, at least, was paid for. His party were now some distance north of Gracias, they had reached one of the swamps; it had occurred to him that it was a good time to take a day or two, and come down and see the little old town on the coast; and as he was a dabbler in water-colors, he had not been able to resist doing some of the little "bits" he had found under his hand. "I was coming to see you, sir, to-morrow," he concluded. "The truth is, I had only these rough clothes with me; I have sent back for more."

"To the swamp?" said Garda.

"To the swamp--precisely; I keep them there very carefully in a dry canoe."

"You must not only come and see us, Lucian, you must come and stay with us," said the clergyman, cordially; "Penelope will hear of nothing else," he added, bending in his near-sighted way to look at the picture, and putting his nose close to Lucian's pinks and blues. "Isn't it rather--rather bright?" he asked, blinking a little as he drew back. Mr. Moore's idea of a picture was a landscape with a hill in the background, a brook and willows in front, a church spire peeping out somewhere in the middle distance, and a cow or two at the brook's edge, all painted in a dark, melancholy--what he himself would have called a chaste--green, even the cow partaking in some degree of that decorous hue.

"It's not brighter than the reality, is it?" said Lucian.

"I--don't--know," answered Mr. Moore, straightening himself, and looking about him as if to observe the reality, which he evidently was now noting for the first time. "You have put in a butterfly," he added, returning to his inspection; "that is--if it isn't a bird? There are no butterflies here now; has there been one here?"

"There should have been; it's the very place for them," Lucian declared.

"I don't think, Lucian, that there's any certainty about that; I myself have often searched for them in places where it seemed to me they _should_ be; they are never there."

Garda again gave way to merriment, hiding it and her face on Margaret's shoulder.

"Hasn't your sky rather too vivid a blue, Lucian?" Mr. Moore went on, his face again close to the picture.

"Well, sir, that's as we see it; _I_ see that color in the sky, you know."

"How can you see it if it is not there?" demanded his relative, with his temperate dwelling upon his point. And he transferred his gaze from the sketch to the young man.

"But it _is_ there for me. It's the old question of the two kinds of truth."

"There are not two kinds, I think, Lucian," responded the clergyman, and this time he spoke with decision.

"There are two ways of seeing it, then. We state or believe a thing as we see it, and we do not all see alike; you see the hues of a sunset in one way, Turner saw them in another; he painted certain skies, and people said there were no such skies; but Turner saw them."

"The fault was still there, Lucian; it was in his vision."

"Or take another instance," continued Spenser. "A man has a wife whom he loves. She has grown old and faded, there is no trace of beauty left; but he still sees her as she was; to him she does not merely seem beautiful, she is beautiful."

The eyes of Garda and Margaret met, one of those rapid exchanges of a mutual comprehension which are always passing between women unless they happen to be open enemies; even then they are sometimes forced to suspend hostilities long enough for one of these quick passwords of intelligence;--men are so slow! The mutual thought of the two women now was--Mrs. Penelope. Certainly she was old and faded, and very certainly also her husband regarded her as much of a Venus as it was proper for a clerical household to possess. Their entertainment continued as they saw that the clergyman made no personal application of Spenser's comparison, but merely considered the illustration rather an immoral one.

As if to change the subject, this good man now demanded, in his equable, unresonant voice, "How do you return to Gracias, Lucian?"

"There's a contraband with a dug-out waiting for me over on the Espiritu side," answered Spenser; "I walked across."

"Ah! _we_ are sailing," remarked the clergyman, in a gently superior tone; little as he himself enjoyed maritime excursions, he felt that this was the proper tone to take in the presence of his host, the owner of the _Emperadora_. "We shall reach home, probably, much earlier than you will," he went on, looking off at the chaparral with an abstracted air.

Winthrop, smiling at this innocent little manoeuvre, invited Spenser to return to Gracias with them; he could send one of his men across to tell the contraband of the change of plan. Spenser accepted the offer promptly. He packed his scattered belongings into small compass, and slung them across his shoulder; his easel, under his manipulation, became a stout walking-stick.

"That is a very convenient arrangement," said the clergyman.

"Yes; I am rather proud of it. I invented it myself."

"Ah, that's your father in you," said Mr. Moore, unconsciously betraying something that was almost disapproval; "your father was a northern man. But your mother, Lucian, was a thorough southerner; _she_ had no taste for invention."

"She wouldn't have had it even if she had been a northern woman, I fancy," responded Spenser; "women are not inventors. I don't mind saying it before Mrs. Harold and Miss Thorne, because they haven't the air of wishing to be; it's a particular sort of air, you know."

"Is your invention strong?" asked Winthrop. "I don't know how we are going to get the ladies down to the beach, unless we make a perch for them by driving that stick of yours and Mr. Moore's butterfly pole into the sand-drift half-way down. From there, with our help, they might perhaps jump the rest of the distance; we should have to tread out some sort of footing for ourselves."

Mr. Moore involuntarily glanced at his green pole, and then at Margaret and Garda, as if estimating their weight.

"We shall certainly snap it in two," exclaimed Garda, gayly. "Snip, snap, gone!"

"But there's a descent not so very far above here," said Spenser; "I've found it once, and I think, if you will trust me, I can find it again." He led the way into the chaparral, and the others followed.

The chaparral, a thicket of little evergreen oaks, rose, round the flower cove, to a height of ten feet. But soon it grew lower, and they came out upon a broad stretch of it not much over four or four and a half feet in height, very even on the top, extending unbroken to the south as far as they could see, and rising gently on the west, in the same even sweep, over the small ridge that formed Patricio's backbone; their heads were now well above the surface of this leafy sea.

"There's my track," said Spenser.

It was a line which had been made across the foliage by his passage through it; the leaves had been rippled back a little, so that there was a trail visible on the green surface like that left by a boat which has passed over a smooth pond; they made their way towards this trail.

The little oaks were not thorny, but their small stubborn branches grew as closely at the bottom as at the top, so that it was necessary to push with the ankles as well as with the shoulders in order to get through.

"Deep wading," said Lucian, who led the way.

"Wading?" said Garda. "Drowning! These leaves are like _waves_. And I'm sure that fishes are biting my ankles. Or else snakes! I shall sink soon; you'll hear a gurgle, and I shall have gone."

Spenser, laughing, turned and made his way back to her from the front at the same moment that Winthrop, who was last, pushed his way forward from behind; they reached her at the same moment, and placed themselves, one on each side, so that they could make her progress easier.