Chapter I: Traditionary history of Tusayan

_title in body text reads “Traditional...”_
Small ruin near Horn House
Moen-kopi
Tâaaiyalana ruins
Kin-tiel and Kinna-Zinde
_titles in body text:_
Small ruin between Horn House and Bat House
Moen-kopi ruins
Tâaaiyalana
Kin-tiel

Many phrases are hyphenated in the List of Illustrations but not in the captions themselves: chief-kiva, ground-plan, loom-post, roof-beams...

Whatever their motive, the Bears left Antelope Canyon
_text reads “Cañyon”_
far off on the Múina (river) near Alavia (Santa Fé)
_text reads “Sante Fé”_
The principal building is a long irregular row, similar to
_text reads “similiar”_
All the Tusayan kivas are in the form of a parallelogram
_text reads “paralellogram”_
the second level of the kiva floor, forming the dais before referred to
The ledge, or dais, is free for the use of spectators
_text reads “dias” both times, but is spelled “dais” on its first
occurrence (earlier in text)_
these overhanging copings occur principally on the southern exposures
_text reads “pricipally”_
particularly prevalent in Zuni
_text reads “particulary”_
Chapters II and III
_text reads “Chapter”_
usually carved from a single piece of wood
_text reads “single / single” at line break_
somewhat similar in effect to the carving on the Spanish beams
_text reads “similiar”_
the almost inaccessible summit of Tâaaiyalana mesa
_text reads “Tâaiyalana”_

Punctuation:

Long ago the Hopi´tuh were few
_paragraph (printed as block quote) begins with redundant
quotation mark_

* * * * *

CEREMONIAL OF HASJELTI DAILJIS

and

MYTHICAL SAND PAINTING OF THE NAVAJO INDIANS

by

JAMES STEVENSON

* * * * *

CONTENTS

Page.
Introduction 235
Construction of the Medicine Lodge 237
First day 237
Personators of the gods 237
Second day 239
Description of the sweat houses 239
Sweat houses and masks 242
Preparation of the sacred reeds (cigarette)
and prayer sticks 242
Third day 244
First ceremony 244
Second ceremony 245
Third ceremony 247
Fourth ceremony (night) 248
Fourth day 249
First ceremony 249
Second ceremony 250
Third ceremony 250
Fourth ceremony 252
Fifth ceremony 253
Sixth ceremony 253
Foods brought into the lodge 256
Fifth day 257
First ceremony 257
Second ceremony 259
Third ceremony 260
Sixth day 261
Seventh day 263
Eighth day 265
Ninth day 269
First ceremony 269
Second ceremony 270
Song of the Etsethle 272
Prayer to the Etsethle 272
Conclusion--the dance 273
Myths of the Navajo 275
Creation of the sun 275
Hasjelti and Hostjoghon 277
The floating logs 278
Naiyenesgony and Tobaidischinni 279
The Brothers 280
The old man and woman of the first world 284

ILLUSTRATIONS

Page.
Plate CXII. A, Rainbow over eastern sweat house;
B, Rainbow over western sweat house 240
CXIII. Blanket rug and medicine tubes 242
CXIV. Blanket rug and medicine tubes 244
CXV. Masks: 1, Naiyenesyong; 2, 3, Tobaidischinne;
4, 5, Hasjelti; 6, Hostjoghon; 7, Hostjobokon;
8, Hostjoboard 246
CXVI. Blanket rug and medicine tubes 248
CXVII. 1, Pine boughs on sand bed; 2, Apache basket
containing yucca suds lined with corn pollen;
3, Basket of water surface covered with pine
needles 250
CXVIII. Blanket rug and medicine tubes and sticks 252
CXIX. Blanket rug and medicine tube 258
CXX. First sand painting 260
CXXI. Second sand painting 262
CXXII. Third sand painting 264
CXXIII. Fourth sand painting 266

Fig. 115. Exterior lodge 236
116. Interior lodge 237
117. Gaming ring 238
118. Sweat house 240

* * * * *

CEREMONIAL OF HASJELTI DAILJIS
AND MYTHICAL SAND PAINTING
OF THE NAVAJO INDIANS.

by

JAMES STEVENSON.

* * * * *