Chapter II: Dog Tray5

A beggar child
Sat on a quay's edge: like a bird
Sang to herself at careless play,
And fell into the stream. "Dismay!
Help, you standers-by!" None stirred.

Bystanders reason, think of wives
And children ere they risk their lives.
Over the balustrade has bounced
A mere instinctive dog, and pounced
Plumb on the prize. "How well he dives!"

"Up he comes with the child, see, tight
In mouth, alive, too, clutched from quite
A depth of ten feet--twelve, I bet!
Good dog! What, off again? There's yet
Another child to save? All right!"

"How strange we saw no other fall!
It's instinct in the animal.
Good dog! But he's a long time under:
If he got drowned, I should not wonder--
Strong current, that against the wall!

"Here he comes, holds in mouth this time
--What may the thing be? Well, that's prime!
Now, did you ever? Reason reigns
In man alone, since all Tray's pains
Have fished--the child's doll from the slime!"

FOOTNOTE:

[Footnote 5: By Robert Browning.]

EXPRESSION: Read the story silently, being sure that you understand
it clearly. Then read each passage aloud, giving special attention
to emphasis and inflections. Answer these questions by reading from
the poem:

Where was the child? What did she do?
What did some one cry out?
Why did not the bystanders help?
What did the dog do?
What did one bystander say?
What did another say when the dog came up?
What did he say when the dog went back?

Read correctly: "_Well, that's prime!_" "_Now, did you ever?_"
"_All right!_" "_If he got drowned, I should not wonder._"

In what respects do these two poems differ from your favorite poems
by Longfellow or Tennyson? Do you think there is much music in
them?

THE DISCOVERY OF AMERICA[6]

It was on Friday morning, the 12th of October, that Columbus first beheld the New World. As the day dawned he saw before him a level island, several leagues in extent, and covered with trees like a continual orchard. Though apparently uncultivated, it was populous, for the inhabitants were seen issuing from all parts of the woods and running to the shore. They stood gazing at the ships, and appeared, by their attitudes and gestures, to be lost in astonishment.

Columbus made signal for the ships to cast anchor and the boats to be manned and armed. He entered his own boat richly attired in scarlet and holding the royal standard; while Martin Alonzo Pinzon and his brother put off in company in their boats, each with a banner of the enterprise emblazoned with a green cross, having on either side the letters F and Y, the initials of the Castilian monarchs Fernando and Ysabel, surmounted by crowns.

As he approached the shore, Columbus, who was disposed for all kinds of agreeable impressions, was delighted with the purity and suavity of the atmosphere, the crystal transparency of the sea, and the extraordinary beauty of the vegetation. He beheld also fruits of an unknown kind upon the trees which overhung the shores. On landing he threw himself on his knees, kissed the earth, and returned thanks to God with tears of joy.

His example was followed by the rest, whose hearts indeed overflowed with the same feelings of gratitude. Columbus then rising drew his sword, displayed the royal standard, and, assembling round him the two captains and the rest who had landed, he took solemn possession in the name of the Castilian sovereigns, giving the island the name of San Salvador. Having complied with the requisite forms and ceremonies, he called upon all present to take the oath of obedience to him as admiral and viceroy, representing the persons of the sovereigns.

The feelings of the crew now burst forth in the most extravagant transports. They had recently considered themselves devoted men hurrying forward to destruction; they now looked upon themselves as favorites of fortune and gave themselves up to the most unbounded joy. They thronged around the admiral with overflowing zeal, some embracing him, others kissing his hands.

Those who had been most mutinous and turbulent during the voyage were now most devoted and enthusiastic. Some begged favors of him, as if he had already wealth and honors in his gift. Many abject spirits, who had outraged him by their insolence, now crouched at his feet, begging pardon for all the trouble they had caused him and promising the blindest obedience for the future.

The natives of the island, when at the dawn of day they had beheld the ships hovering on their coast, had supposed them monsters which had issued from the deep during the night. They had crowded to the beach and watched their movements with awful anxiety. Their veering about apparently without effort, and the shifting and furling of their sails, resembling huge wings, filled them with astonishment. When they beheld their boats approach the shore, and a number of strange beings clad in glittering steel, or raiment of various colors, landing upon the beach, they fled in affright to the woods.

Finding, however, that there was no attempt to pursue or molest them, they gradually recovered from their terror and approached the Spaniards with great awe, frequently prostrating themselves on the earth and making signs of adoration. During the ceremonies of taking possession, they remained gazing in timid admiration at the complexion, the beards, the shining armor and splendid dress of the Spaniards. The admiral particularly attracted their attention, from his commanding height, his air of authority, his dress of scarlet, and the deference which was paid him by his companions; all which pointed him out to be the commander.

When they had still further recovered from their fears, they approached the Spaniards, touched their beards and examined their hands and faces, admiring their whiteness. Columbus was pleased with their gentleness and confiding simplicity, and soon won them by his kindly bearing. They now supposed that the ships had sailed out of the crystal firmament which bounded their horizon, or had descended from above on their ample wings, and that these marvelous beings were inhabitants of the skies.

The natives of the island were no less objects of curiosity to the Spaniards, differing as they did from any race of men they had ever seen. Their appearance gave no promise of either wealth or civilization, for they were entirely naked and painted with a variety of colors. With some it was confined merely to a part of the face, the nose, or around the eyes; with others it extended to the whole body and gave them a wild and fantastic appearance.

Their complexion was of a tawny, or copper hue, and they were entirely destitute of beards. Their hair was not crisped, like the recently discovered tribes of the African coast, under the same latitude, but straight and coarse, partly cut short above the ears, but some locks were left long behind and falling upon their shoulders. Their features, though obscured and disfigured by paint, were agreeable; they had lofty foreheads and remarkably fine eyes. They were of moderate stature and well shaped.

As Columbus supposed himself to have landed on an island at the extremity of India, he called the natives by the general name of Indians, which was universally adopted before the true nature of his discovery was known, and has since been extended to all the aboriginals of the New World.

The islanders were friendly and gentle. Their only arms were lances, hardened at the end by fire, or pointed with a flint, or the teeth or bone of a fish. There was no iron to be seen, nor did they appear acquainted with its properties; for, when a drawn sword was presented to them, they unguardedly took it by the edge.

Columbus distributed among them colored caps, glass beads, hawks' bells and other trifles, such as the Portuguese were accustomed to trade with among the nations of the gold coast of Africa. They received them eagerly, hung the beads round their necks, and were wonderfully pleased with their finery, and with the sound of the bells. The Spaniards remained all day on shore refreshing themselves, after their anxious voyage, amid the beautiful groves of the island, and returned on board late in the evening, delighted with all they had seen.

The island where Columbus had thus, for the first time, set his foot upon the New World, was called by the natives Guanahane. It still retains the name of San Salvador, which he gave to it, though called by the English Cat Island.

FOOTNOTE:

[Footnote 6: From "The Life and Voyages of Christopher Columbus," by Washington Irving.]

THE GLOVE AND THE LIONS[7]

King Francis was a hearty king, and loved a royal sport,
And one day as his lions fought, sat looking on the court;
The nobles filled the benches, with the ladies in their pride,
And 'mong them sat the Count de Lorge with one for whom he sighed:
And truly 'twas a gallant thing to see that crowning show,
Valor, and love, and a king above, and the royal beasts below.

Ramped and roared the lions, with horrid laughing jaws;
They bit, they glared, gave blows like beams, a wind went with their
paws;
With wallowing might and stifled roar they rolled on one another,
Till all the pit with sand and mane was in a thundrous smother;
The bloody foam above the bars came whisking through the air;
Said Francis then, "Faith, gentlemen, we're better here than there."

De Lorge's love o'erheard the King,--a beauteous lively dame
With smiling lips and sharp, bright eyes, which always seemed the same:
She thought, "The Count, my lover, is brave as brave can be;
He surely would do wondrous things to show his love of me;
King, ladies, lovers, all look on; the occasion is divine;
I'll drop my glove, to prove his love; great glory will be mine."

She dropped her glove, to prove his love, then looked at him and smiled;
He bowed, and in a moment leaped among the lions wild:
His leap was quick, return was quick, he has regained his place,
Then threw the glove, but not with love, right in the lady's face.
"Well done!" cried Francis, "bravely done!" and he rose from where he
sat:
"No love," quoth he, "but vanity, sets love a task like that."

FOOTNOTE:

[Footnote 7: By Leigh Hunt, an English essayist and poet (1784-1859).]

EXPRESSION: Read this poem silently, trying to understand fully the
circumstances of the story: (1) the time; (2) the place; (3) the
character of the leading actors. Then read aloud each stanza with
feeling and expression.

ST. FRANCIS, THE GENTLE[8]

Seven hundred years ago, Francis the gentlest of the saints was born in Assisi, the quaint Umbrian town among the rocks; and for twenty years and more he cherished but one thought, and one desire, and one hope; and these were that he might lead the beautiful and holy and sorrowful life which our Master lived on earth, and that in every way he might resemble Him in the purity and loveliness of his humanity.

Not to men alone but to all living things on earth and air and water was St. Francis most gracious and loving. They were all his little brothers and sisters, and he forgot them not, still less scorned or slighted them, but spoke to them often and blessed them, and in return they showed him great love and sought to be of his fellowship. He bade his companions keep plots of ground for their little sisters the flowers, and to these lovely and speechless creatures he spoke, with no great fear that they would not understand his words. And all this was a marvelous thing in a cruel time, when human life was accounted of slight worth by fierce barons and ruffling marauders.

For the bees he set honey and wine in the winter, lest they should feel the nip of the cold too keenly; and bread for the birds, that they all, but especially "my brother Lark," should have joy of Christmastide, and at Rieti a brood of redbreasts were the guests of the house and raided the tables while the brethren were at meals; and when a youth gave St. Francis the turtledoves he had snared, the Saint had nests made for them, and there they laid their eggs and hatched them, and fed from the hands of the brethren.

Out of affection a fisherman once gave him a great tench, but he put it back into the clear water of the lake, bidding it love God; and the fish played about the boat till St. Francis blessed it and bade it go.

"Why dost thou torment my little brothers the Lambs," he asked of a shepherd, "carrying them bound thus and hanging from a staff, so that they cry piteously?" And in exchange for the lambs he gave the shepherd his cloak. And at another time seeing amid a flock of goats one white lamb feeding, he was concerned that he had nothing but his brown robe to offer for it (for it reminded him of our Lord among the Pharisees); but a merchant came up and paid for it and gave it him, and he took it with him to the city and preached about it so that the hearts of those hearing him were melted. Afterwards the lamb was left in the care of a convent of holy women, and to the Saint's great delight, these wove him a gown of the lamb's innocent wool.

Fain would I tell of the coneys that took refuge in the folds of his habit, and of the swifts which flew screaming in their glee while he was preaching; but now it is time to speak of the sermon which he preached to a great multitude of birds in a field by the roadside, when he was on his way to Bevagno. Down from the trees flew the birds to hear him, and they nestled in the grassy bosom of the field, and listened till he had done. And these were the words he spoke to them:--

"Little birds, little sisters mine, much are you holden to God your Creator; and at all times and in every place you ought to praise Him. Freedom He has given you to fly everywhere; and raiment He has given you, double and threefold. More than this, He preserved your kind in the Ark, so that your race might not come to an end. Still more do you owe Him for the element of air, which He has made your portion. Over and above, you sow not, neither do you reap; but God feeds you, and gives you streams and springs for your thirst; the mountains He gives you, and the valleys for your refuge, and the tall trees wherein to build your nests. And because you cannot sew or spin, God takes thought to clothe you, you and your little ones. It must be, then, that your Creator loves you much, since He has granted you so many benefits. Be on your guard then against the sin of ingratitude, and strive always to give God praise."

And when the Saint ceased speaking, the birds made such signs as they might, by spreading their wings and opening their beaks, to show their love and pleasure; and when he had blessed them with the sign of the cross, they sprang up, and singing songs of unspeakable sweetness, away they streamed in a great cross to the four quarters of heaven.

FOOTNOTE:

[Footnote 8: By William Canton, an English journalist and poet (1845- ).]

THE SERMON OF ST. FRANCIS[9]

Up soared the lark into the air,
A shaft of song, a winged prayer,
As if a soul, released from pain,
Were flying back to heaven again.

St. Francis heard; it was to him
An emblem of the Seraphim;
The upward motion of the fire,
The light, the heat, the heart's desire.

Around Assisi's convent gate
The birds, God's poor who cannot wait,
From moor and mere and darksome wood,
Came flocking for their dole of food.

"O brother birds," St. Francis said,
"Ye come to me and ask for bread,
But not with bread alone to-day
Shall ye be fed and sent away.

"Ye shall be fed, ye happy birds,
With manna of celestial words;
Not mine, though mine they seem to be,
Not mine, though they be spoken through me.

"Oh, doubly are ye bound to praise
The great creator in your lays;
He giveth you your plumes of down,
Your crimson hoods, your cloaks of brown.

"He giveth you your wings to fly
And breathe a purer air on high,
And careth for you everywhere
Who for yourselves so little care."

With flutter of swift wings and songs
Together rose the feathered throngs
And, singing, scattered far apart;
Deep peace was in St. Francis' heart.

He knew not if the brotherhood
His homily had understood;
He only knew that to one ear
The meaning of his words was clear.

FOOTNOTE:

[Footnote 9: By Henry W. Longfellow.]

EXPRESSION: Talk with your teacher about the life, work, and
influence of St. Francis. Refer to cyclopedias for information.
Read aloud the prose version of his sermon to the birds; the
poetical version. Compare the two versions. What is said in one
that is not said in the other?

IN THE WOODS[10]

Years ago, when quite a youth, I was rambling in the woods one day with my brothers, gathering black birch and wintergreens.

As we lay upon the ground, gazing vaguely up into the trees, I caught sight of a bird, the like of which I had never before seen or heard of. It was the blue yellow-backed warbler, which I have found since; but to my young fancy it seemed like some fairy bird, so curiously marked was it, and so new and unexpected. I saw it a moment as the flickering leaves parted, noted the white spot on its wing, and it was gone.

It was a revelation. It was the first intimation I had had that the woods we knew so well held birds that we knew not at all. Were our eyes and ears so dull? Did we pass by the beautiful things in nature without seeing them? Had we been blind then? There were the robin, the bluejay, the yellowbird, and others familiar to every one; but who ever dreamed that there were still others that not even the hunters saw, and whose names few had ever heard?

The surprise that awaits every close observer of birds, the thrill of delight that accompanies it, and the feeling of fresh eager inquiry that follows can hardly be awakened by any other pursuit.

There is a fascination about it quite overpowering.

It fits so well with other things--with fishing, hunting, farming, walking, camping out--with all that takes one to the fields and the woods. One may go blackberrying and make some rare discovery; or, while driving his cow to pasture, hear a new song, or make a new observation. Secrets lurk on all sides. There is news in every bush. Expectation is ever on tiptoe. What no man ever saw may the next moment be revealed to you.

What a new interest this gives to the woods! How you long to explore every nook and corner of them! One must taste it to understand. The looker-on sees nothing to make such a fuss about. Only a little glimpse of feathers and a half-musical note or two--why all this ado? It is not the mere knowledge of birds that you get, but a new interest in the fields and woods, the air, the sunshine, the healing fragrance and coolness, and the getting away from the worry of life.

Yesterday was an October day of rare brightness and warmth. I spent the most of it in a wild, wooded gorge of Rock Creek. A tree which stood upon the bank had dropped some of its fruit in the water. As I stood there, half-leg deep, a wood duck came flying down the creek.

Presently it returned, flying up; then it came back again, and sweeping low around a bend, prepared to alight in a still, dark reach in the creek which was hidden from my view. As I passed that way about half an hour afterward, the duck started up, uttering its wild alarm note. In the stillness I could hear the whistle of its wings and the splash of the water when it took flight. Near by I saw where a raccoon had come down to the water for fresh clams, leaving its long, sharp track in the mud and sand. Before I had passed this hidden stretch of water, a pair of strange thrushes flew up from the ground and perched on a low branch.

Who can tell how much this duck, this footprint on the sand, and these strange thrushes from the far North enhanced the interest and charm of the autumn woods?

Birds cannot be learned satisfactorily from books. The satisfaction is in learning them from nature. One must have an original experience with the birds. The books are only the guide, the invitation. But let me say in the same breath that the books can by no manner of means be dispensed with.

In the beginning one finds it very difficult to identify a bird in any verbal description. First find your bird; observe its ways, its song, its calls, its flight, its haunts. Then compare with your book. In this way the feathered kingdom may soon be conquered.

FOOTNOTE:

[Footnote 10: By John Burroughs, an American writer on nature (1837- ).]

EXPRESSION: This and the selection which follows are fine examples
of descriptive writing. Read them so that your hearers will
understand every statement clearly and without special effort on
their part. Talk about the various objects that are mentioned, and
tell what you have learned about them from other sources.

BEES AND FLOWERS[11]

Fancy yourself to be in a pretty country garden on a hot summer's morning. Perhaps you have been walking, or reading, or playing, but it is getting too hot now to do anything. So you have chosen the shadiest nook under the walnut tree, close to some pretty flower bed.

As you lie there you notice a gentle buzzing near you, and you see that on the flower bed close by several bees are working busily among the flowers. They do not seem to mind the heat, nor do they wish to rest; and they fly so lightly, and look so happy over their work, that it is pleasant to watch them.

That great bumblebee takes it leisurely enough as she goes lumbering along, poking her head into the larkspurs; she remains so long in each that you might almost think she had fallen asleep. The brown hive-bee, on the other hand, moves busily and quickly among the stocks, sweet peas, and mignonette. She is evidently out on active duty, and means to get all she can from each flower, so as to carry a good load back to the hive. In some blossoms she does not stay a moment, but draws her head back almost as soon as she has popped it in, as if to say, "No honey there." But over other flowers she lingers a little, and then scrambles out again with her drop of honey, and goes off to seek more.

Let us watch her a little more closely. There are many different plants growing in the flower bed, but, curiously enough, she does not go first to one kind and then to another, but keeps to one the whole time.

Now she flies away. Rouse yourself to follow her, and you will see she takes her way back to the hive. We all know why she makes so many journeys between the garden and the hive, and that she is collecting drops of nectar from the flowers and carrying it to the hive to be stored up in the honeycomb for the winter's food. When she comes back again to the garden, we will follow her in her work among the flowers, and see what she is doing for them in return for their gifts to her.

No doubt you have already learned that plants can make better and stronger seeds when they can get the pollen dust from other plants. But I am sure that you will be very much surprised to hear that the colors, the scent, and the curious shapes of the flowers are all so many baits to attract insects. And for what reason? In order that the insects may come and carry the pollen dust from one plant to another.

So far as we know, it is entirely for this purpose that the plants form honey in different parts of the flower. This food they prepare for the insects, and then they have all sorts of contrivances to entice the little creatures to come and get it. The plants hang out gay-colored signs, as much as to say:--

"Come to me, and I will give you honey, if you will bring me pollen dust in exchange."

If you watch the different kinds of grasses, sedges, and rushes, which have such tiny flowers that you can scarcely see them, you will find that no insects visit them. Neither will you ever find bees buzzing round oak trees, elms, or birches. But on the pretty and sweet-smelling apple blossoms you will find bees, wasps, and other insects.

The reason of this is that grasses, sedges, rushes, and oak trees have a great deal of pollen dust. As the wind blows them to and fro it wafts the dust from one flower to another. And so these plants do not need to give out honey, or to have gaudy or sweet-scented flowers to attract insects.

But the brilliant poppy, the large-flowered hollyhock, the flaunting dandelion, and the bright blue forget-me-not,--all these are visited by insects, which easily catch sight of them and hasten to sip their honey.

We must not forget what the fragrance of the flowers can do. Have you ever noticed the delicious odor which comes from beds of mignonette, mint, or sweet alyssum? These plants have found another way of attracting the insects; they have no need of bright colors, for their fragrance is quite as true and certain a guide. You will be surprised if you once begin to count them up, how many dull-looking flowers are sweet-scented, while some gaudy flowers have little or no scent. Still we find some flowers, like the beautiful lily, the lovely rose, and the delicate hyacinth, which have color and fragrance and graceful shapes all combined.

But there are still other ways by which flowers secure the visits of insects. Have you not observed that different flowers open and close at different times? The daisy receives its name "day's eye" because it opens at sunrise and closes at sunset, while the evening primrose spreads out its flowers just as the daisy is going to bed.

What do you think is the reason of this? If you go near a bed of evening primroses just when the sun is setting, you will soon be able to guess. They will then give out such a sweet odor that you will not doubt for a moment that they are calling the evening moths to come and visit them. The daisy, however, opens by day and is therefore visited by day insects.

Again, some flowers close whenever rain is coming. Look at the daisies when a storm is threatening. As the sky grows dark and heavy, you will see them shrink and close till the sun shines again. They do this because in the center of the flower there is a drop of honey which would be spoiled if it were washed by the rain.

And now you will see why the cup-shaped flowers so often droop their heads,--think of the snowdrop, the lily-of-the-valley, and a host of others. How pretty they look with their bells hanging so modestly from the slender stalk! They are bending down to protect the honey within their cups.

We are gradually learning that everything which a plant does has its meaning, if we can only find it out. And when we are aware of this, a flower garden may become a new world to us if we open our eyes to all that is going on in it. And so we learn that even among insects and flowers, those who do most for others receive most in return. The bee and the flower do not reason about the matter; they only live their little lives as nature guides them, helping and improving each other.

I have been able to tell you but very little about the hidden work that is going on around us, and you must not for a moment imagine that we have fully explored the fairy land of nature. But at least we have passed through the gates, and have learned that there is a world of wonder which we may visit if we will. And it lies quite close to us, hidden in every dewdrop and gust of wind, in every brook and valley, in every little plant and animal.

FOOTNOTE:

[Footnote 11: From "The Fairy Land of Nature," by Arabella B. Buckley.]

EXPRESSION: Make a list of all the natural objects that are
mentioned in this selection. Read what is said of each. Describe as
many of them as you can in your own words. Tell what you have
observed about bees and flowers. The daisy that is referred to is
the true European daisy. The daisy, or whiteweed, of the United
States does not open and close in the manner here described.

SONG OF THE RIVER[12]

A river went singing a-down to the sea,
A-singing--low--singing--
And the dim rippling river said softly to me,
"I'm bringing, a-bringing--
While floating along--
A beautiful song
To the shores that are white where the waves are so weary,
To the beach that is burdened with wrecks that are dreary.

"A song sweet and calm
As the peacefullest psalm;
And the shore that was sad
Will be grateful and glad,
And the weariest wave from its dreariest dream
Will wake to the sound of the song of the stream;
And the tempests shall cease
And there shall be peace."
From the fairest of fountains
And farthest of mountains,
From the stillness of snow
Came the stream in its flow.

Down the slopes where the rocks are gray,
Through the vales where the flowers are fair--

Where the sunlight flashed--where the shadows lay
Like stories that cloud a face of care,
The river ran on--and on--and on,
Day and night, and night and day.
Going and going, and never gone,
Longing to flow to the "far away."
Staying and staying, and never still,--
Going and staying, as if one will
Said, "Beautiful river, go to the sea,"
And another will whispered, "Stay with me"--
And the river made answer, soft and low,
"I go and stay--I stay and go."

"But what is the song?" I said at last
To the passing river that never passed;
And a white, white wave whispered, "List to me,
I'm a note in the song for the beautiful sea,
A song whose grand accents no earth din may sever,
And the river flows on in the same mystic key
That blends in one chord the 'forever and never.'"

[Footnote 12: By Abram J. Ryan, an American clergyman and poet.]

EXPRESSION: Read aloud the three lines which introduce the song of
the river. Read them in such a manner as to call up a mental
picture of the river on its way to the sea. Read the first five
lines of the third stanza in a similar way, and tell what picture
is now called up in your mind. Now read the river's song. Read what
the white wave said. Read the whole poem with spirit and feeling.

Notice the words "a-down," "a-singing," "a-bringing." What effect
is produced by the use of these unusual forms?

SONG OF THE CHATTAHOOCHEE[13]

Out of the hills of Habersham,
Down the valleys of Hall,
I hurry amain to reach the plain,
Run the rapid and leap the fall,
Split at the rock and together again,
Accept my bed or narrow or wide,
And flee from folly on every side
With a lover's pain to attain the plain
Far from the hills of Habersham,
Far from the valleys of Hall.

All down the hills of Habersham,
All through the valleys of Hall,
The rushes cried, "Abide, abide,"
The willful waterweeds held me thrall,
The loving laurel turned my tide,
The ferns and the fondling grass said, "Stay,"
The dewberry dipped for to work delay,
And the little reeds sighed, "Abide, abide,"
Here in the hills of Habersham,
Here in the valleys of Hall.

High o'er the hills of Habersham,
Veiling the valleys of Hall,
The hickory told me manifold
Fair tales of shade; the poplar tall
Wrought me her shadowy self to hold;
The chestnut, the oak, the walnut, the pine,
Overleaning, with flickering meaning and sign,
Said, "Pass not so cold, these manifold
Deep shades of the hills of Habersham,
These glades in the valleys of Hall."

And oft in the hills of Habersham,
And oft in the valleys of Hall,
The white quartz shone, and the smooth brook stone
Did bar me of passage with friendly brawl;
And many a luminous jewel lone
(Crystals clear or a-cloud with mist,
Ruby, garnet, or amethyst)
Made lures with the lights of streaming stone
In the clefts of the hills of Habersham,
In the beds of the valleys of Hall.

FOOTNOTE:

[Footnote 13: By Sidney Lanier, an American musician and poet (1842-1881). From the _Poems of Sidney Lanier_, published by Charles Scribner's Sons.]

EXPRESSION: Compare this poem with the one which precedes it.
Compare them both with Tennyson's "Song of the Brook" ("Fifth
Reader," p. 249). Which is the most musical? Which is the best
simply as a description?

Make a list of the unusual words in this last poem, and refer to
the dictionary for their meaning. In what state is the
Chattahoochee River? "Habersham" and "Hall" are the names of two
counties in the same state.

If you have access to a library, find Southey's poem, "The Cataract
of Lodore," and read it aloud.

WAR AND PEACE