Chapter XVII: Part 17

Sydney Smith ludicrously compared Canning in office to a fly in amber:--"Nobody cares about the fly; the only question is--How the devil did it get there? Nor do I attack him," continues Sydney, "from the love of glory, but from the love of utility, as a burgomaster hunts a rat in a Dutch dyke, for fear it should flood a province. When he is jocular, he is strong; when he is serious, he is like Samson in a wig. Call him a legislator, a reasoner, and the conductor of the affairs of a great nation, and it seems to me as absurd as if a butterfly were to teach bees to make honey. That he is an extraordinary writer of small poetry, and a diner-out of the highest metre, I do most readily admit. After George Selwyn, and perhaps Tickell, there has been no such man for the last half-century." Lord Brougham, however, asserts that Mr. Canning was not, by choice a diner-out.

Canning said of Grattan's eloquence that, for the last two years, his public exhibitions were a complete failure, and that you saw all the mechanism of his oratory without its life. It was like lifting the flap of a barrel-organ, and seeing the wheels; you saw the skeleton of his sentences without the flesh on them; and were induced to think that what you had considered flashes, were merely primings kept ready for the occasion.

Lord Byron, in his _Age of Bronze_, thus characterises Canning:--

"Something may remain, perchance, to chime
With reason; and, what's stranger still, with rhyme.
Even this thy genius, Canning! may permit,
Who, bred a statesman, still was born a wit,
And never, even in that dull house could tame
To unleavened prose thine own poetic flame.
Our last, our best, our only orator,
Even I can praise thee--Tories do no more.
Nay, not so much; they hate thee, man, because
Thy spirit less upholds them than it awes!"

Peter Pindar.--Dr. Wolcot.

This sarcastic versifier was a native of Devonshire, born about the year 1738. His father was a substantial yeoman, and sent him to Kingsbridge Free School; and after his father's death, young Wolcot was removed to the Grammar School at Bodmin. He is described as a clumsy, but arch-looking boy. He, at this early period, showed a degree of quickness in repartee and sarcastic jokes, which was the first dawning of that satiric humour which he afterwards displayed. He was not remarkable at school for anything so much as negligence of his dress and person. He described himself in after-life as having been a dull scholar, but as having showed even at that early age a turn for versifying.

On leaving school, he was removed to Fowey, in Cornwall, to the house of an uncle, who was a medical practitioner, whose apprentice he became for seven years. He completed his medical education in London, and applied himself with sufficient diligence to obtain a knowledge of his future profession; but he much annoyed his uncle and two aunts by cultivating his talents for versifying and painting. Some of his chalk drawings have been preserved, and are remarkable for their peculiarity. When seen near the eye, they seem to be composed only of random scratches and masses of black chalk, of different densities and depths, with here and there a streak and blot of white, and others of red. There does not appear to be any defined objects, such as a tree, house, figure, &c.; but when viewed as a whole, at a distance hanging on the wall of the room, each of them appears to be a landscape representing morning and evening, in which the dark and light of the sky, and the foreground, hills, trees, towers, &c., could be made out by the fancy, in the smallest space of time allowed for the imagination to come into play; and then the effect is surprisingly good. Wolcot became fond of art, eminently critical and learned in its elements, sketched many favourite places in Devonshire and Cornwall, and dabbled occasionally in oils.

He settled in London, obtained a Scotch diploma of M.D., and began to practise as a physician. In 1767, Sir William Trelawney was appointed Governor of Jamaica, and Wolcot, who had some connection with the family, accompanied him to that island as his physician, and he was appointed Physician-General. The Governor's regard for his lively medical friend was so great, that he intended to procure his appointment as Governor of the Mosquito territory; but the retirement from office of his best friend, Lord Shelburne, prevented its accomplishment.

Wolcot's practice in Jamaica was not extensive; the whites were not numerous, and the coloured could not pay. Governor Trelawney, however, thinking he could promote Wolcot's interest more effectually by his patronage in the Church, having then a valuable living in his gift likely to become vacant by the severe illness of the incumbent, he recommended his client to return to England, enter holy orders, and return and take possession. Although the Governor had no very sublime ideas of priesthood, it was the only way he had of serving the wit. "Away, then," he said, "to England, get yourself japanned. But remember not to return with the hypocritical solemnity of a priest. I have just bestowed a good living on a parson, who believes not all he preaches, and what he really believes he is afraid to preach. You may very conscientiously declare," said the _conscientious_ Governor to his admiring pupil, "that you have an internal call, as the same expression will equally suit a hungry stomach and the soul." Having accomplished this praiseworthy object, the rev. (M.D.) doctor returned to his patron for induction; but "between the cup and the lip there is many a slip," for the ailing incumbent, whose _living_ the doctor sought, became convalescent, proved a very incumbrance in his path, and the japanned _medico_ was fain to take up with the living of Vere, a congregation exclusively of blacks, which he handed over to a curate, his real employment being master of ceremonies to the Governor. On his death, Wolcot returned to England with Lady Trelawney; and to carry on the metaphor, the black lobster was boiled, and came out in scarlet and gold.--(_Notes and Queries_, 2nd Series, vol. vii. pp. 381-383.)

The next twelve years of Wolcot's life were spent in attempting to establish himself as a physician in Cornwall, in which he failed, apparently on account of his invincible propensity to live as a practical humorist, and satirize his neighbours. He humorously tells us that the clinking of the bell-metal pestle and mortar seemed to him to say, "Kill 'em again, kill 'em again," and so frightened him from the profession. During his residence at Truro, some songs of his composition were set to music by Mr. W. Jackson, of Exeter, and first introduced him to general notice. In 1778, he published his first composition in that peculiar style which not long after obtained for him such a high and continued popularity--_The Epistle to the Reviewers_. At Truro, Wolcot discovered the genius of the self-taught artist, Opie, and with him came to London in 1780, they agreeing to share the joint profits of their adventure for one year. They did so for that term, when Opie told Wolcot he might return to the country, as he could now do for himself. Wolcot appears not to have contributed anything to the joint profits. There was now a split between the poet and the brushman. Opie would not, for he could not, praise Wolcot's sketches and paintings. "I tell ee, ye can't paint," said the blunt and honest Opie; "stick to the pen." This advice was too much for "the distant relation of the Poet of Thebes" to receive from "a painting ape," and the feud was never healed. The Doctor scarified and lanced, but Opie, in a more quiet way, was quite a match for the satirist, who, as he said:--

"Sons of the brush, I'm here again,
At times a _Pindar_, a _Fontaine_,
Casting poetic pearl (I fear) to swine."

Wolcot was the friend and pupil of Wilson, our great landscape painter, whose style he used to imitate not unsuccessfully. In his addenda to Pilkington's _Dictionary of Painters_, he pays due honour to the memory of his old friend, Wilson.

Wolcot now betook himself to his pen for support. His satirical and artistic tastes suggested his first publication, "_Lyric Odes to the Royal Academicians for 1782_, by Peter Pindar Esq., a distant relation of the Poet of Thebes, and Laureate to the Royal Academy," which took the town by surprise, by the reckless daring of their personalities and quaintness of style. Thus he flayed the R.A.'s--from West to Dance, and from Chambers to Wyatt--not forgetting their Royal patron, King George III. In Ode III. of the second series, entitled _More Odes to the Royal Academicians_, after complaining that Gainsborough had kicked Dame Nature out of doors, he turns from the picture he censures to another, and exclaims:--

"Speak, Muse, who form'd that matchless head?
The Cornish boy,[43] in tin-mines bred;
Whose native genius, like his diamonds, shone
In secret, till chance brought him to the sun.[44]
'Tis Jackson's portrait--put the laurel on it,
Whilst to that tuneful swan I pour a sonnet."

[43] Opie.

[44] Peter here meant himself, which is in part true.

Peter then drops the lash, resumes his neglected lyre, and pours out a sonnet to "Jackson of Exeter," worthy of the twain--the "enchanting harmonist and the lyric bard."

Peter's poems were very dear to the purchaser, being printed in thin quarto pamphlets, at 2_s._ 6_d._ each, and very little letter-press for the money. After the Royal Academicians, Peter attacked King George III. In 1785, Wolcot produced no less than twenty-three odes. In 1786, he published the _Lousiad, a Heroic Comic Poem_, founded on the fact that an obnoxious insect (either of the garden or the body) had been discovered on the King's plate of some green peas, which produced a solemn decree that all the servants in the Royal kitchen were to have their heads shaved. In the hands of an unscrupulous satirist, like Wolcot, this ridiculous incident was a stinging theme. He also mercilessly quizzed Boswell, the biographer of Johnson. Sir Joseph Banks was another subject of his satire:--

"A President, on butterflies profound,
Of whom all insect-mongers sing the praises,
Went on a day to catch the game profound,
On violets, dunghills, violet-tops, and daisies," &c.

From 1778 to 1808, above sixty of these political pamphlets were issued by Wolcot. So formidable was he considered, that the Ministry, as he alleged, endeavoured to bribe him to silence; he also boasted that his writings had been translated into six different languages. His ease and felicity, both of expression and illustration, are remarkable. In the following terse and lively lines, we have a good caricature sketch of Dr. Johnson's style.

"I own I like not Johnson's turgid style,
That gives an inch the importance of a mile;
Casts of manure a wagon-load around,
To raise a simple daisy from the ground.
Uplifts the club of Hercules--for what?
To crush a butterfly or brain a gnat!
Creates a whirlwind from the earth, to draw
A goose's feather, or exalt a straw!
Sets wheels on wheels in motion--such a clatter,
To force up one poor nipperkin of water!
Bids ocean labour with tremendous roar,
To heave a cockle-shell upon the shore;
Alike in every theme his pompous art,
Heaven's awful thunder or a rumbling cart."

Sometimes Peter himself got castigated for his satire on the sovereign. Here is an amusing instance. Those who recollect the figure of the satirist in his robust upright state, and the diminutive appearance of Mr. Nollekens, the sculptor, can readily picture to themselves their extreme contrast, when the former accosted the latter one evening at his gate in Tichfield Street, nearly in the following manner:--"Why, Nollekens, you never speak to me now; pray what is the reason?" _Nollekens._--"Why you have published such lies of the King, and had the impudence to send them to me; but Mrs. Nollekens burnt them, and I desire you'll send no more. The royal family are very good to me, and are great friends to all artists, and I don't like to hear anybody say anything against them." Upon which the Doctor put his cane upon the sculptor's shoulders, and exclaimed, "Well said, little Nolly; I like the man who sticks to his friends; you shall make a bust of me for that!" "I'll see you d--d first," answered Nollekens; "and I can tell you this besides--no man in the Royal Academy but Opie would have painted your picture; and you richly deserved the broken head you got from Gifford in Wright's shop. Mr. Cook, of Bedford Square, showed me his handkerchief dipped in your blood; and so now you know my mind. Come in, Cerberus, come in." His dog then followed him in, and he left the Doctor at the gate, which he barred up for the night.

A severer castigation he received from a brother author. It appears that William Gifford had wielded his galled pen against the morals and poetry of Wolcot. It was so stringent and caustic that the Doctor sought his lampooner in the shop of Mr. Wright, a political publisher in Piccadilly, opposite Old Bond Street. Thither Peter repaired with a stout cudgel in hand, determined to inflict a summary and severe chastisement on his literary opponent. Gifford was a small and weak person; Wolcot was large and strengthened by passion; but he was a coward, and after a short personal struggle, was turned into the street by two or three persons then in the shop. Gifford afterwards wrote and printed _An Epistle to Peter Pindar_, in which he dealt out a most virulent tirade against the Doctor, who replied in _A Cut at the Cobbler_. Gifford had been apprenticed to a shoemaker.

As each published his own story of the transaction, the one in his own name, the other by his aide-de-camp, Mr. Wright, it may not be unamusing to recapitulate the different statements of the transaction:--

_Peter Pindar._--"Determined to punish a R---- that dared to propagate a report the most atrocious, the most opprobrious, and the most unfounded, I repaired to Mr. Wright's shop in Piccadilly to _catch him_, as I understood that he paid frequent visits to his worthy friend and publisher. On opening the shop-door I saw several people, and among the rest, as I thought, Gyffard. I immediately asked him if his name was Gyffard? Upon his reply in the affirmative, without any further ceremony, I began to cane him. Wright and his customers and his shopmen immediately surrounded me, and wrested the cane from my hand. I then had recourse to the fist, and really was doing ample and easy justice to my cause, when I found my hands all on a sudden confined behind me, particularly by a tall Frenchman. Upon this Gyffard had time to run round, and with his own stick, a large one too, struck me several blows on the head. I was then hustled out of the shop, and the door was locked against me. I entreated them to let me in, but in vain. Upon the tall Frenchman's coming out of the shop, I told him that he was one of the fellows that held my hands. I have been informed that his name was Peltier. Gyffard has given out as a matter of triumph that he possesses my cane, and that he means to preserve it as a trophy. Let me recommend an inscription for it:--'The cane of Justice, with which I, William Gyffard, late cobbler of Ashburton, have been soundly drubbed for my infamy.'--I am, Sir, &c., J. WOLCOT."

_Mr. Wright._--"Whoever is acquainted with the miscreant calling himself 'Peter Pindar,' needs not be informed, that his disregard and hatred of truth are habitual. He will not, therefore, be surprised to learn that the account this Peter has published in a morning paper is a shameless tissue of falsehoods from beginning to end.

"I was not in the shop when it happened; but I am _authorized_, by the only two witnesses of it, to lay before the public the following statement:--

"Mr. Giffard was sitting by the window with a newspaper in his hand, when Peter Pindar came into the shop, and saying, 'Is not your name Giffard?' without waiting for an answer, raised a stick he had brought for the purpose, and levelled a blow at his head with all his force. Mr. Giffard fortunately caught the stick in his left hand, and quitting his chair, wrested it instantly from the cowardly assassin, and gave him two severe blows with it; one of which made a dreadful impression on Peter's skull. Mr. Giffard had raised the stick to strike him a third time, but seeing one of the gentlemen present about to collar the wretch, he desisted, and coolly said, 'Turn him out of the shop.' This was _literally and truly all_ that passed.

"After Peter was turned into the street, the spectacle of his bleeding head attracted a mob of hackney-coachmen, watermen, paviours, &c., to whom he told his lamentable case, and then, with a troop of boys at his heels, proceeded to a surgeon's in St. James's Street, to have his wounds examined, after which he slunk home.--J. WRIGHT."

Peter used to boast that he was the only author that ever outwitted or took in a publisher. His works were very popular, and produced the writer a large annual income. Walker, his publisher, in Paternoster Row, was disposed to purchase the copyrights, and print a collected edition. He first made the author a handsome offer in cash, and then an annuity. The poet drove a hard bargain for the latter, and said that "as he was very old and in a dangerous state of health, with a d--d asthma and stone in the bladder, he could not last long." The publisher offered 200_l._ a year; the Doctor required 400_l._ and every time the Doctor visited the Row, he coughed violently, breathed apparently in much pain, and acted the incurable invalid in danger so effectively that the publisher at last agreed to pay him 250_l._ annually for life. A collected edition of his works was printed in 1812, but it is defective, for they were so numerous that the author could not retain them all in his memory. An imperfect list in the _Annual Biography_ for 1819 enumerates no less than sixty-four works. One of the portraits of the Doctor was published as a separate print, which did not sell to any extent; but its publisher derived a great profit by taking out the name of Peter Pindar and substituting that of "Renwick Williams the Monster," who was infamous for stabbing women in the street. This incident was told to Mr. Britton by Wolcot himself.

There is a fashion in the burlesque poetry of every age that is palatable to the public of that age only. The subjects of Wolcot's verses were ephemeral, and are now mostly forgotten. But his popularity was not entirely earned by his audacious personalities. His versification is nervous, his language racy and idiomatic, his wit often genuine; and through all his puns and quaintnesses there runs a strain of strong manly sense. Wolcot was equal to Churchill as a satirist, as ready and versatile in his powers, and possessed of a quick sense of the ludicrous, as well as a rich vein of fancy and humour. Some of his songs and effusions are tender and pleasing. Burns greatly admired his ballad of "Lord Gregory," and wrote another on the same subject. After all his biting satires on George III. and Pitt, he accepted a pension from the administration of which Pitt was the head--not to laud it, but to vituperate its opponents. He had a shrewd intellect, and his literary compositions have the finish of an artist; but he was utterly selfish, and was a self-indulgent voluptuary.

Peter lived to the age of eighty-one, much to the annoyance of his publisher, Walker. His last abode was in a small house in Montgomery's nursery-gardens, which occupied the site of the north side of Euston Square. Here he dwelt in a secluded, cheerless manner, the victim of an asthma, very deaf, and almost entirely blind, with only a female servant to attend him. His mind, however, retained its full power. He lived only for himself; declined dinner invitations, "to avoid the danger of loading his stomach with more than Nature required;" lay in bed the greater part of his time, because "it would be folly in him to be groping around his drawing-room," and because, "when up and in motion he was obliged to carry a load of eleven or twelve stone, while here he had only a few ounces of blanket to support." When out of bed, he amused himself with his violin, or examining, as well as his sight permitted, his crayons and pictures. He showed no aversion to "receive notoriety-hunters," who came to see and hear "Peter Pindar," but evinced no desire for society.

John Britton, who lived in Burton Street, often went to see Peter on a Saturday afternoon, and there met Mr. John Taylor, editor of the _Sun_ newspaper. This gentleman was an inveterate and reckless punster, and often teased Peter by some pointless puns. At one of these visits, on taking leave, Taylor exclaimed, pointing to Peter's head and rusty wig, "Adieu! I leave thee without hope, for I see _Old Scratch_ has thee in his claws." Peter died in the above house, January 14th, 1810, and was buried in the churchyard of St. Paul, Covent Garden, close to the grave of Butler. He left a considerable property to his relations. In early life he lived in the same parish, at No. 13, Tavistock Row; and in the garret of this house he wrote many of his invectives against George III. and the Royal Academicians. In 1807, he lodged in the first floor of a house in Pratt Place, Camden Town, rented by a Mr. and Mrs. Knight. The husband was a sea-faring man, seldom at home; and the Doctor, who was not over-scrupulous, is said to have seduced the wife's affections. Knight brought an action against the Doctor, but the jury very properly acquitted him of the charge.--_See Cunningham's London_, p. 409.

Peter was not emulous to shine as a wit in his colloquial intercourse, either with strangers or his most intimate associates. Indeed, his usual manner exhibited so little of that character which strangers had imagined of the writer of his lively satires, that they were commonly disappointed. The wife of a player, at whose house Wolcot often passed an evening, used to say that "his wit seems to lie in the bowl of a teaspoon." Angelo, in his _Reminiscences_, tells us that he could not guess the riddle, until one evening he observed that each time Peter replenished his glass goblet with brandy-and-water, in breaking the sugar, the corners of his lips were curled into a satisfactory smile, and he began some quaint story, as if, indeed, the new libation begot a new thought. To prove the truth of the discovery, one night, after supper, at his own home in Bolton Row, Angelo made the experiment. One of the party being in the secret, and fond of practical joking, came provided with some small square pieces of alabaster. Peter's glass waning fast, the joker contrived to slip the alabaster into a sugar-basin provided for the purpose; when the Doctor, reaching the hot water, and pouring in the brandy, the sugar-tongs were handed to him, and then the advanced basin of alabaster. "Thank you, my boy," said Peter, putting in five or six pieces, and taking his teaspoon, began stirring as he commenced his story. Unsuspicious of the trick, Peter proceeded, "Well, sirs,--and so the old parish priest. What I tell you (then his spoon was at work) happened when I was in that infernally hot place, Jamaica (then another stir). Sir, he was the fattest man on the island (then he pressed the alabaster); yes, d----, sir, and when the thermometer, at ninety-five, was dissolving every other man, this old slouching, drawling son of the church got fatter and fatter, until, sir--(curse the sugar! some devil-black enchanter has bewitched it.) By ----, sir, this sugar is part and parcel of that old pot-bellied parson--it will never melt;" and he threw the contents of the tumbler under the grate. The whole party burst into laughter, and the joke cut short the story. The mock sugar was slipped out of the way, and the Doctor, taking another glass, never suspected the frolic.

Peter, on seeing West's picture of Satan in the Exhibition, broke out in the following couplet:--

"Is this the mighty potentate of evil?
'Tis damn'd enough, indeed, but not the Devil."

The Author of "Dr. Syntax."

Dr. Syntax's _Tour in Search of the Picturesque_ was a large prize in the lottery of publication and was also a novelty in origin and writing. It was written to a set of designs instead of the designs being made to illustrate the poet: in other words, the artist preceded the author by making a series of drawings, in which he exhibited his hero in a succession of places, and in various associations, calculated to exemplify his hobby-horsical search for the picturesque. Some of these drawings, made by Rowlandson, than whom no artist ever expressed so much with so little effort, were shown at a dinner-party at John Bannister's, in Gower Street, when it was agreed that they should be recommended to Ackermann, in the Strand, for publication. That gentleman readily purchased, and handed them, two or three at a time, to William Combe, who was then confined in the King's Bench Prison for debt. He fitted the drawings with rhymes, and they were first published in the _Poetical Magazine_, where they became so popular that they extended to three tours in as many volumes, and passed through several editions. The work reminds one of _Drunken Barnaby's Journal_ by its humour: it has been called "rhyming, rambling, rickety, and ridiculous," but by a very inexperienced critic. The illustrations were, doubtless, the attraction, which was so great, that the demand kept pace with the supply. Hence _Syntax_ was succeeded by the _Dance of Life_, the _Dance of Death_, _Johnny Quægenus_, and _Tom Raw the Griffin_, all of the same class and character, and ultimately extending to 295 prints, with versified letter-press "by Dr. Syntax." Of late years these works have been republished at reduced prices.

Combe, the author of these strange works was of good family connection, had been educated at Eton and Oxford, and very early came into possession of a large fortune, in ready money. He started in the world by taking a large mansion at the west end of London, furnished it superbly hired servants, and bought carriages, and assembled around him a set of sycophants and parasites, who made short work of it, for from the commencement to the drop-scene of the farce did not exceed one year. The consequence was disgraceful ruin, and Combe fled from his creditors and from society. We next hear of him as a common soldier, and recognized at a public-house with a volume of Greek poetry in his hand. He was relieved; but he still lived a reckless life, by turns in the King's Bench Prison and the Rules, the limits of which do not appear to have been to him much punishment. Horace Smith, who knew Combe, refers to the strange adventures and the freaks of fortune of which he had been a participator and a victim: "a ready writer of all-work for the booksellers, he passed all the latter portion of his time within _the Rules_, to which suburban retreat the present writer was occasionally invited, and never left without admiring his various acquirements, and the philosophical equanimity with which he endured his reverses." Mr. Smith further states, that if there was a lack of matter occasionally to fill up the columns of their paper, "Combe would sit down in the publisher's back-room and extemporize a letter from Sterne at Coxwould, a forgery so well executed that it never excited suspicion." Mr. Robert Cole, the antiquary, had among his autographs a list of the literary works and letters of Combe.

Combe was principally employed by Ackermann, who, for several years, paid him at least 400_l._ a-year. On the first lithograph stone which Mr. Ackermann printed, when he had prepared everything for working, Combe wrote:--

"I have been told of one
Who, being asked for bread,
In its stead
Return'd a stone.

"But here we manage better.
The stone we ask
To do its task,
And it returns in every letter."

"WILLIAM COMBE, _Jan. 23, 1817_."

Combe was often a guest at Ackermann's table; he proved a friend to him during his last illness, and contributed to the expenses of his funeral, tomb, &c. Subsequent to his death, in 1823, a small volume was published, entitled _Letters to Marianne_, said to have been written by him after the age of seventy, to a young girl. We remember to have visited him in the Rules, near New Bethlem Hospital, when we learnt that he had written a memoir of his chequered life. Campbell, in his _Life of Mrs. Siddons_, states that Combe lived nearly twenty years in the King's Bench, and never quitted that prison; which is not correct. Combe had nearly been Mrs. Siddons's reading preceptor.

Rowlandson, who designed the Syntax illustrations, was as improvident as Combe: he had a legacy of 7,000_l._, and other property, bequeathed to him by an aunt: this he dissipated in the gaming-houses of Paris and London, where he alternately won and lost without emotion several thousand pounds. When penniless, he would return to his professional duties, sit down coolly to make a series of new designs, and exclaim stoically, "I've played the fool, but (holding up his pencils) here is my resource." To Rowlandson, as well as Combe, Ackermann proved a warm and generous patron and employer.

Dr. Doran, in his piquant Notes to the _Last Journals of Horace Walpole_, tells us that "Combe burst on the world as a wonderfully well-dressed _beau_, and was received with _éclat_ for the sake of his wealth, talents, grace, and personal beauty. He was popularly called 'Count Combe,' till his extravagance had dissipated a noble fortune; and then, addressing himself to literature, the Count was forgotten in the Author. In the _Gentleman's Magazine_ for May, 1862, there is a list of his works, originally furnished by his own hand. Not one was published with his name, and they amount in number to sixty-eight. Combe was a teetotaller in the days when drunkenness was in fashion, and was remarkable for disinterestedness and industry. He was the friend of Hannah More, whom he loved to make weep by improvised romances, in which he could 'pile up the agony' with wonderful effect. Religious faith and hope enabled William Combe to triumph over the sufferings of his latter years. His second wife, the sister of the gentle and gifted Mrs. Cosway, survived him."

Horace Walpole, 1779, speaking of the poem, _The World as it Goes_, describes it as "by that infamous Combe, the author of the _Diabolical_. It has many easy poetic lines, imitates Churchill, and is fully as incoherent and absurd in its plan as the worst of the latter's."

Again, in 1778, Walpole describes "Combe" as "a most infamous rascal, who had married a cast mistress of Lord Beauchamp, and wrote many satiric poems not quite despicable for the poetry, but brutally virulent against that Lord, and others, particularly Lord Irnham." But, as Dr. Doran aptly observes, "Walpole however fond of satire, hated satirists, particularly when they were fearless and outspoken, like Combe."

Mrs. Radcliffe and the Critics.

It is singular that although Mrs. Radcliffe's beautiful descriptions of foreign scenery, composed solely from the materials afforded by travellers, collected and embodied by her own genius, were marked in a particular degree with the characteristics of fancy portraits, yet many of her contemporaries conceived them to be exact descriptions of scenes which she had visited in person. One report transmitted to the public by the _Edinburgh Review_, stated that Mr. and Mrs. Radcliffe had visited Italy; that Mr. Radcliffe had been attached to one of the British embassies in that country; and that it was here his gifted consort imbibed the taste for picturesque scenery, and for mouldering ruins, and for the obscure and gloomy anecdotes which tradition relates of their former inhabitants. This is so far a mistake, as Mrs. Radcliffe never was in Italy; but it has been mentioned, in explanation, that she probably availed herself of the acquaintance she formed in 1793 with the magnificent scenery on the banks of the Rhine, and the frowning remains of feudal castles with which it abounds. The inaccuracy of the reviewer is of no great consequence; but a more absurd report found its way into print, namely, that Mrs. Radcliffe, having visited the fine old Gothic mansion of Haddon House, had insisted upon remaining a night there, in the course of which she had been inspired with all that enthusiasm for Gothic residences, hidden passages, and mouldering walls, which marks her writings. Mrs. Radcliffe, we are assured, never saw Haddon House; and although it was a place excellently worth her attention, and could hardly have been seen by her without suggesting some of those ideas in which her imagination naturally revelled, yet we should suppose the mechanical aid to invention--the recipe for fine writing--the sleeping in a dismantled and unfurnished old house, was likely to be rewarded with nothing but a cold, and was an affectation of enthusiasm to which Mrs. Radcliffe would have disdained to have recourse.

These are the opinions of Sir Walter Scott; appended to them are these somewhat depreciatory remarks made by Dunlop, in his _History of Fiction_:--

"In the writings of Mrs. Radcliffe there is a considerable degree of uniformity and mannerism, which is perhaps the case with all the productions of a strong and original genius. Her heroines too nearly resemble each other, or rather they possess hardly any shade of difference. They have all blue eyes and auburn hair--the form of each of them has 'the airy lightness of a nymph'--they are all fond of watching the setting sun, and catching the purple tints of evening, and the vivid glow or fading splendour of the western horizon. Unfortunately they are all likewise early risers. I say unfortunately, for in every exigency Mrs. Radcliffe's heroines are provided with a pencil and paper, and the sun is never allowed to rise nor set in peace. Like Tilburina in the play, they are 'inconsolable to the minuet in Ariadne,' and in the most distressing circumstances find time to compose sonnets to sunrise, the bat, a sea-nymph, a lily, or a butterfly."

The tenor of Mrs. Radcliffe's private life seems to have been peculiarly calm and sequestered. She probably declined the sort of personal notoriety which, in London society, usually attaches to persons of literary merit; and, perhaps, no author whose works were so universally read and admired was so little personally known even to the most active of that class of people of distinction, who rest their peculiar pretensions to fashion upon the selection of literary society. Her estate was certainly not the less gracious; and it did not disturb Mrs. Radcliffe's domestic comforts, although many of her admirers believed, and some are not yet undeceived, that, in consequence of brooding over the terrors which she depicted, her reason had at length been overturned, and that the author of _The Mysteries of Udolpho_ only existed as the melancholy inmate of a private madhouse. This report was so generally spread, and so confidently repeated in print, as well as in conversation, that the writer believed it for several years, until, greatly to his satisfaction, he learned, from good authority, that there neither was, nor ever had been, the most distant foundation for this unpleasing rumour.

A false report of another kind gave Mrs. Radcliffe much concern. In Miss Seward's _Correspondence_, among the literary gossip of the day, it is roundly stated that the _Plays upon the Passions_ were Mrs. Radcliffe's, and that she owned them. Mrs. Radcliffe was much hurt at being reported capable of borrowing from the fame of a gifted sister; and Miss Seward would, no doubt, have suffered equally, had she been aware of the pain she inflicted by giving currency to a rumour so totally unfounded. The truth is, that residing at a distance from the metropolis, and living upon literary intelligence as her daily food, Miss Seward was sometimes imposed upon by those friendly caterers, who were more anxious to supply her with the newest intelligence, than solicitous about its accuracy.

Mrs. Radcliffe died at her residence in Stafford Row, Pimlico, on the 7th of February, 1823; and her remains rest in the vault of the Chapel-of-ease to St. George's parish, in the Bayswater Road, facing Hyde Park.

Cool Sir James Mackintosh.

Mackintosh, a name dear to letters and philosophy, was no lawyer in the narrow-minded sense of the word, and when appointed judge at Bombay, was lamentably thrown away upon such society as he met there. Accustomed to lead in the conversations of the conversation-men of the metropolis--such as Sharp, Rogers, Dumont--he found himself transplanted among those who afforded a sad and bitter contrast. It was like Goëthe's oak-plant, with its giant fibres, compressed within the dimensions of a flower-pot. On the third day after his arrival, most forcibly was he reminded of the contrast, when one of the members of the Council, the conversation turning upon quadrupeds, turned to him and inquired what was a quadruped. It was the same sagacious Solomon who asked him for the loan of some book, in which he could find a good account of Julius Cæsar. Mackintosh jocosely took down a volume of Lord Clarendon's _History of the Rebellion_, in which mention is made of a Sir Julius Cæsar, Master of the Rolls in the time of Charles the First. The wiseacre actually took the book home with him, and after some days brought it back to Sir James, remarking that he was disappointed on finding that the book referred to Julius Cæsar only as a lawyer, without the slightest mention of his military exploits.

Sir James was subject to certain Parson Adams-like habits of forgetfulness of common things and lesser proprieties; and this brought down upon him no slight share of taunt and ridicule. It happened, on his arrival at Bombay, that there was no house ready for his reception, and it would be a fortnight before a residence in the fort could be prepared for him. Mr. Jonathan Duncan, the Governor of the Presidency, therefore, with great kindness, offered him his garden-house, called _Sans Pareil_, for the temporary accommodation of Sir James and his family. But months and months elapsed, till a twelvemonth had actually revolved; Mackintosh and his wife, during all this time, found themselves so comfortable in their quarters, that they forgot completely the limited tenure on which they held them, appearing by a singular illusion, not to have the slightest suspicion of Mr. Duncan's proprietorship, notwithstanding some pretty intelligible hints on the subject from that gentleman, but communicated with his usual delicacy and politeness. At last, politeness and delicacy were out of the question, and the poor Governor was driven to the necessity of taking forcible possession of his own property. This was partly indolence, partly absence of mind in Sir James. He was constitutionally averse to every sort of exertion, and especially that of quitting any place where he found himself comfortable.

Before he went out to India, he made a trip into Scotland with his lady; and having taken up his abode for the night at an inn in Perthshire, not far from the beautiful park of Lord Melville (then Mr. Dundas) sent a request to Lady Jane Dundas (Mr. Dundas being absent) for permission to see the house and grounds, which was most civilly granted. Mr. Dundas being expected in the evening, her ladyship politely pressed them to stay for dinner, and to pass the night, their accommodation at the inn, not being of the best description. Mr. Dundas returned the same day, and though their politics were as adverse as possible, was so charmed with the variety of Mackintosh's conversation, that he requested his guests to prolong their visit for two or three days. So liberal, however, was the interpretation they put upon the invitation, that the two or three days were protracted into as many months, during which, every species of hint was most ineffectually given, till their hosts told them, with many polite apologies, that they expected visitors and a numerous retinue, and could no longer accommodate Mr. and Mrs. Mackintosh.

During Sir James Mackintosh's Recordership of Bombay, a singular incident occurred. Two Dutchmen having sued for debt two English officers, Lieutenants Macguire and Cauty, these officers resolved to waylay and assault them. This was rather a resolve made in a drunken excitement than a deliberate purpose. Fortunately, the Dutchmen pursued a different route from that which they had intended, and they prosecuted the two officers for the offence of lying-in-wait with intent to murder. They were found guilty, and brought up for judgment. Previous to his pronouncing judgment, however, Sir James received an intimation that the prisoners had conceived the project of shooting him as he sat on the bench, and that one of them had for that purpose a loaded pistol in his writing-desk. It is remarkable that the intimation did not induce him to take some precautions to prevent its execution--at any rate, not to expose himself needlessly to assassination. On the contrary, the circumstances only suggested the following remarks:--"I have been credibly informed that you entertained the desperate project of destroying your own lives at that bar, after having previously destroyed the judge who now addresses you. If that murderous project had been executed, I should have been the first British judge who ever stained with his blood the seat of justice. But I can never die better than in the discharge of my duty." All this eloquence might have been spared. Macguire submitted to the judge's inspection of his writing-desk, and showed him that, though it contained two pistols, neither of them was charged. It is supposed to have been a hoax--a highly mischievous one, indeed--but the statement was _primâ facie_ so improbable, that it was absurd to give it the slightest credit.

Eccentricities of Cobbett.

Cobbett began his career a political writer of ultra-Conservative stamp. He first became known to the public as "Peter Porcupine," under which name he fiercely attacked the democratic writers and speakers of France and America. He was then resident in America, and encountered one or two trials at law for alleged libels, in his defence of monarchical and aristocratic institutions. The _Porcupine Papers_ attracted much notice in England, were quoted and lauded by the government organs--quoted in both Houses of Parliament, and eulogized in the pulpit. The writer was considered one of the most powerful supports of the principles of the British constitution. This series of papers was republished in England, in twelve volumes octavo, under the patronage of the Prince Regent, to whom, it is believed, the work was dedicated.

On his return from America, Cobbett began a daily paper called the _Porcupine_. This was soon discontinued, and he began the _Register_. Both these papers were strongly in favour of the government; and the _Register_ ran through several volumes before a change took place in the political opinions of the editor--a change hastened, if not caused, by an affront offered him by William Pitt. Windham was a great admirer of Cobbett, and after reading one of his Porcupine papers, declared that the author was "worthy of a statue in gold." Pitt had refused to meet the author of the _Register_ at Windham's table; and this Cobbett resented, and never forgave. Very soon after this, a marked change took place in his politics; henceforth he was more consistent, and the last _Register_ which came from his pen, very shortly before his death, breathed the same spirit which he had shown years before as one of the leaders of the democratic party.

One of Cobbett's oddities was the wood-cut of a gridiron which for many years headed the _Political Register_, as an emblem of the martyrdom which he avowed he was prepared to undergo, upon certain conditions. The gridiron will be recollected as one of the emblems of St. Lawrence, and we see it as the large gilt vane of one of the City churches dedicated to the saint.

As he was broiled on a gridiron for refusing to give up the treasures of the church committed to his care, so Cobbett vowed that he would consent to be broiled upon certain terms, in his _Register_, dated Long Island, on the 24th of September, 1819, wherein he wrote the well-known prophecy on Peel's Cash Payments Bill of that year as follows:--"I, William Cobbett, assert that to carry their bill into effect is impossible; and I say that if this bill be carried into full effect, I will give Castlereagh leave to lay me on a gridiron, and broil me alive, while Sidmouth may stir the coals, and Canning stand by and laugh at my groans."

On the hoisting of the gridiron _on the Register_, he wrote and published the fulfilment of his prophecy in the following statement:--"Peel's bill, together with the laws about small notes, which last were in force when Peel's bill was passed; these laws all taken together, if they had gone into effect, would have put an end to all small notes on the first day of May, 1823; but to precede this blowing-up of the whole of the funding system, an act was passed, in the month of July, 1822, to prevent these laws, and especially that part of Peel's bill which put an end to small Bank of England notes, from going into full effect; thus the system received a respite; but thus did the parliament fulfil the above prophecy of September, 1819."

A large sign-gridiron was actually made for Mr. Cobbett. It was of dimensions sufficient for him to have lain thereon (he was six feet high); the implement was gilt, and we remember to have seen it in his office-window, in Fleet Street; but it was never hoisted outside the office. It was long to be seen on the gable-end of a building next Mr. Cobbett's house at Kensington.

Cobbett possessed extraordinary native vigour of mind; but every portion of his history is marked by strange blunders. Shakspeare, the British Museum, antiquities, posterity, America, France, Germany, are, one and all, either wholly indifferent to him, or objects of his bitter contempt. He absurdly condemned the British Museum as "a bundle of dead insects;" abused drinking "the immortal memory" as a contradiction of terms; and stigmatized "consuming the midnight oil" as cant and humbug. His political nicknames were very ludicrous: as big O for O'Connell; Prosperity Robinson for a flaming Chancellor of the Exchequer; and shoy-hoy for all degrees of quacks and pretenders. Still, his own gridiron was a monstrous piece of quackery, as audacious as any charlatan ever set up.

When he had a subject that suited him, he is said to have handled it not as an accomplished writer, but "with the perfect and inimitable art with which a dog picks a bone." Still, his own work would not bear this sort of handling--witness the biting critique upon his English grammar, which provoked the remark that he would undertake to write a Chinese grammar.

In country or in town, at Barn Elms, in Bolt Court or at Kensington, Cobbett wrote his _Registers_ early in the morning: these, it must be admitted, had force enough; for he said truly, "Though I never attempt to put forth that sort of stuff which the intense people on the other side of the Channel call _eloquence_, I bring out strings of very interesting facts; I use pretty powerful arguments; and I hammer them down so closely upon the mind, that they seldom fail to produce a lasting impression." This he owed, doubtless, to his industry, early rising, and methodical habits.

Cobbett affected to despise all acquirements which he had not. In his _English Grammar_ he selects examples of bad English from the writings of Dr. Johnson and Dr. Watts, and is very contemptuous on "what are called the learned languages;" but he would not have entered upon Latin or Greek.

It seemed to be Cobbett's aim to keep himself fresh in the public eye by some means of advertisement or other; a few were very reprehensible, but none more than his disinterring the bones of Thomas Paine, buried in a field on his own estate near New Rochelle, and bringing these bones to England, where, Cobbett calculated, pieces of them would be worn as memorials of the gross scoffer. Cobbett, however, never more widely mistook English feeling: instead of arousing, as he expected, the enthusiasm of the republican party in this country, he only drew upon himself universal contempt.

Heber, the Book-Collector.

There have been many instances of the indulgence of book collecting to the extent which is termed book-madness; but none more remarkable than that of Mr. Richard Heber, half-brother to the celebrated Bishop of Calcutta of the same name. Mr. Heber inherited property which permitted him to spend immense sums in the purchase of books; and he received an education which enabled him to appreciate the books when purchased. He was not therefore, strictly speaking, a _bibliomaniac_, and nothing more, though his exertions in _collecting_ amounted to eccentricities. He would make excursions from the family seats in Yorkshire and Shropshire to London, to attend book sales; and when the termination of the war in 1815 opened the Continent to English travellers, Heber visited France, Belgium and the Netherlands, and made large purchases of books in each country. He cared for nothing but books. He kept up a correspondence with all the great dealers in old books throughout the kingdom. On hearing of a curious book, he was known to have put himself into a mail-coach, and travelled three or four hundred miles to obtain it, fearful to entrust his commission to any agent. He was known to say seriously to his friends, on their remarking on his many duplicates, "Why, you see, sir, no man can do comfortably without _three_ copies of a work. One he must have for a _show_ copy, and he will, probably, keep it at his country-house. Another he will require for his use and reference; and, unless he is inclined to part with this, which is very inconvenient, or risk the injury of his best copy, he must needs have a third at the service of his friends."

Mr. Hill Burton, in his _Book-hunter_, relates the following incident of Heber's experience in the rarity-market. A celebrated dealer in old books was passing a chandler's shop, where he was stopped by a few filthy old volumes in the window. One of them he found to be a volume of old English poetry, which he--a practised hand in that line--saw was utterly unknown as existing, though not unrecorded. Three and sixpence was asked; he stood out for a half-a-crown, on first principles, but, not succeeding, he paid the larger sum, and walked away, book in pocket, to a sale, where the first person he saw was Heber. Him the triumphant bookseller drew into a corner, with "Why do you come to auctions to look for scarce books, when you can pick up such things as this in a chandler's shop for three and sixpence?" "Bless me, ----, where did you get this?" "That's tellings! I may get more there." "----, I must have this." "Not a penny under thirty guineas!" A cheque was drawn, and a profit of 17,900 per cent. cleared by the man who had his eyes about him, in whose estimation such a sum was paltry compared with the triumph over Heber.