Chapter XXII: Georgve Carpenter
The famous French puglist.
[Caption for following illustration: XXVIII.
JACK DEMPSEY.]
[Caption for following illustration: XXIX.
RODOLFO GAONA.
A Mexican “Torero” and the idol of the bull-fighting public. He is reputed to be the bravest that ever appeared in the rings of New Spain.]
[Caption for following illustration: XXX.
IGNACIO SANCHEZ MEJIAS.
A very brave and ambitious bull-fighter from Seville. Formerly a student of medicine, he abandoned his profession for the plaudits of the middle and upper-class frequenters of the bull-ring, who adore him.]
[Caption for following illustration: XXXI.
JUAN BELMONTE.
The “Phenomenon” from Seville, who thrills his excitable audiences with his daring work near the horns of the bull.]
[Caption for following illustration: XXXII.
FINAL CONSULTATION.
HE WHO IS POINTING (President Obregon): “Energy within the law!” ...
PUBLIC OPINION: “I have confidence in you, Doctor.”]
[Caption for following illustration: XXXIII.
INTERNATIONAL TAILORING.
President Obregon: When will you let me have the suit, boss?
Uncle Sam: We require many fittings (pruebas) yet, General.
(“Pruebas” in Spanish means both fittings and proofs.)]
[Caption for following illustration: XXXIV.
THE RECOGNITION QUESTION.
General Obregon, as Ford driver: Ready sir?
Uncle Sam: Does the car go well?
Ford Driver: Just examine (reconozca) it and you’ll see.
(“Reconocer” in Spanish means both examine and recognize.)]
[Caption for following illustration: XXXV.
WILL HE GIVE HER THE DEATH BLOW?
Cabral here depicts the strangling of Industry in the State of Veracruz by Bolshevism.]
[Caption for following illustration: XXXVI.
TAKE YOUR MUSIC ELSEWHERE.
The Average Man: “What a goat’s whiskers he’s got.”]
[Caption for following illustration: XXXVII.
WHAT A KNOCK IN THE EYE!
This cartoon refers to an insulting and threatening telegram sent by the Strike Committee to General Obregon during a Tramways strike in Mexico City, and the President’s vigorous reply.]
[Caption for following illustration: XXXVIII.
Employer: I won’t give you work because you get drunk so often.
Workman: Not very often, boss; only when I celebrate my name day.
Employer: What’s your name?
Workman: Domingo. (Sunday).]
[Caption for following illustration: XXXIX.
INFALLIBLE FOR HEADACHES.
“Comment unnecessary.”
In Mexico City the jitney is a terror to the pedestrian. Upon this one is an advertisement of a patent medicine “Infallible for headaches.”]
[Caption for following illustration: XL.
He: I am reading a sensational piece of news.
She: What is it?
He: An automobile knocked a man down and killed him.
She: That’s nothing; many people are knocked down every day.
He: Yes, but in this case they arrested the chauffeur.]
[Caption for following illustration: XLI.
“Excuse me, sir, has the Colonia-Roma tram gone by?”
“Do you take me for a tram despatcher?”
“No, sir, I mistook you for a gentleman, that’s all.”]
[Caption for following illustration: XLII.
IS LIGHT NECESSARY?
“Shall we get accustomed to being without light, friend?”
“That is a matter of indifference to me as my wife gives a tremendous lot of light.”
(In Spanish, the verb “To give light” means also “To give birth.”)]
[Caption for following illustration: XLIII.
EL CONFLICTO DE LUZ Y FUERZA
(The Light and Power Conflict)
Who gave you that, brother?
Luz, (Light) my wife.
What energy she used!
Naturally, seeing she has lots of motive power. (fuerza motriz.)]
[Caption for following illustration: XLIV.
THE OFFICIAL TIME.
Widow: He died at four in the morning, official time, without making a will; he didn’t have time to do so....
... God’s will be done; but if he had died at four o’clock astronomical time, everything would have been all right!]
[Caption for following illustration: XLV.
OFFICIAL TIME.
“I’m awfully sorry to tell you, old man, but on Saturday, at 11 o’clock at night, I saw your wife with another man.”
“You lie, you idiot!”
“Man!--You insult me!”
“It was twelve o’clock. Don’t you know that we are an hour in advance?”
“You’re quite right--pardon me.”]
[Caption for following illustration: XLVI.
THE WATER CRISIS.
“Have you noticed that black shirts are fashionable?”
“Certaintly--it is the triumph of Fascismo.”
“Rubbish!--it’s on account of excess of dirt and want of water.”]
[Caption for following illustration: XLVII.
OUR RESTAURANTS.
Diner: Imbecile!--the fish you gave me a week ago was better.
Waiter: You are the imbecile--because I can prove to you it’s the same!]
[Caption for following illustration: XLVIII.
1st kiddie: My parents bought me new shoes and a little brother in Paris.
2nd kiddie: Oh well, mine didn’t bring me shoes because they bought me twins.]
[Caption for following illustration: XLIX.
SAFETY AT NIGHT.
The Young Fellow: My wife has just given birth to twins--at four o’clock in the morning.
The Old Boy: Well, that’s very commendable caution. Few people care to arrive alone in Mexico at that hour.]
[Caption for following illustration: L.
THE HENPECKED ONE.
Lunch time, and my wife so jealous! What the deuce am I to do to justify my late arrival?]
[Caption for following illustration: LI.
BETWEEN MILK VENDORS.
“How many liters of milk does your cow give, Don Pancho?”
“About eight liters, Doña Julia.”
“And how many do you sell?”
“Oh, not more than twenty.”]
[Caption for following illustration: LII.
“So you’ve finished crying at last!”
The Kid: “No!” (sniffling)--“I’m only resting a little.”]
[Caption for following illustration: LIII.
IRONY.
He: After you Madame!]
[Caption for following illustration: LIV.
FAMILY DISPUTES.
He: And so you are capable of saying I am two-faced!
She: Heavens, no! The one you have is enough!]
[Caption for following illustration: LV.
The Padre:--(Teaching his pupil the ten commandments) The fifth--‘Thou shalt not kill.’
The Pupil: Not even when I have “fuero,” father?
(“Fuero” is a privilege granted to Congressmen and others which exempts them from arrest for crimes committed when holding office.)]
[Caption for following illustration: LVI.
FATHERS OF THE COUNTRY.
“To think I have so many and am so neglected!”
(Congressmen in Mexico are called “Fathers of the Country.”)]
[Caption for following illustration: LVII.
THE FAUX PAS.
“What do you think of my wife’s voice?”
“Excuse me, that woman’s making such a noise I can’t hear a word!--What were you saying?”]
[Caption for following illustration: LVIII.
“Why don’t you marry Rose?”
“Nothing doing, old man. She’s bitterly opposed to divorce.”]
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Ernesto Garcia Cabral: A Mexican CartoonistChapter XXII: Georgve Carpenter
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