Chapter II: Part 2

We cannot but think it unfortunate that this poem, with several others of the highest merit, have been omitted in the last edition, while others find a place there, for which comparatively we care little. Uniformity of excellence has been sacrificed to uniformity of character, a subsidiary matter which in itself is of slight importance, and which the public would never quarrel for if they were treated with an ever pleasing variety. As it is, we have still to search three volumes for the best specimens of Mr. Arnold's powers, and opportunities are still left for illmatured critics to make extracts of an apparently inferior kind. There is a remedy for this, however, in the future, and the necessary sifting will no doubt get itself duly accomplished at last. In the meantime, before noticing the late edition, we have a few words to say about Empedocles, the ground of objection to which we cannot think Mr. Arnold adequately understands, although he has omitted it in his present edition, and has given us his reasons for doing so. Empedocles, as we all know, was a Sicilian philosopher, who, out of discontent with life, or from other cause, flung himself into the crater of Mount AEtna. A discontent of this kind, Mr. Arnold tells us, unrelieved by incident, hope, or resistance, is not a fit subject for poetry. The object of poetry is to please, and the spectacle of a man too weak to bear his trials, and breaking under them, cannot be anything but painful. The correctness of the portrait he defends; and the fault, as he thinks, is not in the treatment, but in the subject itself. Now it is true that as a rule poetry is better employed in exhibiting the conquest over temptations than the fall under them, and some escape of this kind for the feelings must be provided in tragedies, by the introduction of some powerful cause, either of temptation acting on the will or of an external force controlling the action, in order to explain and reconcile us to the catastrophe. A mere picture of imbecility is revolting simply; we cannot conceive ourselves acting in the same way under the same circumstances, and we can therefore feel neither sympathy with the actor nor interest in his fate. But we must be careful how we narrow our theories in such matters. In Werther we have an instance of the same trial, with the same issue as Mr. Arnold has described in Empedocles, and to say that Werther was a mistake, is to circumscribe the sphere of art by a definition which the public taste will refuse to recognize. Nor is it true, in spite of Schiller's authority, that "all art is dedicated to enjoyment." Tragedy has other objects, the katharsis or purifying of the emotions for instance, which, if we are to continue to use words in their ordinary sense, is something distinct from enjoyment, and not always reconcilable with it. Whatever will excite interest in a healthy, vigorous mind, that is a fair object of poetry, and there is a painful as well as a pleasant interest; it is an abuse of language to describe the sensations which we experience on reading "Philoctetes" or "Hamlet" as pleasant. They are not unmixedly painful, but surely not pleasant.

It is not therefore the actual fate of Empedocles which fails to interest us, but we are unable to feel that Mr. Arnold's account of him is the true account. In the absence of authentic material, the artist who hopes to interest us in his fate must at least make the story probable as he tells it; consistent in itself, with causes clearly drawn out proportioned to the effects resulting from them. And this it cannot be said that Mr. Arnold has done. Powerful as is much of the language which he places in the mouth of Empedocles, he has failed to represent him as in a condition in which suicide is the natural result. His trials, his disgusts, as far as he exhibits them, are not more than man may naturally be supposed able to bear, while of the impulses of a more definite character there is no trace at all. But a more grave deficiency still is, that among all the motives introduced, there is not one to make the climb of AEtna necessary or intelligible. Empedocles on AEtna might have been Empedocles in his room at Catana, and a dagger or a cup of hemlock would have answered all purposes equally well with a plunge in the burning crater. If the tradition of Empedocles is a real story of a thing which really happened, we may feel sure that some peculiar feeling connected with the mountain itself, some mystical theory or local tradition, led such a man as he was to such a means of self-immolation.

We turn from Empedocles, which perhaps it is scarcely fair to have criticised, to the first poem in the latest edition, "Sohrab and Rustum," (Poems. By Matthew Arnold. A New Edition, London: 1853.) a poem which alone would have settled the position which Mr. Arnold has a right to claim as a poet, and which is remarkable for its success in every point in which Empedocles appears deficient. The story comes down out of remote Persian antiquity; it is as old, perhaps it is older, than the tale of Troy; and, like all old stories which have survived the changes of so long a time, is in itself of singular interest. Rustum, the Hercules of the East, fell in with and loved a beautiful Tartar woman. He left her, and she saw him no more; but in time a child was born, who grew up with the princes of his mother's tribe, and became in early youth distinguished in all manly graces and noblenesses. Learning that he was the son of the great Rustum, his object is to find his father, and induce him, by some gallant action, to acknowledge and receive him. War breaks out between the Tartars and the Persians. The two armies come down upon the Oxus, and Sohrab having heard that Rustum had remained behind in the mountains, and was not present, challenges the Persian chief. Rustum, unknown to Sohrab, had in the meantime joined the army, and against a warrior of Sohrab's reputation, no one could be trusted to maintain the Persian cause except the old hero. So by a sad perversity of fate, and led to it by their very greatness, the father and the son meet in battle, and only recognize each other when Sohrab is lying mortally wounded. It is one of those terrible situations which only the very highest power of poetry can dwell upon successfully. If the right chord be not touched to the exactest nicety, if the shock of the incident in itself be not melted into pathos, and the nobleness of soul in the two sufferers be not made to rise above the cruel accident which crushes them, we cannot listen to the poet. The story overwhelms and absorbs us; we desire to be left alone with it and with our own feelings, and his words about it become officious and intrusive. Homer has furnished Mr. Arnold with his model, and has taught him the great lesson that the language on such occasions cannot be too simple and the style too little ornamented. Perhaps it may be thought that he has followed Homer's manner even too closely. No one who has read "Mycerinus" and the "Forsaken Metman" can doubt that Mr. Arnold can write richly if he pleases. It is a little startling, therefore, to find the opening of this poem simpler than one would make it, even if telling it in prose to a child. As in the "Iliad," the same words are repeated over and over again for the same idea, without variation or attempt at it; and although it may easily be that our taste is spoiled by the high seasoning of the modern style, the result is that it strikes the attention to an extent which would have been better avoided. A perfect style does not strike at all, and it is a matter in which the reader ought to be considered even more than the abstract right. We have soon, however, ceased to think of that; the peculiarity which we have mentioned is confined to the beginning, and the success of the treatment is best proved by our forgetfulness, as we read on, of art and artist language and manner, in the overpowering interest of the story as it is drawn out before us. Extracts will convey a poor idea of a poem in which the parts are so wholly subordinate to the effect of the whole, and yet, in spite of this disadvantage, we can justify at least partially to our readers the opinions which we have generally expressed.

We will take the scene of the recognition, when Sohrab, lying wounded, and as yet ignorant of the name of his adversary, has declared himself Rustum's son. The father, at first incredulous and scornful, is led step by step, through the mention of old names and times, towards the anaguorisis, and after the most delicately traced alternations of feeling, all doubt is ended by the mark of the seal on Sohrab's arm which Rustum had given to his mother.

"How say'st thou? [Sohrab says.] Is that sign the proper sign Of Rustum's son, or of some other man's? He spoke: but Rustum gazed, and gazed, and stood Speechless; and then he uttered one sharp cry, Oh, boy, thy father!"

This is the first hint to Sohrab who has been his foe.

"And his voice choked there, And then a dark cloud pass'd before his eyes, And his head swam, and he sank down to earth. But Sohrab crawled to where he lay, and cast His arms about his neck, and kiss'd his lips, And with fond faltering fingers stroked his cheeks, Trying to call him back to life: and life Came back to Rustum; and he op'd his eyes; And they stood wide with horrour: and he seized In both his hands the dust which lay around, And threw it on his face, and smirched his hair, His hair, and face, and beard, and glittering arms: And strong convulsive groanings shook his breast, And his sobs choked him, and he clutched his sword To draw it, and for ever let life out. But Sohrab saw his thought, and held his hand, And with a soothing voice he spoke, and said 'Father, forbear, for I but meet to-day The doom that at my birth was written down In Heaven, and thou art Heaven's unconscious hand. Surely my heart cried out that it was thou, When first I saw thee; and thy heart spoke too, I know it; but Fate trod those promptings down Under its iron heel; Fate, Fate engaged The strife, and hurled me on my father's spear. But let us speak no more of this: I find My father: let me feel that I have found. Come, sit beside me on this sand, and take My head betwixt thy hands, and kiss my cheeks, And wash them with thy tears, and say "My son!" Quick: quick! for numbered are my sands of life, And swift; for like the lightning to this field I came, and like the wind I go away. Sudden and swift, and like a passing wind: But it was writ in Heaven that this should be.' So said he: and his voice released the heart Of Rustum; and his tears broke forth: he cast His arms round his son's neck, and wept aloud, And kiss'd him; and awe fell on both the hosts When they saw Rustum's grief; and Ruksh, the horse, With his head bowing to the ground and mane Sweeping the dust, came near, and in mute woe First to the one, then to the other mov'd His head, as if enquiring what their grief Might mean; and from his dark compassionate eyes The big warm tears roll'd down and caked the sand."

As a picture of human life in Homer's manner, we cannot see why this passage, and indeed the whole poem, should not be thought as good as any one of the episodes in the "AEneid." We are not comparing Mr. Arnold with Virgil: for it is one thing to have written an epic and another to have written a small fragment; but as a working up of a single incident it may rank by the side of Nisus and Euryalus, and deeper chords of feeling are touched in it than Virgil has ever touched.

And this leads us to Mr Arnold's preface, and to the account which he gives us of the object which he proposes to himself in poetry: and our notice of this must be brief, as our space is running to its conclusion. He tells us, in a manner most feelingly instructive, something of the difficulties which lie round a young poet of the present day who desires to follow his art to some genuine purpose; and what he says will remind readers of Wordsworth of Professor Wilson's beautiful letter to him on a very similar subject. Unhappily the question is not one of poetry merely, but of far wider significance. Not the poet only, but every one of us who cannot be satisfied to tread with the crowd along the broad road which leads--we used to know whither, but desires "to cultivate," as Mr. Arnold says, "what is best and noblest" in ourselves, are as sorely at a loss as he is with his art. To find the best models,--that indeed is the one thing for him and for us. But what are they and where? and the answer to the aesthetic difficulty lies as we believe in the solution of the moral one. To say this, however, is of infinitely little service for the practical direction of a living poet; and we are here advised (and for present purposes no doubt wisely) to fall back on the artists of classic antiquity. From them better than from the best of the moderns, the young poet will learn what art really is. He will learn that before beginning to sing it is necessary to have something to sing of, and that a poem is something else than a collection of sweet musical sentences strung together like beads or even jewels in a necklace. He will learn that the subject is greater than the manner; that the first is the one essential without a worthy choice of which nothing can prosper. Above all, he will learn that the restless craving after novelty, so characteristic of all modern writing, the craving after new plots, new stories, new ideas, is mere disease, and that the true original genius displays itself not in the fabrication of what has no existence, but in the strength and power with which facts of history, or stories existing so fixedly in the popular belief as to have acquired so to say the character of facts, shall be exhibited and delineated.

But while we allow with Mr. Arnold that the theory will best be learnt from the ancients, we cannot allow, as he seems to desire us to allow, that the practice of it was confined to them, or recommend as he does the disproportionate study, still less the disproportionate imitation of them. All great artists at all times have followed the same method, for greatness is impossible without it. The Italian painters are never weary of the Holy Family. The matter of Dante's poem lay before him in the creed of the whole of Europe. Shakespeare has not invented the substance of any one of his plays. And the "weighty experience" and "composure of judgment" with which the study of the ancients no doubt does furnish "those who habitually practise it," may be obtained we believe by the study of the thoughts of all great men of all ages; by the study of life in any age, so that our scope be broad enough.

It is indeed idle nonsense to speak, as some critics speak, of the "present" as alone having claims upon the poet. Whatever is great, or good, or pathetic, or terrible, in any age past or present, belongs to him, and is within his proper province; but most especially, if he is wise, he will select his subjects out of those which time has sealed as permanently significant. It is not easy in our own age to distinguish what has the elements in it of enduring importance; and time is wiser than we. But why dwell with such apparent exclusiveness on classic antiquity, as if there was no antiquity except the classic, and as if time were divided into the eras of Greece and Rome and the nineteenth century? The Hellenic poet sang of the Hellenes, why should not the Teutonic poet sing of the Teutons?

"Vixere fortes post Agamemnona."

And grand as are Achilles and Clytemnestra, they are not grander than their parallels in the German epic Criemhilda and Von Tronje Hagen. We do not dream of prescribing to Mr. Arnold what subject he should choose. Let him choose what interests himself if he will interest his readers; and if he choose what is really human, let it come from what age it will, human hearts will answer to it. And yet it seems as if Teutonic tradition, Teutonic feeling, and Teutonic thought had the first claim on English and German poets. And those among them will deserve best of the modern world, and will receive the warmest welcome from it, who will follow Shakespeare in modelling into forms of beauty the inheritance which has come down to them of the actions of their own race. So most faithfully, if least directly, they will be treading in the steps of those great poets of Greece whom they desire to imitate. Homer and Sophocles did not look beyond their own traditions and their own beliefs; they found in these and these only their exclusive and abundant material. Have the Gothic annals suddenly become poor, and our own quarries become exhausted and worthless?

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WORDS ABOUT OXFORD

Many long years had passed since I visited Oxford,-- some twenty-eight or more. I had friends among the resident members of that venerable domicile of learning. Pleasant had been the time that I had spent there, of which intervening years had not diminished the remembrance --perhaps heightened the tone of its colouring. On many accounts I regarded that beautiful city with affectionate veneration. There were more than local attractions to render it interesting. There were the recollections of those who ceased in the interval to be denizens of this world. These could not but breathe sadness over the noble edifices that recalled men, conversations, and convivialities which, however long departed, shadowed upon the mind its own inevitable destiny. Again were those venerable buildings before me in their architectural richness. There were tower, and roof, and gateway, in all their variety of outline, defined with the sharp light and shade peculiar to ecclesiastical architecture. There were tufted groves overshadowing the haunts of learning; and there, too, was old Magdalen, which used to greet our sight so pleasantly upon our approach to the city. I began to fancy I had leaped no gulf of time since, for the Cherwell ran on as of old. I felt that the happy allusion of Quevedo to the Tiber was not out of place here, "The fugitive is alone permanent." The same river ran on as it had run on before, but the cheerful faces that had been once reflected in its stream had passed away. I saw things once familiar as I saw them before; but "the fathers, where were they ?" I was in this respect like one awaked from the slumber of an age, who found himself a stranger in his own land.

I walked through High Street. I entered All Souls' and came out quickly, for the quadrangle, or rather one glance round it, was sufficient to put "the past to pain." I went over the different sites, and even paced Christ Church meadows. But I could not deceive myself for a moment. There was an indescribable vacuum somewhere that indicated there was no mode of making the past the present. What had become of the pleasant faces, the cheerful voices, the animal spirits, which seemed in my eyes to give a soul to those splendid donations of our forefathers to learning in years gone by? That instinct--soul, spirit, whatever it be--which animates and vivifies everything, and without which the palace is not comparable to the hovel possessing it,-- that instinct or spirit was absent for me, at least. At length I adjourned to the Star, somewhat moody, more than half wishing I had not entered the city. I ordered my solitary meal, and began ruminating, as we all do, over the thousandth-time told tale of human destiny by generation after generation. I am not sure I did not greet with sullen pleasure a heavy, dark, dense mass of cloud that at that moment canopied the city. The mind finds all kinds of congenialities grateful at such moments. Some drops of rain fell; then a shower, tolerably heavy. I could not go out again as I intended doing. I sat and sipped my wine, thinking of the fate of cities,--of Nineveh the renowned, of the marbles lately recovered from thence with the mysterious arrowheaded characters. I thought that some future Layard might exhume the cornices of the Oxford temples. The deaths of cities were as inevitable as those of men. I felt that my missing friends had only a priority in mortality, and that the law of the Supreme existed to be obeyed without man's questionings.

But a sun-burst took place, the shower ceased, all became fresh and clear. I saw several gownsmen pass down the street, and I sallied forth again. Several who were in front of me, so full was I of old imaginings, I thought might be old friends whom I should recognize. How idle! I strolled to the Isis. It was all glitter and gaiety. The sun shone out warmly and covered the surface of the river with gold. Numerous skiffs of the university-men were alive on the water, realizing the lines,--

"Some lightly o'er the current swim, Some show their gaily gilded trim Quick glancing to the sun."

Here was the repetition of an old performance, but the actors were new. I too had once floated over that glittering water, or lain up by the bank in conversation, or reciting verses, or, perhaps, in that silent, dreamy vacancy, in which the mind ruminates or rests folded up within itself in the consciousness of its own immortality.

Here I must place a word or two in regard to the censures cast upon this magnificent foundation of learning relative to the extravagances of young collegians. Let it be granted, as it is asserted by some, that there is too much exclusiveness, and that there are improvements to be recommended in some of the details of an organization so ancient. It may be true to a certain extent, for what under heaven is perfect? But a vast mass of good is to be brought to bear on the other hand. I cannot, therefore, agree in those censures which journalism has cast upon the officers of the university, as if they encouraged, or, at all events, did not control, the vicious extravagance of young men. I am expressing only an individual opinion, it is true; and this may be a reason why it may be undervalued, when the justice of a question is not the criterion by which it is judged. All that such a foundation can be expected to do is to render the advantages of learning as accessible as possible, upon reasonable terms, that genius, not wealth alone, may be able to avail itself of its advantages. If the present sum be too high, let its reduction be considered with a view to any practicable change. The pecuniary resources of the collegian it becomes no part of the duty of the university to control, beyond the demands necessary for the main object of instruction. As the circumstances of parents vary, so will the pecuniary allowance made to their offspring. It would be a task neither practicable nor justifiable for the university to regulate the outlay of the collegian, or, in fact, become the paymaster of his menus plaisirs. Only let such a task be imagined in its enormity of control, from the son of the nobleman with an allowance of a thousand a year to one of a hundred and fifty pounds. It is not in the college, but prior to the arrival there of the youth, that he should be instructed in the views his relations have in sending him, and be taught that he must not ape the outlay and show of those who have larger means. If a youth orders a dozen coats within a time for which one only would be found adequate, I do not see what his college has to do with it. Youths entering the navy and army are left in a much more extended field of temptation. No time-hallowed walls shelter them. No salutary college rules remind them of their moral duties, daily and almost hourly. They go up and down the world under their own guardianship, exposed to every sinister influence, and with inclinations only restrained by their own monitorship. The college discipline, even if it extend not beyond college duties, is a perpetual remembrancer of the high moral end for which the student is placed within its precincts. His only allurement to extravagance is the desire of vying with those who make a greater display than himself, or else it arises from, if possible, a less defensible motive, namely, that of becoming himself an object of emulation to others. It is not the duty of the college authorities to compensate by their watchfulness the effects of a weak understanding, or that lax principle, or the want of self-command, of which the neglect of the parent or guardian has been the cause. If the freshman is destitute of self-dependence and self-restraint he must suffer from the consequences. Not only in the navy and army is youth exposed to temptations very far beyond the collegian, but in the inns of court young men are left to take care of themselves, in the midst of a great capital, without any surveillance whatever. From these youths arise excellent men of business. Most assuredly under the surveillance of a college in smaller cities, and where many heads of expense are from the nature of their position wholly out of the question, it does seem singular that such complaints should arise. It is true, display is the vice of modern society among the old as well as the young, and in both cases most dishonest means are had recourse to sustain those appearances, which are all the world looks to. It is possible, therefore, that little efforts have been made to initiate youth, prior to entering the universities, in that path of self-denial and high-mindedness which are the safeguard from vicious prodigality. They bring with them the vices of their caste, whatever that caste may be. Youth is imitative, and seldom a clumsy copyist, of the faults of its elders, provided those faults are fashionable faults, however unprincipled. However this may be, I must protest against the universities being made answerable for these doings. Attempts have been made, and failed, in respect to manners and to credit; and have failed clearly because they were impracticable, and, more than that, better left alone. The university ought not to be answerable in such cases, any more than the benchers for the Temple students. It cannot be expected that the noble quadrangles of our colleges are to become something like poor-law prisons, and the regulations of the night be extended over the day. The very existence of the collegian, as such, implies something like freedom, both mental and bodily. Learning that is converted into a tyranny will never bring forth good fruit. It is the duty of parents and schoolmasters to impress upon the mind of youth that a seat of learning is the home of an easy frugality rather than of prodigal rivalry; that the university will only give degrees and honours where there is industry and good moral conduct. It is to be feared that youth, quitting the discipline of the school, looks upon the university as the place where he may indulge in his own wayward will, and be as idle and indolent as he please. If this be the case the university is not to blame for such lapses, but a bad prior apprehension of duty, and a defective, ill-directed education.

It is impossible to read the biographies of some of our most celebrated men, and not to see that with means scanty enough they were enabled to keep their terms with honour, and in the end confer additional celebrity upon the noble foundations where they had studied. If such be the case, we have only the result of personal good or ill conduct to explain the whole of the affair. But enough on this subject.

But it is not the venerable appearance of University College, hallowed by the associations of so many centuries in age, nor Queen's opposite, nor All Souls', nor any other of the colleges as mere buildings, that so connect them with our feelings. We must turn the mind from stone and wood to the humanity in connection with them. It is that which casts over them the "religious light," speaking so sadly and sweetly to the heart. In University College we see the glorious name of Alfred, and nearly a thousand years, with their perished annals, point to it as the witness of their departed successions. Who on seeing New College does not recall William of Wykeham? and then, what a roll of proud names own this renowned university for their Alma Mater. The very stones "prate of the whereabout" of things connected with the development of great minds, and while we look without fatigue at the gorgeous mass of buildings in this university, we feel we are contemplating what carries an intimate connexion, in object at least, with that all of man which marches in the track of eternity. It is not mere antiquity, therefore, on which our reverence for a great seminary of learning is founded. Priority of existence has no solid claims to our regard, except for that verde antique which covers it, as it covers all things past. good or indifferent; it is the connexion of the foundation with the history of man--with the names that, like the flowers called "immortals," bloom amid the wrecks and desolateness with which the flood of ages strew the rearway of humankind.

Of late there has been small response to feelings such as these in the great world, for we have not been looking much toward what is above us, nor discriminating from meaner things those which approach to heroic natures. We must abandon Mammon, politics, and polemics, when we would approach the threshold of elevated meditation--when we dwell on the illustrious names of the past, and tread over the stones which they trod. I never wandered along the banks of the sedgy Cam, at that lone, twilight hour, when the dimness of external objects tends most to concentrate the faculties upon the immediate object of contemplation, but I have fancied the shades of Bacon, Milton, or Locke, to be near me, as the Indian fancies the shades of his fathers haunt the old hunting-grounds of his race. I know that these are heterodox feelings in the present day. I know that he who speaks of Homer or Milton, for example, is continually answered by the question, "Who reads them now?" The truth being, perhaps, that we are getting too far below them to relish their superior standard in sterling merit. But there are still in our universities, if not elsewhere, some who are content to be the last of the Goths in the estimation of the multitude, who cannot see the Isis, or Cherwell, or the reedy Cam, without feelings of which the crowd knows nothing; who can dream away an hour in the avenue of Christ Church, and almost conjure spirits from the depths of the grave to realize the pictures of imagination, which are there always invested with purity and holiness, so much do external things impress their character on our imaginings. This is the true poetry of life, neither found in the haunts of fashion, nor among the denizens of Cornhill or St. Giles'. The good and deep things of the mind, the search into the secrets of nature, the sublimest truth, the purest philosophy of which man has to boast, has proceeded from those who were inhabitants of such seats of learning. It is impossible to state the precise amount of assistance which genius and learning may derive from the ease and peace enjoyed in such a university. They are inestimable to the student from association, tranquillity, and convenience. The very "dim religious light" of college rooms are solicitations to reflection. Then there are the conveniences of first-rate professors, and access to the writings of the learned in all ages. Thus some who professed a distaste for a university life, have returned to it again, and made it the arena where they have conquered a lasting reputation--such, for example, was the case with Gray the poet.

The increase of knowledge, and consequently of morality, is the great aim of such a noble establishment as this; and the rewards and honours dispensed there are bestowed in proportion to the industry and good conduct of those who receive them. If the offences of freshmen outside the walls be unvisited by the university from wariness in the offenders, or the impossibility of controlling them, they are certain to meet with a just estimation of their demerit here; and, as before noticed, this is perhaps the best mode of repressing them. The assistance derived by the industrious student from the university itself is invaluable. The very locality is an aid to progress. Where can there be places more favourable for thought than those noble buildings, ancient halls, and delightful walks? Everything invites to contemplation. Magdalen always seemed to me as if soliciting the student's presence in a peculiar manner. A favourite resort of mine, at certain times, was the road passing the Observatory, leading to Woodstock. But of all the college walks, those of Magdalen were the more impressive and attractive. It appeared to embody the whole of the noble city in its own personification, as a single word will sometimes express the pith of an entire sentence. The "Mighty Tom" in the olden time, even of Walter de Mapes, if its metal was then out of the ore, never sounded (then perhaps not nine) but the midnight hour, to that worthy archdeacon, with more of the character of its locality, than the visual aspect of Magdalen represents the beautiful city to one in its entirety. It seems a sort of metonymy; Maudlin put for Oxford. The walk is, after all, but a sober path, worthy by association with one of the walks of Eden. Yet it shows no gay foliage, nor "shade above shade a woody theatre," such as is seen on a mountain declivity. It is a simple shadowy walk--shadowy to richness, cool, tranquil, redolent of freshness. There the soul feels "private, inactive, calm, contemplative," linked to things that were and are not. The mellow hue of time, not yet stricken by decay, clothes the buildings of this college, which, compared with other edifices more steeped in maturity of years, occupies, as it were, a middle term in existence.

The variety of building in this city is amazing, and would occupy a very considerable time to study even imperfectly. At a little distance no place impresses the mind more justly with its own lofty pretensions. The towers, steeples, and domes, rising over the masses of foliage beneath, which conceal the bodies of the edifices, seen at the break of morning or at sunset, appear in great beauty. Bathed in light, although not the "alabaster tipped with golden spires" of the poet, for even the climate of Oxford is no exception to the defacement of nature's colouring, everywhere that coal smoke ascends; but the tout ensemble is truly poetical and magnificent.

Oriel still, they say, maintains its precedency of teaching its students how to conduct themselves with a view to university honours, and to the world's respect. The preliminary examinations there have proved a touchstone of merit, and elevated Oriel College into something near the envy of every other in this country. Worthy Oriel, the star of Oxford. "I don't know how it is," said the Rev. C. C., walking down High Street one day, "but Oriel College is all I envy Oxford. It is the richest gem in the ephod of the high-priest (vice-chancellor) of this university. I should like to steal and transplant it to my Alma Mater among the fens."

There was formerly a Welsh harper in Oxford, whom the collegians sometimes denominated King David. He was the first of the Cymri brotherhood I ever heard perform. Since that distant day I have often heard those minstrels in their native land, particularly in North Wales, at Bedd Gelert, Caernarvon, and other places, but I confess I never was so much struck as by this Oxford harper. He often played at the Angel, where the university men used to group round him, for he excited general admiration. His music was not of so plaintive a character as that in his own land, or else the scenery of the latter had some effect in saddening the music there through association--perhaps this difference was, after all, only in fancy.

Christchurch, the noblest of the churches! How have I heard with delight its merry peal of bells, and the deep resonance of the "Mighty Tom," that sounds with no "friendly voice" the call home of the students still, I presume, as it did so many years ago! There is a long list of names, of no mean reputation, educated here, since the rapacious Henry VIII. seized the foundations, which had belonged to Cardinal Wolsey. The gratitude of posterity, never very strong, has in the present case preserved the remembrance of Wolsey, if I recollect aright, by a statue of the proud man in his cardinal's robes. The grove of trees belonging to Christchurch, and the scenery accompanying the entire buildings, are eminently impressive. Here, when divine service is celebrating, there is a peculiar propriety, or rather adaptation of the architecture to the feeling; the trees, and every accompaniment, are suitable to the end. There is religion or its sentiment addressing the mind here through every sense. All that can raise devotion in external appliances, combines in a wonderful manner; and when the sound of the organ is reverberated deeply along the vaulted roofs and walls, the effect was indescribably fine. Christchurch walk or meadow is an adjunct to this college, such as few places possess. I have trod it with those who will never tread it again. I have skimmed over its smooth shaven surface when life seemed a vista of unmeasured years. Its very beauty touches upon a melancholy chord, since it vibrates the sound of time passed away with those who lie in dust in distant climates, of whom memory alone is now the only record that they were and are not.

I remember being told by an eminent, but aged doctor in divinity, who had been the better part of his life employed in the education of youth, that he had kept an account of the history of all his pupils as far as he could obtain it, and they were very numerous. From his own tuition--and there were some celebrated names amongst them--he traced them to the university, or to professions of a more active nature than a sojourn at the university would allow. To Oxford he had sent the larger number of his pupils. "And afterwards, doctor?" "Some came off nobly there: others I heard of in distant parts of the globe in their country's service: but it is the common tale with nearly all of them--they are dead." What hosts, I often thought, who had moved among, the deep shades of this university until it became entwined with their earliest affections --who had studied within those embattled walls until the sight of them became almost a part of his existence --what hosts of such have but served to swell the waters of oblivion, and press the associations of a common mortality upon the mind in the reflection on this very truism! The late Sir Egerton Brydges--a writer whose talents, though admitted, were never received as they merited to have been by the world, owing, perhaps, to an untoward disposition in other respects--was of opinion that the calmness and seclusion of a university were not best adapted for calling forth the efforts of genius; but that adversity and some struggling were necessary to bring out greatness of character. He thought that praise enervated the mind, and that to bear it required a much greater degree of fortitude than to withstand censure. The consequence of this would be, that the honours decreed in a university must be pernicious to youth. This cannot be conceded. Sir Egerton's notion may be just in relation to himself, or to one or two temperaments irregularly constituted; but a university exists not for the exceptions, but for the many. How numerous is the list of those who, but for the fostering care of Oxford or Cambridge, would have never been known as the ornament and delight of their fellow-men! How much more numerous is the list of those, whose abilities not rising beyond the circle of social usefulness have lived "obscure to fame," yet owe the pleasure they imparted to their friends, and the beguilement of many troubles inseparable from mortality, to the fruits of their university studies, and to a partial unrolling before them of that map of knowledge, which before those of loftier claims and some hold upon fame had been more amply displayed! In this view of the matter, the justness of which cannot be contested, the utility of such foundations is boundless. The effect upon the social body.-- I do not speak of polemics, but of the sound instruction thus made available--cannot be estimated. In the midst of fluctuating systems of instruction, it is something to have a standard by which to test the measure of knowledge imparted to youth. If accused of being restricted in variety of knowledge, the perfection and mastery in what is taught must be conceded to Oxford and Cambridge. Perhaps there is too much reason to fear, that without these foundations we should speedily fall into a very superficial knowledge, indeed, of the classical languages of antiquity. This would be to exclude ourselves from an acquaintance with all past time, except in monkish fiction and the feudal barbarism of the Goths of the north.

There are, I verily believe, or I should rather say there were, imbibed at the university so many attachments at one time to words in place of things, that the collegian in after life became liable to reproach upon this head. Pedants are bred everywhere out of literature, and the variety in verbiage once exhibited by some university men has been justly condemned. But while such word-worms were crawling here and there out of the porches of our colleges, giants in acquirement were striding over them in their petty convolutions. Their intertwinings attracted the attention of the mere gazer, who is always more stricken with any microcosmic object that comes casually in the way and is embraced at a glance, than with objects the magnitude of which demand repeated examinations. But all this while the great and glorious spring of knowledge was unpolluted. The reign of mere verbiage passed away; the benefits of the universities had never ceased to be imparted the whole time. The key to the better stores of knowledge was placed in the hands of every one who chose to avail himself of its advantages. The minds of the collegians were filled with an affection for the works of the writers of antiquity, which have been the guide, solace, and pleasure of the greatest and most accomplished men since the Christian era commenced. Studies will teach their own use in after life "by the wisdom that is about them and above them, won by observation," as a great writer observes; but then there must be the studies.

There seems of late years much less of that feeling for poetry than once existed; the same may be observed in respect to classical learning. Few now regard how perished nations lived and passed away,--how men thought, acted, and were moved, for example, in the time of Pericles or the Roman Augustus. What are they to us? What is blind Meonides to us, or that Roman who wrote odes so beautifully--who understood so well the philosophy of life and the poetry of life at the spring of Bardusia? In the past generation, a part of the adolescent being and of manhood extended a kindly feeling towards them. We hear no admiration of those immortal strains now. We must turn for them to our universities. People are getting shy of them, as rich men shirk poor friends. Are we in the declining state, that of "mechanical arts and merchandize," to use Lord Bacon's phrase, and is our middle age of learning past? Even then, thank Heaven, we have our universities still, where we may, for a time at least, enter and converse with the spirits of the good, that "sit in the clouds and mock" the rest of the greedy world. They will last our time--glorious mementos of the anxiety of our forefathers for the preservation of learning; hallowed by grateful recollections, by time, renown, virtue, conquests over ignorance, imperishable gratitude, a proud roll of mighty names in their sons, and the prospect of continuing to be monuments of glory to unborn generations. Long may Oxford and Cambridge stand and brighten with years, though to some they may not, as they do to me, exhibit a title to the gratitude and admiration of Old England, to which it would be difficult to point out worthy rivals.

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ENGLAND'S FORGOTTEN WORTHIES

The Reformation, the Antipodes, the American Continent, the Planetary system, and the Infinite deep of the Heavens have now become common and familiar facts to us. Globes and orreries are the playthings of our school-days; we inhale the spirit of Protestantism with our earliest breath of consciousness; it is all but impossible to throw back our imagination into the time when, as new grand discoveries, they stirred every mind which they touched with awe and wonder at the revelation which God had sent down among mankind. Vast spiritual and material continents lay for the first time displayed, opening fields of thought and fields of enterprise of which none could conjecture the limit. Old routine was broken up. Men were thrown back on their own strength and their own power, unshackled to accomplish whatever they might dare. And although we do not speak of these discoveries as the cause of that enormous force of heart and intellect which accompanied them (for they were as much the effect as the cause, and one reacted on the other), yet at any rate they afforded scope and room for the play of powers which, without such scope, let them have been as transcendent as they would, must have passed away unproductive and blighted.

An earnest faith in the supernatural, an intensely real conviction of the divine and devilish forces by which the universe was guided and misguided, was the inheritance of the Elizabethan age from Catholic Christianity. The fiercest and most lawless men did then really and truly believe in the actual personal presence of God or the devil in every accident, or scene, or action. They brought to the contemplation of the new heaven and the new earth an imagination saturated with the spiritual convictions of the old era, which were not lost, but only infinitely expanded. The planets whose vastness they now learnt to recognize were, therefore, only the more powerful for evil or for good; the tides were the breathing of Demogorgon; and the idolatrous American tribes were real worshippers of the real devil, and were assisted with the full power of his evil army.

It is a form of thought which, however in a vague and general way we may continue to use its phraseology, has become, in its detailed application to life, utterly strange to us. We congratulate ourselves on the enlargement of our understanding when we read the decisions of grave law-courts in cases of supposed witchcraft; we smile complacently over Raleigh's story of the island of the Amazons, and rejoice that we are not such as he--entangled in the cobwebs of effete and foolish superstition. The true conclusion is the opposite of the conclusion which we draw. That Raleigh and Bacon could believe what they believed, and could be what they were notwithstanding, is to us a proof that the injury which such mistakes can inflict is unspeakably insignificant: and arising, as they arose, from a never-failing sense of the real awfulness and mystery of the world, and of the life of human souls upon it, they witness to the presence in such minds of a spirit, the loss of which not the most perfect acquaintance with every law by which the whole creation moves can compensate. We wonder at the grandeur, the moral majesty, of some of Shakespeare's characters, so far beyond what the noblest among ourselves can imitate, and at first thought we attribute it to the genius of the poet who has outstripped nature in his creations; but we are misunderstanding the power and the meaning of poetry in attributing creativeness to it in any such sense; Shakespeare created, but only as the spirit of nature created around him, working in him as it worked abroad in those among whom he lived. The men whom he draws were such men as he saw and knew; the words they utter were such as he heard in the ordinary conversations in which he joined. At the Mermaid with Raleigh and with Sidney, and at a thousand un-named English firesides, he found the living originals for his Prince Hals, his Orlandos, his Antonios, his Portias, his Isabellas. The closer personal acquaintance which we can form with the English of the age of Elizabeth, the more we are satisfied that Shakespeare's great poetry is no more than the rhythmic echo of the life which it depicts.

It was, therefore, with no little interest that we heard of the formation of a society which was to employ itself, as we understood, in republishing in accessible form some, if not all, of the invaluable records compiled or composed by Richard Hakluyt. Books, like everything else, have their appointed death-day; the souls of them, unless they be found worthy of a second birth in a new body, perish with the paper in which they lived, and the early folio Hakluyts, not from their own want of merit, but from our neglect of them, were expiring of old age. The five-volume quarto edition, published in 1811, so little people then cared for the exploits of their ancestors, was but of 270 copies; it was intended for no more than for curious antiquaries, or for the great libraries, where it could be consulted as a book of reference; and among a people, the greater part of whom had never heard Hakluyt's name, the editors are scarcely to be blamed if it never so much as occurred to them that general readers would ever come to care to have it within their reach.