Chapter I: Part 1

Exiles

A Play in Three Acts

By James Joyce

Contents

First Act

Second Act

Third Act

Characters

RICHARD ROWAN, a writer. BERTHA. ARCHIE, their son, aged eight years. ROBERT HAND, journalist. BEATRICE JUSTICE, his cousin, music teacher. BRIGID, an old servant of the Rowan family. A FISHWOMAN.

At Merrion and Ranelagh, suburbs of Dublin. Summer of the year 1912.

First Act

_The drawingroom in Richard Rowan’s house at Merrion, a suburb of Dublin. On the right, forward, a fireplace, before which stands a low screen. Over the mantelpiece a giltframed glass. Further back in the right wall, folding doors leading to the parlour and kitchen. In the wall at the back to the right a small door leading to a study. Left of this a sideboard. On the wall above the sideboard a framed crayon drawing of a young man. More to the left double doors with glass panels leading out to the garden. In the wall at the left a window looking out on the road. Forward in the same wall a door leading to the hall and the upper part of the house. Between the window and door a lady’s davenport stands against the wall. Near it a wicker chair. In the centre of the room a round table. Chairs, upholstered in faded green plush, stand round the table. To the right, forward, a smaller table with a smoking service on it. Near it an easychair and a lounge. Cocoanut mats lie before the fireplace, beside the lounge and before the doors. The floor is of stained planking. The double doors at the back and the folding doors at the right have lace curtains, which are drawn halfway. The lower sash of the window is lifted and the window is hung with heavy green plush curtains. The blind is pulled down to the edge of the lifted lower sash. It is a warm afternoon in June and the room is filled with soft sunlight which is waning._

[Brigid _and_ Beatrice Justice come in by the door on the left. Brigid is an elderly woman, lowsized, with irongrey hair._ Beatrice Justice _is a slender dark young woman of 27 years. She wears a wellmade navyblue costume and an elegan simply trimmed black straw hat, and carries a small portfolioshaped handbag.]

BRIGID. The mistress and Master Archie is at the bath. They never expected you. Did you send word you were back, Miss Justice?

BEATRICE. No. I arrived just now.

BRIGID. [_Points to the easychair._] Sit down and I’ll tell the master you are here. Were you long in the train?

BEATRICE. [_Sitting down._] Since morning.

BRIGID. Master Archie got your postcard with the views of Youghal. You’re tired out, I’m sure.

BEATRICE. O, no. [_She coughs rather nervously._] Did he practise the piano while I was away?

BRIGID. [_Laughs heartily._] Practice, how are you! Is it Master Archie? He is mad after the milkman’s horse now. Had you nice weather down there, Miss Justice?

BEATRICE. Rather wet, I think.

BRIGID. [_Sympathetically._] Look at that now. And there is rain overhead too. [_Moving towards the study._] I’ll tell him you are here.

BEATRICE. Is Mr Rowan in?

BRIGID. [_Points._] He is in his study. He is wearing himself out about something he is writing. Up half the night he does be. [_Going._] I’ll call him.

BEATRICE. Don’t disturb him, Brigid. I can wait here till they come back if they are not long.

BRIGID. And I saw something in the letterbox when I was letting you in. [_She crosses to the study door, opens it slightly and calls._] Master Richard, Miss Justice is here for Master Archie’s lesson.

[Richard Rowan _comes in from the study and advances towards_ Beatrice, holding out his hand. He is a tall athletic young man of a rather lazy carriage. He has light brown hair and a moustache and wears glasses. He is dressed in loose lightgrey tweed.]

RICHARD. Welcome.

BEATRICE. [_Rises and shakes hands, blushing slightly._] Good afternoon, Mr Rowan. I did not want Brigid to disturb you.

RICHARD. Disturb me? My goodness!

BRIGID. There is something in the letterbox, sir.

RICHARD. [_Takes a small bunch of keys from his pocket and hands them to her._] Here.

[Brigid _goes out by the door at the left and is heard opening and closing the box. A short pause. She enters with two newspapers in her hands._]

RICHARD. Letters?

BRIGID. No, sir. Only them Italian newspapers.

RICHARD. Leave them on my desk, will you?

[Brigid _hands him back the keys, leaves the newspapers in the study, comes out again and goes out by the folding doors on the right._]

RICHARD. Please, sit down. Bertha will be back in a moment.

[Beatrice _sits down again in the easychair._ Richard _sits beside the table._]

RICHARD. I had begun to think you would never come back. It is twelve days since you were here.

BEATRICE. I thought of that too. But I have come.

RICHARD. Have you thought over what I told you when you were here last?

BEATRICE. Very much.

RICHARD. You must have known it before. Did you? [_She does not answer._] Do you blame me?

BEATRICE. No.

RICHARD. Do you think I have acted towards you—badly? No? Or towards anyone?

BEATRICE. [_Looks at him with a sad puzzled expression._] I have asked myself that question.

RICHARD. And the answer?

BEATRICE. I could not answer it.

RICHARD. If I were a painter and told you I had a book of sketches of you you would not think it so strange, would you?

BEATRICE. It is not quite the same case, is it?

RICHARD. [_Smiles slightly._] Not quite. I told you also that I would not show you what I had written unless you asked to see it. Well?

BEATRICE. I will not ask you.

RICHARD. [_Leans forward, resting his elbows on his knees, his hands joined._] Would you like to see it?

BEATRICE. Very much.

RICHARD. Because it is about yourself?

BEATRICE. Yes. But not only that.

RICHARD. Because it is written by me? Yes? Even if what you would find there is sometimes cruel?

BEATRICE. [_Shyly._] That is part of your mind, too.

RICHARD. Then it is my mind that attracts you? Is that it?

BEATRICE. [_Hesitating, glances at him for an instant._] Why do you think I come here?

RICHARD. Why? Many reasons. To give Archie lessons. We have known one another so many years, from childhood, Robert, you and I—haven’t we? You have always been interested in me, before I went away and while I was away. Then our letters to each other about my book. Now it is published. I am here again. Perhaps you feel that some new thing is gathering in my brain; perhaps you feel that you should know it. Is that the reason?

BEATRICE. No.

RICHARD. Why, then?

BEATRICE. Otherwise I could not see you.

[_She looks at him for a moment and then turns aside quickly._]

RICHARD. [_After a pause repeats uncertainly._] Otherwise you could not see me?

BEATRICE. [_Suddenly confused._] I had better go. They are not coming back. [_Rising._] Mr Rowan, I must go.

RICHARD. [_Extending his arms._] But you are running away. Remain. Tell me what your words mean. Are you afraid of me?

BEATRICE. [_Sinks back again._] Afraid? No.

RICHARD. Have you confidence in me? Do you feel that you know me?

BEATRICE. [_Again shyly._] It is hard to know anyone but oneself.

RICHARD. Hard to know me? I sent you from Rome the chapters of my book as I wrote them; and letters for nine long years. Well, eight years.

BEATRICE. Yes, it was nearly a year before your first letter came.

RICHARD. It was answered at once by you. And from that on you have watched me in my struggle. [_Joins his hands earnestly._] Tell me, Miss Justice, did you feel that what you read was written for your eyes? Or that you inspired me?

BEATRICE. [_Shakes her head._] I need not answer that question.

RICHARD. What then?

BEATRICE. [_Is silent for a moment._] I cannot say it. You yourself must ask me, Mr Rowan.

RICHARD. [_With some vehemence._] Then that I expressed in those chapters and letters, and in my character and life as well, something in your soul which you could not—pride or scorn?

BEATRICE. Could not?

RICHARD. [_Leans towards her._] Could not because you dared not. Is that why?

BEATRICE. [_Bends her head._] Yes.

RICHARD. On account of others or for want of courage—which?

BEATRICE. [_Softly._] Courage.

RICHARD. [_Slowly._] And so you have followed me with pride and scorn also in your heart?

BEATRICE. And loneliness.

[_She leans her head on her hand, averting her face. Richard rises and walks slowly to the window on the left. He looks out for some moments and then returns towards her, crosses to the lounge and sits down near her._]

RICHARD. Do you love him still?

BEATRICE. I do not even know.

RICHARD. It was that that made me so reserved with you—then—even though I felt your interest in me, even though I felt that I too was something in your life.

BEATRICE. You were.

RICHARD. Yet that separated me from you. I was a third person, I felt. Your names were always spoken together, Robert and Beatrice, as long as I can remember. It seemed to me, to everyone...

BEATRICE. We are first cousins. It is not strange that we were often together.

RICHARD. He told me of your secret engagement with him. He had no secrets from me; I suppose you know that.

BEATRICE. [_Uneasily._] What happened—between us—is so long ago. I was a child.

RICHARD. [_Smiles maliciously._] A child? Are you sure? It was in the garden of his mother’s house. No? [_He points towards the garden._] Over there. You plighted your troth, as they say, with a kiss. And you gave him your garter. Is it allowed to mention that?

BEATRICE. [_With some reserve._] If you think it worthy of mention.

RICHARD. I think you have not forgotten it. [_Clasping his hands quietly._] I do not understand it. I thought, too, that after I had gone... Did my going make you suffer?

BEATRICE. I always knew you would go some day. I did not suffer; only I was changed.

RICHARD. Towards him?

BEATRICE. Everything was changed. His life, his mind, even, seemed to change after that.

RICHARD. [_Musing._] Yes. I saw that you had changed when I received your first letter after a year; after your illness, too. You even said so in your letter.

BEATRICE. It brought me near to death. It made me see things differently.

RICHARD. And so a coldness began between you, little by little. Is that it?

BEATRICE. [_Half closing her eyes._] No. Not at once. I saw in him a pale reflection of you: then that too faded. Of what good is it to talk now?

RICHARD. [_With a repressed energy._] But what is this that seems to hang over you? It cannot be so tragic.

BEATRICE. [_Calmly._] O, not in the least tragic. I shall become gradually better, they tell me, as I grow older. As I did not die then they tell me I shall probably live. I am given life and health again—when I cannot use them. [_Calmly and bitterly._] I am convalescent.

RICHARD. [_Gently._] Does nothing then in life give you peace? Surely it exists for you somewhere.

BEATRICE. If there were convents in our religion perhaps there. At least, I think so at times.

RICHARD. [_Shakes his head._] No, Miss Justice, not even there. You could not give yourself freely and wholly.

BEATRICE. [_Looking at him._] I would try.

RICHARD. You would try, yes. You were drawn to him as your mind was drawn towards mine. You held back from him. From me, too, in a different way. You cannot give yourself freely and wholly.

BEATRICE. [_Joins her hands softly._] It is a terribly hard thing to do, Mr Rowan—to give oneself freely and wholly—and be happy.

RICHARD. But do you feel that happiness is the best, the highest that we can know?

BEATRICE. [_With fervour._] I wish I could feel it.

RICHARD. [_Leans back, his hands locked together behind his head._] O, if you knew how I am suffering at this moment! For your case, too. But suffering most of all for my own. [_With bitter force._] And how I pray that I may be granted again my dead mother’s hardness of heart! For some help, within me or without, I must find. And find it I will.

[_Beatrice rises, looks at him intently, and walks away toward the garden door. She turns with indecision, looks again at him and, coming back, leans over the easychair._]

BEATRICE. [_Quietly._] Did she send for you before she died, Mr Rowan?

RICHARD. [_Lost in thought._] Who?

BEATRICE. Your mother.

RICHARD. [_Recovering himself, looks keenly at her for a moment._] So that, too, was said of me here by my friends—that she sent for me before she died and that I did not go?

BEATRICE. Yes.

RICHARD. [_Coldly._] She did not. She died alone, not having forgiven me, and fortified by the rites of holy church.

BEATRICE. Mr Rowan, why did you speak to me in such a way?

RICHARD. [_Rises and walks nervously to and fro._] And what I suffer at this moment you will say is my punishment.

BEATRICE. Did she write to you? I mean before...

RICHARD. [_Halting._] Yes. A letter of warning, bidding me break with the past, and remember her last words to me.

BEATRICE. [_Softly._] And does death not move you, Mr Rowan? It is an end. Everything else is so uncertain.

RICHARD. While she lived she turned aside from me and from mine. That is certain.

BEATRICE. From you and from...?

RICHARD. From Bertha and from me and from our child. And so I waited for the end as you say; and it came.

BEATRICE. [_Covers her face with her hands._] O, no. Surely no.

RICHARD. [_Fiercely._] How can my words hurt her poor body that rots in the grave? Do you think I do not pity her cold blighted love for me? I fought against her spirit while she lived to the bitter end. [_He presses his hand to his forehead._] It fights against me still—in here.

BEATRICE. [_As before._] O, do not speak like that.

RICHARD. She drove me away. On account of her I lived years in exile and poverty too, or near it. I never accepted the doles she sent me through the bank. I waited, too, not for her death but for some understanding of me, her own son, her own flesh and blood; that never came.

BEATRICE. Not even after Archie...?

RICHARD. [_Rudely._] My son, you think? A child of sin and shame! Are you serious? [_She raises her face and looks at him._] There were tongues here ready to tell her all, to embitter her withering mind still more against me and Bertha and our godless nameless child. [_Holding out his hands to her._] Can you not hear her mocking me while I speak? You must know the voice, surely, the voice that called you _the black protestant_, the pervert’s daughter. [_With sudden selfcontrol._] In any case a remarkable woman.

BEATRICE. [_Weakly._] At least you are free now.

RICHARD. [_Nods._] Yes, she could not alter the terms of my father’s will nor live for ever.

BEATRICE. [_With joined hands._] They are both gone now, Mr Rowan. They both loved you, believe me. Their last thoughts were of you.

RICHARD. [_Approaching, touches her lightly on the shoulder, and points to the crayon drawing on the wall._] Do you see him there, smiling and handsome? His last thoughts! I remember the night he died. [_He pauses for an instant and then goes on calmly._] I was a boy of fourteen. He called me to his bedside. He knew I wanted to go to the theatre to hear _Carmen_. He told my mother to give me a shilling. I kissed him and went. When I came home he was dead. Those were his last thoughts as far as I know.

BEATRICE. The hardness of heart you prayed for... [_She breaks off._]

RICHARD. [_Unheeding._] That is my last memory of him. Is there not something sweet and noble in it?

BEATRICE. Mr Rowan, something is on your mind to make you speak like this. Something has changed you since you came back three months ago.

RICHARD. [_Gazing again at the drawing, calmly, almost gaily._] He will help me, perhaps, my smiling handsome father.

[_A knock is heard at the hall door on the left._]

RICHARD. [_Suddenly._] No, no. Not the smiler, Miss Justice. The old mother. It is her spirit I need. I am going.

BEATRICE. Someone knocked. They have come back.

RICHARD. No, Bertha has a key. It is he. At least, I am going, whoever it is.

[_He goes out quickly on the left and comes back at once with his straw hat in his hand._]

BEATRICE. He? Who?

RICHARD. O, probably Robert. I am going out through the garden. I cannot see him now. Say I have gone to the post. Goodbye.

BEATRICE. [_With growing alarm._] It is Robert you do not wish to see?

RICHARD. [_Quietly._] For the moment, yes. This talk has upset me. Ask him to wait.

BEATRICE. You will come back?

RICHARD. Please God.

[_He goes out quickly through the garden. Beatrice makes as if to follow him and then stops after a few paces. Brigid enters by the folding doors on the right and goes out on the left. The hall door is heard opening. A few seconds after Brigid enters with Robert Hand. Robert Hand is a middlesized, rather stout man between thirty and forty. He is cleanshaven, with mobile features. His hair and eyes are dark and his complexion sallow. His gait and speech are rather slow. He wears a dark blue morning suit and carries in his hand a large bunch of red roses wrapped in tissue paper._]

ROBERT. [_Coming towards her with outstretched hand which she takes._] My dearest coz! Brigid told me you were here. I had no notion. Did you send mother a telegram?

BEATRICE. [_Gazing at the roses._] No.

ROBERT. [_Following her gaze._] You are admiring my roses. I brought them to the mistress of the house. [_Critically._] I am afraid they are not nice.

BRIGID. O, they are lovely, sir. The mistress will be delighted with them.

ROBERT. [_Lays the roses carelessly on a chair out of sight._] Is nobody in?

BRIGID. Yes, sir. Sit down, sir. They’ll be here now any moment. The master was here.

[_She looks about her and with a half curtsey goes out on the right._]

ROBERT. [_After a short silence._] How are you, Beatty? And how are all down in Youghal? As dull as ever?

BEATRICE. They were well when I left.

ROBERT. [_Politely._] O, but I’m sorry I did not know you were coming. I would have met you at the train. Why did you do it? You have some queer ways about you, Beatty, haven’t you?

BEATRICE. [_In the same tone._] Thank you, Robert. I am quite used to getting about alone.

ROBERT. Yes, but I mean to say... O, well, you have arrived in your own characteristic way.

[_A noise is heard at the window and a boy’s voice is heard calling, ‘Mr Hand!’ Robert turns._]

By Jove, Archie, too, is arriving in a characteristic way!

[_Archie scrambles into the room through the open window on the left and then rises to his feet, flushed and panting. Archie is a boy of eight years, dressed in white breeches, jersey and cap. He wears spectacles, has a lively manner and speaks with the slight trace of a foreign accent._]

BEATRICE. [_Going towards him._] Goodness gracious, Archie! What is the matter?

ARCHIE. [_Rising, out of breath._] Eh! I ran all the avenue.

ROBERT. [_Smiles and holds out his hand._] Good evening, Archie. Why did you run?

ARCHIE. [_Shakes hands._] Good evening. We saw you on the top of the tram, and I shouted _Mr Hand!_ But you did not see me. But we saw you, mamma and I. She will be here in a minute. I ran.

BEATRICE. [_Holding out her hand._] And poor me!

ARCHIE. [_Shakes hands somewhat shyly._] Good evening, Miss Justice.

BEATRICE. Were you disappointed that I did not come last Friday for the lesson?

ARCHIE. [_Glancing at her, smiles._] No.

BEATRICE. Glad?

ARCHIE. [_Suddenly._] But today it is too late.

BEATRICE. A very short lesson?

ARCHIE. [_Pleased._] Yes.

BEATRICE. But now you must study, Archie.

ROBERT. Were you at the bath?

ARCHIE. Yes.

ROBERT. Are you a good swimmer now?

ARCHIE. [_Leans against the davenport._] No. Mamma won’t let me into the deep place. Can you swim well, Mr Hand?

ROBERT. Splendidly. Like a stone.

ARCHIE. [_Laughs._] Like a stone! [_Pointing down._] Down that way?

ROBERT. [_Pointing._] Yes, down; straight down. How do you say that over in Italy?

ARCHIE. That? _Giù._ [_Pointing down and up._] That is _giù_ and this is _su_. Do you want to speak to my pappie?

ROBERT. Yes. I came to see him.

ARCHIE. [_Going towards the study._] I will tell him. He is in there, writing.

BEATRICE. [_Calmly, looking at Robert._] No; he is out. He is gone to the post with some letters.

ROBERT. [_Lightly._] O, never mind. I will wait if he is only gone to the post.

ARCHIE. But mamma is coming. [_He glances towards the window._] Here she is!

[_Archie runs out by the door on the left. Beatrice walks slowly towards the davenport. Robert remains standing. A short silence. Archie and Bertha come in through the door on the left. Bertha is a young woman of graceful build. She has dark grey eyes, patient in expression, and soft features. Her manner is cordial and selfpossessed. She wears a lavender dress and carries her cream gloves knotted round the handle of her sunshade._]

BERTHA. [_Shaking hands._] Good evening, Miss Justice. We thought you were still down in Youghal.

BEATRICE. [_Shaking hands._] Good evening, Mrs Rowan.

BERTHA. [_Bows._] Good evening, Mr Hand.

ROBERT. [_Bowing._] Good evening, _signora!_ Just imagine, I didn’t know either she was back till I found her here.

BERTHA. [_To both._] Did you not come together?

BEATRICE. No. I came first. Mr Rowan was going out. He said you would be back any moment.

BERTHA. I’m sorry. If you had written or sent over word by the girl this morning...

BEATRICE. [_Laughs nervously._] I arrived only an hour and a half ago. I thought of sending a telegram but it seemed too tragic.

BERTHA. Ah? Only now you arrived?

ROBERT. [_Extending his arms, blandly._] I retire from public and private life. Her first cousin and a journalist, I know nothing of her movements.

BEATRICE. [_Not directly to him._] My movements are not very interesting.

ROBERT. [_In the same tone._] A lady’s movements are always interesting.

BERTHA. But sit down, won’t you? You must be very tired.

BEATRICE. [_Quickly._] No, not at all. I just came for Archie’s lesson.

BERTHA. I wouldn’t hear of such a thing, Miss Justice, after your long journey.

ARCHIE. [_Suddenly to Beatrice._] And, besides, you didn’t bring the music.

BEATRICE. [_A little confused._] That I forgot. But we have the old piece.

ROBERT. [_Pinching Archie’s ear._] You little scamp. You want to get off the lesson.

BERTHA. O, never mind the lesson. You must sit down and have a cup of tea now. [_Going towards the door on the right._] I’ll tell Brigid.

ARCHIE. I will, mamma. [_He makes a movement to go._]

BEATRICE. No, please Mrs Rowan. Archie! I would really prefer...

ROBERT. [_Quietly._] I suggest a compromise. Let it be a half-lesson.

BERTHA. But she must be exhausted.

BEATRICE. [_Quickly._] Not in the least. I was thinking of the lesson in the train.

ROBERT. [_To Bertha._] You see what it is to have a conscience, Mrs Rowan.

ARCHIE. Of my lesson, Miss Justice?

BEATRICE. [_Simply._] It is ten days since I heard the sound of a piano.

BERTHA. O, very well. If that is it...

ROBERT. [_Nervously, gaily._] Let us have the piano by all means. I know what is in Beatty’s ears at this moment. [_To Beatrice._] Shall I tell?

BEATRICE. If you know.

ROBERT. The buzz of the harmonium in her father’s parlour. [_To Beatrice._] Confess.

BEATRICE. [_Smiling._] Yes. I can hear it.

ROBERT. [_Grimly._] So can I. The asthmatic voice of protestantism.

BERTHA. Did you not enjoy yourself down there, Miss Justice?

ROBERT. [_Intervenes._] She did not, Mrs Rowan. She goes there on retreat, when the protestant strain in her prevails—gloom, seriousness, righteousness.

BEATRICE. I go to see my father.

ROBERT. [_Continuing._] But she comes back here to my mother, you see. The piano influence is from our side of the house.

BERTHA. [_Hesitating._] Well, Miss Justice, if you would like to play something... But please don’t fatigue yourself with Archie.

ROBERT. [_Suavely._] Do, Beatty. That is what you want.

BEATRICE. If Archie will come?

ARCHIE. [_With a shrug._] To listen.

BEATRICE. [_Takes his hand._] And a little lesson, too. Very short.

BERTHA. Well, afterwards you must stay to tea.

BEATRICE. [_To Archie._] Come.

[_Beatrice and Archie go out together by the door on the left. Bertha goes towards the davenport, takes off her hat and lays it with her sunshade on the desk. Then taking a key from a little flowervase, she opens a drawer of the davenport, takes out a slip of paper and closes the drawer again. Robert stands watching her._]

BERTHA. [_Coming towards him with the paper in her hand._] You put this into my hand last night. What does it mean?

ROBERT. Do you not know?

BERTHA. [_Reads._] _There is one word which I have never dared to say to you._ What is the word?

ROBERT. That I have a deep liking for you.

[_A short pause. The piano is heard faintly from the upper room._]

ROBERT. [_Takes the bunch of roses from the chair._] I brought these for you. Will you take them from me?

BERTHA. [_Taking them._] Thank you. [_She lays them on the table and unfolds the paper again._] Why did you not dare to say it last night?

ROBERT. I could not speak to you or follow you. There were too many people on the lawn. I wanted you to think over it and so I put it into your hand when you were going away.

BERTHA. Now you have dared to say it.

ROBERT. [_Moves his hand slowly past his eyes._] You passed. The avenue was dim with dusky light. I could see the dark green masses of the trees. And you passed beyond them. You were like the moon.

BERTHA. [_Laughs._] Why like the moon?

ROBERT. In that dress, with your slim body, walking with little even steps. I saw the moon passing in the dusk till you passed and left my sight.

BERTHA. Did you think of me last night?

ROBERT. [_Comes nearer._] I think of you always—as something beautiful and distant—the moon or some deep music.

BERTHA. [_Smiling._] And last night which was I?

ROBERT. I was awake half the night. I could hear your voice. I could see your face in the dark. Your eyes... I want to speak to you. Will you listen to me? May I speak?

BERTHA. [_Sitting down._] You may.

ROBERT. [_Sitting beside her._] Are you annoyed with me?

BERTHA. No.

ROBERT. I thought you were. You put away my poor flowers so quickly.

BERTHA. [_Takes them from the table and holds them close to her face._] Is this what you wish me to do with them?

ROBERT. [_Watching her._] Your face is a flower too—but more beautiful. A wild flower blowing in a hedge. [_Moving his chair closer to her._] Why are you smiling? At my words?

BERTHA. [_Laying the flowers in her lap._] I am wondering if that is what you say—to the others.

ROBERT. [_Surprised._] What others?

BERTHA. The other women. I hear you have so many admirers.

ROBERT. [_Involuntarily._] And that is why you too...?

BERTHA. But you have, haven’t you?

ROBERT. Friends, yes.

BERTHA. Do you speak to them in the same way?

ROBERT. [_In an offended tone._] How can you ask me such a question? What kind of person do you think I am? Or why do you listen to me? Did you not like me to speak to you in that way?

BERTHA. What you said was very kind. [_She looks at him for a moment._] Thank you for saying it—and thinking it.

ROBERT. [_Leaning forward._] Bertha!

BERTHA. Yes?

ROBERT. I have the right to call you by your name. From old times—nine years ago. We were Bertha—and Robert—then. Can we not be so now, too?

BERTHA. [_Readily._] O yes. Why should we not?

ROBERT. Bertha, you knew. From the very night you landed on Kingstown pier. It all came back to me then. And you knew it. You saw it.

BERTHA. No. Not that night.

ROBERT. When?

BERTHA. The night we landed I felt very tired and dirty. [_Shaking her head._] I did not see it in you that night.

ROBERT. [_Smiling._] Tell me what did you see that night—your very first impression.

BERTHA. [_Knitting her brows._] You were standing with your back to the gangway, talking to two ladies.

ROBERT. To two plain middleaged ladies, yes.

BERTHA. I recognized you at once. And I saw that you had got fat.

ROBERT. [_Takes her hand._] And this poor fat Robert—do you dislike him then so much? Do you disbelieve all he says?

BERTHA. I think men speak like that to all women whom they like or admire. What do you want me to believe?

ROBERT. All men, Bertha?

BERTHA. [_With sudden sadness._] I think so.

ROBERT. I too?

BERTHA. Yes, Robert. I think you too.

ROBERT. All then—without exception? Or with one exception? [_In a lower tone._] Or is he too—Richard too—like us all—in that at least? Or different?

BERTHA. [_Looks into his eyes._] Different.

ROBERT. Are you quite sure, Bertha?

BERTHA. [_A little confused, tries to withdraw her hand._] I have answered you.

ROBERT. [_Suddenly._] Bertha, may I kiss your hand? Let me. May I?

BERTHA. If you wish.

[_He lifts her hand to his lips slowly. She rises suddenly and listens._]

BERTHA. Did you hear the garden gate?

ROBERT. [_Rising also._] No.

[_A short pause. The piano can be heard faintly from the upper room._]

ROBERT. [_Pleading._] Do not go away. You must never go away now. Your life is here. I came for that too today—to speak to him—to urge him to accept this position. He must. And you must persuade him to. You have a great influence over him.

BERTHA. You want him to remain here.

ROBERT. Yes.

BERTHA. Why?

ROBERT. For your sake because you are unhappy so far away. For his sake too because he should think of his future.

BERTHA. [_Laughing._] Do you remember what he said when you spoke to him last night?

ROBERT. About...? [_Reflecting._] Yes. He quoted the _Our Father_ about our daily bread. He said that to take care for the future is to destroy hope and love in the world.

BERTHA. Do you not think he is strange?

ROBERT. In that, yes.

BERTHA. A little—mad?

ROBERT. [_Comes closer._] No. He is not. Perhaps we are. Why, do you...?

BERTHA. [_Laughs._] I ask you because you are intelligent.

ROBERT. You must not go away. I will not let you.

BERTHA. [_Looks full at him._] You?

ROBERT. Those eyes must not go away. [_He takes her hands._] May I kiss your eyes?

BERTHA. Do so.

[_He kisses her eyes and then passes his hand over her hair._]

ROBERT. Little Bertha!

BERTHA. [_Smiling._] But I am not so little. Why do you call me little?

ROBERT. Little Bertha! One embrace? [_He puts his arm around her._] Look into my eyes again.

BERTHA. [_Looks._] I can see the little gold spots. So many you have.

ROBERT. [_Delighted._] Your voice! Give me a kiss, a kiss with your mouth.

BERTHA. Take it.

ROBERT. I am afraid. [_He kisses her mouth and passes his hand many times over her hair._] At last I hold you in my arms!

BERTHA. And are you satisfied?

ROBERT. Let me feel your lips touch mine.

BERTHA. And then you will be satisfied?

ROBERT. [_Murmurs._] Your lips, Bertha!

BERTHA. [_Closes her eyes and kisses him quickly._] There. [_Puts her hands on his shoulders._] Why don’t you say: thanks?

ROBERT. [_Sighs._] My life is finished—over.

BERTHA. O, don’t speak like that now, Robert.

ROBERT. Over, over. I want to end it and have done with it.

BERTHA. [_Concerned but lightly._] You silly fellow!

ROBERT. [_Presses her to him._] To end it all—death. To fall from a great high cliff, down, right down into the sea.

BERTHA. Please, Robert...

ROBERT. Listening to music and in the arms of the woman I love—the sea, music and death.

BERTHA. [_Looks at him for a moment._] The woman you love?

ROBERT. [_Hurriedly._] I want to speak to you, Bertha—alone—not here. Will you come?

BERTHA. [_With downcast eyes._] I too want to speak to you.

ROBERT. [_Tenderly._] Yes, dear, I know. [_He kisses her again._] I will speak to you; tell you all; then. I will kiss you, then, long long kisses—when you come to me—long long sweet kisses.

BERTHA. Where?

ROBERT. [_In the tone of passion._] Your eyes. Your lips. All your divine body.

BERTHA. [_Repelling his embrace, confused._] I meant where do you wish me to come.

ROBERT. To my house. Not my mother’s over there. I will write the address for you. Will you come?

BERTHA. When?

ROBERT. Tonight. Between eight and nine. Come. I will wait for you tonight. And every night. You will?

[_He kisses her with passion, holding her head between his hands. After a few instants she breaks from him. He sits down._]

BERTHA. [_Listening._] The gate opened.

ROBERT. [_Intensely._] I will wait for you.

[_He takes the slip from the table. Bertha moves away from him slowly. Richard comes in from the garden._]

RICHARD. [_Advancing, takes off his hat._] Good afternoon.

ROBERT. [_Rises, with nervous friendliness._] Good afternoon, Richard.

BERTHA. [_At the table, taking the roses._] Look what lovely roses Mr Hand brought me.

ROBERT. I am afraid they are overblown.

RICHARD. [_Suddenly._] Excuse me for a moment, will you?

[_He turns and goes into his study quickly. Robert takes a pencil from his pocket and writes a few words on the slip; then hands it quickly to Bertha._]

ROBERT. [_Rapidly._] The address. Take the tram at Lansdowne Road and ask to be let down near there.

BERTHA. [_Takes it._] I promise nothing.

ROBERT. I will wait.

[_Richard comes back from the study._]

BERTHA. [_Going._] I must put these roses in water.

RICHARD. [_Handing her his hat._] Yes, do. And please put my hat on the rack.

BERTHA. [_Takes it._] So I will leave you to yourselves for your talk. [_Looking round._] Do you want anything? Cigarettes?

RICHARD. Thanks. We have them here.

BERTHA. Then I can go?

[_She goes out on the left with Richard’s hat, which she leaves in the hall, and returns at once; she stops for a moment at the davenport, replaces the slip in the drawer, locks it, and replaces the key, and, taking the roses, goes towards the right. Robert precedes her to open the door for her. She bows and goes out._]

RICHARD. [_Points to the chair near the little table on the right._] Your place of honour.

ROBERT. [_Sits down._] Thanks. [_Passing his hand over his brow._] Good Lord, how warm it is today! The heat pains me here in the eye. The glare.

RICHARD. The room is rather dark, I think, with the blind down but if you wish...

ROBERT. [_Quickly._] Not at all. I know what it is—the result of night work.

RICHARD. [_Sits on the lounge._] Must you?

ROBERT. [_Sighs._] Eh, yes. I must see part of the paper through every night. And then my leading articles. We are approaching a difficult moment. And not only here.

RICHARD. [_After a slight pause._] Have you any news?

ROBERT. [_In a different voice._] Yes. I want to speak to you seriously. Today may be an important day for you—or rather, tonight. I saw the vicechancellor this morning. He has the highest opinion of you, Richard. He has read your book, he said.

RICHARD. Did he buy it or borrow it?

ROBERT. Bought it, I hope.

RICHARD. I shall smoke a cigarette. Thirtyseven copies have now been sold in Dublin.

[_He takes a cigarette from the box on the table, and lights it._]

ROBERT. [_Suavely, hopelessly._] Well, the matter is closed for the present. You have your iron mask on today.

RICHARD. [_Smoking._] Let me hear the rest.

ROBERT. [_Again seriously._] Richard, you are too suspicious. It is a defect in you. He assured me he has the highest possible opinion of you, as everyone has. You are the man for the post, he says. In fact, he told me that, if your name goes forward, he will work might and main for you with the senate and I... will do my part, of course, in the press and privately. I regard it as a public duty. The chair of romance literature is yours by right, as a scholar, as a literary personality.

RICHARD. The conditions?

ROBERT. Conditions? You mean about the future?

RICHARD. I mean about the past.

ROBERT. [_Easily._] That episode in your past is forgotten. An act of impulse. We are all impulsive.

RICHARD. [_Looks fixedly at him._] You called it an act of folly, then—nine years ago. You told me I was hanging a weight about my neck.

ROBERT. I was wrong. [_Suavely._] Here is how the matter stands, Richard. Everyone knows that you ran away years ago with a young girl... How shall I put it?... with a young girl not exactly your equal. [_Kindly._] Excuse me, Richard, that is not my opinion nor my language. I am simply using the language of people whose opinions I don’t share.

RICHARD. Writing one of your leading articles, in fact.

ROBERT. Put it so. Well, it made a great sensation at the time. A mysterious disappearance. My name was involved too, as best man, let us say, on that famous occasion. Of course, they think I acted from a mistaken sense of friendship. Well, all that is known. [_With some hesitation._] But what happened afterwards is not known.

RICHARD. No?

ROBERT. Of course, it is your affair, Richard. However, you are not so young now as you were then. The expression is quite in the style of my leading articles, isn’t it?

RICHARD. Do you, or do you not, want me to give the lie to my past life?

ROBERT. I am thinking of your future life—here. I understand your pride and your sense of liberty. I understand their point of view also. However, there is a way out; it is simply this. Refrain from contradicting any rumours you may hear concerning what happened... or did not happen after you went away. Leave the rest to me.

RICHARD. You will set these rumours afloat?

ROBERT. I will. God help me.

RICHARD. [_Observing him._] For the sake of social conventions?

ROBERT. For the sake of something else too—our friendship, our lifelong friendship.

RICHARD. Thanks.

ROBERT. [_Slightly wounded._] And I will tell you the whole truth.

RICHARD. [_Smiles and bows._] Yes. Do, please.

ROBERT. Not only for your sake. Also for the sake of—your present partner in life.

RICHARD. I see.

[_He crushes his cigarette softly on the ashtray and then leans forward, rubbing his hands slowly._]

RICHARD. Why for her sake?

ROBERT. [_Also leans forward, quietly._] Richard, have you been quite fair to her? It was her own free choice, you will say. But was she really free to choose? She was a mere girl. She accepted all that you proposed.

RICHARD. [_Smiles._] That is your way of saying that she proposed what I would not accept.

ROBERT. [_Nods._] I remember. And she went away with you. But was it of her own free choice? Answer me frankly.

RICHARD. [_Turns to him, calmly._] I played for her against all that you say or can say; and I won.

ROBERT. [_Nodding again._] Yes, you won.

RICHARD. [_Rises._] Excuse me for forgetting. Will you have some whisky?

ROBERT. All things come to those who wait.

[_Richard goes to the sideboard and brings a small tray with the decanter and glasses to the table where he sets it down._]

RICHARD. [_Sits down again, leaning back on the lounge._] Will you please help yourself?

ROBERT. [_Does so._] And you? Steadfast? [_Richard shakes his head._] Lord, when I think of our wild nights long ago—talks by the hour, plans, carouses, revelry...

RICHARD. In our house.

ROBERT. It is mine now. I have kept it ever since though I don’t go there often. Whenever you like to come let me know. You must come some night. It will be old times again. [_He lifts his glass and drinks._] _Prosit!_

RICHARD. It was not only a house of revelry; it was to be the hearth of a new life. [_Musing._] And in that name all our sins were committed.

ROBERT. Sins! Drinking and blasphemy [_he points_] by me. And drinking and heresy, much worse [_he points again_] by you—are those the sins you mean?

RICHARD. And some others.

ROBERT. [_Lightly, uneasily._] You mean the women. I have no remorse of conscience. Maybe you have. We had two keys on those occasions. [_Maliciously._] Have you?

RICHARD. [_Irritated._] For you it was all quite natural?

ROBERT. For me it is quite natural to kiss a woman whom I like. Why not? She is beautiful for me.

RICHARD. [_Toying with the lounge cushion._] Do you kiss everything that is beautiful for you?

ROBERT. Everything—if it can be kissed. [_He takes up a flat stone which lies on the table._] This stone, for instance. It is so cool, so polished, so delicate, like a woman’s temple. It is silent, it suffers our passion; and it is beautiful. [_He places it against his lips._] And so I kiss it because it is beautiful. And what is a woman? A work of nature, too, like a stone or a flower or a bird. A kiss is an act of homage.

RICHARD. It is an act of union between man and woman. Even if we are often led to desire through the sense of beauty can you say that the beautiful is what we desire?

ROBERT. [_Pressing the stone to his forehead._] You will give me a headache if you make me think today. I cannot think today. I feel too natural, too common. After all, what is most attractive in even the most beautiful woman?

RICHARD. What?

ROBERT. Not those qualities which she has and other women have not but the qualities which she has in common with them. I mean... the commonest. [_Turning over the stone, he presses the other side to his forehead._] I mean how her body develops heat when it is pressed, the movement of her blood, how quickly she changes by digestion what she eats into—what shall be nameless. [_Laughing._] I am very common today. Perhaps that idea never struck you?

RICHARD. [_Drily._] Many ideas strike a man who has lived nine years with a woman.

ROBERT. Yes. I suppose they do.... This beautiful cool stone does me good. Is it a paperweight or a cure for headache?

RICHARD. Bertha brought it home one day from the strand. She, too, says that it is beautiful.

ROBERT. [_Lays down the stone quietly._] She is right.

[_He raises his glass and drinks. A pause._]

RICHARD. Is that all you wanted to say to me?

ROBERT. [_Quickly._] There is something else. The vicechancellor sends you, through me, an invitation for tonight—to dinner at his house. You know where he lives? [_Richard nods._] I thought you might have forgotten. Strictly private, of course. He wants to meet you again and sends you a very warm invitation.

RICHARD. For what hour?

ROBERT. Eight. But, like yourself, he is free and easy about time. Now, Richard, you must go there. That is all. I feel tonight will be the turningpoint in your life. You will live here and work here and think here and be honoured here—among our people.

RICHARD. [_Smiling._] I can almost see two envoys starting for the United States to collect funds for my statue a hundred years hence.

ROBERT. [_Agreeably._] Once I made a little epigram about statues. All statues are of two kinds. [_He folds his arms across his chest._] The statue which says: _How shall I get down?_ and the other kind [_he unfolds his arms and extends his right arm, averting his head_] the statue which says: _In my time the dunghill was so high._

RICHARD. The second one for me, please.

ROBERT. [_Lazily._] Will you give me one of those long cigars of yours?

[_Richard selects a Virginia cigar from the box on the table and hands it to him with the straw drawn out._]

ROBERT. [_Lighting it._] These cigars Europeanize me. If Ireland is to become a new Ireland she must first become European. And that is what you are here for, Richard. Some day we shall have to choose between England and Europe. I am a descendant of the dark foreigners: that is why I like to be here. I may be childish. But where else in Dublin can I get a bandit cigar like this or a cup of black coffee? The man who drinks black coffee is going to conquer Ireland. And now I will take just a half measure of that whisky, Richard, to show you there is no ill feeling.

RICHARD. [_Points._] Help yourself.

ROBERT. [_Does so._] Thanks. [_He drinks and goes on as before._] Then you yourself, the way you loll on that lounge: then your boy’s voice and also—Bertha herself. Do you allow me to call her that, Richard? I mean as an old friend of both of you.

RICHARD. O why not?

ROBERT. [_With animation._] You have that fierce indignation which lacerated the heart of Swift. You have fallen from a higher world, Richard, and you are filled with fierce indignation, when you find that life is cowardly and ignoble. While I... shall I tell you?

RICHARD. By all means.

ROBERT. [_Archly._] I have come up from a lower world and I am filled with astonishment when I find that people have any redeeming virtue at all.

RICHARD. [_Sits up suddenly and leans his elbows on the table._] You are my friend, then?

ROBERT. [_Gravely._] I fought for you all the time you were away. I fought to bring you back. I fought to keep your place for you here. I will fight for you still because I have faith in you, the faith of a disciple in his master. I cannot say more than that. It may seem strange to you... Give me a match.

RICHARD. [_Lights and offers him a match._] There is a faith still stranger than the faith of the disciple in his master.

ROBERT. And that is?

RICHARD. The faith of a master in the disciple who will betray him.

ROBERT. The church lost a theologian in you, Richard. But I think you look too deeply into life. [_He rises, pressing Richard’s arm slightly._] Be gay. Life is not worth it.

RICHARD. [_Without rising._] Are you going?

ROBERT. Must. [_He turns and says in a friendly tone._] Then it is all arranged. We meet tonight at the vicechancellor’s. I shall look in at about ten. So you can have an hour or so to yourselves first. You will wait till I come?

RICHARD. Good.

ROBERT. One more match and I am happy.

[_Richard strikes another match, hands it to him and rises also. Archie comes in by the door on the left, followed by Beatrice._]

ROBERT. Congratulate me, Beatty. I have won over Richard.

ARCHIE. [_Crossing to the door on the right, calls._] Mamma, Miss Justice is going.

BEATRICE. On what are you to be congratulated?

ROBERT. On a victory, of course. [_Laying his hand lightly on Richard’s shoulder._] The descendant of Archibald Hamilton Rowan has come home.

RICHARD. I am not a descendant of Hamilton Rowan.

ROBERT. What matter?

[_Bertha comes in from the right with a bowl of roses._]

BEATRICE. Has Mr Rowan...?

ROBERT. [_Turning towards Bertha._] Richard is coming tonight to the vicechancellor’s dinner. The fatted calf will be eaten: roast, I hope. And next session will see the descendant of a namesake of etcetera, etcetera in a chair of the university. [_He offers his hand._] Good afternoon, Richard. We shall meet tonight.

RICHARD. [_Touches his hand._] At Philippi.

BEATRICE. [_Shakes hands also._] Accept my best wishes, Mr Rowan.

RICHARD. Thanks. But do not believe him.

ROBERT. [_Vivaciously._] Believe me, believe me. [_To Bertha._] Good afternoon, Mrs Rowan.

BERTHA. [_Shaking hands, candidly._] I thank you, too. [_To Beatrice._] You won’t stay to tea, Miss Justice?

BEATRICE. No, thank you. [_Takes leave of her._] I must go. Good afternoon. Goodbye, Archie [_going_].

ROBERT. _Addio_, Archibald.

ARCHIE. _Addio_.

ROBERT. Wait, Beatty. I shall accompany you.

BEATRICE. [_Going out on the right with Bertha._] O, don’t trouble.

ROBERT. [_Following her._] But I insist—as a cousin.

[_Bertha, Beatrice and Robert go out by the door on the left. Richard stands irresolutely near the table. Archie closes the door leading to the hall and, coming over to him, plucks him by the sleeve._]

ARCHIE. I say, pappie!

RICHARD. [_Absently._] What is it?

ARCHIE. I want to ask you a thing.

RICHARD. [_Sitting on the end of the lounge, stares in front of him._] What is it?

ARCHIE. Will you ask mamma to let me go out in the morning with the milkman?

RICHARD. With the milkman?

ARCHIE. Yes. In the milkcar. He says he will let me drive when we get on to the roads where there are no people. The horse is a very good beast. Can I go?

RICHARD. Yes.

ARCHIE. Ask mamma now can I go. Will you?

RICHARD. [_Glances towards the door._] I will.

ARCHIE. He said he will show me the cows he has in the field. Do you know how many cows he has?

RICHARD. How many?

ARCHIE. Eleven. Eight red and three white. But one is sick now. No, not sick. But it fell.

RICHARD. Cows?

ARCHIE. [_With a gesture._] Eh! Not bulls. Because bulls give no milk. Eleven cows. They must give a lot of milk. What makes a cow give milk?

RICHARD. [_Takes his hand._] Who knows? Do you understand what it is to give a thing?

ARCHIE. To give? Yes.

RICHARD. While you have a thing it can be taken from you.

ARCHIE. By robbers? No?

RICHARD. But when you give it, you have given it. No robber can take it from you. [_He bends his head and presses his son’s hand against his cheek._] It is yours then for ever when you have given it. It will be yours always. That is to give.

ARCHIE. But, pappie?

RICHARD. Yes?

ARCHIE. How could a robber rob a cow? Everyone would see him. In the night, perhaps.

RICHARD. In the night, yes.

ARCHIE. Are there robbers here like in Rome?

RICHARD. There are poor people everywhere.

ARCHIE. Have they revolvers?

RICHARD. No.

ARCHIE. Knives? Have they knives?

RICHARD. [_Sternly._] Yes, yes. Knives and revolvers.

ARCHIE. [_Disengages himself._] Ask mamma now. She is coming.

RICHARD. [_Makes a movement to rise._] I will.

ARCHIE. No, sit there, pappie. You wait and ask her when she comes back. I won’t be here. I’ll be in the garden.

RICHARD. [_Sinking back again._] Yes. Go.

ARCHIE. [_Kisses him swiftly._] Thanks.

[_He runs out quickly by the door at the back leading into the garden. Bertha enters by the door on the left. She approaches the table and stands beside it, fingering the petals of the roses, looking at Richard._]

RICHARD. [_Watching her._] Well?

BERTHA. [_Absently._] Well. He says he likes me.

RICHARD. [_Leans his chin in his hand._] You showed him his note?

BERTHA. Yes. I asked him what it meant.

RICHARD. What did he say it meant?

BERTHA. He said I must know. I said I had an idea. Then he told me he liked me very much. That I was beautiful—and all that.

RICHARD. Since when!

BERTHA. [_Again absently._] Since when—what?

RICHARD. Since when did he say he liked you?

BERTHA. Always, he said. But more since we came back. He said I was like the moon in this lavender dress. [_Looking at him._] Had you any words with him—about me?

RICHARD. [_Blandly._] The usual thing. Not about you.

BERTHA. He was very nervous. You saw that?

RICHARD. Yes. I saw it. What else went on?

BERTHA. He asked me to give him my hand.

RICHARD. [_Smiling._] In marriage?

BERTHA. [_Smiling._] No, only to hold.

RICHARD. Did you?

BERTHA. Yes. [_Tearing off a few petals._] Then he caressed my hand and asked would I let him kiss it. I let him.

RICHARD. Well?

BERTHA. Then he asked could he embrace me—even once?... And then...

RICHARD. And then?

BERTHA. He put his arm round me.

RICHARD. [_Stares at the floor for a moment, then looks at her again._] And then?

BERTHA. He said I had beautiful eyes. And asked could he kiss them. [_With a gesture._] I said: _Do so._

RICHARD. And he did?

BERTHA. Yes. First one and then the other. [_She breaks off suddenly._] Tell me, Dick, does all this disturb you? Because I told you I don’t want that. I think you are only pretending you don’t mind. I don’t mind.